From #1 New York Times bestselling author Neil Gaiman, an astonishing collection of short fiction that stretches the boundaries of imagination, probes the depths of human experience, and reveals how the ordinary and the fantastical are intertwined―one of ten classic Gaiman works repackaged with elegant original watercolor art by acclaimed artist Henry Sene Yee Fragile Things showcases the distinctive storytelling genius that has made Neil Gaiman one of the most admired literary artists of our time. The thirty-two gems of prose and verse in this astonishing collection stretch the imagination and engage the intellect even as they illuminate the vagaries of human experience. Whether he's conjuring a mysterious traveling circus, exploring the rarefied tastes of an exclusive epicurean club, or visiting a strangely altered Victorian England, Gaiman reveals how the ordinary and the fantastical are transmutable and intertwined. With breathtaking clarity, Fragile Things illumines Gaiman's brilliance as well as his terrifyingly entertaining dark sense of humor. By turns delightful, disturbing, and diverting, this volume is a gift of enchantments that will startle the senses and stir the soul.

NEW YORK TIMES BESTSELLER • A “mouthwatering” ( The New York Times ) adventure through the food, art, and fashion scenes of 1980s Paris—from the bestselling author of Save Me the Plums and Delicious! “An enchanting and irresistible feast . . . As with a perfect meal in the world’s most magical city, I never wanted this sublime novel to end.”—Cynthia D’Aprix Sweeney, author of Good Company A BEST BOOK OF THE YEAR: Saveur, Food & Wine, Bookreporter, The Charlotte Observer Stella reached for an oyster, tipped her head, and tossed it back. It was cool and slippery, the flavor so briny it was like diving into the ocean. Oysters, she thought. Where have they been all my life? When her estranged mother dies, Stella is left with an unusual inheritance: a one-way plane ticket and a note reading “Go to Paris.” Stella is hardly cut out for adventure; a traumatic childhood has kept her confined to the strict routines of her comfort zone. But when her boss encourages her to take time off, Stella resigns herself to honoring her mother’s last wishes. Alone in a foreign city, Stella falls into old habits, living cautiously and frugally. Then she stumbles across a vintage store, where she tries on a fabulous Dior dress. The shopkeeper insists that this dress was meant for Stella and for the first time in her life Stella does something impulsive. She buys the dress—and embarks on an adventure. Her first stop: the iconic brasserie Les Deux Magots, where Stella tastes her first oysters and then meets an octogenarian art collector who decides to take her under his wing. As Jules introduces Stella to a veritable who’s who of the Paris literary, art, and culinary worlds, she begins to understand what it might mean to live a larger life. As weeks—and many decadent meals—go by, Stella ends up living as a “tumbleweed” at famed bookstore Shakespeare & Company, uncovers a hundred-year-old mystery in a Manet painting, and discovers a passion for food that may be connected to her past. A feast for the senses, this novel is a testament to living deliciously, taking chances, and finding your true home.

“Brooks’ chronological and cross-disciplinary leaps are thrilling.” — The New York Times Book Review “ Horse isn’t just an animal story—it’s a moving narrative about race and art.” — TIME “ A thrilling story about humanity in all its ugliness and beauty . . . the evocative voices create a story so powerful, reading it feels like watching a neck-and-neck horse race, galloping to its conclusion—you just can’t look away.” — Oprah Daily Winner of the Anisfield-Wolf Book Award, the Dayton Literary Peace Prize, and the Dr. Tony Ryan Book Award · Finalist for the Chautauqua Prize · A Massachusetts Book Award Honor Book A discarded painting in a junk pile, a skeleton in an attic, and the greatest racehorse in American history: from these strands, a Pulitzer Prize winner braids a sweeping story of spirit, obsession, and injustice across American history Kentucky, 1850 . An enslaved groom named Jarret and a bay foal forge a bond of understanding that will carry the horse to record-setting victories across the South. When the nation erupts in civil war, an itinerant young artist who has made his name on paintings of the racehorse takes up arms for the Union. On a perilous night, he reunites with the stallion and his groom, very far from the glamor of any racetrack. New York City, 1954 . Martha Jackson, a gallery owner celebrated for taking risks on edgy contemporary painters, becomes obsessed with a nineteenth-century equestrian oil painting of mysterious provenance. Washington, DC, 2019 . Jess, a Smithsonian scientist from Australia, and Theo, a Nigerian-American art historian, find themselves unexpectedly connected through their shared interest in the horse—one studying the stallion’s bones for clues to his power and endurance, the other uncovering the lost history of the unsung Black horsemen who were critical to his racing success. Based on the remarkable true story of the record-breaking thoroughbred Lexington, Horse is a novel of art and science, love and obsession, and our unfinished reckoning with racism.

Paul Auster's great trilogy of 1985-1986 broke ground in its mix of serious fictional techniques and detective and mystery genres. Since that time it has become one of the most successful series of novels of the last decades, now republished in a beautiful cloth edition.

"Well-plotted, well-written, clear-eyed. I never saw the end coming. There's a hell of a one-two punch waiting for you." --Stephen King New York Times bestseller Laura Lippman tells the story of Amber Glass, desperately trying to get away from her tabloid past but compulsively drawn back to the city of her youth and the prom date who destroyed everything she was reaching for. Amber Glass has spent her entire adult life putting as much distance as possible between her and her hometown of Baltimore, where she fears she will forever be known as "Prom Mom"--the girl who allegedly killed her baby on the night of the prom after her date, Joe Simpson, abandoned her to pursue the girl he really liked. But when circumstances bring Amber back to the city, she realizes she can have a second chance--as long as she stays away from Joe, now a successful commercial real estate developer, married to a plastic surgeon, Meredith, to whom he is devoted. The problem is, Amber can't stay away from Joe. And Joe finds that it's increasingly hard for him to ignore Amber, if only because she remembers the boy he was and the man he said he was going to be. Against the surreal backdrop of 2020 and early 2021, the two are slowly drawn to each other and eventually cross the line they've been trying not to cross. And then Joe asks Amber to help him do the unthinkable . . . and she must decide if she is willing to let their toxic and dangerous past repeat itself.

Rediscover the modern classic that launched the career of the #1 New York Times bestselling author of Mrs. Everything and Big Summer with this beautiful anniversary edition of her “contemporary Cinderella tale told with intelligence, wit, and style” (Susan Isaacs, New York Times bestselling author). For twenty-eight years, things have been tripping along nicely for Cannie Shapiro. Sure, her mother has come charging out of the closet, and her father has long since dropped out of her world. But she loves her friends, her rat terrier, and her job as pop culture reporter for The Philadelphia Examiner . She’s finally even made a tenuous peace with her plus-size body. But when she opens up a national women’s magazine and sees the words “Loving a Larger Woman” above her ex-boyfriend’s byline, Cannie is plunged into misery…and the most amazing year of her life. From Philadelphia to Hollywood and back home again, she charts a new course for herself: mourning her losses, facing her past, and figuring out who she is and who she can become. An unforgettable novel full of charm and heart, “ G ood In Bed offers a sensitive telling of a life familiar to many and a humorous take on how the struggle can end in joy” (Associated Press).

A BEST BOOK OF THE YEAR TIME Magazine・NPR・Library Journal・The Globe and Mail・Lilith・Forward Magazine・Toronto Star・The New Yorker "A testament to the power of imagination and an investigation of empathy."--Vogue "Stunning."--Leslie Camhi, The New Yorker "A can't-miss novel."--Chicago Review of Books "Compelling."--The Washington Examiner Anne Berest's The Postcard is among the most acclaimed and beloved French novels of recent years. It is at once a gripping investigation into family trauma, a poignant tale of mothers and daughters, and a vivid portrait of twentieth-century Parisian intellectual and artistic life. January, 2003. Together with the usual holiday cards, an anonymous postcard is delivered to the Berest family home. On the front, a photo of the Opéra Garnier in Paris. On the back, the names of Anne Berest's maternal great-grandparents, Ephraïm and Emma, and their children, Noémie and Jacques--all killed at Auschwitz. Years after the postcard is delivered, the heroine of this novel is moved to discover who sent it and why. What emerges is a moving saga of a family devastated by the travails of the twentieth century and partly restored through the power of storytelling.

A New York Times Bestseller In this spellbinding exploration of the varieties of love, the author of the worldwide bestseller Call Me by Your Name revisits its complex and beguiling characters decades after their first meeting. No novel in recent memory has spoken more movingly to contemporary readers about the nature of love than André Aciman’s haunting Call Me by Your Name . First published in 2007, it was hailed as “a love letter, an invocation . . . an exceptionally beautiful book” (Stacey D’Erasmo, The New York Times Book Review ). Nearly three quarters of a million copies have been sold, and the book became a much-loved, Academy Award–winning film starring Timothée Chalamet as the young Elio and Armie Hammer as Oliver, the graduate student with whom he falls in love. In Find Me , Aciman shows us Elio’s father, Samuel, on a trip from Florence to Rome to visit Elio, who has become a gifted classical pianist. A chance encounter on the train with a beautiful young woman upends Sami’s plans and changes his life forever. Elio soon moves to Paris, where he, too, has a consequential affair, while Oliver, now a New England college professor with a family, suddenly finds himself contemplating a return trip across the Atlantic. Aciman is a master of sensibility, of the intimate details and the emotional nuances that are the substance of passion. Find Me brings us back inside the magic circle of one of our greatest contemporary romances to ask if, in fact, true love ever dies.

#1 NEW YORK TIMES BESTSELLER • Alex Delaware and LAPD detective Milo Sturgis investigate the death of Alex’s most mysterious patient to date in the sensational new thriller from the master of suspense, #1 New York Times bestselling author Jonathan Kellerman. At nearly one hundred years old, Thalia Mars is a far cry from the patients that child psychologist Alex Delaware normally treats. But the charming, witty woman convinces Alex to meet with her in a suite at the Aventura, a luxury hotel with a checkered history. What Thalia wants from Alex are answers to unsettling questions—about guilt, patterns of criminal behavior, victim selection. When Alex asks the reason for her morbid fascination, Thalia promises to tell all during their next session. But when he shows up the following morning, he is met with silence: Thalia is dead in her room. When questions arise about how Thalia perished, Alex and homicide detective Milo Sturgis must peel back the layers of a fascinating but elusive woman’s life and embark on one of the most baffling investigations either of them has ever experienced. For Thalia Mars is a victim like no other, an enigma who harbored nearly a century of secrets and whose life and death draw those around her into a vortex of violence. Heartbreak Hotel is classic Delaware and classic Kellerman. Praise for Heartbreak Hotel “Easy to dive into for mystery fans unfamiliar with the series, and a welcome treat for readers who have been with Officer Sturgis and Dr. Delaware since the beginning.” — Booklist Praise for Jonathan Kellerman “Jonathan Kellerman’s psychology skills and dark imagination are a potent literary mix.” —Los Angeles Times “Kellerman doesn’t just write psychological thrillers—he owns the genre.” —Detroit Free Press “A master of the psychological thriller.” —People

WINNER OF THE GOVERNOR GENERAL'S LITERARY AWARD FOR FICTION • SHORTLISTED FOR THE RATHBONES FOLIO PRIZE • A NEW YORK TIMES NOTABLE BOOK • A new novel about art, love, death and time from the author of Motherhood and How Should A Person Be? “True and newly alive.” — Los Angeles Times “One-of-a-kind. . . . nothing less than vital.” — The Guardian Here we are, just living in the first draft of creation, which was made by some great artist, who is now getting ready to tear it apart. In this first draft, a woman named Mira leaves home for school. There, she meets Annie, whose tremendous power opens Mira’s chest like a portal—to what, she doesn’t know. When Mira is older, her beloved father dies, and she enters the strange and dizzying dimension that true loss opens up. Pure Colour tells the story of a life, from beginning to end. It is a galaxy of a novel: explosive, celestially bright, huge, and streaked with beauty. It is a contemporary bible, an atlas of feeling, and a shape-shifting epic. Sheila Heti is a philosopher of modern experience, and she has reimagined what a book can hold.

Told in the same fanciful, irreverent style as the Hitchhiker trilogy, with scraps of scripts, letters and comments from Adams, Don't Panic is the perfect companion to one of the most successful series in publishing history.

Who would you be, if you hadn't turned out to be the person you are now? Dawn is a death doula, and spends her life helping people make the final transition peacefully. But when the plane she's on plummets, she finds herself thinking not of the perfect life she has, but the life she was forced to abandon fifteen years ago - when she left behind a career in Egyptology, and a man she loved. Against the odds, she survives, and the airline offers her a ticket to wherever she needs to get to - but the answer to that question suddenly seems uncertain. As the path of her life forks in two very different directions, Dawn must confront questions she's never truly asked: What does a well-lived life look like? What do we leave behind when we go? And do we make our choices, or do our choices make us? Two possible futures. One impossible choice.

"Episodes from the young life of Annie John, aged 10 to 17, as she grows up on the Caribbean island of Antigua. This is a magical coming-of-age tale, ripe with the special ambience of its tropical setting and sustained by Annie's far from naive awareness of the world around her. Death, illness, and poverty intrude on the narrator's perceptive sensilibity from time to time, but even these experiences instruct her and expand her understanding of life and its shifting reality. Although Annie leaves Antigua at the end of the novel for a new role as a student in England, the hollowness she feels at her departure is balanced by the new self that awaits her as she begins the search for her own identity. A poetic and intensely moving work from the author of At the Bottom of the River. (Reviewed April 1, 1985)"--Booklist Review.

In an inspirational debut novel by the author of Tuesdays with Morrie, Charles "Chick" Benetto, grieving over the death of his mother, uses alcohol as a crutch to deal with his loneliness, isolation, and depression and the disintegration of his life, until an encounter with his mother's ghost brings him new awareness and leads him to attempt to put his life back together.

From the #1 New York Times bestselling author of Big Summer and “undisputed boss of the beach read” ( The New York Times ) comes another timely and deliciously twisty novel of intrigue, secrets, and the transformative power of female friendship. Daisy Shoemaker can’t sleep. With a thriving cooking business, full schedule of volunteer work, and a beautiful home in the Philadelphia suburbs, she should be content. But her teenage daughter can be a handful, her husband can be distant, her work can feel trivial, and she has lots of acquaintances, but no real friends. Still, Daisy knows she’s got it good. So why is she up all night? While Daisy tries to identify the root of her dissatisfaction, she’s also receiving misdirected emails meant for a woman named Diana Starling, whose email address is just one punctuation mark away from her own. While Daisy’s driving carpools, Diana is chairing meetings. While Daisy’s making dinner, Diana’s making plans to reorganize corporations. Diana’s glamorous, sophisticated, single-lady life is miles away from Daisy’s simpler existence. When an apology leads to an invitation, the two women meet and become friends. But, as they get closer, we learn that their connection was not completely accidental. Who IS this other woman, and what does she want with Daisy? From the manicured Main Line of Philadelphia to the wild landscape of the Outer Cape, written with Jennifer Weiner’s signature wit and sharp observations, That Summer is a “compelling, nuanced novel” (Maureen Corrigan, The Washington Post ) about surviving our pasts, confronting our futures, and the sustaining bonds of friendship.

A young and ambitious writer named Jerome David Salinger set his goals very high very early in his career. He almost desperately wished to publish his early stories in The New Yorker magazine, the pinnacle, he felt, of America's literary world. But such was not to be for several long years and the length of one long world war. The New Yorker, whose tastes in literary matters were and remain notoriously prim and fickle, was not quite ready for this brash and over-confident newcomer with the cynical worldview and his habit of slangy dialogue. But other magazines were quick to recognize a new talent, a fresh voice at a time when the world verged on madness. Story magazine, an esteemed and influential small circulation journal devoted exclusively to the art of the short story and still active and respected today, was the first publication to publish the name J.D. Salinger and the story "The Young Folks" in 1940, an impressive view of New York's cocktail society and two young people talking past one another, their conversation almost completely meaningless and empty. His next short story was published in a college journal, The University of Kansas City Review, "Go See Eddie," a tale of quiet menace as an unsavory male character gradually turns up the pressure on a young lady to see a man named Eddie. Also published in 1940, the story is notable for the backstory that is omitted - a technique that Hemingway used to great effect. Four years later toward the end of Salinger's war experience saw the publication of "Once A Week Won't Kill You," again in Story magazine. Ostensibly about a newly minted soldier trying to tell an aging aunt he is going off to war, some may see the story as a metaphor for preparing one's family for the possibility of wartime death. Three Early Stories (Illustrated) is the first legitimately published book by J.D. Salinger in more than 50 years. Devault-Graves Digital Editions, a publisher that specializes in reprinting the finest in American period literature, is proud to bring you this anthology by one of America's most innovative and inspiring authors.

In New York Times bestselling author Anthony Horowitz's ingenious fourth literary whodunit following The Word is Murder, The Sentence is Death, and A Line to Kill, Horowitz becomes the prime suspect in a murder investigation--and only one man can prove his innocence: his newly estranged partner in solving crime, Detective Hawthorne. "I'm sorry but the answer's no." Reluctant author, Anthony Horowitz, has had enough. He tells ex-detective Daniel Hawthorne that after three books he's splitting and their deal is over. The truth is that Anthony has other things on his mind. His new play, a thriller called Mindgame, is about to open at the Vaudeville Theater in London's West End. Not surprisingly, Hawthorne declines a ticket to the opening night. The play is panned by the critics. In particular, Sunday Times critic Margaret Throsby gives it a savage review, focusing particularly on the writing. The next day, Throsby is stabbed in the heart with an ornamental dagger which turns out to belong to Anthony, and has his fingerprints all over it. Anthony is arrested by an old enemy . . . Detective Inspector Cara Grunshaw. She still carries a grudge from her failure to solve the case described in the second Hawthorne adventure, The Sentence is Death, and blames Anthony. Now she's out for revenge. Thrown into prison and fearing for both his personal future and his writing career, Anthony is the prime suspect in Throsby's murder and when a second theatre critic is found to have died in mysterious circumstances, the net closes in. Ever more desperate, he realizes that only one man can help him. But will Hawthorne take the call?

TIME ’S #1 FICTION TITLE OF THE YEAR • NEW YORK TIMES NOTABLE BOOK OF 2018 FINALIST for the MAN BOOKER PRIZE and t he NATIONAL BOOK CRITICS CIRCLE AWARD LONGLISTED for the ANDREW CARNEGIE MEDAL An instant New York Times bestseller from two-time National Book Award finalist Rachel Kushner, The Mars Room earned tweets from Margaret Atwood—“gritty, empathic, finely rendered, no sugar toppings, and a lot of punches, none of them pulled”—and from Stephen King—“ The Mars Room is the real deal, jarring, horrible, compassionate, funny.” It’s 2003 and Romy Hall, named after a German actress, is at the start of two consecutive life sentences at Stanville Women’s Correctional Facility, deep in California’s Central Valley. Outside is the world from which she has been severed: her young son, Jackson, and the San Francisco of her youth. Inside is a new reality: thousands of women hustling for the bare essentials needed to survive; the bluffing and pageantry and casual acts of violence by guards and prisoners alike; and the deadpan absurdities of institutional living, portrayed with great humor and precision. Stunning and unsentimental, The Mars Room is “wholly authentic…profound…luminous” ( The Wall Street Journal ), “one of those books that enrage you even as they break your heart” ( The New York Times Book Review, cover review)—a spectacularly compelling, heart-stopping novel about a life gone off the rails in contemporary America. It is audacious and tragic, propulsive and yet beautifully refined and “affirms Rachel Kushner as one of our best novelists” ( Entertainment Weekly ).

From the author of How Should a Person Be? (“one of the most talked-about books of the year”— Time Magazine ) and the New York Times Bestseller Women in Clothes comes a daring novel about whether to have children. In Motherhood, Sheila Heti asks what is gained and what is lost when a woman becomes a mother, treating the most consequential decision of early adulthood with the candor, originality, and humor that have won Heti international acclaim and made How Should A Person Be? required reading for a generation. In her late thirties, when her friends are asking when they will become mothers, the narrator of Heti’s intimate and urgent novel considers whether she will do so at all. In a narrative spanning several years, casting among the influence of her peers, partner, and her duties to her forbearers, she struggles to make a wise and moral choice. After seeking guidance from philosophy, her body, mysticism, and chance, she discovers her answer much closer to home. Motherhood is a courageous, keenly felt, and starkly original novel that will surely spark lively conversations about womanhood, parenthood, and about how—and for whom—to live.

Mix the brains of Neil Shulman and Carl Hiaasen and subtract 27 years, and you've got the book Doc Hollywood, originally titled What? Dead Again? , which was turned into the 1991 movie adaptation starring Michael J. Fox. Hiaasen and Shulman traipsed around rural Georgia in the late '70s collecting the funny accounts and unique experiences of real life practicing Doc Hollywoods.' They created a book about the misadventures of Dr. Otis Stone, a high - flying city doctor gets hoodwinked into practicing medicine below the gnat line,' U.S.A. The zany characters of Grady, Ala., and their interface with the spunky fish out of water' doc, tickled the fancy of Michael J. Fox, and thus was born the movie "Doc Hollywood." Some even say that the popular TV series "Northern Exposure" was inspired by this novel. More than 30 years later, the Shulman-Hiaasen "Doc Hollywood" partnership has sparked many current plots, including the 2006 Pixar film Cars. The tales seems to follow Doc Hollywood' s plot, as reported by medias across the nation. Doc Hollywood is a story as moving as it is hilarious. But if one has seen the movie, according to Shulman, don't be fooled. There's more to plot than the Hollywood adaptation. "This book is more a seed than a copy of the movie," states Shulman. Many who have enjoyed the movie have been even more captivated by the book. Critically-acclaimed and unforgettable, it deserves a special place on every bookshelf and within every heart that has longed for the simple life. "This book is a hundred times better than the movie they made out of it. A great book." .