A sly, funny novel about an American girl trying to make it in 1960s London–and discovering that she's in over head. In The Dud Avocado , Elaine Dundy revealed the life of the young expatriate in Paris in all its hilarious and heartbreaking drama. With The Old Man and Me , written when Dundy was living in England in the early 1960s, she tackles the American girl in London, a bit older but certainly no wiser. Honey Flood (if that’s her real name) arrives in London with only her quick wits and a scheme. To get what she wants, she’ll have to seduce the city’s brightest literary star, no matter how many would-be bohemians she has to charm, how many smoky jazz clubs she has to brave, or how many Lady Something-Somethings she has to humor. But with success within her reach, Honey finds that in making the Soho scene, she’s made a big mistake.

"He again had the sense that all this order, balance and security in his life were really an illusion and a lie".... "Everything seemed to be slipping from his grasp; everything was becoming increasingly unreal, even his home, his wife, his child, his profession, his very identity." Originally published in 1926, Rhapsody: A Dream Novel is a psychological novella written by Arthur Schnitzler. Following Doctor Fridolin and his wife, Albertine, Rhapsody: A Dream Novel sees the couple embark on a two-day odyssey in the erotic underworld. One night a successful doctor, Fridolin, and his beautiful wife, Albertine, attend a masked masquerade ball. Seeing naked men and women and propositioned for sex, the lust-filled couple are inspired to make love to one another; and Albertine-in the heat of passion-admits a sexual fantasy she had the previous summer. Taken slightly back, Fridolin admits his own fantasies to his wife and begins to question his place in their marriage, the strength of their love and the middle class life he has found himself living. Filled with erotic fun, secrets, and sensuality, Rhapsody: A Dream Novel is a psychoanalytic novella that explores sexual guilt, fantasy, love and death. This edition of Rhapsody: A Dream Novel is a classic of erotic literature reimagined for modern readers. Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book. With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Hebrew fiction has emerged as a vital modern literary force, and the scope and riches of this literature is brilliantly exemplified by the eight short novels included in this landmark collection. Some of the authors represented here, like S.Y. Agnon, Amos Oz and A.B. Yehoshua are internationally celebrated. Others, like David Vogel, are writers of rare genius whose work until now had not been widely avaliable. Earlier writers like Y.H. Brenner and Uri Gnessin virtually created modern Hebrew literature, yet are rarely read by modern audiences. Writing in Hebrew, these writers tell of earlier European experiences, of emigration to Israel and of the lives of modern Israelis. Chosen and introduced by Alan Lelchuk, the American novelist, and Gershon Shaked, the Israeli critic, 8 Great Hebrew Short Novels has been superbly translated. This is an outstanding introduction to classic and contemporary Hebrew writing, now avaliable to English readers.

"A perfect match of writer and subject: one of our most brilliant biographers takes on one of our greatest living playwrights--with his cooperation and access to a trove of hitherto unseen material. Tom Stoppard is a towering and beloved literary figure. Known for his dizzying narrative inventiveness and intense attention to language, he deftly deploys art, science, history, politics, and philosophy in works that span a remarkable spectrum of literary genres: theater, radio, film, TV, journalism, and fiction. His most acclaimed creations--Rosencrantz and Guildenstern are Dead, The Real Thing, Arcadia, The Coast of Utopia, Shakespeare in Love--remain as fresh and moving as when they dazzled their first audiences. Stoppard's life, too, is fascinating: born in Czechoslovakia, he escaped the Nazis with his mother and spent his early years in Singapore and India before arriving in England at age eight. Skipping university, he embarked on a brilliant career, becoming close friends over the years with an astonishing array of writers, actors, directors, musicians, and political figures, from Peter O'Toole, Harold Pinter, and Stephen Spielberg to Mick Jagger and Vaclav Havel. Having long described himself as a "bounced Czech," Stoppard was surprised to learn late in life of his Jewish family and the relatives he lost to the Holocaust, secrets his mother had kept from him. Lee's in-depth analysis seamlessly weaves Stoppard's life and work together into a vivid, insightful, and always riveting portrait of a remarkable man"--

Edith Pearlman manages to combine subtlety with extravagance, understatement with spectacle, drawing our focus to the eccentricities of those who would prefer to remain unnoticed. . . . Confronted with unexpected obstacles, these characters exchange the blurring comfort of routine with spontaneity and improvisation . . . . Full of vivid, intricate, nuanced portraits, confidently focused, restrained and yet spirited, saturated with a powerful imaginative sympathy, How to Fall is a remarkable collection by a remarkable writer. --From the Foreword by Joanna Scott How to Fall is a darkly humorous collection that welcomes the world's immense variety with confidence. Spanning no fewer than four countries in sixty years, these sixteen stories flesh out the complexities of people who, at first glance, live ordinary, unremarkable lives. Widowers, old men, estranged spouses, young restaurant workers, career women and Jewish grandmothers are all at the center of Pearlman's cool, studied observation. Each character is rendered with such unpredictable intricacy that they often astonish themselves just as much as the reader. Many of the stories either begin or wind their way back to one, mythical, two-by-three-mile Massachusetts town--Godolphin, a place that "called itself a town but was really a leafy wedge of Boston." Edith Pearlman has published over 100 stories in national magazines, literary journals, anthologies and online publications. Her work has appeared in The Best American Short Stories , The O. Henry Prize collection, New Stories from the South: The Year's Best and The Pushcart Prize collection. Her first collection of stories, Vaquita , won the Drue Heinz Prize for Literature, and her second, Love Among the Greats , won the Spokane Prize for Fiction. She now lives in Brookline, Massachusetts.

90 classic titles celebrating 90 years of Penguin Books 'Why should I bother to invent things? My life has been far more exciting and wonderful than any fairy-tale' In the heart of the English countryside, surrounded by irritatingly polite relatives and hopeless sycophants, Lady L. is celebrating her eightieth birthday. But as the guests disperse, she feels the undeniable pull of a mysterious pavilion in the lush grounds, and the terrible secret she buried there many years ago . . .

With its depictions of the downtrodden prostitutes, bootleggers, and hustlers of Perdido Street in the old French Quarter of 1930s New Orleans, Nelson Algren's A Walk in the Wild Side has found a place in the imaginations of all generations since it first appeared. As Algren admitted, the book "wasn't written until long after it had been walked . . . I found my way to the streets on the other side of the Southern Pacific station, where the big jukes were singing something called 'Walking the Wild Side of Life.' I've stayed pretty much on that side of the curb ever since." Perhaps the author's own words describe this classic work best: "The book asks why lost people sometimes develop into greater human beings than those who have never been lost in their whole lives. Why men who have suffered at the hands of other men are the natural believers in humanity, while those whose part has been simply to acquire, to take all and give nothing, are the most contemptuous of mankind."

A literary investigation of how the modern metropolis--intoxicating, disturbing, powerful--changed perceptions and irrevocably altered the Western imagination. Alter traces the arc of literary development triggered by the runaway growth of urban centers from the early nineteenth century through the first two decades of the twentieth. As new technologies and arrangements of public and private space changed the ways people experienced time and space, the urban panorama became less coherent--a metropolis defying traditional representation and definition, a vast jumble of shifting fragments and glimpses--and writers were compelled to create new methods for conveying the experience of the city. In interpretations of novels by Flaubert, Dickens, Bely, Woolf, Joyce, and Kafka, Alter reveals the ways the city entered the literary imagination.--From publisher description.

A brawny, brilliant debut novel about the epic struggles of an immigrant son in a darkening world. Johannesburg, South Africa. The Great Depression. In this harsh new country, young Isaac Helger burns with fiery determination— to break out of the inner city, to buy his scarred mother the home she longs for, to find a way to realize her dream of reuniting a family torn apart. But there are terrible, unspoken secrets of the past that will haunt him as he makes his way through a society brutalized by racism, as he loses his heart to an unattainable girl from the city’s wealthiest heights and his every exit route from poverty dead-ends. When the threat of the Second World War insinuates itself with brutal force into Isaac’s reality, he will face the most important choice of his life . . . and will have to learn to live with the consequences. In this extraordinarily powerful novel, Kenneth Bonert brings alive the world of South African Jewry in all its raw energy and ribald vernacular. Comedic, searing, lyrical and with a snap-perfect ear for dialogue, The Lion Seeker is a profoundly moral exploration of how wider social forces shape us and shatter us, echoing through history with lessons that are no less relevant today than in the crucible of its time.

"Jerzy Kosinski was a great enigma of post-World War II literature. When he exploded onto the American literary scene in 1965 with his best-selling novel The Painted Bird, he was revered as a Holocaust survivor and refugee from the world hidden behind the Soviet Iron Curtain. He won major literary awards, befriended actor Peter Sellers (who appeared in the screen adaptation of his novel Being There), and was a guest on talk shows and at the Oscars. But soon the facade began to crack, and behind the public persona emerged a ruthless social climber, sexual libertine, and pathological liar who may have plagiarized his greatest works. Jerome Charyn lends his unmistakable style to this most American story of personal disintegration, told through the voices of multiple narrators--a homicidal actor, a dominatrix, and Joseph Stalin's daughter--who each provide insights into the shifting facets of Kosinski's personality. The story unfolds like a Russian nesting doll, eventually revealing the lost child beneath layers of trauma, while touching on the nature of authenticity, the atrocities of WWII, the allure of sadomasochism, and the fickleness of celebrity."-- Page [4] of cover.

"Lola Bensky is a nineteen-year-old rock journalist who irons her hair straight and asks a lot of questions. A high-school dropout, she's not sure how she got the job - but she's been sent by her Australian newspaper right to the heart of the London music scene at the most exciting time in music history: 1967. Lola spends her days planning diets and interviewing rock stars. In London, Mick Jagger makes her a cup of tea, Jimi Hendrix (possibly) propositions her and Cher borrows her false eyelashes. At the Monterey International Pop Festival, Lola props up Brian Jones and talks to Janis Joplin about sex. In Los Angeles, she discusses being overweight with Mama Cass and tries to pluck up the courage to ask Cher to return those false eyelashes. Lola has an irrepressible curiosity, but she begins to wonder whether the questions she asks these extraordinary young musicians are really a substitute for questions about her parents' calamitous past that can't be asked or answered. As Lola moves on through marriage, motherhood, psychoanalysis and a close relationship with an unexpected pair of detectives, she discovers the question of what it means to be human is the hardest one for anyone-including herself-to answer. "--

The interviews in this collection cover Walter Mosley's career and reveal an overarching theme: a belief in the transformative power of reading and writing. Since the 1990 publication of his first novel, Devil in a Blue Dress , Mosley (b. 1952) has published over thirty books in a tremendous range of genres and modes: crime and detective fiction, science fiction, literary novels of ideas, character studies, political and social nonfiction, erotica, and memoir. Best known for his Easy Rawlins detective series and Socrates Fortlow series of crime novels, Mosley has created a body of work that as a whole chronicles and examines twentieth-century African American experience. Conversations with Walter Mosley covers the breadth of Mosley's career and reveals a craftsman and wryly witty conversationalist. Conscious of his forebears as well as literary techniques, he discusses favorites and influences including Camus, Shakespeare, and Dickens as well as writers in popular genres--especially speculative fiction and the hard-boiled noir detective tradition. He also discusses how his work modifies the crime tradition to engage it with black experience.

A superb introduction to modern Japanese fiction as well as a memoir of his own love affair with Japanese literature and culture, this volume consists of chapters on five modern Japanese novelists whom Donald Keene knew personally: Yasunari Kawabata, Yukio Mishima, Jun'ichiro Tanizaki, Ryotaro Shiba, and Kobo Abe. Each chapter opens with a vignette describing Keene's personal encounters with these famous men, blending his autobiographical observations with literary and cultural analysis.

In a famous passage in The Red and the Black , the French writer Stendhal described the novel as a mirror being carried along a roadway. In the twentieth century this was derided as a naïve notion of realism. Instead, modern writers experimented with creative forms of invention and dislocation. Deconstructive theorists went even further, questioning whether literature had any real reference to a world outside its own language, while traditional historians challenged whether novels gave a trustworthy representation of history and society. In this book, Morris Dickstein reinterprets Stendhal's metaphor and tracks the different worlds of a wide array of twentieth-century writers, from realists like Theodore Dreiser, Sinclair Lewis, Edith Wharton, and Willa Cather, through modernists like Franz Kafka and Samuel Beckett, to wildly inventive postwar writers like Saul Bellow, Günter Grass, Mary McCarthy, George Orwell, Philip Roth, and Gabriel García Márquez. Dickstein argues that fiction will always yield rich insight into its subject, and that literature can also be a form of historical understanding. Writers refract the world through their forms and sensibilities. He shows how the work of these writers recaptures--yet also transforms--the life around them, the world inside them, and the universe of language and feeling they share with their readers. Through lively and incisive essays directed to general readers as well as students of literature, Dickstein redefines the literary landscape--a landscape in which reading has for decades been devalued by society and distorted by theory. Having begun with a reconsideration of realism, the book concludes with several essays probing the strengths and limitations of a historical approach to literature and criticism.

In a famous passage in The Red and the Black , the French writer Stendhal described the novel as a mirror being carried along a roadway. In the twentieth century this was derided as a naïve notion of realism. Instead, modern writers experimented with creative forms of invention and dislocation. Deconstructive theorists went even further, questioning whether literature had any real reference to a world outside its own language, while traditional historians challenged whether novels gave a trustworthy representation of history and society. In this book, Morris Dickstein reinterprets Stendhal's metaphor and tracks the different worlds of a wide array of twentieth-century writers, from realists like Theodore Dreiser, Sinclair Lewis, Edith Wharton, and Willa Cather, through modernists like Franz Kafka and Samuel Beckett, to wildly inventive postwar writers like Saul Bellow, Günter Grass, Mary McCarthy, George Orwell, Philip Roth, and Gabriel García Márquez. Dickstein argues that fiction will always yield rich insight into its subject, and that literature can also be a form of historical understanding. Writers refract the world through their forms and sensibilities. He shows how the work of these writers recaptures--yet also transforms--the life around them, the world inside them, and the universe of language and feeling they share with their readers. Through lively and incisive essays directed to general readers as well as students of literature, Dickstein redefines the literary landscape--a landscape in which reading has for decades been devalued by society and distorted by theory. Having begun with a reconsideration of realism, the book concludes with several essays probing the strengths and limitations of a historical approach to literature and criticism.

May 4th, 1970. A week earlier President Nixon has ordered American ground forces into Cambodia to pursue the Vietcong. By the end of the day four students will be shot dead by the National Guards in the grounds of Kent State University. On the other side of the Atlantic, it's a brilliant sunny morning after an April of heavy rain, and at the "Concept House" therapeutic community he has set up in the London suburb of Willesden, maverick psychiatrist Dr Zack Busner has been tricked into joining a decidedly ill advised LSD trip with several of its disturbed residents. Five years later, sitting in a nearby cinema watching Steven Spielberg's Jaws , Busner realizes the true nature of the events that transpired on that dread-soaked day, when a survivor of the worst disaster in the US Navy's history - the sinking of the USS Indianapolis - came face-to-face with the British Royal Air Force observer on the Enola Gay's mission to bomb Hiroshima. Set a year before the action of his Booker-shortlisted Umbrella , Will Self's new novel Shark continues its exploration of the complex relationship between human psychopathology and human technological progress.

In this stunning debut novella, Rebecca Walker turns her attention to the power of love and the limitations of the human heart. When Farida, a sophisticated college student, falls in love with Adé, a young Swahili man living on an idyllic island off the coast of Kenya, the two plan to marry and envision a simple life together--free of worldly possessions and concerns. But when Farida contracts malaria and finds herself caught in the middle of a civil war, reality crashes in around them. The lovers' solitude is interrupted by a world in the throes of massive upheaval that threatens to tear them apart, along with all they cherish. Haunting, exquisite, and certain to become a classic, Adé will stay with you long after you put it down. This is a timeless love story set perfectly, heartbreakingly, in our time.

A story spanning two world wars and several generations in a German family. In the devastating opening scene, a woman named Helene stands with her seven-year-old son in a provincial German railway station in 1945, amid the chaos of civilians fleeing west. Having survived with him through the horror and deprivation of the war years, she abandons him on the station platform and never returns. The story quickly circles back to Helene's childhood with her sister Martha in rural Germany, which came to an abrupt end with the outbreak of the First World War. Their father is sent to the eastern front, and their Jewish mother withdraws from the hostility of her surroundings into a state of mental confusion. As we follow Helene into adulthood, we watch riveted as the costs of survival and ill-fated love turn her into a woman capable of the unforgivable.

Giorgio Bassani’s six classic books, collected for the first time in English as the epic masterwork they were intended to be. Among the masters of twentieth-century literature, Giorgio Bassani and his Northern Italian hometown of Ferrara “are as inseparable as James Joyce and Dublin or Italo Svevo and Trieste” (from the Introduction). Now published in English for the first time as the unified masterwork Bassani intended, The Novel of Ferrara brings together Bassani’s six classics, fully revised by the author at the end of his life: Within the Walls , The Gold-Rimmed Spectacles , The Garden of the Finzi-Continis , Behind the Door , The Heron , and The Smell of Hay . Set in the northern Italian town of Ferrara before, during, and after the Second World War, these interlocking stories present a fully rounded world of unforgettable characters: the respected doctor whose homosexuality is tolerated until he is humiliatingly exposed by an exploitative youth; a survivor of the Nazi death camps whose neighbors’ celebration of his return gradually turns to ostracism; a young man discovering the ugly, treacherous price that people will pay for a sense of belonging; the Jewish aristocrat whose social position has been erased; the indomitable schoolteacher, Celia Trotti, whose Communist idealism disturbs and challenges a postwar generation. The Novel of Ferrara memorializes not only the Ferrarese people, but the city itself, which assumes a character and a voice deeply inflected by the Jewish community to which the narrator belongs. Suffused with new life by acclaimed translator and poet Jamie McKendrick, this seminal work seals Bassani’s reputation as “a quietly insistent chronicler of our age’s various menaces to liberty” (Jonathan Keates).

Poxl West fled the Nazis' onslaught in Czechoslovakia. He escaped their clutches again in Holland. He pulled Londoners from the Blitz's rubble. He wooed intoxicating, unconventional beauties. He rained fire on Germany from his RAF bomber. Poxl West is the epitome of manhood and something of an idol to his teenage nephew, Eli Goldstein, who reveres him as a brave, singular, Jewish war hero. Poxl fills Eli's head with electric accounts of his derring-do, adventures and romances, as he collects the best episodes from his storied life into a memoir. He publishes that memoir, Skylock, to great acclaim, and its success takes him on the road, and out of Eli's life. With his uncle gone, Eli throws himself into reading his opus and becomes fixated on all things Poxl. But as he delves deeper into Poxl's history, Eli begins to see that the life of the fearless superman he's adored has been much darker than he let on, and filled with unimaginable loss from which he may have not recovered. As the truth about Poxl emerges, it forces Eli to face irreconcilable facts about the war he's romanticized and the vision of the man he's held so dear. Daniel Torday's debut novel, "The Last Flight of Poxl West, " beautifully weaves together the two unforgettable voices of Eli Goldstein and Poxl West, exploring what it really means to be a hero, and to be a family, in the long shadow of war.