Bellow's second novel charts the descent into paranoia of Asa Leventhal, sub-editor of a trade magazine. With his wife away visiting her mother, Asa is alone, but not for long. His sister-in-law summons him to Staten Island to help with his sick nephew. Other demands mount, and readers witness a man losing control. Copyright © Libri GmbH. All rights reserved.

Passionate, insightful, often funny, and exhibiting a linguistic richness few writers have equaled, the novels of Saul Bellow are among the defining achievements of postwar American literature. The Library of America volume Novels 1956–1964 opens with Seize the Day, a tightly wrought novella that, unfolding over the course of a single devastating day, explores the desperate predicament of the failed actor and salesman Tommy Wilhelm. The austere psychological portraiture of Seize the Day is followed by an altogether different book, Henderson the Rain King, the ebullient tale of the irresistible eccentric Eugene Henderson, best characterized by his primal mantra “I want! I want!” Beneath the novel’s comic surface lies an affecting parable of one man’s quest to know himself and come to terms with morality; like Don Quixote, Henderson is, as Bellow later described him, “an absurd seeker of high qualities.” Henderson’s irrepressible vitality is matched by that of Moses Herzog, the eponymous hero of Bellow’s best-selling 1964 novel. His wife having abandoned him for his best friend, Herzog is on the verge of mental collapse and has embarked on a furious letter-writing campaign as an outlet for his all-consuming rage. Bellow’s bravura performance in Herzog launched a new phase of his career, as literary acclaim was now joined by a receptive mass audience in America. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

Tired of being picked on at school for being a "furrin Immigrant" because he is Jewish, twelve-year-old Sammy Greenburg learns the legend of the golem from his bar mitzvah coach, but discovers that friends--and forming a klezmer fusion band--can be better than magic in defeating bullies.

Winner of the Prix de Rome and the National Jewish Book Award, these ten stories and the title novella, "Ellis Island," exhibit tremendous range and versatility of style and technique, yet are closely unified in their beauty and in their concern with enduring and universal questions.

Dramatizations of aspects of American life seen through the comic or tragic predicament of American Jews.

"Is he the real deal... or did she truly summon a golem? Faye Kaplan used to be engaged. She also used to have a successful legal practice. But she much prefers her new life as a potter in Woodstock, New York. The only thing missing is the perfect guy. Not that she needs one. She's definitely happy alone. That is, until she finds her town papered with anti-Semitic flyers after yet another failed singles event at the synagogue. Desperate for comfort, Faye drunkenly turns to the only thing guaranteed to soothe her--pottery. A golem protector is just what her town needs... and adding all the little details to make him her ideal man can't hurt, right? When a seriously hot stranger mysteriously turns up the next day, Greg seems too good to be true--if you ignore the fact that Faye hit him with her bike. And that he subsequently lost his memory... But otherwise, the man checks Every. Single. Box. Causing Faye to wonder if Greg's sudden and spicy appearance might be anything but a coincidence"-- Back cover.

During her college years, Renee Feuer, the product of a strict Orthodox Jewish household, works at liberating herself from the prohibitions of her upbringing, seeking freedom of the body and mind, and eventually marries Noah Himmel, a mathematical genius

Masterly collection of short stories by an American novelist at the height of her powers. It is the stories upon which Cynthia Ozick's literary reputation rests. She writes about bitterness, cruelty and compulsion with brutal acuity and tenderness. She has created a timeless collection in which Greek mythology, superstition and the religious and cultural experience of the Jewish diaspora in America collide. The Pagan Rabbi is seduced by a tree sprite after seeing his daughter rescued from drowning by a water sprite. Such ecstasy is not permitted to mortals and so the scholar must die. He hangs himself with his prayer shawl as he watches the strangely beautiful nymph decay. In Envy, a Yiddish poet who watches the success of a contemporary, becomes very like a character in an I.B. Singer story entrapped by his anguish and haunted by the memory of a child. In the Doctor's Wife, the most gentle of the stories, a poor doctor not unlike Chekhov endures family life in which he is adored by his three sisters and oppressed by his family obligations. In these stories, we see Ozick defining herself and her literary territory. The stories may be read purely as evocations of Jewish experience, where time seems to have by-passed these characters. In the Butterfly and the Traffic Light, Jerusalem is seen upon a hill as only it can be in legend, and America is said not to have cities scarred by battles. This is a dazzling collection of short stories by an internationally celebrated novelist.

Distinguished psychotherapist and survivor Elhanan Rosenbaum is losing his memory to an incurable disease. Never having spoken of the war years before, he resolves to tell his son about his past—the heroic parts as well as the parts that fill him with shame—before it is too late. Elhanan's story compels his son to go to the Romanian village where the crime that continues to haunt his father was committed. There he encounters the improbable wisdom of a gravedigger who leads him to the grave of his grandfather and to the truths that bind one generation to another.

"Historian Jonathan Ned Katz uncovers the forgotten story of radical lesbian feminist Eve Adams, and her long-lost book Lesbian Love. Born Chawa Zloczewer into a Jewish family in Poland, Eve Adams emigrated to the United States in 1912, took a new name, befriended anarchists, sold radical publications, and ran lesbian-and-gay-friendly speakeasies in Chicago and New York. Then, in 1925, Adams risked all to write and publish a book titled Lesbian Love. Adams's bold activism caught the attention of the young J. Edgar Hoover and the US Bureau of Investigation, leading to her surveillance and arrest. Adams was convicted of publishing an obscene book and of attempted sex with a policewoman sent to entrap her. Adams was jailed and then deported back to Europe, and ultimately murdered by Nazis in Auschwitz. In The Daring Life and Dangerous Times of Eve Adams, acclaimed historian Jonathan Ned Katz has recovered the extraordinary story of an early, daring activist. Carefully distinguishing fact from fiction, Katz presents the first biography of Adams, and the publisher reprints the long-lost text of Adams's rare, unique book Lesbian Love."--Publisher's website.

Radio actor Iron Rinn (born Ira Ringold) is a big Newark roughneck blighted by a brutal personal secret from which he is perpetually in flight. An idealistic Communist, a self-educated ditchdigger turned popular performer, a six-foot six-inch Abe Lincoln look-alike, he marries the nation's reigning radio actress and beloved silent-film star, the exquisite Eve Frame (born Chava Fromkin). Their marriage evolves from a glamorous, romantic idyll into a dispiriting soap opera of tears and treachery. And with Eve's dramatic revelation to the gossip columnist Bryden Grant of her husband's life of "espionage" for the Soviet Union, the relationship enlarges from private drama into national scandal. Set in the heart of the McCarthy era, the story of Iron Rinn's denunciation and disgrace brings to harrowing life the human drama that was central to the nation's political tribulations in the dark years of betrayal, the blacklist, and naming names. I Married a Communist is an American tragedy as only Philip Roth could write it.

"Living in terror-torn Jerusalem, Elise Margulies constantly fears for the safety of her loved ones. Confined to bedrest during a difficult pregnancy, she happily awaits the return of her husband and little girl from a ballet recital, only to find that her worst fears have finally been realized. All seems lost until a phone call to her grandmother in America unexpectedly revives a decades-old oath, creating a force that transends time and place, to rescue her loved ones. Over the course of five terror- and hope-filled days, the ties that bind two generations forge a potent alliance against contemporary evil"--Cover page 4.

This text provides an account of the turbulent romance of F. Scott Fitzgerald and Sheilah Graham. In July 1937 Scott Fitzgerald was broken in spirit, desperate for money and headed for Hollywood for work as a screenwriter - his one last shot at staying sober and re-establishing himself as a writer. There he met the young Sheilah Graham, a fledgling columnist who had transformed herself from a Jewish orphan from London's East End to a British aristocrat, determined to eradicate all traces of her squalid youth. Scott was fascinated by the gutsy Graham, she instinctively understood him and his demons and, together, they sought refuge from the glittering ferment of late-1930s Hollywood among friends such as Robert Benchley, Dorothy Parker and Ogden Nash.

Raised in Brooklyn, the son of Jewish immigrants, and coming of age in Depression-era New York, Bernard Malamud (1914-1986) began his career writing stories of unsparing precision and power, plumbing the depths of an impoverished urban world. His early, naturalistic style evolved into an inventive, often surreal idiom that blurs reality and fantasy. His first novel, The Natural (1952), is a dazzling reimagining of the possibilities of sports fiction, and it remains one of the greatest and most beloved novels about baseball ever written. In The Assistant (1957), Malamud created a searing drama of guilt and redemption about a struggling grocer's family and the mysterious drifter who comes to rob, and then to work at, his store, transforming all of their lives in unforeseen ways. Joining these novels are twenty-six short stories, ranging from the early tale "Armistice," set in Brooklyn during the troubling weeks of the German invasion of France in 1940, to one of his deepest and most celebrated stories, "The Magic Barrel," a deep fable about a rabbinical student and the matchmaker who leads him to an utterly unexpected bride--

Constantly trying to fend off attempts by her daughter to move her into assisted living, Esther Lustig, an elderly Jewish woman, finds herself lost in a world which has disappeared along with many who had inhabited it.

Laurel Wang knows that the ghost of her beloved great-grandfather lives in the oak tree outside her house. But now her grandparents are arriving from China, and the family must move to a bigger place, leaving the protective spirit behind. Twelve-year-old Jonathan and his family are moving into Laurel's house -- and he's not too happy either. He's living with a stepfather he can't stand and a dog he didn't choose; now he has to say goodbye to his old neighborhood and his wonderful Uncle Jake. But moving blues soon give way to angry ghosts, fortune cookies that predict the future, and a very scary accident, as the two teenagers with very different backgrounds join together to investigate a mystery and in the process discover something remarkable about each other.

In Russia, Molly and her mother didn't celebrate birthdays the way they do in America. When Molly's invited to a birthday party, she's excited to be able to taste a pink and white cake. Then something happens at Emma's party that Molly won't ever forget. She knows it's the week of Passover and she knows she shouldn't eat the cake. What should Molly do?

WINNER OF THE PULITZER PRIZE In the bustling streets of early 20th-century New York City, the stoop of a nondescript brownstone serves as the central stage for the intricate dramas and poignant narratives that unfold in Elmer Rice's seminal work, "Street Scene." Premiering in 1929 at the Playhouse Theatre in New York City, this evocative play offers a profound exploration of the human condition amidst the backdrop of a gritty urban landscape. At the heart of the narrative are the Maurrant family—Anna, Rose, and Frank—whose lives intertwine with those of their neighbors in profound and often tumultuous ways. Anna Maurrant, a woman grappling with issues of infidelity and disillusionment in her marriage, finds herself entangled in a web of secrets and desires. Her daughter, Rose, struggles to navigate the demands of her job and the oppressive presence of her father, Frank, whose domineering and sometimes abusive behavior casts a shadow over their household. Against this backdrop of familial strife, the character of Sam Kaplan emerges as a beacon of empathy and compassion. A Jewish neighbor deeply in love with Rose, Sam serves as both a confidant and a source of solace amidst the chaos of their urban existence. His unwavering devotion to Rose illuminates the complexities of love and longing in a world marked by social and economic divides. As the action unfolds entirely on the front stoop of the brownstone and in the adjacent streets, Rice skillfully captures the rhythm and pulse of city life, infusing each scene with a palpable sense of immediacy and authenticity. From the colorful array of neighbors and passersby to the bustling energy of the urban milieu, "Street Scene" paints a vivid portrait of a community teetering on the brink of despair yet resilient in the face of adversity. Recipient of the prestigious Pulitzer Prize for Drama in 1929, "Street Scene" remains a timeless testament to the enduring power of theater to illuminate the complexities of the human experience. Through its rich tapestry of characters and its evocative portrayal of urban life, Rice's play invites audiences to reflect on themes of love, longing, and the indomitable spirit of the human soul against the backdrop of a mean quarter of New York City.

The sound of children's speech has become lethal. In the park, adults wither beneath the powerful screams of their offspring. For young parents Sam and Claire, it seems their only means of survival is to flee from their young daughter, Esther.