Chaim Aron Kaplan, born in 1880 in Belarus, wrote his "Megillat yissurin" ("Scroll of Suffering") in the Warsaw ghetto. A Zionist who emphasized the role of history in Jewish culture, he wrote his diary in Hebrew for future historians, but lost his belief in God and feared that his diary may serve no purpose if the entire Jewish nation is annihilated. He was killed in Treblinka in 1942.

From a gifted young writer, the story of his quest to reclaim his family's apartment building in Poland--and of the astonishing entanglement with Nazi treasure hunters that follows Menachem Kaiser's brilliantly told story, woven from improbable events and profound revelations, is set in motion when the author takes up his Holocaust-survivor grandfather's former battle to reclaim the family's apartment building in Sosnowiec, Poland. Soon, he is on a circuitous path to encounters with the long-time residents of the building, and with a Polish lawyer known as "The Killer." A surprise discovery--that his grandfather's cousin not only survived the war, but wrote a secret memoir while a slave laborer in a vast, secret Nazi tunnel complex--leads to Kaiser being adopted as a virtual celebrity by a band of Silesian treasure seekers who revere the memoir as the indispensable guidebook to Nazi plunder. Propelled by rich original research, Kaiser immerses readers in profound questions that reach far beyond his personal quest. What does it mean to seize your own legacy? Can reclaimed property repair rifts among the living? Plunder is both a deeply immersive adventure story and an irreverent, daring interrogation of inheritance--material, spiritual, familial, and emotional.

SOON TO BE A MAJOR MOTION PICTURE STARRING LENA DUNHAM AND STEPHEN FRY.A "haunting, riotously funny, and deeply touching" (Publishers Weekly) novel about a woman and her father's journey to Poland to revisit her family historyRuth Rothwax finds order and meaning in the words she writes for other people, but she can't find words to underst[Bokinfo]

The shtetl was a unique micro-society with its own customs, beliefs and rituals, its own social distinctions, organisation and civic structures. It was also a long and fascinating experiment in multiculturalism, cut short by the Holocaust. Before World War II, Bransk, in eastern Poland, was a shtetl whose population was equally divided between Poles and Jews. Today there are no Jews left in Bransk. In SHTETL, Eva Hoffman explores the culture and institutions of Polish Jews, and by probing the deep ambivalence that coloured relations between Poles and Jews on the eve of World War II, SHTETL throws new light on motives which influenced Christian villagers' descisions to rescue or betray their Jewish neighbours when the Nazis invaded. Hoffman brings a penetrating intelligence and compassionate eye to a history that is fraught with intensely private emotions and profound implications for humanity.

"In the elegant capital city of Warsaw, the editor Mieczyslaw Grydzewski would come with his two dachshunds to a caf� called Ziemianska." Thus begins the history of a generation of Polish literati born at the fin de si�cle . They sat in Caf� Ziemianska and believed that the world moved on what they said there. Caviar and Ashes tells the story of the young avant-gardists of the early 1920s who became the radical Marxists of the late 1920s. They made the choice for Marxism before Stalinism, before socialist realism, before Marxism meant the imposition of Soviet communism in Poland. It ended tragically. Marci Shore begins with this generation’s coming of age after the First World War and narrates a half-century-long journey through futurist manifestos and proletarian poetry, Stalinist terror and Nazi genocide, a journey from the literary caf�s to the cells of prisons and the corridors of power. Using newly available archival materials from Poland and Russia, as well as from Ukraine and Israel, Shore explores what it meant to live Marxism as a European, an East European, and a Jewish intellectual in the twentieth century.

A family's story of human tenacity, faith and a race for survival in the face of unspeakable horror and cruelty perpetrated by the Nazi regime against the Jewish people. Growing up in the safety of Britain, Jonathan Wittenberg was deeply aware of his legacy as the child of refugees from Nazi Germany. Yet, like so many others there is much he failed to ask while those who could have answered his questions were still alive. After burying their aunt Steffi in the ancient Jewish cemetery on the Mount of Olives, Jonathan, now a rabbi, accompanies his cousin Michal as she begins to clear the flat in Jerusalem where the family have lived since fleeing Germany in the 1930s. Inside an old suitcase abandoned on the balcony they discover a linen bag containing a bundle of letters left untouched for decades. Jonathan's attention is immediately captivated as he tries to decipher the faded writing on the long-forgotten letters. They eventually draw him into a profound and challenging quest to uncover the painful details of his father's family's history. Through the wartime correspondence of his great-grandmother Regina and his grandmother, aunts and uncles, Jonathan weaves together the strands of an ancient rabbinical family with the history of Europe during the Second World War and the unfolding policies of the Nazis, telling the moving story of a family whose lives are as fragile as the paper on which they write, but whose faith in God remains steadfast.

Stories abound of immigrant Jews on the outside looking in, clambering up the ladder of social mobility, successfully assimilating and integrating into their new worlds. But this book is not about the success stories. It's a paean to the bunglers, the blockheads, and the just plain weird—Jews who were flung from small, impoverished eastern European towns into the urban shtetls of New York and Warsaw, where, as they say in Yiddish, their bread landed butter side down in the dirt. These marginal Jews may have found their way into the history books far less frequently than their more socially upstanding neighbors, but there's one place you can find them in force: in the Yiddish newspapers that had their heyday from the 1880s to the 1930s. Disaster, misery, and misfortune: you will find no better chronicle of the daily ignominies of urban Jewish life than in the pages of the Yiddish press. An underground history of downwardly mobile Jews, Bad Rabbi exposes the seamy underbelly of pre-WWII New York and Warsaw, the two major centers of Yiddish culture in the late nineteenth and early twentieth centuries. With true stories plucked from the pages of the Yiddish papers, Eddy Portnoy introduces us to the drunks, thieves, murderers, wrestlers, poets, and beauty queens whose misadventures were immortalized in print. There's the Polish rabbi blackmailed by an American widow, mass brawls at weddings and funerals, a psychic who specialized in locating missing husbands, and violent gangs of Jewish mothers on the prowl—in short, not quite the Jews you'd expect. One part Isaac Bashevis Singer, one part Jerry Springer, this irreverent, unvarnished, and frequently hilarious compendium of stories provides a window into an unknown Yiddish world that was.

Stories abound of immigrant Jews on the outside looking in, clambering up the ladder of social mobility, successfully assimilating and integrating into their new worlds. But this book is not about the success stories. It's a paean to the bunglers, the blockheads, and the just plain weird—Jews who were flung from small, impoverished eastern European towns into the urban shtetls of New York and Warsaw, where, as they say in Yiddish, their bread landed butter side down in the dirt. These marginal Jews may have found their way into the history books far less frequently than their more socially upstanding neighbors, but there's one place you can find them in force: in the Yiddish newspapers that had their heyday from the 1880s to the 1930s. Disaster, misery, and misfortune: you will find no better chronicle of the daily ignominies of urban Jewish life than in the pages of the Yiddish press. An underground history of downwardly mobile Jews, Bad Rabbi exposes the seamy underbelly of pre-WWII New York and Warsaw, the two major centers of Yiddish culture in the late nineteenth and early twentieth centuries. With true stories plucked from the pages of the Yiddish papers, Eddy Portnoy introduces us to the drunks, thieves, murderers, wrestlers, poets, and beauty queens whose misadventures were immortalized in print. There's the Polish rabbi blackmailed by an American widow, mass brawls at weddings and funerals, a psychic who specialized in locating missing husbands, and violent gangs of Jewish mothers on the prowl—in short, not quite the Jews you'd expect. One part Isaac Bashevis Singer, one part Jerry Springer, this irreverent, unvarnished, and frequently hilarious compendium of stories provides a window into an unknown Yiddish world that was.

Text: English, Polish (translation)

'Neighbors' - Jan Gross's Stunning account of the brutal mass murder of the Jews of Jedwabne by their Polish neighbors - was met with international critical acclaim and was a finalist for the National Book Award in the United States. It has also been, from the moment of its publication, the occasion of intense controversy and painful reckoning. This book captures some of the most important voices in the ensuing debate, including those of residents of Jedwabne itself as well as those of journalists, intellectuals, politicians, Catholic clergy, and historians both within and well beyond Poland's borders. Antony Polonsky and Joanna Michlic introduce the debate, focusing particularly on how 'Neighbors' rubbed against difficult old and new issues of Polish social memory and national identity. The editors then present a variety of Polish voices grappling with the role of the massacre and of Polish Jewish relations in Polish history. They include samples of the various strategies used by Polish Intellectuals and political elites as they have attempted to deal with their country's dark past, to overcome the legacy of the Holocaust, and to respond to Gross's book.

Intimate, humorous, and refreshingly candid, this extraordinary work is a remarkable record—in both words and images—of Jewish life in a Polish town before World War II as seen through the eyes of an inquisitive boy. Mayer Kirshenblatt, who was born in 1916 and left Poland for Canada in 1934, taught himself to paint at age 73. Since then, he has made it his mission to remember the world of his childhood in living color, "lest future generations know more about how Jews died than how they lived." This volume presents his lively paintings woven together with a marvelous narrative created from interviews that took place over forty years between Mayer and his daughter, Barbara Kirshenblatt-Gimblett. Together, father and daughter draw readers into a lost world—we roam the streets and courtyards of the town of Apt, witness details of daily life, and meet those who lived and worked there: the pregnant hunchback, who stood under the wedding canopy just hours before giving birth; the khayder teacher caught in bed with the drummer's wife; the cobbler's son, who was dressed in white pajamas all his life to fool the angel of death; the corpse that was shaved; and the couple who held a "black wedding" in the cemetery during a cholera epidemic. This moving collaboration—a unique blend of memoir, oral history, and artistic interpretation—is at once a labor of love, a tribute to a distinctive imagination, and a brilliant portrait of life in one Jewish home town. Copub: The Judah L. Magnes Museum

The oral history of a renowned Czech writer, whose optimism and faith in people survived grueling experiences under authoritarian regimes. Heda Margolius Kovály (1919-2010) was a renowned Czech writer and translator born to Jewish parents. Her bestselling memoir, Under a Cruel Star: A Life in Prague, 1941-1968 has been translated into more than a dozen languages. Her crime novel Innocence; or, Murder on Steep Street --based on her own experiences living under Stalinist oppression--was named an NPR Best Book in 2015. In the tradition of Studs Terkel, Hitler, Stalin and I is based on interviews between Kovály and award-winning filmmaker Helena Trestíková. In it, Kovály recounts her family history in Czechoslovakia, starving in the deprivations of Lodz Ghetto, how she miraculously left Auschwitz, fled from a death march, failed to find sanctuary amongst former friends in Prague as a concentration camp escapee, and participated in the liberation of Prague. Later under Communist rule, she suffered extreme social isolation as a pariah after her first husband Rudolf Margolius was unjustly accused in the infamous Slánsky Trial and executed for treason. Remarkably, Kovály, exiled in the United States after the Warsaw Pact invasion in 1968, only had love for her country and continued to believe in its people. She returned to Prague in 1996. Heda had an enormous talent for expressing herself. She spoke with precision and was descriptive and witty in places. I admired her attitude and composure, even after she had such extremely difficult experiences. Nazism and Communism afflicted Heda's life directly with maximum intensity. Nevertheless, she remained an optimist. Helena Trestíková has made over fifty documentary films. Hitler, Stalin and I has garnered several awards in the Czech Republic and Japan.

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Living on the outskirts of the Warsaw Ghetto during World War II, fourteen-year-old Marek and his grandparents shelter a Jewish man in the days before the Jewish uprising.

"The Jews of Poland between the World Wars come alive in this photographic essay in all their diversities....One imagines that Polish Jewry would have wanted to be remembered thus -- looking out to the camera and the world beyond." -- Ruth R. Wisse "Reveals a vibrantly rich kaleidoscope of life using many great photographs, some known, others never seen before. A volume to read, to study, to treasure." -- Cornell Capa "Beautifully balanced to serve the fascinating truth of a civilization that vanished into the darkest folds of history....All this seems so distant and yet so familiar, for although they are gone, they are family, and it was just yesterday." -- Mark Helprin "A poignant and visually beautiful reconstitution of the varied, culturally rich, and endlessly fascinating lost world of Polish Jews. Reading it makes one glow with pride." -- Louis Begley "If you're Jewish and looking for your roots and the world of your grandfathers, this is the book for you. If you're not Jewish, but just curious, this book is for you....It can take you on a voyage into a world that vanished in the gas and smoke of the Holocaust." -- Lucy S. Dawidowicz "One of the most extraordinary photographic histories ever assembled....An entire people and culture, now gone from the face of the earth, comes forth from its pages with an animation and vitality so powerful that the tragedy of the end of Polish Jewry seems for a moment, miraculously suspended." -- Simon Schama

Hasidism on the Margin explores one of the most provocative and radical traditions of Hasidic thought, the school of Izbica and Radzin that Rabbi Gershon Henokh originated in nineteenth-century Poland. Shaul Magid traces the intellectual history of this strand of Judaism from medieval Jewish philosophy through centuries of Kabbalistic texts to the nineteenth century and into the present. He contextualizes the Hasidism of Izbica-Radzin in the larger philosophy and history of religions and provides a model for inquiry into other forms of Hasidism. --

"An epic and beautifully written World War II family history that spans Europe, telling of two happy families uprooted by war, their incredible suffering in Hitler's and Stalin's camps, and the near-miraculous survival and rescue of the author's parents who met after the war. Daniel Finkelstein's grandfather Alfred Wiener was a German Jewish intellectual leader who tolled an early warning of the impending Holocaust and became an archivist of Nazi crimes. He relocated his family to safety in Amsterdam, where they became close with Anne Frank's family. But they were eventually separated, and Daniel's mother Mirjam was sent to Bergen-Belsen with her mother and sisters while Alfred worked feverishly to free them. Finkelstein's father, Ludwik, grew up in a prosperous Jewish family in Poland where his father was a patriotic hero of the Great War. But when Stalin took control, Finkelstein's grandfather was deported to Siberia, while Ludwik and his mother were sent to Kazahkstan, where they barely survived freezing winters and harrowing forced labor conditions. Love and Murder is a page-turning account of ingenuity, bravery and the almost unbelievable coincidences that brought Daniel's parents together. The story features secret archives, forgery and theft, and sweeps across Europe to show the expanse of the war. Moving, engrossing and inspiring, Love and Murder will profoundly touch all who read it"--