Navigating between the two worlds of wartime experiences in Europe and new life in Australia, this moving memoir of & a Holocaust & survivor is & imbued with an element of fiction. This deeply personal narrative travels from darkness to hope as the author loses his family at Auschwitz, spends the war in concentration camps, and ultimately emigrates to Australia with his wife, leading to an eventual restoration that remains colored by a tragic past.

"A luxuriously comic novel in which three awesome women of different generations raise Armageddon tempests in otherwise mild and humble familial teapots. Oldest of the volcanic trio is Malka--born in Russia and never popular ("no one would rise up to call her blessed") in New York, where she's discovered dead by her despised daughter Helen only after a half-hour of the usual one-sided conversation. And, alas, years later in California, Helen finds the spirit of Malka "Here she was back again"--in her own first-born, Marilyn: the grandmother's interior lava pit of fierce frustrations, her intelligence, scorn, and madness, "had been handed down intact and unmistakable." After all, Marilyn is horn screaming, swings the whip over her two sisters--good-natured Phyllis and meek Natalie and says she hates Helen (and means it); she's the kind of child who wouldn't clap for Tinker Bell. Marilyn is instead Daddy Lenny's girl--and with the keen aim of a stalking cheetah, she claims his total adoration. She even marries gentle CPA Ira merely because Daddy likes him, but later she shrugs off hubby and kids, pursuing her own law career. All this infuriates mama Helen, and after Lenny dies of cancer (a torment that nearly kills Marilyn too), full-scale war breaks out. Helen brings off a mating of Ira and dear, unprepossessing Natalie just when recuperating Marilyn is thinking of reacquiring him: Marilyn retaliates by ripping to pieces every one of Helen's plants. A cease-fire follows, true, yet at the close there are tiny inklings of revived sniper activity. . . Kohan's dialogue crackles; there are some marvelous originals (including a shrewd, Yiddish-accented Greek chorus in Lenny's mother); and there's a breadth of scale which admits both irony and hilarity, as giant passions are forced to play on a stage of Muppets Kohan (Save Me a Seat, 1979) is gaining in control and stature."--Kirkus

"In this new English translation, Nomburg's stories explore modern Jewish life in the growing cosmopolitan city of Warsaw: young intellectuals in pursuit of truth and beauty; working class fathers tempted by schemes for easy money; and teenagers caught between desire and tradition. By turns comic, satiric, and earnest, Nomberg's stories take the pulse of Warsaw's Jewish socity at the dawn of the 20th century." (page [4] of cover)

When Flora Elhayani is twelve years old, God appears to her through the television and suddenly, after being mute for two months, she can speak again. Flora changes her name to Ori, and acquires a new, fantastical vantage point of her life in the desert town of Netivot. Trying to decipher what the revelation holds for her, Ori comes across a rare series of young adult novels about a strange wonderland whose heroine plays special part in Ori's own coming of age. Twenty years later, we meet Ori again. She now lives in Tel Aviv, where she is married to a successful man and the mother of a little girl. She has become a writer for young adults, focusing her work on various Wonderland themes. Life is good until a second revelation, very different from the first, rattles the very foundations of her life and puts all in doubt. Sunburnt Faces examines the nature of revelation in a world in which the fantastical takes place only in situations of error and misunderstanding. But will the social and political nature of this world allow Ori to find the certainty without which she cannot live?