A New York Times Book Review Editors' Choice. One of Library Journal 's Best Books of 2020. One of our most beloved writers reassess the electrifying works of literature that have shaped her life I sometimes think I was born reading . . . I can’t remember the time when I didn’t have a book in my hands, my head lost to the world around me. Unfinished Business: Notes of a Chronic Re-reader is Vivian Gornick’s celebration of passionate reading, of returning again and again to the books that have shaped her at crucial points in her life. In nine essays that traverse literary criticism, memoir, and biography, one of our most celebrated critics writes about the importance of reading—and re-reading—as life progresses. Gornick finds herself in contradictory characters within D. H. Lawrence’s Sons and Lovers , assesses womanhood in Colette’s The Vagabond and The Shackle , and considers the veracity of memory in Marguerite Duras’s The Lover . She revisits Great War novels by J. L. Carr and Pat Barker, uncovers the psychological complexity of Elizabeth Bowen’s prose, and soaks in Natalia Ginzburg, “a writer whose work has often made me love life more.” After adopting two cats, whose erratic behavior she finds vexing, she discovers Doris Lessing’s Particularly Cats . Guided by Gornick’s trademark verve and insight, Unfinished Business is a masterful appreciation of literature’s power to illuminate our lives from a peerless writer and thinker who “still read[s] to feel the power of Life with a capital L.”

Writing, the subject of much innovative scholarship in recent years, is only one half of what we call literacy. The other half, reading, now finally receives its due in these groundbreaking essays by a distinguished group of anthropologists and literary scholars. The authors challenge the still-prevalent notion that societies "progress" along a universal sequence from orality, or preliteracy, to literacy. Almost all the contributions focus on the fact that orality and textuality, far from being opposite ends of a continuum, interact in complex, multidirectional ways. The reading situations described here range from Anglo-Saxon England to contemporary Indonesia, and from ancient Israel to the Kashaya Pomo Indian reservation. Some essays investigate what reading is in exotically cross-cultural contexts, while others demonstrate that in certain Western contexts reading is still very much a social activity. Some analyze the long historical transition from reading as a collective, oral practice in the West to the private, silent one it is regarded as today. Filled with insights that enhance our understanding of "literacy," this collection offers new perspectives for readers in anthropology, literature, history, and philosophy, as well as in religious, gender, and cultural studies.

PUBLISHED IN PAPERBACK BY THE OXFORD UNIVERSITY PRESS, 1978. 446 PAGES. "ONE OF THE MOST IMPORTANT BOOKS ABOUT MARX YET WRITTEN IN ENGLISH." “Very few men,” said Bakunin, “have read as much, and, it may be added, have read as intelligently, as M. Marx.” S. S. Prawer’s highly influential work explores how the world of imaginative literature—poems, novels, plays—infused and shaped Marx’s writings, from his unpublished correspondence, to his pamphlets and major works. In exploring Marx’s use of literary texts, from Aeschylus to Balzac, and the central role of art and literature in the development of his critical vision, Karl Marx and World Literature is a forensic masterpiece of critical analysis.

Australian Readers Remember is a novel cultural history, based on an investigation into the reading habits of sixty elderly Australians, who were asked to recall and to analyse what they were reading in the late nineteenth century and during the first three decades of the twentieth century, It is the first work of Australian literary history to focus on readers' experience and attitudes. Part One discusses the project, the place of oral history, and the problems involved in analysing the finding. Part Two offers an account of readers' memories of novels, verse, children's books, newspapers etc. Part Three examines the diffusion of literature and how the subjects obtained access to books. Part Four, the most original in the book, analyses the status of reading, attitudes towards books, as well as myths and prejudices surrounding the act of reading.

By the Book is Ramona Koval's love letter to books and writing, a tribute to the stories that have changed and enriched her life Ramona Koval is one of Australia's best-loved broadcasters, having spent sixteen years presenting 'The Book Show' on Radio National An internationally respected literary journalist, Ramona has interviewed the best writers in Australia and overseas Born to Yiddish-speaking survivors of the Holocaust and brought up in Melbourne, books were Ramona's lifeline from a young age Her mother famously never censored Ramona's reading, even buying her ten-year-old daughter a copy of the Kama Sutra when asked to In 1995, Ramona won the Order of Australia Media Award for her work on Radio National This gorgeous paperback edition is the perfect gift for anyone who loves books Ramona has legions of dedicated fans across Australia Author lives in St Kilda, Melbourne

This book examines the staggering popularity of early-twentieth-century Russian detective serials. Traditionally maligned as Pinkertonovshchina, these appropriations of American and British detective stories featuring Nat Pinkerton, Nick Carter, Sherlock Holmes, Ethel King, and scores of other sleuths swept the Russian reading market in successive waves between 1907 and 1917, and famously experienced a red resurgence in the 1920s under the aegis of Nikolai Bukharin. The book presents the first holistic view of Pinkertonovshchina as a phenomenon, and produces a working model of cross-cultural appropriation and reception. The red Pinkerton emerges as a vital missing link between pre- and post-Revolutionary popular literature, and marks the fitful start of a decades-long negotiation between the regime, the author, and the reading masses.