Sherwin B. Nuland—best-selling author of How We Die —focuses his surgeon’s eye and writer’s pen on this greatest of rabbis, most intriguing of Jewish philosophers, and most honored of Jewish doctors. Moses Maimonides was a Renaissance man before there was a Renaissance: a great physician, a dazzling Torah scholar, a daring philosopher. Eight hundred years after his death, his notions about God, faith, the afterlife, and the Messiah still stir debate; his life as a physician still inspires; and the enigmas of his character still fascinate. Nuland's portrait of Maimonides that makes his life, his times, and his thought accessible to the general reader as they have never been before.

Memoir of a Hungarian woman who was imprisoned for several years in the German concentration camp Auschwitz. This is the true, documented chronicle of a beautiful woman who survived the nightmare horror of the worst death camp of them all. Olga Lengyel tells, frankly and without compromise, one of the most horrifying stories of all time. This book is a necessary reminder of one of the ugliest chapters in the history of human civilization. ""You have done a real service by letting the ones who are now silent and most forgotten speak.""-Albert Einstein "This book is a horrifying, but necessary, reminder of one of the ugliest chapters in the history of human civilization."-New York Herald-Tribune "It is a picture of utter hell."-Saturday Review of Literature

National bestseller: This "harrowing" true story of two Jewish families who survived hiding in the heart of the Nazi capital "honors the human spirit" (Andrea Dworkin). In January 1943, unable to flee Germany, the four members of the Arndt family went underground to avoid deportation to Auschwitz. Ellen Lewinsky and her mother, Charlotte, joined them; a year later, Bruno Gumpel arrived. Hiding in a small factory near Hitler's bunker, without identification cards or food-ration stamps, they were dependent on German strangers for survival. When Russian soldiers finally rescued the group in April 1945, the families were near death from starvation. But their will to live triumphed and two months later, four of the survivors--Erich Arndt and Ellen Lewinsky, and Ruth Arndt and Bruno Gumpel--reunited in a double wedding ceremony. Survival in the Shadows chronicles the previously untold story of the largest group of German Jews to have survived hiding in Berlin through the final and most deadly years of the Holocaust. Relayed to Barbara Lovenheim by three survivors from the group, the riveting story is a touching portrayal of the bravery of these seven Jews, and a heartfelt acknowledgment of the fortitude and humanity of the compassionate Germans who kept them alive.

Uncompromisingly frank, "both brutal and beautifully written" (The Boston Globe), The Cap is an unconventional Holocaust memoir that defies all moral judgment and ventures into a soul blackened by the unforgiving cruelty of its surroundings. Roman Frister's memoir of his life before, during, and after his imprisonment in the Nazi concentration camps sparked enormous controversy and became an international best-seller. With bone-chilling candor, Frister illustrates how the impulse to live unhinges our comfortable notions of morality, blurring the boundary between victim and oppressor and leaving absolutely no room for martyrdom. By the time Roman Frister was sixteen, he had watched his mother murdered by an SS officer and he had waited for his father to expire, eager to retrieve a hidden half loaf of bread from beneath the dying man's cot. When confronted with certain death, he placed another inmate in harm's way to save himself. Frister's resilience and instinct for self-preservation -- developed in the camps -- become the source of his life's successes and failures. Chilling and unsentimental, The Cap is a rare and unadorned self-portrait of a man willing to show all of his scars. Reflected in stark relief are the indelible wounds of all twentieth-century European Jews. An exceptional and groundbreaking testimony, Roman Frister's "gut-wrenching memoir is a must-read." -- Kirkus Reviews

Surviving Auschwitz, 18-year old Elli leaves behind painful memories to start fresh in America in 1951. She faces challenges of creating a new life in hectic New York City. A powerful glimpse of immigrant America through the eyes of this teenager.

From the Hardcover "We stormed every classroom, inscribed our slogans on the blackboard . . . Never had mayhem brought more peace. All our lives we had been taught the virtues of behaving, and now we were discovering the importance of misbehaving. Too much fear had tainted our days. Too many afternoons had passed in silence, listening to a fanatic's diatribes. We were rebelling because we were not evil, we had not sinned, and we knew nothing of the apocalypse. . . . This was 1979, the year that showed us we could make our own destinies. We were rebelling because rebelling was all we could do to quell the rage in our teenage veins. Together as girls we found the courage we had been told was not in us." In Journey from the Land of No Roya Hakakian recalls her childhood and adolescence in prerevolutionary Iran with candor and verve. The result is a beautifully written coming-of-age story about one deeply intelligent and perceptive girl's attempt to i¬?nd an authentic voice of her own at a time of cultural closing and repression. Remarkably, she manages to re-create a time and place dominated by religious fanaticism, violence, and fear with an open heart and often with great humor. Hakakian was twelve years old in 1979 when the revolution swept through Tehran. The daughter of an esteemed poet, she grew up in a household that hummed with intellectual life. Family gatherings were punctuated by witty, satirical exchanges and spontaneous recitations of poetry. But the Hakakians were also part of the very small Jewish population in Iran who witnessed the iron fist of the Islamic fundamentalists increasingly tightening its grip. It is with the innocent confusion of youth that Royadescribes her discovery of a swastika--"a plus sign gone awry, a dark reptile with four hungry claws"--painted on the wall near her home. As a schoolgirl she watched as friends accused of reading blasphemous books were escorted from class by Islamic Society guards, never to return. Only much later did Roya learn that she was spared a similar fate because her teacher admired her writing. Hakakian relates in the most poignant, and at times painful, ways what life was like for women after the country fell into the hands of Islamic fundamentalists who had declared an insidious war against them, but we see it all through the eyes of a strong, youthful optimist who somehow came up in the world believing that she was different, knowing she was special. At her loneliest, Roya discovers the consolations of writing while sitting on the rooftop of her house late at night. There, "pen in hand, I led my own chorus of words, with a melody of my own making." And she discovers the craft that would ultimately enable her to find her own voice and become her own person. A wonderfully evocative story, Journey from the Land of No reveals an Iran most readers have not encountered and marks the debut of a stunning new talent.

NOW AN ACCLAIMED DOCUMENTARY, Winter Journey Set amid the growing tyranny of Germany's Third Reich, here is the riveting and emotional tale of Günther Goldschmidt and Rosemarie Gumpert, two courageous Jewish musicians who struggled to perform under unimaginable circumstances--and found themselves falling in love in a country bent on destroying them. In the spring of 1933, as the full weight of Germany's National Socialism was brought to bear against Germany's Jews, more than 8,000 Jewish musicians, actors, and other artists found themselves expelled from their positions with German orchestras, opera companies, and theater groups, and Jews were forbidden even to attend "Aryan" theaters. Later that year, the Jüdische Kulturbund, or Jewish Culture Association, was created under the auspices of Joseph Goebbels's Ministry of Public Enlightenment and Propaganda. Providing for Jewish artists to perform for Jewish audiences, the Kulturbund, which included an orchestra, an opera company, and an acting troupe, became an unlikely haven for Jewish artists and offered much-needed spiritual enrichment for a besieged people--while at the same time providing the Nazis with a powerful propaganda tool for showing the rest of the world how well Jews were ostensibly being treated under the Third Reich. It was during this period that twenty-two-year-old flutist Günther Goldschmidt was expelled from music school because of his Jewish roots. While preparing to flee the ever-tightening grip of Nazi Germany for Sweden, Günther was invited to fill in for an ailing flutist with the Frankfurt Kulturbund Orchestra. It was there, during rehearsals, that he met the dazzling nineteen-year-old violist Rosemarie Gumpert--a woman who would change the course of his life. Despite their strong attraction, Günther eventually embarked for the safety of Sweden as planned, only to risk his life six months later returning to the woman he could not forget--and to the perilous country where hatred and brutality had begun to flourish. Here is Günther and Rosemarie's story, a deeply moving tale of love and the remarkable resilience of the human spirit in the face of terror and persecution. Beautifully and simply told by their son, National Public Radio commentator Martin Goldsmith, The Inextinguishable Symphony takes us from the cafés of Frankfurt, where Rosemarie and Günther fell in love, to the concert halls that offered solace and hope for the beleaguered Jews, to the United States, where the two made a new life for themselves that would nevertheless remain shadowed by the fate of their families. Along with the fate of Günther and Rosemarie's families, this rare memoir also illuminates the Kulturbund and the lives of other fascinating figures associated with it, including Kubu director Kurt Singer--a man so committed to the organization that he objected to his artists' plans for flight, fearing that his productions would suffer. The Kubu, which included some of the most prominent artists of the day and young performers who would gain international fame after the war, became the sole source of culture and entertainment for Germany's Jews. A poignant testament to the enduring vitality of music and love even in the harshest times, The Inextinguishable Symphony gives us a compelling look at an important piece of Holocaust history that has heretofore gone largely untold.

From a gifted young writer, the story of his quest to reclaim his family's apartment building in Poland--and of the astonishing entanglement with Nazi treasure hunters that follows Menachem Kaiser's brilliantly told story, woven from improbable events and profound revelations, is set in motion when the author takes up his Holocaust-survivor grandfather's former battle to reclaim the family's apartment building in Sosnowiec, Poland. Soon, he is on a circuitous path to encounters with the long-time residents of the building, and with a Polish lawyer known as "The Killer." A surprise discovery--that his grandfather's cousin not only survived the war, but wrote a secret memoir while a slave laborer in a vast, secret Nazi tunnel complex--leads to Kaiser being adopted as a virtual celebrity by a band of Silesian treasure seekers who revere the memoir as the indispensable guidebook to Nazi plunder. Propelled by rich original research, Kaiser immerses readers in profound questions that reach far beyond his personal quest. What does it mean to seize your own legacy? Can reclaimed property repair rifts among the living? Plunder is both a deeply immersive adventure story and an irreverent, daring interrogation of inheritance--material, spiritual, familial, and emotional.

"You can't let people be treated in an inhuman way around you....Otherwise you start to become inhuman." So declares rescuer Hetty Voûte in this updated edition of THE HEART HAS REASONS, an acclaimed historical account that offers an in-depth look into the hearts and minds of the Holocaust rescuers and explores the meaning that their lives and deeds have for us today. Individually or in small "humanitarian cells," the ten Dutch people Klempner profiles saved the lives of thousands of Jewish children during the Nazi occupation of Holland. How did they do what they did--and why did they risk everything to do it? Although their tales of rescue vary greatly, the integrity of the rescuers does not. Thus these narratives provide a glimpse into their personalities and character while shedding light on their extraordinary acts of courage and kindness. Framed by Klempner's quest for meaning, the rescuers' words resonate across generations, providing timeless insight into how people of conscience can navigate morally and resist tyranny in a world where the old specters of prejudice and fascism are again ascendant.

This encyclopedia provides the first standard reference work on the lives, history and activities of Jewish women in the United States. Covering a period which extends from the arrival of the first Jewish women in North America in 1654 to the present, this two-volume set presents the most comprehensive and detailed portrait of American Jewish women ever published, and brings together for the first time the wealth of recent scholarship on this subject. Includes: * Biographical entries on over 800 individual women. * 128 topical articles on organizations such as Hadassah, the National Council of Jewish Women, Mizrachi, and the Ladies' Garment Workers' Union. * Major essays on Jewish women's participation in the movement for women's suffrage, social reform, civil rights, and the recent women's movement. * The activities of Jewish women in politics, business, education, the arts, and religion. * A readable, inviting format with over 500 large photographs. * Bibliographies at the end of each entry which include overviews of major scholarship in the field, complete citations of more general works and citations of additional bibliographical and reference sources. * The comprehensive index includes citations to every substantive discussion in the entries as well as all proper names appearing in the text, such as organizations, book, song and film titles, schools, and individuals. The "Encyclopedia" provides information on American Jewish women in all fields of endeavor, and pays special attention to the work of women in the arts, academics, law, the labor movement, education, science, medicine, journalism and publishing, and on the lives of ordinary Jewish women during all time periods and in all regions of the United States.

The spiritual odyssey of a Jewish German medical doctor who fled Nazi Germany in the 1930s and found Truth where he least expected. First printed in 1951, the book instantly became a best-seller. Now reprinted with a new Introduction.

Not since Anne Frank's The Diary of a Young Girl has such an intimately candid, deeply affecting account of a childhood compromised by Nazi tyranny come to light. As a fourteen-year-old Jewish boy living in Prague in the early 1940s, Petr Ginz dutifully kept a diary that captured the increasingly precarious texture of daily life. His stunningly mature paintings, drawings, and writings reflect his insatiable appetite for learning and experience and openly display his growing artistic and literary genius. Petr was killed in a gas chamber at Auschwitz at the age of sixteen. His diaries--recently discovered in a Prague attic under extraordinary circumstances--are an invaluable historical document and a testament to one remarkable child's insuppressible hunger for life.

In this moving memoir, a young Polish Jew chronicles his life under the Nazis. In the vain hope of protecting himself and his family, Calel Perechodnik made the wrenching decision to become a ghetto policeman in a small town near Warsaw. The true tragedy of his choice becomes clear when during the Aktion he must witness his own wife and child forced to board a train to the Treblinka extermination camp. Filled with loathing for the Germans, the Poles, his Jewish brethren, and himself, Perechodnik fled the ghetto to shelter with a Polish woman in Warsaw. In the course of 105 terror-filled days in hiding, he poured out his poignant story. Written while Nazi boots pounded the streets of the neighborhood and while his tortured memory was painfully fresh, this memoir has a rare immediacy and raw power. Shortly before his death in 1944, he entrusted the precious diary to a Polish friend. The document was eventually deposited in the Yad Vashem Archives in Jerusalem. Left nearly forgotten for half a century, it was finally published in Poland in 1993. We owe a great debt to historian Frank Fox for bringing us this sensitive translation, which reminds us anew of the power and truth of historical memory.

In a raw and unflinching memoir, Eli Sharabi, a survivor of 491 days in Hamas captivity, recounts the harrowing ordeal of his abduction from Kibbutz Be'eri on October 7th, 2023, the loss of his wife and daughters, and his unyielding resolve to survive. "I refuse to let myself drown in pain. I am surviving. I am a hostage. In the heart of Gaza. A stranger in a strange land. In the home of a Hamas-supporting family. And I'm getting out of here. I have to. I'm getting out of here. I'm coming home."--Eli Sharabi On October 7, 2023, Hamas terrorists stormed Kibbutz Be'eri, shattering the peaceful life Eli Sharabi had built with his British wife, Lianne, and their teenage daughters, Noiya and Yahel. Dragged barefoot out his front door while his family watched in horror, Sharabi was plunged deep into the suffocating darkness of Gaza's tunnels. As war raged above him, he endured a grueling 491 days in captivity, all the while holding onto the hope that he would one day be reunited with his loved ones. Eli Sharabi's story is one of hunger and heartache, of physical pain, longing, loneliness and a helplessness that threatens to destroy the soul. But it is also a story of strength, of resilience, and of the human spirit's refusal to surrender. It is about the camaraderie forged in captivity, the quiet power of faith, and one man's unrelenting decision to choose life, time and time again. In the first memoir by a released Israeli hostage, and the fastest-selling book in Israel's history, Sharabi offers a searing firsthand account of survival under unimaginable conditions--starvation, isolation, physical beatings, and psychological abuse at the hands of his captors. Compared to Elie Wiesel's Night and Laura Hillenbrand's Unbroken, Hostage is a profound witness to history, so it shall be neither forgotten nor erased.

WINNER OF THE CANADIAN JEWISH LITERARY AWARD FOR MEMOIR FINALIST FOR THE HILARY WESTON WRITERS' TRUST PRIZE FOR NONFICTION An unforgettable memoir about a young woman who tries to outrun loss, but eventually finds a way home. Ayelet Tsabari was 21 years old the first time she left Tel Aviv with no plans to return. Restless after two turbulent mandatory years in the Israel Defense Forces, Tsabari longed to get away. It was not the never-ending conflict that drove her, but the grief that had shaken the foundations of her home. The loss of Tsabari's beloved father in years past had left her alienated and exiled within her own large Yemeni family and at odds with her Mizrahi identity. By leaving, she would be free to reinvent herself and to rewrite her own story. For nearly a decade, Tsabari travelled, through India, Europe, the US and Canada, as though her life might go stagnant without perpetual motion. She moved fast and often because--as in the Intifada--it was safer to keep going than to stand still. Soon the act of leaving--jobs, friends and relationships--came to feel most like home. But a series of dramatic events forced Tsabari to examine her choices and her feelings of longing and displacement. By periodically returning to Israel, Tsabari began to examine her Jewish-Yemeni background and the Mizrahi identity she had once rejected, as well as unearthing a family history that had been untold for years. What she found resonated deeply with her own immigrant experience and struggles with new motherhood. Beautifully written, frank and poignant, The Art of Leaving is a courageous coming-of-age story that reflects on identity and belonging and that explores themes of family and home--both inherited and chosen.

On September 20, 1940, a famous European art dealer disembarked in New York, one of many Jewish refugees fleeing Vichy France. Leaving behind his beloved Paris gallery, Paul Rosenberg had managed to save his family, but his paintings—masterpieces by Cézanne, Monet, Sisley and others—were not so fortunate. As he fled, dozens of works were seized by Nazi forces and the art dealer’s own legacy obliterated. More than a half century later, Anne Sinclair found a box filled with letters and plunged into a journey of discovery about who her mother's father really was. Drawing on his intimate correspondences with Picasso, Matisse, Braque and others, she traces the life of a legendary member of the Parisian art scene. Paul Rosenberg’s story is emblematic of millions of twentieth-century Jews. In My Grandfather's Gallery, Sinclair both reframes twentieth century art history and reclaims her family history. ‘A deeply moving story.’Paris Match

A family history of surpassing beauty and power: Ian Buruma's account of his grandparents' enduring love through the terror and separation of two world wars. Woven from their correspondence, this labor of love brings to life not just a remarkable marriage, but a class, and an age.

A tragic family history told in a collection of imaginary letters to a famed collector, Moïse de Camondo. 63 rue de Monceau, Paris Dear friend, As you may have guessed by now, I am not in your house by accident. I know your street rather well. Count Moïse de Camondo lived a few doors away from Edmund de Waal’s forebears, the Ephrussi, first encountered in his bestselling memoir, The Hare with Amber Eyes . Like the Ephrussi, the Camondos were part of belle epoque high society. They were also targets of antisemitism. Camondo created a spectacular house and filled it with the greatest private collection of French eighteenth-century art for his son, Nissim, to inherit. But when Nissim was killed in the First World War, it became a memorial and, upon the Count’s death, was bequeathed to France. The Musée Nissim de Camondo has remained unchanged since 1936. De Waal explores the lavish rooms and detailed archives and uncovers new layers to the family story. In a series of haunting letters addressed to the Count, he tells us what happened next.

A highly decorated Israeli military officer, leader, and former director of the internal security service, Shin Bet, sees the light on what his country must do to achieve a lasting peace between Israel and the Palestinians. In this deeply personal journey of discovery, Ami Ayalon seeks input and perspective from Palestinians and Israelis whose experiences differ from his own. As head of the Shin Bet security agency, he gained empathy for 'the enemy' and learned that when Israel carries out anti-terrorist operations in a political context of hopelessness, the Palestinian public will support violence, because they have nothing to lose. Researching and writing Friendly Fire , he came to understand that his patriotic life had blinded him to the self-defeating nature of policies that have undermined Israel's civil society while heaping humiliation upon its Palestinian neighbours. 'If Israel becomes an Orwellian dystopia,' Ayalon writes, 'it won't be thanks to a handful of theologians dragging us into the dark past. The secular majority will lead us there motivated by fear and propelled by silence.' Ayalon is a realist, not an idealist, and many who consider themselves Zionists will regard as radical his conclusions about what Israel must do to achieve relative peace and security and to sustain itself as a Jewish homeland and a liberal democracy. 'How can a staunch Zionist who was raised on one of Israel's earliest settlements and trained as a kill-or-be-killed elite commando spearhead a campaign for peace with his enemies? The answer, in Ami Ayalon's captivating narrative, is an eye-opener for Palestinians and Israelis alike.' -Sari Nusseibeh, author of Once Upon a Country- a Palestinian life , former president of the Al-Quds University, and former Palestinian National Authority representative in Jerusalem ' Ayalon's aims and accomplishments are ... undeniably impressive ... Hope finds a prominent presence in what so many think is a hopeless, endless conflict.' - Kirkus Reviews 'Ami Ayalon discusses how he came to see a two-state solution with the Palestinians as the best way to ensure Israel's security, not just through analysing numbers and statistics, but through a humanistic approach. He discusses ... how his humanist paradigm not only allowed him to see how the Palestinians' grievances and aspirations are intertwined with Israel's security, but also how he still acknowledges and sympathises with the narratives of those in Israel whom he may disagree with.' -Jonah Naghi, The Times of Israel

Triumph of Hope From Theresienstadt and Auschwitz to Israel Now available in English, here is the award-winning and internationally acclaimed testament of a Jewish woman who was taken to Auschwitz while several months pregnant, where she was forced to confront perhaps the most agonizing choice ever imposed upon any woman, upon any human being . so that both she and her newborn infant should not die in a Nazi ""medical"" experiment personally conducted by the infamous Dr. Josef Mengele. And just as vividly, Ruth Elias recounts the aftermath of her imprisonment, and the difficult path to a new life in a new land: Israel, where new challenges, new obstacles awaited. ""One of the most powerful memoirs provided to us by a survivor."" --Indiana Jewish Post and Opinion ""Well-written . not only provides a remarkably honest picture of the unspeakable reality of living in ghettos and slave-labor and death camps, but also what it meant to be Jewish in Europe. in the 1920s and 1930s.. This is one of the best Holocaust memoirs I have read."" --Washington Jewish Week ""The understated tone of this memoir adds to the author's powerful re-creation of her life as a young Czechoslovak Jewish woman during the Holocaust."" --Publishers Weekly