The agendas of three European men with dubious political histories converge in the aftermath of an 1989 death linked to the fates of myriad Hungarians, Jews, Germans and Gypsies across the treacherous years of the mid-twentieth century.

Abraham Mapu (1808-1867) was one of the first, & finest, of the novelists to write in Hebrew. Heavily influenced by a wide range of sources, the Bible, the Romantic Novelists, & renewed pride in ancient Jewish history, his works recall the finest works of writers such as Flaubert & other great romantic novelists.

Product description In this book, Dvir Abramovich brings together a batch of timeless classical Hebrew novels, short stories, and poems, and furnishes readers with commentaries and critical readings of each landmark work. The selection of seminal texts include masterpieces from Yehuda Amichai, Haim Gouri, Amos Oz, Dvorah Baron, Shaul Tchernichovsky, Chaim Nachman Bialik, Hanoch Bartov, Shulamit Hareven, and Aharon Megged. Each interpretative essay includes a bio-graphical overview of the author whose opus is explored. This collection will prove exceptionally useful for teachers who wish to introduce their students to the treasures of contemporary Israeli fiction and are searching for reflective analyses and searching insights. Guaranteed to ignite discussion and debate, this informative and entertaining volume, written in an accessible and lively style, will appeal to a general and academic audience and will tempt readers to read or re-read these great works. Review In Hebrew Classics: A Journey Through Israel's Timeless Fiction and Poetry Dvir Abramovich offers us an intimate and delightful tour through the pastures of Hebrew literature. A refreshing meeting awaits us with writers of various generations who had grown up in separate landscapes and some in the midst of diverse languages...One of the unique characteristics of the book is the choice of literary works that it deals with, free of the bonds of genre definitions. We are offered 'delectable meals' that include interpretive studies of poems and stories of various kinds. The common denominator for this selection is the presentation of texts as junctions of flavour and passion within the rich and fascinating history of modern Hebrew literature. This provides the reader with the ability to experience a bird's eye view of these creative works. This book is a tribute to Hebrew literature, written with love and with the wish to share this love. This is obvious both from the detailed and sensitive studies, and from the commendable descriptive, festive and elegant language. (Yigal Schwartz, Professor of Hebrew Literature and Head of Heksherim: The Research Center for Jewish and Israel Culture, Ben-Gurion University of the Negev) Abramovich has done a scrupulous job in scrutinizing these key texts of contemporary Hebrew fiction. The care with which he sets them in their historical and cultural contexts should be instructive for all readers interested in Israel and its predicaments. (Robert Alter, Class of 1937 Professor of Hebrew and Comparative Literature) The next best thing to reading modern Hebrew literature in the original is getting to know it through the eyes of a lover who is willing to share his passion. In Hebrew Classics: A Journey Through Israel's Timeless Fiction and Poetry Dvir Abramovich invites us to get to know its major figures and his introductions to their work make us eager to know them better. A true scholar can do no better. (Ruth Wisse, Martin Peretz Professor of Yiddish Literature and Professor of Comparative Literature) About the Author Dvir Abramovich (PhD University of Melbourne) is director of the University of Melbourne's Centre for Jewish History and Culture and a senior lecturer in Hebrew and Jewish Studies. He was editor of the Australian Journal of Jewish Studies for eight years and president of the Australian Association of Jewish Studies from 2006 to 2010. He has published widely in the area of Israeli and Jewish literature and is co-editor of the book Testifying to the Holocaust (2008) and author of Back to the Future: Israeli Literature of the 1980s and 1990 (2010).

In this book, Dvir Abramovich brings together a batch of timeless classical Hebrew novels, short stories, and poems, and furnishes readers with commentaries and critical readings of each landmark work. The selection of seminal texts include masterpieces from Yehuda Amichai, Haim Gouri, Amos Oz, Dvorah Baron, Shaul Tchernichovsky, Chaim Nachman Bialik, Hanoch Bartov, Shulamit Hareven, and Aharon Megged. Each interpretative essay includes a bio-graphical overview of the author whose opus is explored. This collection will prove exceptionally useful for teachers who wish to introduce their students to the treasures of contemporary Israeli fiction and are searching for reflective analyses and searching insights. Guaranteed to ignite discussion and debate, this informative and entertaining volume, written in an accessible and lively style, will appeal to a general and academic audience and will tempt readers to read or re-read these great works.

Esther, seventeen years old, wild and rebellious, is sent from Israel to Cameroon to stay with her hardheaded uncle Sicourelle, who is charged with straightening her out. But Esther resists her uncle's plans for her future-which include marriage to a cousin-and in the privileged indolence of postcolonial Africa, she looks to the past instead. Using sepia portraits and scraps of letters, Esther pieces together the history of her family, a once-grand Egyptian-Jewish clan, and its displacement from Cairo in the 1950s to Israel, West Africa, and New York. As the worn photographs yield their secrets, Esther uncovers a rich tale of wives and ex-wives; revolving mistresses and crushing marriages; intrigues and disappointments; poignant contrats between the living past and the dead present. In sensuous, inventive prose, Matalon penetrates the mysteries of cultural exile and family life to produce a first novel that is mature, authentic, and deeply moving.

Zvi Arbel is an Israeli historian whose field is Jewish history. His chosen topic of research is the Petliura massacres of Ukrainian Jews in 1918-1920. Arbel's work is read by the poet Shmuel Foiglman, a Holocaust survivor who sends Arbel a volume of his own poetry in Yiddish. The relationship that develops between the two men is one of ambivalence and fascination; the reserved Israeli historian is alternatively affectionate and resentful towards the enthusiastic but tormented poet. Despite his ambivalence, Arbel is manipulated into helping Foiglman. He embarks on an effort to get Foiglman's poetry translated into Hebrew, and as Foiglman begins to monopolize more and more of his time and resources, Arbel ignores all the warning signs of the effect this is having on his marriage; his wife Nora cannot be dissuaded from her feelings of revulsion towards Foiglman. As the poet unintentionally drives a wedge between them, Arbel and Nora's long and contented marriage goes sour, and in Megged's blend of past and present, lust and nostalgia - tragedy becomes the only way out.

Text: English, Hebrew (translation)

"An indispensible companion text, Texts and Traditions includes the essential documents of the various religious trends of the Second Temple and Rabbinic periods as well as Josephus, Greek and Aramaic inscriptions, classical historians and talmudic sources." --Book Jacket.

A native of Crimea, the Soviet Jewish poet Ilya Selvinskii (1899-1968), in 1942-43, bore witness to Nazi atrocities in and near the city of Kerch (in eastern Crimea) and in the south of Russia. This included the massacre at the "Bagerovo ditch", an anti-tank ditch west of the city, where the Nazis murdered ca. 7,000 Jews of Kerch in November 1941. What he saw impressed Selvinskii for the rest of his life. He was the first Soviet poet to publish extensively on the Holocaust, most notably his two poems "I Saw It" (1942) and "Kerch" (1945). In general, he somewhat downplayed the fact that the victims were Jews, as did Ehrenburg and other contemporary poets who wrote on the Nazi mass murders. Selvinskii's shock of viewing the Bagerovo ditch was also reflected in his postwar poems, in particular in "Kandava", the first version of which was published in 1946. Selvinskii influenced many other poets who wrote on the Nazi genocide, among them Iosif Utkin and Lev Ozerov. After the war Selvinskii was accused of "cosmopolitanism" and holding an "anti-party line"; he was partially blacklisted. Pp. 263-277 contain the Russian originals and English translations of "I Saw It" and "Kerch".

In the years between 1929 and 1939, when Itzik Manger wrote most of the poetry and fiction that made him famous, his name among Yiddish readers was a household word. Called the Shelley of Yiddish, he was characterized as being "drunk with talent." This book -- the first full-length anthology of Manger's work -- displays the full range of his genius in poetry, fiction, and criticism. The book begins with an extensive historical, biographical, and literary-critical introduction to Manger's work. There are then excerpts from a novel, The Book of Paradise, three short stories, autobiographical essays, critical essays, and finally, Manger's magnificent poetry -- ballads, bible poems, personal lyrics, and the Megilla Songs. These works, which have the patina of myths acquired ages ago, also offer modern psychological insight and irrepressible humor. With Manger we make the leap into the Jewish twentieth century, as he recreates the past in all its layered expressiveness and interprets it with modernist sensibilities.