During the 1930s-40s, the American public favored inaction rather than the rescue of persecuted European Jews. Examines whether this reaction was due to callousness, anti-Jewish prejudice, or lack of access to information. The press, which provided that information and played a major role in White House decision-making, failed to understand the centrality of antisemitism in Nazi ideology and actions, and treated reports of the Holocaust as wartime privation stories, exaggerated by Jewish sources. Elements of the press fostered antisemitism, isolationism, and fear of espionage, contributing to the official decision to deny entry to Jewish refugees.

The Jewish Museum in Berlin tells the story of German-Jewish history from the fourth century to the present. It consists of two buildings: the first, a former courthouse, was built in the eighteenth century, and the second, a massive extension that opened to the public in 2001, was designed by the world-renowned architect Daniel Libeskind (born 1946). Libeskind's building is comprised of a zinc façade and a set of three underground allegorical roads. The first leads to the main stairs, and by implication to the continuation of Berlin's history in the Museum; the second leads outdoors into the E.T.A. Hoffmann Garden, representing the exile and emigration of the Jews from Germany; and the third road leads to a dead end, representing "the Holocaust void." This road cuts through the ensemble as a whole, and evokes, in the architect's words, "that which can never be exhibited when it comes to Jewish Berlin history: humanity reduced to ashes." For Libeskind, a Polish Jew raised not far from Berlin who lost many relatives in the Holocaust, this extraordinary building was an intensely personal undertaking with numerous responsibilities. This volume details this most freighted and complex of buildings.

Presents a cultural history of German Jewry from Moses Mendelssohn's arrival in Berlin until the end of the Weimar Republic. Refers to antisemitism in a number of contexts: Mendelssohn is hailed by German intellectuals as an exception among the Jews; acceptance of the Jew was sometimes soon followed by rejection; despite or because of disproportionate Jewish contributions to culture and society, Jews are viewed as foreigners; rights are granted only to rich and useful Jews; despite Jewish patriotism, Jews are often portrayed as traitors and subversives. Among the prominent Jews discussed are Heinrich Heine, whose ambivalence toward Germans reflected their ambivalence toward him, and Walther Rathenau who was assassinated by radical nationalists whose activities the Weimar Republic was unable to curb. The section devoted to the latter reveals how Weimar's weaknesses opened the door of power to the Nazis.

'An ambitious and engrossing investigation of the moral legacies which stubbornly refuse to pass' Brendan Simms As the western world struggles with its legacies of racism and colonialism, what can we learn from the past in order to move forward? Susan Neiman's Learning from the Germans delivers an urgently needed perspective on how a country can come to terms with its historical wrongdoings. Neiman, who grew up as a white girl in the American South during the civil rights movement, is a Jewish woman who has spent much of her adult life in Berlin. In clear and gripping prose, she uses this unique perspective to combine philosophical reflection, personal history and conversations with both Americans and Germans who are grappling with the evils of their own national histories. Through focusing on the particularities of those histories, she provides examples for other nations, whether they are facing resurgent nationalism, ongoing debates over reparations or controversies surrounding historical monuments and the contested memories they evoke. It is necessary reading for all those confronting their own troubled pasts.

"In the post-war era Jews have been incomparably less numerous than before and often deeply assimilated. Still, their presence's felt as big. The book is scholarly and also deeply personal. Most of the events and processes described here have a strong connection to the author's life, particularly the post-1968 mini-renaissance of Jewish life, especially in its religious variety, and advances in the realm of Jewish-Christian relations and particularly of Jewish-Christian dialogue. In addition to an account of the history of Jews in Poland after 1945, Jewish-Christian dialogue in that period, including meeting with the Polish pope, the chapters treat the concept of de-assimilation used as a key to understand the most recent phase of the story, analyze how Jewish were Jewish Communists, ponder what were the assumptions behind the post-war section of the core exhibition in POLIN, and offer an original proposal why the Holocaust is widely considered as unique"--

A heartbreaking story of loss and love. As autumn turns toward winter in 1938 Berlin, life for Marianne Kohn, a young Jewish girl, begins to crumble. First there was the burning of the neighbourhood shops. Then her father, a mild-mannered bookseller, must leave the family and go into hiding. No longer allowed to go to school or even sit in a caf�, Marianne's only comfort is her beloved mother. Things are bad, but could they get even worse? Based on true events, this fictional account of hatred and racism speaks volumes about both history and human nature.

Read the history behind the series THE HUNTERS (starring Al Pacino) in this "captivating book rooted in first-rate research" (New York Times Book Review) that tells the true story of how America became home to thousands of Nazi war criminals. For the first time, once-secret government records and interviews tell the full story of the thousands of Nazis--from concentration camp guards to high-level officers in the Third Reich--who came to the United States after World War II and quietly settled into new lives. Many gained entry on their own as self-styled war "refugees." But some had help from the U.S. government. The CIA, the FBI, and the military all put Hitler's minions to work as spies, intelligence assets, and leading scientists and engineers, whitewashing their histories. Only years after their arrival did private sleuths and government prosecutors begin trying to identify the hidden Nazis. Now, relying on a trove of newly disclosed documents and scores of interviews, Eric Lichtblau reveals this shocking, shameful, and little-known chapter of postwar history. New York Times bestseller -- Espionage category "Disturbing." -- Salon "Engaging." -- Chicago Tribune "A gripping chronicle." -- Times of Israel "Riveting . . . An important, fascinating read." -- Jewish Book Council

In the second of two volumes of this magnificently illustrated cultural history--the tie-in to the PBS and BBC series The Story of the Jews--Simon Schama details the story of the Jewish people, spanning from their expulsion from Spain in the Inquisition across six hundred years to the present day. It is a story like no other: an epic of endurance against destruction, of creativity in the face of oppression, joy amidst grief, the affirmation of life against the steepest of odds. It spans the centuries and the continents--from the Iberian Peninsula and the collapse of "the golden age" to the shtetls of Russia to the dusty streets of infant Hollywood. Its voices ring loud and clear, from the philosophical musings of Spinoza to the poetry written on slips of paper in concentraion camps. Within these pages, the Enlightenment unfolds, a great diaspora transforms a country, a Viennese psychaiatrist forever changes the conception of the human mind. And a great story unfolds. Not--as often imagined--of a culture apart, but of a Jewish world immersed in and imprinted by the peoples among whom they have dwelled, from the Egyptians to the Greeks, from the Arabs to the Christians, from the Soviets to America. Which makes the story of the Jews everyone's story, too.

National bestseller: This "harrowing" true story of two Jewish families who survived hiding in the heart of the Nazi capital "honors the human spirit" (Andrea Dworkin). In January 1943, unable to flee Germany, the four members of the Arndt family went underground to avoid deportation to Auschwitz. Ellen Lewinsky and her mother, Charlotte, joined them; a year later, Bruno Gumpel arrived. Hiding in a small factory near Hitler's bunker, without identification cards or food-ration stamps, they were dependent on German strangers for survival. When Russian soldiers finally rescued the group in April 1945, the families were near death from starvation. But their will to live triumphed and two months later, four of the survivors--Erich Arndt and Ellen Lewinsky, and Ruth Arndt and Bruno Gumpel--reunited in a double wedding ceremony. Survival in the Shadows chronicles the previously untold story of the largest group of German Jews to have survived hiding in Berlin through the final and most deadly years of the Holocaust. Relayed to Barbara Lovenheim by three survivors from the group, the riveting story is a touching portrayal of the bravery of these seven Jews, and a heartfelt acknowledgment of the fortitude and humanity of the compassionate Germans who kept them alive.

Ch. 17 (pp. 217-244), "The 'Final Solution' and the War in 1943, " deals with the persecution and extermination of the Jews in the context of the war. The main German focus in regard to the Jews in 1943 was to kill as many as possible of those still alive in the ghettos of Eastern Europe and those whose lives were protected by the reluctance of Germany's allies, satellites, and collaborator regimes to hand them over to the Germans. The collapse of Italy placed the Jews in Italian-controlled territories in the hands of the Nazis. The circle of the Nazis' victims broadened in 1943 - Gypsies were included, as well as persons of partial Jewish descent ("Mischlinge"). In the same year, the Nazis took the decision to occupy Hungary and annihilate its Jews. Concludes that there were limits on the genocidal program due to the turning tide of the war, but the Germans made massive efforts to kill as many Jews as they could. Notes that 1943 also saw significant attempts at organized Jewish resistance.

A Jewish family fleeing Nazi Germany in 1938 endures innumerable separations before they are once again united.

"The extraordinary story of the Nazi-era scientific genius who discovered how cancer cells eat-and what it means for how we should. The Nobel laureate Otto Warburg-a cousin of the famous finance Warburgs-was widely regarded in his day as one of the most important biochemists of the twentieth century, a man whose research was integral to humanity's understanding of cancer. He was also among the most despised figures in Nazi Germany. As a Jewish homosexual living openly with his male partner, Warburg represented all that the Third Reich abhorred. Yet Hitler and his top advisors dreaded cancer, and protected Warburg in the hope that he could cure it"--

Explores the paradox inherent in the German fascists' rejection of the rationalism of the Enlightenment while fully embracing modern technology. By associating technology with the Germans rather than the Jews, with beautiful form rather than the formlessness of the market, and with a strong state rather than a predominance of economic values and institutions, right-wing intellectuals reconciled Germany's strength with its romantic soul and national identity. Includes discussion on the transformation of anti-capitalist rhetoric to anti-Jewish rhetoric. See the index for references to antisemitism, and especially ch. 6, "Werner Sombart: Technology and the Jewish Question".

Jeffrey Herf, a leading scholar in the field, offers the most extensive examination to date of Nazi propaganda activities targeting Arabs and Muslims in the Middle East during World War II and the Holocaust. He draws extensively on previously unused and little-known archival resources, including the shocking transcriptions of the "Axis Broadcasts in Arabic" radio programs, which convey a strongly anti-Semitic message.

"A moving and unsettling exploration of a young man's formative years in a country still struggling with its past As a Jew in postwar Germany, Yascha Mounk felt like a foreigner in his own country. When he mentioned that he is Jewish, some made anti-Semitic jokes or talked about the superiority of the Aryan race. Others, sincerely hoping to atone for the country's past, fawned over him with a forced friendliness he found just as alienating. Vivid and fascinating, Stranger in My Own Country traces the contours of Jewish life in a country still struggling with the legacy of the Third Reich and portrays those who, inevitably, continue to live in its shadow. Marshaling an extraordinary range of material into a lively narrative, Mounk surveys his countrymen's responses to "the Jewish question." Examining history, the story of his family, and his own childhood, he shows that anti-Semitism and far-right extremism have long coexisted with self-conscious philo-Semitism. But of late a new kind of resentment against Jews has come out in the open. Unnoticed by much of the outside world, the desire for a "finish line" that would spell a definitive end to the country's obsession with the past is feeding an emphasis on German victimhood. Mounk shows how, from the government's pursuit of a less "apologetic" foreign policy to the way the country's idea of the "Volk" makes life difficult for its immigrant communities, a troubled nationalism is shaping Germany's future"--

"When his family are deported to concentration camps in 1942, twenty-year-old draftsman Cioma Schonhaus goes under-ground. Recruited to a network dedicated to rescuing Jews from the gas chambers. Schonhaus discovers a life-saving talent for falsifying identity cards. While working on his forgeries, he changes address every night, relying on girl-friends and the friendship of anti-Nazi Germans to keep him one step ahead of the Gestapo. But when his face finally appears on Gestapo wanted posters all over the city, he decides the time has come to attempt a breathtaking escape from Berlin to Switzerland by bicycle."--Back cover.

A comprehensive historical survey of the Jewish presence in Central Europe from the seventeenth century to the Holocaust, German-Jewish History in Modern Times is a four-volume collective project by a team of leading scholars, offering a vivid portrait of Jewish History. The series is sponsored by the Leo Baeck Institute, established in 1955 in Jerusalem, London, and New York for the purpose of advancing scholarship on the Jews in German-speaking lands. Integration in Dispute 1871-1918 comprises the third volume and focuses on a period of political, economic, and social change that fundamentally transformed German Jewry. Eminent scholars consider a broad range of topics: religious and cultural life, demographics, political, legal, and socioeconomic status, relations between Jews and non-Jews, and Jewish participation in the larger context of European history. Volume 3 begins with the establishment of civil equality for Jews in Germany and Austria-Hungary and describes the complexities of their economic and social integration. The contributors explore the challenges that confronted Jews as they encountered both unprecedented opportunities and continued resistance to their full emancipation and participation in public life. The book discusses their standing as a minority group within German political and professional life and as a differentiated portion of the German middle class; how they coped with successive waves of political antisemitism; how they continued to adapt traditional religious practices to modernity; and how urban middle-class life transformed Jewish families as well as the role of Jewish women in the domestic and public spheres. The forces of social change, coupled with the persistence of antisemitism formed the context for the emergence of Zionism, which posed a powerful challenge to the dominant principle of integration. This volume also seeks to understand the nature and timing of the exceptional contributions of German Jews to the thriving modern culture of such cities as late imperial Vienna and Berlin as well as to the specific religious culture of Judaism. Each volume includes a bibliographical essay referring readers to the most important secondary literature, a chronology covering the major events discussed, and a series of maps and illustrations. Encompassing the most up-to-date research on the topic, German Jewish History in Modern Times is an achievement to be valued by historians, educators, and any reader seeking to understand the singular heritage of the Jewish people in Central Europe.

"Rahel Varnhagen: The Life of a Jewish Woman was Hannah Arendt's first book, largely completed when she went into exile from Germany in 1933, though it would not be published until the 1950s. It is the biography of a remarkable, complicated, troubled, passionate woman, an important figure in German romanticism, the person who in a sense founded the Goethe cult that would become central to German cutural life in the nineteenth century, as well as someone who confronted and bore the burden of being both a woman in a man's world and an assimilated Jew in Germany with unusual determination. Rahel Levin Varnhagen, was, Hannah Arendt writes, "neither beautiful nor attractive... and possessed no talents with which to employ her extraordinary intelligence and passionate originality." Arendt sets out to tell the story of Rahel's life as Rahel might have told it and, in doing so, to reveal the way in which intellectual and social assimilation works out in one person's destiny. On her deathbed Rahel is reported to have said, "The thing which all my life seemed to me the greatest shame, which was the misery and misfortune of my life--having been born a Jewess--this I should on no account now wish to have missed." Only because she had remained both a Jew and a pariah, Hannah Arendt observes, "did she find a place in the history of European humanity.""--

In four elegant chapters, Robert Alter explains the prismlike radiance created by the association of three modern masters, Franz Kafka, Walter Benjamin, and Gershom Scholem. The volume pinpoints the intersections of these divergent witnesses to the modern condition of doubt, the no-man's-land between traditional religion and modern secular culture.Scholem, the devoted Zionist and master historian of Jewish mysticism, and Benjamin, the Marxist cultural critic, dedicated much of their thought and correspondence to Kafka, the explorer in fiction of radical alienation. Kafka's sense of spiritual complexities was an inspiration to both thinkers in their resistance to the murderous simplification of totalitarian ideology. In Necessary Angels Alter uncovers a moment when the future of modernism is revealed in its preoccupation with the past. The angel of the title is first Kafka's: on June 25, 1914, the writer recorded in his diary a dream vision of an angel that turned into the painted wooden figurehead of a ship. In 1940, at the end of his life, Walter Benjamin devoted the ninth of his Theses on the Philosophy of History to a meditation on an angel by the artist Paul Klee, first quoting a poem he had written on that painting. In Benjamin's vision, the figure from Klee becomes an angel of history, sucked into the future by the storm of progress, his face looking back to Eden. Benjamin bequeathed the Klee oil painting to Scholem, it hung in the living room of Scholem's home on Abarbanel Streetin Jerusalem until 1989, when his widow placed it in the Israel Museum. Alter's focus on the epiphanic force of memory on these three great modernists shows with sometimes startling, sometimes prophetic clarity that a complete break with tradition is not essential to modernism. Necessary Angels itself continues the necessary discovery of the future in the past. --

A collection of essays written between 1985-92. Contents: