A beautiful American widow finds new life in France in this tender portrait from #1 New York Times bestselling author Danielle Steel. Following the unexpected death of her beloved husband, art gallery owner Samantha Thompson finds herself adrift in their Malibu beach house. Her three adult children—scattered from New York to London to Milan—are concerned for her well-being and encourage her to take a trip to Paris. Once abroad, an impulsive day trip from Paris to Biarritz leads Samantha to discover the charming medieval village of Arcangues in the Basque countryside, with its unique and iconic blue shutters and historic château. The château is the ancestral home of Xavier de Bonport, who is trapped in a loveless marriage and trying to dig himself out financially after a business failed due to the pandemic. He needs rental income as urgently as Samantha needs a refuge. With Xavier living in a smaller house on the property, Samantha begins to transform the château into a temporary home. As they each sense compassion and resilience in the other, as well as kindness, a friendship blossoms. Inspired by the stories of Xavier’s grandmother, who saved hundreds of Jewish children during World War II, Samantha considers fostering some children at the request of the local Dominican nuns, whose orphanage is filled to capacity. As a newfound family begins to fill the château, Samantha and Xavier wonder if their friendship is becoming something more. A poignant story of healing and new beginnings, The Color of Hope is an uplifting and unforgettable novel from the master, Danielle Steel.

After the wedding of Diana Goode and Andrew Douglas, Diana teases that they will make a baby on their honeymoon. But long afterward, she is still not pregnant. As Diana and Andrew wait out each month only to be bitterly disappointed, they are forced to question just how much they are willing to go through to have a baby. Charlie Winwood dreams of a house filled with children. His bride, party-girl actress Barbie Mason, has other ideas. When he discovers he is sterile, Charlie has to rethink his deepest values -- and his marriage to a woman who shares none of his dreams. After ten years of living together, Pilar Graham, a prominent Santa Barbara attorney, marries Judge Brad Coleman, who is nineteen years her senior and father of two grown children. They are happy with their comfortable life together, à deux, until Pilar begins to wonder if she will someday regret not having a baby with Brad. Are they crazy to begin now -- with Brad about to become a grandfather and Pilar with a busy career, and in her early forties, possibly putting herself at risk? Through the lives of these couples, Danielle Steel shows us the mixed blessingswe face as we build our families and live our modern lives. She touches us with the triumphant people who prevail, their victories, their defeats, their tragedies and joys, their compromises, their lives. From the Paperback edition.

"Before he was producing the musical hits of our generation, Jeffrey was just a kid coming to terms with his adoption, trying to understand his sexuality, and determined to escape his dysfunctional household in a poor neighborhood just outside Detroit. We see him find his voice through musical theater and move to New York, where he is determined to shed his past and make a name for himself on Broadway. But moving to the big city is never easy--especially not at the height of the HIV/AIDS crisis--and Jeffrey learns to survive and thrive in the colorful and cutthroat world of commercial theatre. From his early days as an office assistant, to meeting Jonathan Larson and experiencing the triumph and tragedy of Rent, to working with Lin-Manuel Miranda on In the Heights and Hamilton, Jeffrey completely pulls back the curtain on the joyous and gut-wrenching process of makingnew musicals, finding new audiences, and winning a Tony Award--all the while finding himself"--

“Invites comparison with Crane’s Red Badge of Courage . . . Ithink this is an even better book.”—The New York Times When you read this novel about April 19, 1775, you will see the British redcoats marching in a solid column through your town. Your hands will be sweating and you will shake a little as you grip your musket because never have you shot with the aim of killing a man. But you will shoot, and shoot again and again while your shoulder aches from your musket’s kick and the tight, disciplined red column bleeds and wavers and breaks and you begin to shout at the top of your lungs because you are there, at the birth of freedom—you're a veteran of the Battle of Lexington, and you’ve helped whip the King’s best soldiers...

"Joe King Oliver is at a crossroads: with his grandmother on death's door, he tasked with tracking down his estranged father, a man he discovers has been out of prison for more than a decade. He also seeks to protect another family, a mysterious woman and her young daughter on the run from an abusive billionaire who'll stop at nothing to retrieve them. Heartfelt, pulse-pounding, and undeniably sexy, Been Wrong So Long It Feels Like Right shows Walter Mosley at his very best"-- Provided by publisher.

Joe and Joan Castleman are en route to Helsinki. Joe is thinking about the prestigious literary prize he will receive and Joan is plotting how to leave him. For too long Joan has played the role of supportive wife, turning a blind eye to his misdemeanours, subjugating her own talents and quietly being the keystone of his success...This is an acerbic and astonishing take on a marriage and the truth that behind the compromises, dedication and promise inherent in marriage there so often lies a secret.

"For the last decade, as she's spent countless hours in doctor's waiting rooms searching for diagnoses, treatments, and relief, being the owner and operator of Lena Dunham's body has felt, as she puts it, 'like towing a wrecked car across town at midnight.' It's not easy dragging a wrecked car anywhere, much less to the Met Gala while sewn into a gold lamé corset. Or to the set of the hit show that you--as a twenty-five-year-old--are writing, directing, producing, and starring in. Or to the White House, the Golden Globes, or your publicist's office to discuss the latest Internet disaster. But Dunham does it--even if it means interminable hospital stays, vomiting in the bathroom when she's meant to be meeting Oprah, or terrifying those closest to her--because she can no longer tell the difference between fighting to do what she loves and being a servant to her own ambition. All the while, she is holding out for a love that can withstand her personal and public challenges and, more than anything, yearning to feel like herself again--if only she could remember who that self was. As Dunham takes us through her journey, tracking her rise to fame--from selling the pilot of Girls to the present--in three acts, it becomes clear that the spotlight casts long shadows, distorting the relationships she once held dear and isolating everyone in its glare. When an endless supply of drugs can't protect you from pain--and begins to control your every move--being famous doesn't stand a chance against the darker corners of the human experience. In Famesick, Dunham asks herself what the cost of fulfilling her dreams has really been, and whether it was worth it. What she finds is deeper than physical relief, and more lasting, as she learns to live with what she can't change and turn her regrets into wisdom that can carry her forward, as she reconnects to what, and who, she loves."--

"Show Boat" stands as one of the most significant and influential works in the history of American musical theater. Born from the collaboration between legendary composer Jerome Kern, lyricist Oscar Hammerstein II, and novelist Edna Ferber, this masterpiece revolutionized the stage by integrating a serious, complex narrative with a sophisticated musical score. Set against the sweeping backdrop of the Mississippi River from the 1880s through the 1920s, the story follows the lives of the performers, stagehands, and dockworkers aboard the 'Cotton Blossom' floating palace. This powerful drama explores enduring themes of racial prejudice, tragic romance, and the evolving landscape of American society. Through iconic compositions such as "Ol' Man River," "Can't Help Lovin' Dat Man," and "Make Believe," "Show Boat" captures the soul of a nation in transition. The work broke new ground by addressing social injustice and systemic inequality with a depth previously unseen in musical comedy, forever changing the trajectory of the Broadway stage. As a cornerstone of the American canon, "Show Boat" remains a poignant and musically rich exploration of love and hardship along the Great River. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you may see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Twelve-year-old Evie travels to Berlin for the 1936 Olympics where she witnesses Hitler's terror on the German people and plans to steal from a Nazi bank with two fellow Olympic athletes.

Jordanna Levitt, the wild daughter of a Hollywood producer; Bobby Rush, the actor son of a screen legend; and their friends live in high style, until a murder brings tough detective Michael Scorsinni into town.

On an island where the dead once walked, seven noble houses fell to a conqueror's blade, their necromancy lost. Only the House of Teeth survives: heiress Marozia and her silent cousin Agnes, keeper of dark secrets. To reclaim their magic and avenge their family, Agnes must betray her heart - but love may doom them all.

A kaleidoscopic portrait of a modern American family—steadfast, complicated, begrudging, and loving—from the bestselling author of Isola Was this just a brief skirmish, or the beginning of a thirty-year feud? In the Rubinstein family, it could go either way. When their beloved sister passes away, Sylvia and Helen Rubinstein are unmoored. A misunderstanding about apple cake turns into a decade of stubborn silence. Busy with their own lives—divorces, dating, career setbacks, college applications, bat mitzvahs and ballet recitals—their children do not want to get involved. As for their grandchildren? Impossible. With This Is Not About Us, master storyteller Allegra Goodman—whose prior collection was heralded as “one of the most astute and engaging books about American family life” ( The Boston Globe )—returns to the form and subject that endeared her to legions of readers. Sharply observed and laced with humor, This Is Not About Us is a story of growing up and growing old, the weight of parental expectations, and the complex connection between sisters—a big-hearted book about the love that binds a family across generations.

"From New York Times bestselling author Alice Hoffman comes a beautiful story of one Jewish child refugee's flight to safety in Nazi German and her mother's impossible decision to set her free"--

"The Art of Violin Playing" stands as one of the most influential and comprehensive treatises on violin pedagogy ever written. Authored by the renowned pedagogue and virtuoso Carl Flesch, this seminal work offers an exhaustive exploration of the technical and artistic foundations required for mastery of the instrument. Flesch meticulously dissects every facet of violin performance, from the physical mechanics of the left and right hands to the deeper psychological and aesthetic considerations of interpretation. The text is divided into logical sections that address fundamental techniques such as fingering, bowing, vibrato, and tone production. Beyond mere mechanics, Flesch emphasizes the importance of individuality and musicality, providing guidance on how to develop a unique artistic voice. His analytical approach transformed modern string teaching, making this work an essential resource for advanced students, professional performers, and educators alike. Whether used as a reference for specific technical challenges or read as a philosophical guide to performance, "The Art of Violin Playing" remains a cornerstone of musical literature. Its enduring relevance continues to shape the training of violinists across the globe, preserving the legacy of one of history's greatest teachers. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you may see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Narrates the experiences and reactions of a respectable bank functionary after his abrupt arrest on an undisclosed charge. Kafka's final work was left unfinished at the time of his 1924 death, and the original 1925 and subsequent editions were edited according to the standards of the day. This edition endeavors to restore the text as closely as possible to the original manuscript. In addition to the text, this volume includes a bibliography and a chronology of the author's life.

Tells the story of three women--the mother of a teenaged rape victim, the mother of the rapist, and the girl herself, who becomes a brilliant architect but whose career is derailed by long-dormant secrets and lies

Performance by Kathy Bates Six cassettes, 9 hours INDEMNITY ONLY Meeting an anonymous client late on a sizzling summer night is asking for trouble. But trouble is Chicago private eye V.I. Warshawski's specialty. Her client says he's the prominent banker, John Thayer. Turns out he's not. He says his son's girlfriend, Anita Hill, is missing. Turns out that's not her real name. V.I.'s search turns up someone soon enough -- the real John Thayer's son, and he's dead. Who's V.I.'s client? Why has she been set up and sent out on a wild-goose chase? By the time she's got it figured, things are hotter -- and deadlier -- than Chicago in July. V.I.'s in a desperate race against time. At stake: a young woman's life. BURN MARKS Someone knocking on the door at 3 A.M. is never good news. For V.I. Warshawski, the bad news arrives in the form of her wacky, unwelcome Aunt Elena. The fire that has just burned down a sleazy SRO hotel has brought Elena to V.I.'s doorstep. Uncovering an arsonist -- and the secrets hidden behind Elena's boozy smile - will send V.I. into the seedy world of Chicago's homeless... into the Windy City's backroom deals and bedroom politics, where new schemers and old cronies team up to get V.I. off the case -- by hook, by crook, or by homicide. BLOOD SHOT This time, V.I.'s girlhood pal Caroline needs her services. Caroline wants V.I. to uncover the identity of her father--which Caroline's dying mother angrily refuses to divulge. For V.I., it's a routine missing-persons search that means going back to her old stomping grounds, where she's not so hot to trot. But Caroline calls it quits when her friend, the head of a local recycling projec, is found dead in the polluted waters of a local pond. The trouble is, V.I. won't quit--because the search for Caroline's father has lead her into a toxic mix of corporate chicanery and chemical corruption. Add a dire family secret, and you've got a brew that could prove poisonous--especially to a certain private eye who knows too much.

A boy that merges with his partner and gives there life to save the world

"In this darkly humorous memoir-in-essays, singer-songwriter Lola Kirke untangles an extraordinary upbringing in a family of eccentric, messy artists and how a girl from the big city went a little bit country." --