"Jews, Christians, and Muslims supposedly share a common religious heritage in the patriarch Abraham, and the idea that he should serve only as a source of unity among the three traditions has become widespread in both scholarly and popular circles. Inheriting Abraham boldly challenges this view, demonstrating Abraham's distinctive role in each tradition, while delineating the points of connection as well.

From biblical times until today the shofar has served an array of practical purposes and communicated a range of symbolic meanings. The roughly seventy references to the shofar in the Hebrew Bible show four stereotypical functions: announcing the divine presence, accompanying sacred ceremonies, proclaiming kingship, and signaling on the battlefield. In addition to the above purposes, the shofar served as a symbol for messages of joy, fear, group identity, and redemption. This volume, written by prominent Jewish scholars and faith leaders, examines the role of the shofar in the Hebrew Bible and subsequent Jewish life, including even appearances in popular literature of the present day.

How can you tell your Faulkner from your Franzen if you haven't actually read either? Schwartz expounds on the most important (aka white male) writers of western literature. From Shakespeare's greatest mystery to the true meaning of Kafkaesque, she tests your knowledge of which Jonathan-- Franzen, Lethem, or Safran Foer-- hates Twitter and lives in Brooklyn. So instead of politely nodding along next time you make an acquaintance at a housewarming party in Brooklyn, you can roll up your sleeves and get to work schooling them in character arcs and the experimental form of your next great American novel. -- adapted from back cover

"Throughout a unparalleled literary career that includes two National Book Awards (Goodbye, Columbus, 1959 and Sabbath's Theater, 1995), the Pulitzer Prize in fiction (American Pastoral, 1997), the National Book Critics Circle Award (The Counterlife, 1986), and the National Humanities Medal (awarded by President Obama in 2011), among many other honors, Philip Roth has produced an extraordinary body of nonfiction writing on a wide range of topics: his own work and that of the writers he admires, the creative process, and the state of American culture. This work is collected for the first time in Why Write?, the tenth and final volume in the Library of America's definitive Philip Roth edition. Here is Roth's selection of the indispensable core of Reading Myself and Others, the entirety of the 2001 book Shop Talk, and "Explanations," a collection of fourteen later pieces brought together here for the first time, six never before published. Among the essays gathered are "My Uchronia," an account of the genesis of The Plot Against America, a novel grounded in the insight that "all the assurances are provisional, even here in a two-hundred-year-old democracy"; "Errata," the unabridged version of the "Open Letter to Wikipedia" published on The New Yorker's website in 2012 to counter the online encyclopedia's egregious errors about his life and work; and "The Ruthless Intimacy of Fiction," a speech delivered on the occasion of his eightieth birthday that celebrates the "refractory way of living" of Sabbath's Theater's Mickey Sabbath. Also included are two lengthy interviews given after Roth's retirement, which take stock of a lifetime of work."--Amazon.

Colleagues, students, and friends honor Professor Milgrom by celebrating his contributions to biblical and Near Eastern scholarship with special emphasis on his primary areas of expertise. The first section of the book, Ritual, Law, and Their Sources , contains thirty-five essays on cultic and legal issues found in the Hebrew Bible, the Septuagint, and texts from Qumran. The second section, Other Literary, Historical, and Linguistic Studies , includes twenty-four essays, primarily dealing with interpretive issues in the Hebrew Bible.

The description for this book, Linguistics and Literary History: Essays in Stylistics, will be forthcoming.

"Comprised of rabbinic debates in the aftermath of the destruction of the Second Temple (70 C.E.), the Talmud has provided the basis for Jewish ethical and practical norms for centuries. It is also an extremely long and forbiddingly difficult work that has accumulated countless commentaries just as complex. A recent translation with extensive notes has made the Talmud more accessible to English-language readers, but the textual difficulties remain. This volume looks at Avodah Zarah, one tractate of the Talmud concerned with idolatry, page by page. Idolatry was one of the cardinal sins for which an observant Jew was to accept death before transgressing. Daily Reflections on Idolatry offers a modern commentary with doses of humor and comparative examples in an effort to both explain and humanize the text and make it even more accessible to contemporary readers." --Cover page 4.

"The essays in this volume present interpretations of themes in major Jewish texts and thinkers, as well as treatments of significant issues in Jewish theology and ethics. It offers philosophical readings of biblical narratives, analyses of topics in the thought of Maimonides, Rabbi Abraham Isaac Kook and Rabbi Joseph B. Soloveitchik, and critical and constructive examinations of divine providence, religious anthropology, free will, 9/11, evil, Halakhah and morality, altruism, autonomy in Jewish medical ethics, and the epistemology of religious belief. The author frequently brings Jewish philosophy and law into dialogue with contemporary Anglo-American philosophy. The book serves scholars and students of Jewish philosophy and law, and is suitable for inclusion in syllabi of undergraduate and graduate courses''--Provided by the publisher.

Quoting King Solomon's famous prayer to God at the Temple in Jerusalem, "Behold, the heaven of heavens cannot contain thee; how much less this house that I have builded," Alicia Suskin Ostriker posits a God who cannot be contained by dogma and doctrine. Troubled by the way the Bible has become identified in our culture with a monolithic authoritarianism, Ostriker focuses instead on the extraordinary variability of Biblical writing. For the Love of God is a provocative and inspiring re-interpretation of six essential Biblical texts: The Song of Songs, the Book of Ruth, Psalms, Ecclesiastes, Jonah, and Job. In prose that is personal and probing, analytically acute and compellingly readable, Ostriker sees these writings as "counter-texts," deviating from convention yet deepening and enriching the Bible, our images of God, and our own potential spiritual lives. Attempting to understand "some of the wildest, strangest, most splendid writing in Western tradition," she shows how the Bible embraces sexuality and skepticism, boundary crossing and challenges to authority, how it illuminates the human psyche and mirrors our own violent times, and how it asks us to make difficult choices in the quest for justice. For better or worse, our society is wedded to the Bible. But according to Talmud, "There is always another interpretation." Ostriker demonstrates that the Bible, unlike its reputation, offers a plenitude of surprises.

A new edition of a major philosophical work This remarkable text, first published in 1964, was a landmark of its era and remains, in the words of Michael Löwy, a work of “remarkable richness.” Drawing on Georg Lukács’ History and Class Consciousness , Lucien Goldmann applies the concept of “world visions” to flesh out the similarities between Pascal’s Pensées and Kant’s critical philosophy, contrasting them with the rationalism of Descartes and the empiricism of Hume. For Goldmann, a leading exponent of the most fruitful method of applying Marxist ideas to literary and philosophical problems, the “tragic vision” marked an important phase in the development of European thought, as it moved from rationalism and empiricism to the dialectical philosophy of Hegel, Marx and Lukàcs. Here he offers a general approach to the problems of philosophy, of literary criticism, and of the relationship between thought and action in human society.

The untold life story of All-of-a-Kind Family author Sydney Taylor, highlighting her dramatic influence on American children's literature.

Fully acknowledging that Judaism, as described in both the Bible and the Talmud, was patriarchal, Judith Hauptman demonstrates that the rabbis of the Talmud made significant changes in key areas of Jewish law in order to benefit women. Reading the texts with feminist sensibilities—recognizing that they were written by men and for men and that they endorse a set of social relations in which men control women—the author shows that patriarchy was not always and everywhere the same. Although the rabbis whose rulings are recorded in the Talmud did not achieve equality for women—or even seek it—they should be credited with giving women higher status and more rights. For example, during the course of several hundred years, they converted marriage from the purchase by a man of a woman from her father into a negotiated relationship between prospective husband and wife. They designated a bride's dowry to be one-tenth of her father's net worth, thereby ending her Torah-mandated disenfranchisement with respect to inheritance. They left the ability to grant a divorce in male hands but gave women the possibility of petitioning the courts to force a divorce. Although some of these developments may have originated in the surrounding Greco-Roman culture, the rabbis freely chose to incorporate them into Jewish law. 'Rereading the Rabbis: A Woman's Voice' also breaks new ground methodologically. Rather than plucking passages from a variety of different rabbinical works and then sewing them together to produce a single, unified rabbinical point of view, Hauptman reads sources in their own literary and legal context and then considers them in relationship to a rich array of associated synchronic and diachronic materials.

At once a study of biblical theology and modern Jewish thought, this volume describes a participatory theory of revelation as it addresses the ways biblical authors and contemporary theologians alike understand the process of revelation and hence the authority of the law. Benjamin Sommer maintains that the Pentateuch's authors intend not only to convey God's will but to express Israel's interpretation of and response to that divine will. Thus Sommer's close readings of biblical texts bolster liberal theologies of modern Judaism, especially those of Abraham Joshua Heschel and Franz Rosenzweig. This bold view of revelation puts a premium on human agency and attests to the grandeur of a God who accomplishes a providential task through the free will of the human subjects under divine authority. Yet, even though the Pentateuch's authors hold diverse views of revelation, all of them regard the binding authority of the law as sacrosanct. Sommer's book demonstrates why a law-observant religious Jew can be open to discoveries about the Bible that seem nontraditional or even antireligious. (Publisher).

A Short History of Jewish Ethics traces the development of Jewish moral concepts and ethical reflection from its Biblical roots to the present day. Offers an engaging and thoughtful account of Jewish ethics Brings together and discusses a broad range of historical sources covering two millennia of writings and conversations Combines current scholarship with original insights Written by a major internationally recognized scholar of Jewish philosophy and ethics

" . . . a fascinating and thought-provoking book . . . " ―The Jewish Quarterly "The best introduction to the talmudic literature that is available. . . . An extraordinarily important book, brilliant, and lucid." ―Daniel Boyarin "Menachem Fisch has written a rich, thoughtful book. One will come away from Rational Rabbis with a deeper understanding of just what the Talmud is." ―Hilary Putnam Talmudic culture is often viewed as bound by its traditions. Menachem Fisch maintains that a close reading of talmudic texts frequently reveals their authors as rabbis who, rather than conform uncritically to tradition, knowingly set out to expose and resolve problems inherent in the received traditions.

How did ancient Jewish authors claim authority for their interpretations? How, after the a oeend of prophecya, could they claim the authority of revelation? Whom did one have to be, or aspire to be, in order to merit authority? Hindy Najman addresses these questions through close readings of ancient Jewish texts, e.g., Ezra-Nehemiah, Philo of Alexandria, 4Ezra, Dead Sea Scrolls, and Jubilees. In Seconding Sinai (Brill, 2003), Najman reconceived pseudepigraphy, developing the idea of a Mosaic discourse that comprised a series of ancient texts attributed to Moses. Here she develops the broader notion of a discourse tied to a founder, situating practices of pseudepigraphy and authoritative interpretation within a variety of ways of seeking perfection in ancient Judaism.

This volume's predominant theme is bourgeois mentality and its historical development. The works of Lope de Vega, Calder�n, Cervantes, and Shakespeare, among others, are analyzed within the historical framework of the decline of feudalism and the rise of the absolute regimes. Those of Moli�re and Goethe are set against the background of an evolving and consolidating bourgeois society in Western Europe.

The Complete text of each biblical book is given, with the commentary on the same or facing page. Review aids and discussion topics make the series practical and useful for individual or group Bible study.

Given the reputation of Romeo and Juliet in literary circles, theatre programs, and the ordinary world, one would assume that every aspect of this iconic play had long ago been exhausted through relentless study and debate. It's longevity and our persistence with it, however, only enhance Romeo and Juliet's endurance as a piece of writing capable of endless scrutiny and limitless interpretation. The essays within this edition of Critical Insights are no exception to the innovate perspectives that Romeo and Juliet inspires. Inside, readers can expect to find essays on film adaptations, parodies, space, and artificiality, as well as pluralistic approaches to the balcony scene, possibly the most famous scene in western literature. Each essay is 2,500 to 5,000 words in length, and all essays conclude with a list of "Works Cited," along with endnotes. Finally, the volume's appendixes offer a section of useful reference resources. -- Publisher's website.