This is an eloquent and deeply felt memoir exploring the author's complex relationship with his Jewish identity. "If I Am Not Myself" is a passionate, thought-provoking exploration of what it means to be Jewish in the twenty-first century. It traces the author's upbringing in 1960s Jewish-American suburbia, his anti-war and pro-Palestinian activism on the British Left, and life as a Jew among Muslims in Pakistan, Morocco, and Britain. Interwoven with this are the experiences of his grandfather's life in Jewish New York of the 1930s and '40s, his struggles with anti-Semitism and the twists and turns that led him from anti-Fascism to Militant Zionism. In the course of this deeply personal story, Marqusee refutes the claims of Israel and Zionism on Jewish loyalty and laments their impact on the Jewish Diaspora. Rather, he argues for a richer, more multi-dimensional understanding of Jewish history and identity, and reclaims vital political and personal space for those castigated as self-haters by the Jewish establishment.

Deals also with British antisemitism from Cromwell's time to the present. There were objections against the admission of Jews to England in 1655, as well as attempts to restrict their rights in the 17th-18th centuries. Discusses pre-World War I antisemitic writers (e.g. G.K. Chesterton, H. Belloc) and the eugenics movement. Racial antisemitism was almost non-existent before 1914. Antisemitism reached a peak in Britain in 1917-22, but it was milder than in other Western countries. Relates, also, to left-wing antisemitism between the two World Wars. Ch. 3 (pp. 280-363), "Anglo-Jewry and the Holocaust, 1933-1945", deals with the reactions of Jews and non-Jews to the rise of Nazism and the Holocaust. Nazi antisemitism aroused revulsion in British society, even among conservatives and pro-Germans. States that Britain did more for refugees from Germany than any other country. British Jewry did all it could to rescue Jews to the extent that it understood their situation. During the war and the hostilities in the Middle East, there was an upsurge of antisemitism in the country but it receded in the 1950s. Contends that antisemitism in Britain was always a marginal phenomenon.

"American and British appeasement of Nazism during the early years of the Third Reich went far beyond territorial concessions. In Prologue to Annihilation: Ordinary American and British Jews Challenge the Third Reich, Stephen H. Norwood examines the numerous of ways that the two nations' official position of tacit acceptance of Jewish persecution enabled the policies that ultimately led to the Final Solution and how Nazi annihilationist intentions were clearly discernible even during the earliest years of Hitler's rule. Further, Norwood looks at the nature and impact of American and British Jewish resistance to Nazi persecution and the efforts of Jews at the grassroots level to press Jewish organizations to respond more forcefully to the Nazi menace. He examines the worldwide protest and boycott movements against Germany and German goods as well as mass demonstrations by working-class and lower-middle-class Jews in many American and British cities. Prologue to Annihilation details how the events of 1930-1936 tested American and British societies' willingness to accept Nazism and its anti-Jewish philosophy and illuminates the divisions that existed even within the Jewish community about how best to challenge Nazi antisemitic policies and atrocities"--

In Journey Through a Small Planet (1972), the writer Emanuel Litvinoff recalls his working-class Jewish childhood in the East End of London: a small cluster of streets right next to the city, but worlds apart in culture and spirit. With vivid intensity Litvinoff describes the overcrowded tenements of Brick Lane and Whitechapel, the smell of pickled herring and onion bread, the rattle of sewing machines and chatter in Yiddish. He also relates stories of his parents, who fled from Russia in 1914, his experiences at school and a brief flirtation with Communism. Unsentimental, vital and almost dream like, this is a masterly evocation of a long-vanished world.

The religious buildings of the Jewish community in Britain have never been explored in print. Lavishly illustrated with previously unpublished images and photographs taken specially by English Heritage, this book traces the architecture of the synagogue in Britain and Ireland from its discreet Georgian- and Regency-era beginnings to the golden age of the grand "cathedral synagogues" of the High Victorian period. Sharman Kadish sheds light on obscure and sometimes underappreciated architects who designed synagogues for all types of worshipers--from Orthodox and Reform congregations to Yiddish-speaking immigrants in the 1900s. She examines the relationship between architectural style and minority identity in British society and looks at design issues in the contemporary synagogue. Published for the Paul Mellon Centre for Studies in British Art

"[Shukman] explores a little-known piece of Jewish history, in a sequence of poems that forms the centrepiece of this book. In 1917 several thousand Jewish tailors were deported from London and shipped back to Archangel and the Russian Empire they had recently fled, ostensibly to fight on the Eastern Front. They arrived just as the Revolution was unfolding and the old regime was collapsing into chaos. Among them were Shukman's grandfather and great-uncle, and these poems chronicle their four-year struggle to return to their wives and children in London. ..."--Book flap.

God bless you, England, on this glorious Year of Our Lord, 1145. Things are definitely not right in Nottingham. Rebecca, daughter of a Jewish money-lender, has a sense for it. A mad monk schemes to resurrect the Christ from body parts. A bone harpist murders creatures of legend for a price. A fae creature binds its wings and embraces a new God and his son. And don't even mention the Hood. The Man in Green. The Prince of Thieves. The tick-tock taker of the ten-toll tax. What hope have the series of sheriffs sent to hold the peace? It's the forest, you see. Sherwood. Ice Age ancient, impenetrable, hiding a dark and secret heart. But hearts, no matter how black, no matter how hidden, are not immune to change. The old world is dying... and a terrifying new one is waiting to take its place. Rebecca senses an opportunity. But how far is she willing to go, and what price - because there is always a price - will she have to pay? The Hood is Lavie Tidhar's narcotic reweirding of an ancient English myth, a tale stitched together from legends lost to time, a tale told and retold, reworked and renewed for each passing century. A tale, reader, for today. 'A wild, inventive tapestry of myth and magic, with a wry sense of humor. Tidhar's writing is wonderfully vibrant' Silvia Moreno-Garcia, bestselling author of Mexican Gothic

John Beckett was a rising political star. Elected as Labour's youngest M.P. in 1924, he was constantly in the news and tipped for greatness. But ten years later he was propaganda chief for Mosley's fascists, and one of Britain's three best known anti-Semites. Yet his mother, whom he loved, was a Jew. Her ancestors were Solomons, Isaacs and Jacobsons, originally from Prussia. He successfully hid his Jewish ancestry all his life - he said his mother's family were "fisher folk from the east coast." His son, the author of this book, acclaimed political biographer and journalist Francis Beckett, did not discover the truth until John Beckett had been dead for years. He left Mosley and founded the National Socialist League with William Joyce, later Lord Haw Haw, and spent the war years in prison, considered a danger to the war effort. For the rest of his life, and all of Francis Beckett's childhood, John Beckett and his family were closely watched by the security services. Their devious machinations, traced in records only recently released, damaged chiefly his young family. This is a fascinating and brutally honest account of a troubled man in turbulent times.

International scholars and specialists in Jewish, German, British and European history offer this first comparative approach to the study of German and British Jewish history from the late 18th century to the 1930s. The volume's comparative dimension goes beyond a parallel exploration of the Jewish experience in the two societies by examining British and German Jewries in equal measure and discussing a broad spectrum of social, political, cultural and economic issues.

The first book-length study of contemporary British Jewry, 'Turbulent Times: The British Jewish Community Today' examines the changing nature of the British Jewish community and its leadership since 1990. Keith Kahn-Harris and Ben Gidley contend that there has been a shift within Jewish communal discourse from a strategy of security, which emphasized Anglo-Jewry's secure British belonging and citizenship, to a strategy of insecurity, which emphasizes the dangers and threats Jews face individually and communally. This shift is part of a process of renewal in the community that has led to something of a 'Jewish renaissance' in Britain. Addressing key questions on the transitions in the history of Anglo-Jewish community and leadership, and tackling the concept of the 'new antisemitism', this important and timely study addresses the question: how has UK Jewry adapted from a shift from monoculturalism to multiculturalism?

A critical first-hand appraisal of the activities, achievements, and importance of the Jewish Brigade by IDF Major-General Shlomo Shamir (Rabinowicz), its Covert Internal Commander on behalf of the Haganah and the Jewish national institutions in Palestine. Some myths surrounding the Brigade's activities are also dealt with in this appraisal. The Jewish Brigade, a unit of the British Army during WW2, played a crucial role on behalf of world Jewry in the fight against Nazi Germany. Comprised mainly of Jewish volunteers from Palestine, the Brigade was formed in 1944 after four years of struggle for deployment as a fighting force. The Brigade participated in the Italian campaign, distinguishing itself in the battles along the Senio River and proving that Jewish soldiers could fight as a unified force against a well-trained enemy and prevail. Beyond combat and under Shamir's guidance, the Brigade was the first to search for, meet, and care for survivors of the Holocaust. Despite British disapproval, its members worked at numerous Displaced Persons camps in Germany, particularly at Bergen-Belsen, and facilitated the illegal journeys of many survivors to Palestine. The story of the Brigade therefore, exemplified a dedicated pursuit of both military goals and Jewish national aspirations. With many Brigade members subsequently becoming leading figures in the fledgling Israel Defence Forces (IDF), the book shines a light on how the experience of these Jewish volunteers in the British Army was irreplaceable in shaping both the military and political landscape of the nascent State of Israel.

When Britain was compelled to introduce conscription in 1916, the question arose of what to do with its 'friendly aliens'-its 30,000 Russian-Jewish refugees of military age. The Tsar didn't want them back to serve in his army, and they had no desire to help his war effort. But when sections of the British press commented that as asylum seekers they should show gratitude and join up, a campaign with strong anti-Semitic overtones took off and became Parliamentary business. Then the Tsar was overthrown, and by the summer of 1917 the question was settled with the new regime: Russian Jews of military age had to choose either to join the British Army or to return to Russia to serve there. MI5 and Special Branch kept watch on the Communist Club in the West End, where Russian revolutionaries agitated tailors, cobblers and cabinet-makers who agonised over what to do. Many ended up in the British Army or were exempted for war work, but nearly 4,000 chose to go back to Russia-for a variety of reasons. Arriving there via the Arctic within weeks and days of the Bolshevik revolution, they found a vacuum of authority, which soon turned into the chaos and dangers of civil war. How they fared and how they struggled to return to their families in Britain is the story of War or Revolution. With the help of personal documents, official British and Russian archives, and interviews of survivors and their families, the author illuminates an unknown corner of the First World War and sets it against the background of the period.

"Mary Stuart's execution remains an entirely unacceptable crime morally (...) However, it is equally difficult to deny that the destruction of Mary Stuart was a prudent course of action from a public policy standpoint. Because, regrettably, in politics, the determining issue is not the correctness of a legislation, but its success." Stefan Zweig was enchanted with Mary Stuart, whose life he perceived as immensely paradoxical and from whom he perceived a "inexhaustible attraction of mystery." Thus, he investigated the queen of Scotland and Elizabeth I's fierce rival through the lens of a novelistic biography. Zweig is the undisputed master of this genre: he meticulously details the tumultuous life of this amazing woman, who culminated on the scaffold. Biography Stefan Zweig (1881-1942) was born into a Jewish commercial family in Vienna. He created poetry, stories, plays, and essays, all of which were burned by the Nazis in 1933. He resided in Salzburg from 1919 until 1934, then moved to England and then to Brazil in 1941. His epic works, like his historical miniatures and biographical works, made him famous. He deliberately put up his life in Petrópolis, Brazil, on February 23, 1942.

A biography of Edwin Montagu, British Secretary of State for India in 1917-22. Conservative Party opposition to his policies was accompanied by more or less openly expressed antisemitism (see the index). Ch. 23 (pp. 422-449), "Zionism: The Balfour Declaration, " traces the debate among British Jewry over the government's support for a Jewish state in Palestine. Montagu, like most of the Jewish establishment, attempted to prevent adoption of the Declaration, fearing that it would lead to perceptions that Jews were not loyal citizens in the countries of their residence and thus fuel antisemitism.

Living in Palestine as the wife of the British Attorney-General, Helen Bentwich was immersed in the politics and society of the early years of the British Mandate. Despite her connections she remained in some ways an outsider - a critical observer, writing candid weekly letters to her mother that give insight into the cauldron of races and traditions, the intolerance and the idealism, that lie behind the history of 20th-century Palestine and the foundation of the state of Israel. The selection of her letters in this book mixes political comment with details of personal life and gossip. The gossip reveals a society that has gone, but the political and religious problems are familiar today. Her family were well aware of the situation in Palestine, and she wanted to amuse rather than alarm them, but the frustrations and worries break through the letters' superficial cheerfulness to provide a picture of the period.

First Published in 1992. Perhaps two-thirds of present-day British Jewry can trace their origin to lands which now form part of the Soviet Union and which, 80 years ago, belonged to the Empire of the Tsars. Little research has been done to set the Jewish immigration into the context of Anglo-Russian relations and to assess the political and diplomatic implications of the domestic Jewish factor.] It is hoped that the present book will go some way to filling that gap. The work is offered as a contribution not only to Jewish history, but also to the history of Anglo-Soviet relations. Its appearance is timely, coinciding with radical changes taking place within Russia and the Soviet Union today which may well mark a turning point in their political history.

A remarkable insight into Jewish history in Britain, 'My Mother's House' is a poignant story of belonging, nationhood and identity set in Wales, England and Palestine. The first novel from the acclaimed author of Eunice Fleet - a poignant story of belonging, nationhood and identity set in Wales, England and Palestine. First novel from the acclaimed author of EUNICE FLEET a poignant story of belonging, nationhood and identity set in Wales, England and Palestine Simon is a troubled young manborn in Wales, of Jewish heritage, and in love with Englishness and an English heiress. He determines to reject his Jewish and Welsh identity and the industrial valleys he grew up in and seeks to fulfil his ambition to rise in the Civil Service. His experiences in love and his professional life see him reject Edith on discovering that she is not what he believed her to be, and taking up arms in the fight against Englands enemies in the Great War. Ultimately, he must embrace his family and his heritage before he can experience a sense of wholeness. Simons experience raises questions of belonging, language, nationhood and identity that are as relevant now as they were in 1931 when the novel was first published. Lily Tobiass sensitive individual and communal portraits illuminate some of the most topical personal, social and political issues of the twenty-first century.

From the 1850s to the 1950s, photography was one of the most open avenues for Jews in Britain to make a living, as well as to contribute to mainstream culture. If one’s picture was snapped for a price in Britain, the person behind the lens was more than likely born a Jew. Through the 1970s, Jews were prime movers behind nearly all things photographic in Britain, including photojournalism, portrait studios, collecting, applications of photography to the fine arts, and the emergence of photography criticism and history as distinct fields. Yet despite Jews having played such remarkable roles, far out of proportion to their number and in all facets of photography, little attention has been paid to ethnic-religious difference in studies of British photography.Richly illustrated with both color and black-and-white images, Jews and Photography in Britain is the first-ever historical investigation of this topic, ranging from the mid-nineteenth century to Queen Elizabeth’s controversial photo shoot with Annie Leibovitz in 2007. Michael Berkowitz explores subjects such as the attempts of H. W. Barnett to unsettle portrait conventions, the spectacular photo editing of Stefan Lorant, the influence of Erich Salomon on Fleet Street, the inception of the “Gernsheim Corpus” (a seminal resource for art historical research) conceived by Walter and Gertrud Gernsheim, the innovative photography practices at London’s Warburg Institute under Fritz Saxl, and the pioneering efforts at collecting and publishing about photography as history and art by Helmut and Alison Gernsheim.