"Jonathan and Barbara Rose are the perfect couple, living the dream in their beautiful house, filled with their precious antiques, their darling children, and their prized Ferrari in the garage. It's all any red-blooded American could possibly want. But when Jonathan experiences a sudden heart attack (or so he thinks) Barbara realizes that she wants a new life, without him. There's just one problem: they both want the house. For husband and wife, it's not just a residence: it's a passion, one that will escalate an ugly divorce into a full-blown battlefield, complete with weapons and casualties. In this viciously black comedy, the Roses will each do whatever they can to destroy their better half--no matter the cost to themselves..." -- Provided by publisher.

From New York Times bestselling author Mark Kurlansky, a delectable novel following one Manhattan block as an ancient cheesecake recipe-and a conniving landlord-change the Upper West Side forever. West 86th Street knows its desserts. It's the 1970s, and poppyseed strudel, praline ice cream cake, and New York cheesecake are as integral to Manhattan's Upper West Side as clustered pigeons, suited doormen, and greasy diners. That is, until Cato comes to town. Cato the Elder, a Roman born in 234 BCE, is credited with the earliest written recipe ever found. A recipe for . . . cheesecake. No cream cheese, no graham cracker crust, somehow savory and sweet, the recipe is enigmatic-and suddenly, it's all anyone on West 86th Street can talk about. The Katsikases, a Greek cheesemaking family who immigrated to open a restaurant in New York, added Cato's pastry to their menu as a ploy to attract “upscale” diners. After a glowing write-up in the Times , the recipe becomes a neighborhood fixation-and the Katsikases' patriarch, Art, buys up as much of the block's real estate as he can. As the portentous pastry appears in the lives of the old-school residents Art is pricing out of their apartments, a sidewalk view of West 86th Street emerges: A high-profile family planning a high-pressure bat mitzvah, a painter's muse with a terrible secret, an eccentric art collector plotting revenge. Sometimes laced with green M&Ms, sometimes with sage, sometimes with spite, Cato's cheesecake heralds change as West 86th Street is transformed for good.

"The acclaimed bestselling author of Sandwich is back with a wonderful novel, full of laughter and heart, about marriage, family, and what happens when life doesn't go as planned. If you loved Rocky and her family on vacation on Cape Cod, wait until you join them at home two years later. (And if this is your first meeting with this crew, get ready to laugh and cry-and relate.) Rocky, still anxious, nostalgic, and funny, is living in Western Massachusetts with her husband Nick and their daughter Willa, who's back home after college. Their son, Jamie, has taken a new job in New York, and Mort, Rocky's widowed father, has moved in. It all couldn't be more ridiculously normal . . . until Rocky finds herself obsessed with a local accident that only tangentially affects them-and with a medical condition that, she hopes, won't affect them at all. With her signature wit and wisdom, Catherine Newman explores the hidden rules of family, the heavy weight of uncertainty, and the gnarly fact that people-no matter how much you love them-are not always exactly who you want them to be"--

"The Bradford-Shmulkin family is falling apart. A very modern blend of Russian, Jewish, Korean, and New England WASP, they love one another deeply but the pressures of life in an unstable America are fraying their bonds. There's Daddy, a struggling, cash-thirsty editor whose Russian heritage gives him a surprising new currency in the upside-down world of twenty-first-century geopolitics; his wife, Anne Mom, a progressive, underfunded blue blood from Boston who's barely holding the household together; their son, Dylan, whose blond hair and Mayflower lineage provide him pride of place in the newly forming American political order; and, above all, the young Vera, half-Jewish, half-Korean, and wholly original. Observant, sensitive, and always writing down new vocabulary words, Vera wants only three things in life: to make a friend at school; Daddy and Anne Mom to stay together; and to meet her birth mother, Mom Mom, who will at last tell Vera the secret of who she really is and how to ensure love's survival in this great, mad, imploding world"--

O, The Oprah Magazine, Time Magazine, Financial Times, Esquire, Bustle, Lit Hub, Electric Literature, Library Journal, Brooklyn Based, Avenue BEST BOOK OF THE YEAR New York Times Editors' Choice "Superb. . . . Krauss's depictions of the nuances of sex and love, intimacy and dependence, call to mind the work of Natalia Ginzburg in their psychological profundity, their intellectual rigor. . . . Krauss's stories capture characters at moments in their lives when they're hungry for experience and open to possibilities, and that openness extends to the stories themselves: narratives too urgent and alive for neat plotlines, simplistic resolutions or easy answers." --Molly Antopol, New York Times Book Review "From a contemporary master, an astounding collection of ten globetrotting stories, each one a powerful dissection of the thorny connections between men and women. . . . Each story is masterfully crafted and deeply contemplative, barreling toward a shimmering, inevitable conclusion, proving once again that Krauss is one of our most formidable talents in fiction." --Esquire In one of her strongest works of fiction yet, Nicole Krauss plunges fearlessly into the struggle to understand what it is to be a man and what it is to be a woman, and the arising tensions that have existed from the very beginning of time. Set in our contemporary moment, and moving across the globe from Switzerland, Japan, and New York City to Tel Aviv, Los Angeles, and South America, the stories in To Be a Man feature male characters as fathers, lovers, friends, children, seducers, and even a lost husband who may never have been a husband at all. The way these stories mirror one other and resonate is beautiful, with a balance so finely tuned that the book almost feels like a novel. Echoes ring through stages of life: aging parents and new-born babies; young women's coming of age and the newfound, somewhat bewildering sexual power that accompanies it; generational gaps and unexpected deliveries of strange new leases on life; mystery and wonder at a life lived or a future waiting to unfold. To Be a Man illuminates with a fierce, unwavering light the forces driving human existence: sex, power, violence, passion, self-discovery, growing older. Profound, poignant, and brilliant, Krauss's stories are at once startling and deeply moving, but always revealing of all-too-human weakness and strength.

"Three generations of German Jewish family undergo the tumult, upheaval, and brutality of nineteenth- and twentieth-century history in this panoramic and skillfully nuanced family drama, rich with gossip and incident, capturing a Germany now lost to time. Gabriele Tergit's Effingers is a novel both epic and intimate as it chronicles the lives and fates of three generations of a German Jewish family. Beginning from 1878-the year after the narrative of Buddenbrooks ends-and ending in 1948, we follow the Effingers, a family of modest craftsmen from southern Germany, who are joined through marriage to two families of high-society financiers in Berlin, the Goldschmidts and the Oppners. The Effingers soon rise to prominence as one of the most important German industrialist families in Berlin, but with the outbreak of World War I, they fall on hard times, and must then navigate the tumultuous changes of the Weimar Republic. Full of parties and drama and the most delicious gossip, and featuring a kaleidoscopic cast of unforgettable characters, Effingers is a vibrant and keenly observed account of German Jewish life in all its richness and complexity. Tergit's journalistic precision and limpid prose dazzle in Sophie Duvernoy's elegant, fluid translation. Criminally underrated when it first came out in 1951, and only in recent years undergoing rediscovery, Effingers is a searching meditation on identity and nationality that establishes Tergit as one of the most significant writers of the twentieth century"-- Provided by publisher.

Stereophonic mines the agony and the ecstasy of creation as it zooms in on a music studio in 1976. Here, an up-and-coming rock band recording a new album finds itself suddenly on the cusp of superstardom. The ensuing pressures could spark their breakup - or their breakthrough. Written by David Adjmi and featuring original music by Will Butler, formerly of Arcade Fire, Stereophonic invites the audience to immerse themselves - with fly-on-the-wall intimacy - in the powder-keg process of a band on the brink of blowing up.

A kaleidoscopic portrait of a modern American family—steadfast, complicated, begrudging, and loving—from the bestselling author of Isola Was this just a brief skirmish, or the beginning of a thirty-year feud? In the Rubinstein family, it could go either way. When their beloved sister passes away, Sylvia and Helen Rubinstein are unmoored. A misunderstanding about apple cake turns into a decade of stubborn silence. Busy with their own lives—divorces, dating, career setbacks, college applications, bat mitzvahs and ballet recitals—their children do not want to get involved. As for their grandchildren? Impossible. With This Is Not About Us, master storyteller Allegra Goodman—whose prior collection was heralded as “one of the most astute and engaging books about American family life” ( The Boston Globe )—returns to the form and subject that endeared her to legions of readers. Sharply observed and laced with humor, This Is Not About Us is a story of growing up and growing old, the weight of parental expectations, and the complex connection between sisters—a big-hearted book about the love that binds a family across generations.

"The year is 1908, the height of the Belle Époque, and a brilliant, young French woman named Gabriële, newly graduated from the most elite music school in Europe, meets a volcanic Spanish artist named Francis. Following a whirlwind romance, they marry and fall headlong into a Paris that is experimenting with new forms of living, thinking, and creating. Soon after marrying Francis, Gabriële meets Marcel, another young artist, five years her junior. Soon, Francis, Marcel, and Gabriële are all involved in a fervent affair that will change the course of art history and redefine the avant-garde. As the Belle Époque gives way to rebellion and revolution, and the world descends into the devastation of World War I, Francis Picabia, Marcel Duchamp, and Gabriële Buffet revolutionize art and open up new ways of seeing and thinking, along the way posing a vital question for their age and ours: what is the connection between new ways of loving and new ways of creating? Moving between Paris, New York, Berlin, Zurich, Barcelona, London, and Saint-Tropez, Gabriële is as audacious, uninhibited, intimate, and unforgettable as its central character, the mercurial, pioneering Gabriële Buffet."--

"When couples therapist Emma Moskowitz is unceremoniously dumped by her fiancé six months before their wedding, her world comes crashing down: her thriving private practice, her status as a popular online creator, even her book deal all hinge on the fact that Emma is an expert when it comes to romantic relationships. Not to mention her heart is ripped in half. It isn't fair. She worked so hard to be ready for marriage. If only Emma could find a different groom by her planned wedding day, nothing would have to change.... So commences Operation: Save My Date. As Emma publicly shares her untraditional journey to the altar online, things get complicated quickly. She finds herself caught between Will, a charismatic podcast producer who is not interested in being a replacement groom; and Matt, a sweet, recent divorcee eagerly looking to settle down"-- Provided by publisher.

"Cassie and Zoe Griffin were born just a year apart, but the sisters could not have been more different. Zoe, beautiful and charming, grew up with a burning desire for fame, making up for a lack of natural talent with hard work and determination. Cassie, though, had a gift. She was uncomfortable in her plus-sized body and preferred to be in the shadows, she was a musical prodigy. On the threshold of adulthood, the sisters are discovered by a record label and become the Griffin Sisters, a band that quickly skyrockets to fame, reaching the heights of pop stardom: MTV, VH1, the Billboard charts, and every marker of a dream come true. Cassie's musical gifts make her the voice of a generation and while the spotlight tests her spirit, it also opens her heart to possibilities for connection she has never considered. Zoe gets everything she thought she wanted: international fame and the paparazzi, the couture-and the man-that go with it. But twenty years later, everything has changed. Cassie lives in seclusion in Alaska. Zoe has abandoned her music dreams for suburban motherhood in New Jersey. The Griffin Sisters are long gone, and the devil's bargain of celebrity has exacted a high price that drives the sisters apart and nearly destroys them both. And yet Zoe's teenage daughter Cherry has inherited her family's talent and stage presence, and will stop at nothing to achieve the very dream of pop stardom her mother has warned her against-opening the wounds of their shared history in the process. Both sisters must face the consequences of choices from the past: the ones they made and the ones the music industry made for them. Can the mistakes of the past be redeemed, and can broken bonds be repaired? In this stirring and soul-bearing novel, Jennifer Weiner brings to life the heartache, joy, and glory of the glamorous but shattering Golden Age of pop music, and a celebrates the power of love and forgiveness, even after the music stops"--

From the acclaimed author of Suite Française comes Némirovsky’s third novel, a masterpiece of French literature, available for the first time in Canada. Le Bal is a penetrating and incisive book set in early twentieth century France. At its heart is the tension between mother and daughter. The nouveau-riche Kampfs, desperate to become members of the social elite, decide to throw a ball to launch themselves into high society. For selfish reasons Mrs. Kampf forbids her teenage daughter, Antoinette, to attend the ball and banishes her to the laundry room. In an unpremeditated fury of revolt and despair, Antoinette takes a swift and horrible revenge. A cruel, funny and tender examination of class differences, Le Bal describes the torments of childhood with rare accuracy. Also included in this volume is Snow in Autumn , in which Némirovsky pays homage to Chekov and chronicles the life of a devoted servant following her masters as they flee Revolutionary Moscow and emigrate to a life of hardship in Paris.

In 70 A.D., when Roman forces sack Jerusalem, the scribe Abraham flees the city carrying little more than the scroll that documents his family history. For the next 19 centuries, one member of each new generation inherits this scroll along with the admonition that the record must be kept up to date. From Alexandria to Toledo, from Strasbourg to the Warsaw ghetto, Halter provides a moving account of Jews in exile. Abraham's descendants continue to work as scribes and eventually as printers. Since they are loyal to the word, it serves as their defense against oppression and solace in time of pain. This novel, much celebrated in Europe, has been aptly compared to Roots since it is based on records of the Halter family dating back to 1480 and on detailed historical research for the earlier centuries.

A rich and riveting debut spanning four generations of Eastern European Jewish women bound by blood, half-hidden secrets, and the fantastical visitation of a shapeshifting stranger over the course of 100 years An ambitious, delirious novel that tangles with queerness, spirituality, and generational silence, City of Laughter announces Temim Fruchter as a fresh and assured new literary voice. The tale of a young queer woman stuck in a thicket of generational secrets, the novel follows her back to her family's origins, where ancestral clues begin to reveal a lineage both haunted and shaped by desire. Ropshitz, Poland, was once known as the City of Laughter. As this story opens, an 18th century badchan, a holy jester whose job is to make wedding guests laugh, receives a visitation from a mysterious stranger--bringing the laughter the people of Ropshitz desperately need, and triggering a sequence of events that will reverberate across the coming century. In the present day, Shiva Margolin, recovering from the heartbreak of her first big queer love and grieving the death of her beloved father, struggles to connect with her guarded mother, who spends most of her time at the local funeral home. A student of Jewish folklore, Shiva seizes an opportunity to visit Poland, hoping her family's mysteries will make more sense if she walks in the footsteps of her great-grandmother Mira, about whom no one speaks. What she finds will make her question not only her past and her future, but also her present. Electric and sharply intimate, City of Laughter zigzags between our universe and a tapestry of real and invented Jewish folklore, asking how far we can travel from the stories that have raised us without leaving them behind.

Shai, a thirteen-year-old nonbinary homeschooler, attempts to find a "new normal" post-pandemic as they start public school, meet new friends, and learn about their Jewish identity.

“An astounding achievement.” —Megha Majumdar * “Her best book yet.” —Paul Yoon Set in midcentury America, At Last explores a rich family saga centered on two fierce and competitive matriarchs whose intertwined lives reflect the complexities of family, tradition, and personal ambition. “Whole lives course down the decades, and every minute is conveyed with Silver’s signature combination of toughness and grace,” (Laird Hunt). Helene Simonauer and Evelyn Turner are two formidable women whose paths cross when their children marry. Both women are sharp, cunning, and unwavering in their conflicting beliefs about marriage, responsibility, and family and, most pressingly, their efforts to vie for the love of their shared granddaughter. At Last paints a vivid portrait of the American Midwest, capturing the essence of a time and place where societal norms and personal aspirations often clashed. Marisa Silver’s narrative weaves together the lives of Helene and Evelyn, from their vastly different childhoods through the pivotal events that define them. Both intimate and expansive, and capturing the complexities of ambition and love with humor and insight, At Last is a testament to what happens when an unintended, even unwanted relationship turns out to be a central one that defines a life.

Run away with me is a profoundly romantic YA novel about two teenage boys finding each other and falling in love over one summer in Rome.

It's early twentieth century New York. Elderly puppeteer Papa Jonas lives in a small workshop with a cast of magical puppets he and assistant Christopher Lane have created out of cloth and wood. Papa watches as Christopher and pretty single mother and upstairs neighbor Mary Holly fall in love. At the same time, her young daughter Amy May 'marries' off her rag doll Annabelle Lee to 'clown-philosopher' puppet Mister Aristotle. As Christopher and Mary contemplate their future together, jealousy and duplicity doom the relationship of the puppet and rag doll. Full of insight and introspection both through the 'eyes' of the puppets and their creators, this novel explores the depths of human attachment, pain, and love in a wonderful story of love, romance, and philosophy.New York Times Review of "The Puppet Master""The rarity of the comic spirit in our fiction should make us prize its infrequent expression, and we should welcome the novel that neither flatters nor indicts us but invites us to observe ourselves with a little wholesome amusement. Such a book is 'The Puppet Master, ' in which imagination and insight, sympathy and humor have collaborated to produce a story with the accent of fantasy and the warm humanity of comedy."Lloyd MorrisNew York Times