"Raised in Baltimore in the '90s, 17-year-old Samuel Gerson is ready to be rid of his high school baseball team, his protective upbringing, and the tight-knit Jewish community in which he's spent his whole life. But when he befriends enigmatic Dmitri Zilber, a recent Russian Jewish immigrant who is obsessed with the works of Dostoevsky, Samuel's world begins to shift. In the wake of his grandfather's suicide, as his life increasingly entangles with that of Dmitri and his beautiful sister Yelizaveta, it sets in motion a series of events that culminates in a disturbing act of violence. A quietly devastating portrait of late adolescence, The Sensualist examines the culture we inherit as it collides with the one we create"--from the cover.

Now in its third edition, this text offers a definitive and readable treatment of law relating to passing-off. It meets directly the long-felt need among practitioners for a reference combining clear, incisive analysis of an often murky area of the law, with a useful, logically arranged discussion of major cases.

The year is 2040 and it's been thirteen years since the New York Yankees played post-season baseball. With the number one pick in the draft, they choose a remarkably gifted ballplayer from the Binghamton, New York area, named Pepsi Meyers. Although just eighteen years old, Pepsi earns a place on the Major League roster and revitalizes the Yankees with his spectacular play. Pepsi also happens to be Jewish. As the season progresses, the city is energized by the newfound success of its beloved team. At the same time, Pepsi and his family discover a world they never knew existed, as they are exposed for the first time, to Torah and the way of life it endorses. Pepsi's struggle with the tug-of-war between the spiritual and the mundane and how it affects him, his teammates and the City of New York is both an entertaining baseball tale, and a study into the priorities and meaningful choices we all have to make in our lives.

Discusses Jewish identity in America as reflected in the culture of immigrants and descendants of immigrants. Self-hatred or, at least, ambivalence about oneself in the face of native American values is one theme. Ch. 5 (pp. 98-125), "To Make 'a Jew': Projecting Antisemitism in Post-War America", analyzes two novels - Arthur Miller's "Focus" and Saul Bellow's "The Victim" - that explore the psychosocial dimensions of postwar antisemitism. They raise the question whether possibilities of Jewish-Gentile relations might lead to personal and social renovation. In "Focus", a crypto-fascist antisemite who has internalized racist stereotypes finally identifies symbolically as a Jew. In "The Victim", both Jew and Gentile partially overcome their mutual stereotyping. The main Jewish protagonist also overcomes some negative aspects of his self-image.

Highly regarded for her deft and humorous portrayals of the dark side of modern living, Maxine Chernoff’s latest collection is a droll, poetic field guide to the endearing and troubling aspects of human behavior. Chernoff fans will relish the sixteen new stories, and new readers will discover a wonderful assemblage of Chernoff’s likeable and contemplative characters. Chernoff continues to establish herself as a master of the short story genre with this excellent collection.

This Modern Library collection presents seven novellas that brilliantly showcase the range and depth of the talent of Hortense Calisher, a writer hailed by the Saturday Review as "among the most literate practitioners of modern American fiction, a stylist wholly committed to the exploitation of language." Featured is "Women Men Don't Talk About," a new story, published here for the first time. The novellas are characterized by their unfailing intelligence and by the technical sure-handedness and acuity of the writing. Each has a strong sense of place--New York City, the Hudson Valley, Saratoga Springs--and an eclectic cast of characters who inhabit regions where our most acute hopes, fears, and anxieties coexist. The respectable lawyer of "Tale for the Mirror" attempts to oust an unconventional Hindu healer from his community, only to wonder whether the doctor's trickery is any different from his own. In "The Railway Police," a journey by train occasions a social worker's sudden break with past pretenses and her kafkaesque rebirth as a vagabond. And in "Saratoga, Hot," a sharply observed tale set amid the fabled world of horse racing, a man and woman discover new strength in a love touched by tragedy. Included as well are "Extreme Magic," "The Man Who Spat Silver," and "The Last Trolley Ride." "Calisher hits at her targets at a point more vital than the usual marksman knows to exist," wrote novelist and critic Angus Wilson. And The New York Times Book Review commented, "Seen through her eyes the real world is not prosaic. Placed in lyrical, poetic spaces, it is thick and rich with implication." The Novellas of Hortense Calisher, an edition exclusive to the Modern Library, is a major collection from one of America's finest literary voices. The Modern Library has played a significant role in American cultural life for the better part of a century. The series was founded in 1917 by the publishers Boni and Liveright and eight years later acquired by Bennett Cerf and Donald Klopfer. It provided the foun-dation for their next publishing venture, Random House. The Modern Library has been a staple of the American book trade, providing readers with affordable hard-bound editions of important works of liter-ature and thought. For the Modern Library's seventy-fifth anniversary, Random House redesigned the series, restoring as its emblem the running torchbearer created by Lucian Bernhard in 1925 and refurbishing jackets, bindings, and type, as well as inau-gurating a new program of selecting titles. The Modern Library continues to provide the world's best books, at the best prices.

The ethics of literature, formalists have insisted, resides in the moral quality of a character, a story, perhaps the relation between author and reader. But in the wake of deconstruction and various forms of criticism focusing on difference, the ethical question has been freshly negotiated by literary studies, and to this approach Adam Newton brings a startling new thrust. His book makes a compelling case for understanding narrative as ethics. Assuming an intrinsic and necessary connection between the two, Newton explores the ethical consequences of telling stories and fictionalizing character, and the reciprocal claims binding teller, listener, witness, and reader in the process. He treats these relations as defining properties of prose fiction, of particular import in nineteenth- and twentieth-century texts. Newton's fresh and nuanced readings cover a wide range of authors and periods, from Charles Dickens to Kazuo Ishiguro and Julian Barnes, from Herman Melville to Richard Wright, from Joseph Conrad and Henry James to Sherwood Anderson and Stephen Crane. An original work of theory as well as a deft critical performance, Narrative Ethics also stakes a claim for itself as moral inquiry. To that end, Newton braids together the ethical-philosophical projects of Emmanuel Levinas, Stanley Cavell, and Mikhail Bakhtin as a kind of chorus for his textual analyses--an elegant bridge between philosophy's ear and literary criticism's voice. His work will generate enormous interest among scholars and students of English and American literature, as well as specialists in narrative and literary theory, hermeneutics, and contemporary philosophy.

Since World War II, Jewish-American novelists have significantly contributed to the world of literature. This reference book includes alphabetically arranged entries for more than 75 Jewish-American novelists whose major works were largely written after World War II. Included are entries for both well-known and relatively obscure novelists, many of whom are just becoming established as significant literary figures. While the volume profiles major canonical figures such as Saul Bellow, Norman Mailer, and Bernard Malamud, it also aims to be more inclusive than other works on contemporary Jewish-American writers. Thus there are entries for gay and lesbian novelists such as Lev Raphael and Judith Katz, whose works challenge the more orthodox definition of Jewish religious and cultural traditions; Art Speigelman, whose controversial ^IMaus^R established a new genre by combining elements of the comic book and the conventional novel; and newcomers such as Steve Stern and Max Apple, who have become more prominent within the last decade. Each entry includes a brief biography, a discussion of major works and themes, an overview of the novelist's critical reception, and a bibliography of primary and secondary sources. A thoughtful introduction summarizes Jewish-American fiction after World War II, and a selected, general bibliography lists additional sources of information. Since World War II, Jewish-American novelists have made numerous significant contributions to contemporary literature. Authors of earlier generations would frequently write about the troubles and successes of Jewish immigrants to America, and their works would reflect the world of European Jewish culture. But like other immigrant groups, Jewish-Americans have become increasingly assimilated into mainstream American culture. Many feel the loss of their heritage and long for something to replace the lost values of the old world. This reference book includes alphabetically arranged entries for more than 75 Jewish-American novelists whose major works were largely written after World War II. Included are entries for both well-known and relatively obscure novelists, many of whom are just becoming established as significant literary figures. While the volume profiles major canonical figures such as Saul Bellow, Norman Mailer, and Bernard Malamud, it also aims to be more inclusive than other works on contemporary Jewish-American writers. Thus there are entries for gay and lesbian novelists such as Lev Raphael and Judith Katz, whose works challenge the more orthodox definitions of Jewish religious and cultural traditions; Art Speigelman, whose controversial ^IMaus^R established a new genre by combining elements of the comic book and the conventional novel; and newcomers such as Steve Stern and Max Apple, who have become more prominent within the last decade. Each entry includes a brief biography, a discussion of major works and themes, an overview of the novelist's critical reception, and a bibliography of primary and secondary sources. A thoughtful introduction summarizes Jewish-American fiction after World War II, and a selected, general bibliography lists additional sources for information.

With his father gunned down in a petty robbery and his aunt haunted by the threats of the Gestapo, Richard Michelson's experiences growing up in Brooklyn were far from ordinary, yet they remain all too common--too much a part of ongoing violence--to be dismissed as merely private events, safely past. In Counting to Six Million he writes out memory, anxiety, and grief, worry over his wife and children, and the recurring clashes between love and cruelty that test wisdom with suffering, day after day.