Most readers north of the Rio Grande are not aware that waves of immigrants have created an ethnically diverse culture in Latin America, a mosaic of particular visions and voices that includes a cohesive Jewish community with roots in Eastern Europe and as far back as pre-Columbian Spain. In this unique anthology, Ilan Stavans - who is at home both in Jewish and Latino cultures - introduces us to engaging writers, the histories of the different communities in which they emerged, their literary tradition and cultural predicament.

Life in a town in the north of England can be tough on a lad. Especially this lad. His mum is always embarrassing him; his dad is not around; and money is scarce. He falls out of a tree house trying to stop his friends from stealing school test answers -- and winds up with a broken leg. He wins second prize in an art contest -- but the drawing isn't his. And then he finds himself taking sides with a bunch of bullies when a new Jewish boy comes to school. If he doesn't act mean, the bullies will thump him, but he feels so guilty being mean.... No wonder he can't wait to swap. On the school exchange, he'll swap houses for a week with some posh lad from London. Who knows what he'll discover? George Layton brilliantly captures the balancing act of one boy's eleventh year, when he faces up to prejudice, poverty and pride, and unwittingly discovers who he is...and who he isn't.

‘Sinclair matches his brisk and original intelligence with an abundant yet sharply controlled prose that makes The Lady with the Laptop a hugely enjoyable and stimulating collection’ Nicholas Wroe, Independent ‘His natural irony is a consistently benevolent force, undermining prejudice, cultural division and paranoia . . . The Lady with the Laptop confirms him as a great observer of both the Jewish diaspora and the instability of any cultural identity’ Ra Page, Guardian ‘Sinclair is great fun, a canny court jester juggling big issues of life, death and cultural chaos, to the tune of a belly laugh’ Angela Neustatter, Literary Review ‘As the title suggests, there is a Chekovian theme running through the stories. They are laced with a wonderful black irony, but they are also very poignant’ Shena Mackay, Scotland on Sunday , Books of the Year ‘This outstanding collection should consolidate Clive Sinclair’s reputation as one of the most inventive writers working in the form today’ Elizabeth Lowry, Times Literary Supplement

Algorithmic Shapeshifting is the first poetry collection of Bogi Takács, winner of the Lambda award for editing Transcendent 2: The Year's Best Transgender Speculative Fiction, and finalist for the Hugo and Locus awards. The collection includes poems from the past decade and previously unpublished work. The scope of pieces extends from the present and past of Jewish life in Hungary and the United States to the far-future, outer-space reaches of the speculative—always with a sense of curiosity and wonder. “Bogi Takács is a poet of visceral exuberance and Talmudic invention. Moving as dazzlingly between genres as languages, e makes the reader eir kaleidoscope where ancient traditions, unenvisioned technologies, and children's toys tumble with ordinary, transcendent precision, imagining new ways of being and observing others signally extant. These poems draw blood and spark synapses, make dauntingly familiar and tenderly strange. You should let them change you.” Sonya Taaffe, author of Forget the Sleepless Shores “Bogi Takács's poetry is gleefully and unabashedly itself, pulling the reader through surreal worlds of visceral magic, body modification, political wit, and interpersonal devotion. Whether looking back into Talmudic history, forward into a science fictional psychic war, or sinking into the earth and growing flowers from its own eye sockets, "Algorithmic Shapeshifting" presents a voice that is consistently fresh, startling, and sincere.” Ada Hoffmann, author of The Outside

These vibrant short stories are about the lives of Jewish families in New York in the mid-twentieth century. But, in Kaplan's vision, everyday life, with its complexity, disorder, and comic subtleties can never obscure a deeper reality. Her sharp-eyed, quirky children and adults are haunted by history, both individual and collective. About this book, Cynthia Ozick said, "Johanna Kaplan's first book of stories blissfully renews character as fiction's chief adventure. Other People's Lives is the source of every intelligent joy, and restores to reading its old flavor of visits busy with crisis, comedy, wisdom, dreaming, irony, redemption." Other People's Lives won the Jewish Book Award, and the Ernest Hemingway-PEN Prize in 1976.

"This Darkness Will Never End, the first short story collection by the Hungarian-born author Edith Bruck, was published to acclaim in Italy in 1962. After World War II, Bruck, a Holocaust survivor, settled in Rome where she wrote her fable-like stories, recounting the lives of poor Jewish families in Europe before, during, and immediately following the war. In the title story, believed by some film scholars to have inspired the Oscar-winning movie Life Is Beautiful, a young girl shepherds her blind, sickly brother as they are deported. In "Matzoh Bread," a child gets a painful glimpse of anti-Semitism when a friend tells her a legend about the unleavened bread Jews eat at Passover. In one of the more colorful stories, a hapless father whose business partners swindle him over a horse only tells the truth when he's talking in his sleep. Beautifully translated from the Italian by Jeanne Bonner, these stories offer a glimpse into a bygone world. They testify to the resilience of survivors like Bruck, whom Italian critics initially compared to Anne Frank, deeming her the writer Anne would have become had she survived." -- Back cover.