In parallel stories, a Ukrainian Jewish family prepares to immigrate to the United States in the late 1800s, and Frederic Auguste Bartholdi designs, raises funds for, and builds the Statue of Liberty in honor of the United States' centennial.

The specific course of the Reformation in England in the 16th-17th centuries brought about interest in the Jewish Bible, i.e. the Old Testament, and the emergence of a self-image held by the British that they constitute a people of the Book, beside the Jews. This, in turn, gave rise to philosemitism, which marked British culture from the days of Cromwell to those of Churchill, being tinged in various tones, from millenarianism to philo-Zionism. However, the tradition of philosemitism in England was accompanied by manifestations of antisemitism; the same people who extolled the Jews opposed their admission to Parliament; people who defended Jewish rights in the 18th-19th centuries often shared anti-Jewish stereotypes of their time; and leaders who sympathized with Zionism could believe in a Jewish conspiracy against Christian civilization. Ch. 4 (pp. 83-117), "Fictional Heroes and Heroines", deals with 19th-century literature and shows how some writers (e.g. Walter Scott, Dickens, Trollope) could combine philosemitic and antisemitic motifs in their literary works.

A heartbreaking story of loss and love. As autumn turns toward winter in 1938 Berlin, life for Marianne Kohn, a young Jewish girl, begins to crumble. First there was the burning of the neighbourhood shops. Then her father, a mild-mannered bookseller, must leave the family and go into hiding. No longer allowed to go to school or even sit in a caf�, Marianne's only comfort is her beloved mother. Things are bad, but could they get even worse? Based on true events, this fictional account of hatred and racism speaks volumes about both history and human nature.

A Jewish family fleeing Nazi Germany in 1938 endures innumerable separations before they are once again united.

"Spanning over five hundred years, a novel telling the stories of four girls from different generations of a Jewish family, many of them forced to leave their country and start a new life"--

Tired of being picked on at school for being a "furrin Immigrant" because he is Jewish, twelve-year-old Sammy Greenburg learns the legend of the golem from his bar mitzvah coach, but discovers that friends--and forming a klezmer fusion band--can be better than magic in defeating bullies.

Winner of the Prix de Rome and the National Jewish Book Award, these ten stories and the title novella, "Ellis Island," exhibit tremendous range and versatility of style and technique, yet are closely unified in their beauty and in their concern with enduring and universal questions.

"What if an empire of Jewish warriors that really existed in the Middle Ages had never fallen--and was the only thing standing between Hitler and his conquest of Russia? Eastern Europe, August 1942. The Khazar kaganate, an isolated nation of Turkic warrior Jews, lies between the Pontus Euxinus (the Black Sea) and the Khazar Sea (the Caspian). It also happens to lie between a belligerent nation to the west that the Khazars call Germania--and a city the rest of the world calls Stalingrad. After years of Jewish refugees streaming across the border from Europa, fleeing the war, Germania launches its siege of Khazaria. Only Esther, the daughter of the nation's chief policy adviser, sees the ominous implications of Germania's disregard for Jewish lives. Only she realizes that this isn't just another war but an existential threat. After witnessing the enemy warplanes' first foray into sovereign Khazar territory, Esther knows she must fight for her country. But as the elder daughter in a traditional home, her urgent question is how. Before daybreak one fateful morning, she embarks on a perilous journey across the open steppe. She seeks a fabled village of Kabbalists who may hold the key to her destiny: their rumored ability to change her into a man so that she may convince her entire nation to join in the fight for its very existence against an enemy like none Khazaria has ever faced before. The Book of Esther is a profound saga of war, technology, mysticism, power, and faith. This novel--simultaneously a steampunk Joan of Arc and a genre-bending tale of a counterfactual Jewish state by a writer who invents worlds "out of Calvino or Borges" (The New Yorker)--is a stunning achievement. Reminiscent of Michael Chabon's The Yiddish Policemen's Union and Philip Roth's The Plot Against America, The Book of Esther reaffirms Barton's place as one of her generation's most gifted storytellers"--

Dramatizations of aspects of American life seen through the comic or tragic predicament of American Jews.

"Is he the real deal... or did she truly summon a golem? Faye Kaplan used to be engaged. She also used to have a successful legal practice. But she much prefers her new life as a potter in Woodstock, New York. The only thing missing is the perfect guy. Not that she needs one. She's definitely happy alone. That is, until she finds her town papered with anti-Semitic flyers after yet another failed singles event at the synagogue. Desperate for comfort, Faye drunkenly turns to the only thing guaranteed to soothe her--pottery. A golem protector is just what her town needs... and adding all the little details to make him her ideal man can't hurt, right? When a seriously hot stranger mysteriously turns up the next day, Greg seems too good to be true--if you ignore the fact that Faye hit him with her bike. And that he subsequently lost his memory... But otherwise, the man checks Every. Single. Box. Causing Faye to wonder if Greg's sudden and spicy appearance might be anything but a coincidence"-- Back cover.

A collection of short stories follows a Russian Jewish family living in Toronto, covering twenty-three years in the life of Mark, from arguments with neighbors to his first sexual encounter with a cousin and the death of his grandfather.

"The romantic forested landscape of southwestern Germany in 1932 is the setting for the birth of a friendship that will haunt sixteen-year-old Hans Schwarz for the rest of his life. Hans is Jewish, the son of a middle-class doctor who is confident that the rise of the Nazis is only "a temporary illness" afflicting his beloved country. Hans's newest classmate, Count Konradin von Hohenfels, is a dazzling young aristocrat whose glamorous mother keeps a portrait of Hitler on her dresser. Hans is immediately drawn to Konradin, and thrilled when a close bond forms between the two boys, forged by common interests that set them apart from their classmates. But their loyalties are soon tested in ways they could not have imagined. Three decades later, from the vantage point of New York City, Hans once again confronts this life-shaping episode from his childhood, through a stunning revelation that he stumbles upon by chance. In its story of simple friendship undone by not-so-simple times, Reunion combines the explosive compression of a fable with the emotional depth of an epic novel many times its length. Everyman's Library pursues the highest production standards, printing on acid-free cream-colored paper, with full-cloth cases with two-color foil stamping, decorative endpapers, silk ribbon markers, European-style half-round spines, and a full-color illustrated jacket. Contemporary Classics include an introduction, a select bibliography, and a chronology of the author's life and times."--

"Ellen, an autistic thirteen-year-old, navigates a new city, shifting friendships, a growing crush, and her queer and Jewish identities while on a class trip to Barcelona, Spain"--

A Philip and Muriel Berman Edition Brodkey’s masterful stories explore the sources within his upbringing, including a non-Jewish education, that led him to seek the authentic voice that emerges in these pages.

Text: English (translation) Original Language: Yiddish

Ozick is a kind of narrative hypnotist. Her range is extraordinary; there is seemingly nothing she can't do. Her stories contain passages of intense lyricism and brilliant, hilarious, uncontainable inventiveness.

In four elegant chapters, Robert Alter explains the prismlike radiance created by the association of three modern masters, Franz Kafka, Walter Benjamin, and Gershom Scholem. The volume pinpoints the intersections of these divergent witnesses to the modern condition of doubt, the no-man's-land between traditional religion and modern secular culture.Scholem, the devoted Zionist and master historian of Jewish mysticism, and Benjamin, the Marxist cultural critic, dedicated much of their thought and correspondence to Kafka, the explorer in fiction of radical alienation. Kafka's sense of spiritual complexities was an inspiration to both thinkers in their resistance to the murderous simplification of totalitarian ideology. In Necessary Angels Alter uncovers a moment when the future of modernism is revealed in its preoccupation with the past. The angel of the title is first Kafka's: on June 25, 1914, the writer recorded in his diary a dream vision of an angel that turned into the painted wooden figurehead of a ship. In 1940, at the end of his life, Walter Benjamin devoted the ninth of his Theses on the Philosophy of History to a meditation on an angel by the artist Paul Klee, first quoting a poem he had written on that painting. In Benjamin's vision, the figure from Klee becomes an angel of history, sucked into the future by the storm of progress, his face looking back to Eden. Benjamin bequeathed the Klee oil painting to Scholem, it hung in the living room of Scholem's home on Abarbanel Streetin Jerusalem until 1989, when his widow placed it in the Israel Museum. Alter's focus on the epiphanic force of memory on these three great modernists shows with sometimes startling, sometimes prophetic clarity that a complete break with tradition is not essential to modernism. Necessary Angels itself continues the necessary discovery of the future in the past. --

Herman Wouk has ranged in his novels from the mighty narrative of The Caine Mutiny and the warm, intimate humor of Marjorie Morningstar to the global panorama of The Winds of War and War and Remembrance. All these powers merge in this major new work of nonfiction, The Will to Live On, an illuminating account of the worldwide revolution that has been sweeping over Jewry, set against a swiftly reviewed background of history, tradition, and sacred literature. Forty years ago, in his modern classic This Is My God, Herman Wouk stated the case for his religious beliefs and conduct. His aim in that work and in The Will to Live On has been to break through the crust of prejudice, to reawaken clearheaded thought about the magnificent Jewish patrimony, and to convey a message of hope for Jewish survival. Although the Torah and the Talmud are timeless, the twentieth century has brought earthquake shocks to the Jews: the apocalyptic experience of the Holocaust, the reborn Jewish state, the precarious American diaspora, and deepening religious schisms. After a lifetime of study, Herman Wouk examines the changes affecting the Jewish world, especially the troubled wonder of Israel, and the remarkable, though dwindling, American Jewry. The book is peppered with wonderful stories of the author's encounters with such luminaries as Ben Gurion, Isidor Rabi, Yitzhak Rabin, Saul Bellow, and Richard Feynan. Learned in general culture, warmly tolerant of other beliefs, this noted author expresses his own other beliefs, this noted author expresses his own faith with a passion that gives the book its fire and does so in the clear, engaging style tha-as in all Wouk's fiction -- makes the reader want to know what the next page will bring.

When the Nazis invade Czechoslovakia in 1942 life for Gabi, a Jewish girl, changes forever and will never be the same.