It was over thirty years ago that Georke Mikes wrote How to be an Alien, the classic vade mecum for foreigners in Britain. The book became required reading for the alien, and an indispensable aid to self-understanding for the native. It is a heavy responsibility to be acknowledged as the leading expert on a subject as tricky as the British. For one thing, even they can change a good deal in thirty years. In acknowledgement of this, Mr Mikes has felt bound to write a new guide. At the heart of the book are the important sections on How to Lose an Empire, Become a Colony, and Stop Being an Island. All these themes are brand new. Others are familiar, but required new treatment. Sex could no longer be despatched in the shortest chapter known to literature (ten words) but called for at least a page (Britons whose self-confidence is wobbly had better skip it). The art of getting lost in London has become infinitely more complex than it was, and what is happening to the language is hair-raising. But the native will find that although his self-esteem takes some hard knocks, he ends in a glow of self-congratulation. It seems that when Great Britain finally becomes a desert island it will have its Robinson Crusoe in the shape of George Mikes. Amid all the changes two things remain the same: Nicholas Bentley is still the perfect illustrator for George Mikes's wit, and a special chemistry still exists between Mikes and his adopted country. The chemistry produced the most famous of all his works, and now it has produced the book to rival it.

Explores the structural and political relations of the Atlantic trade in the 18th century

""The Medical Man and the Witch During the Renaissance"" by Gregory Zilboorg is a historical account of the relationship between medicine and witchcraft during the Renaissance period. The book explores how medical professionals, such as physicians and surgeons, interacted with individuals accused of practicing witchcraft and the role they played in the persecution of witches. Zilboorg delves into the cultural and social context of the time, examining the beliefs and superstitions that shaped the attitudes towards witches and the methods used to diagnose and treat supposed witchcraft. The book also examines the impact of the witch trials on the medical profession and the development of medical knowledge during this period. Overall, ""The Medical Man and the Witch During the Renaissance"" provides a fascinating insight into the intersection of medicine and witchcraft during a tumultuous period in European history.Publications Of Institute Of The History Of Medicine, The Johns Hopkins University, Third Series, V2.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

In this new edition of his landmark book, John Gross traces the shifting fortunes of the men who shaped literary opinion in England during the Victorian, Edwardian, and contemporary eras. He brings together famous or forgotten critics and editors-prophets, aesthetes, statesmen, dons, radicals, social climbers, idealists, gossipmongers, and literary lions-and explores not only their critical ideas but also their personalities, careers, social backgrounds, and politics. He looks at "the higher journalism;" the expansion of the reading public, the byways of British liberalism, and the rise of literature as an academic subject, and the impact of modernism. In all a remarkable survey, to which Mr. Gross has now added updates on several literary careers, the new style of critics who have evolved from the universities, and the dominant role of the media. "A brilliant account of English literary culture which is as engaging as it is illuminating"-Lionel Trilling. "Extremely readable.... The book is strewn with marvelous bits: deft aperçus, biographical portraits of great subtlety and force, wit, commonsensical intelligence everywhere. It is a book that no one who cares about the state of literature can afford to neglect."-Joseph Epstein.

In the popular imagination the Special Air Service Regiment, or SAS, is perceived as both protector and avenger of the Crown and emblematic of staunch British individualism. In Dangerous Men, John Newsinger analyses the recent glut of popular books, magazines and films based on the activities of the SAS and assesses the aggressive masculinity, graphic violence and military prowess that are represented in many of the works, and their use in perpetuating myths of muscle-flexing nationalism. The book is divided into four parts covering the myth of the SAS analysed through historical works, and its representation in personal memoirs, fiction, survival manuals, TV documentaries and Hollywood film. Through the works examined, Newsinger deconstructs a range of real and imagined scenarios in which the SAS are pitted against an array of perceived enemies of the state, including the representation of the its role in the storming of the Iranian Embassy and in conflicts from the Falklands to the Gulf. Among the works examined are the bestselling memoirs by Michael Paul Kennedy, Andy McNab, Peter de la Billiere, Chris Ryan, and Jenny Simpson; fiction by James Follett, Terence Strong, Gerald Seymour and the Soldier A-Z series; key historical accounts by Philip Warner,Tony Geraghty, James Adams, and Mark Urban; and acclaimed films such as Who Dares Wins and The Rock .

Helene Moglen offers a revisionary feminist argument about the origins, cultural function, and formal structure of the English novel. While most critics and historians have associated the novel's emergence and development with the burgeoning of capitalism and the rise of the middle classes, Moglen contends that the novel principally came into being in order to manage the social and psychological strains of the modern sex-gender system. Rejecting the familiar claim that realism represents the novel's dominant tradition, she shows that, from its inception in the eighteenth century, the English novel has contained both realistic and fantastic narratives, which compete for primacy within individual texts.

Cover is for the paperback copy, Tight Binding, Limited Chipping or Tears to Edges, No Markings or Creasing, Discoloration to lower parts of pages, back cover is scuffed, stamp on bottom edge of book,

Taking the classical view that the political shapes man's consciousness, Allan Bloom considers Shakespeare as a profoundly political Renaissance dramatist. He aims to recover Shakespeare's ideas and beliefs and to make his work once again a recognized source for the serious study of moral and political problems. In essays looking at Julius Caesar, Othello, and The Merchant of Venice, Bloom shows how Shakespeare presents a picture of man that does not assume privileged access for only literary criticism. With this claim, he argues that political philosophy offers a comprehensive framework within which the problems of the Shakespearean heroes can be viewed. In short, he argues that Shakespeare was an eminently political author. Also included is an essay by Harry V. Jaffa on the limits of politics in King Lear. "A very good book indeed . . . one which can be recommended to all who are interested in Shakespeare." —G. P. V. Akrigg "This series of essays reminded me of the scope and depth of Shakespeare's original vision. One is left with the impression that Shakespeare really had figured out the answers to some important questions many of us no longer even know to ask."-Peter A. Thiel, CEO, PayPal, Wall Street Journal Allan Bloom was the John U. Nef Distinguished Service Professor on the Committee on Social Thought and the co-director of the John M. Olin Center for Inquiry into the Theory and Practice of Democracy at the University of Chicago. Harry V. Jaffa is professor emeritus at Claremont McKenna College and Claremont Graduate School.

Kings and Queens have always provided their subjects with a great deal to talk about. But how much do we really know about them? For instance, who became king when he was only nine months old? Which king invented the handkerchief? Which king died on the toilet? And who is England's longest reigning monarch? In this fascinating and witty look at kings and queens of England, Tony Robinson provides all the answers to these questions and many, many more.

From the author of The Last Testament comes the true love of Bonnie Prince Charlie, her adventures in America and her lasting legacy. In the page-turning popular genre trail-blazed by Antonia Fraser and Phillippa Gregory, The Pretender’s Lady , Alan Gold’s meticulously researched novel, accurately opens history’s pages on a peerless woman who helped change the course of history and whose legend lives on in Scotland today—Flora MacDonald. She was the most famous Scotswoman of her day, single handedly saving Bonnie Prince Charlie. This is her fictionalized life story—her relations with the Prince, her flight to America, Ben Franklin’s influence, and her return to Britain to lobby for peace But what’s hidden from history, revealed now for the first time in Gold’s dazzling new work of fiction, is the result of Flora’s and Charlie’s love: a beautiful and talented boy raised on an American farm. But only she knows his true heritage and his claim to the world’s greatest throne. And only the genius of Ben Franklin understands how to use this naïve boy to change the history of America. Skyhorse Publishing, as well as our Arcade, Yucca, and Good Books imprints, are proud to publish a broad range of books for readers interested in fiction—novels, novellas, political and medical thrillers, comedy, satire, historical fiction, romance, erotic and love stories, mystery, classic literature, folklore and mythology, literary classics including Shakespeare, Dumas, Wilde, Cather, and much more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home.

"The early modern period was of great significance throughout Europe with respect to its gradual transition from a largely oral to a fundamentally literate society. On the one hand, the spoken word remained of the utmost importance to the dissemination of ideas, the communication of information and the transmission of the cultural repertoire. On the other hand, the proliferation of written documents of all kinds, the development of printing and the spread of popular literacy combined to transform the nature of communication. Studies previous to this have traditionally focused on individual countries or regions, and emphasised the contradictions between oral and literate culture. The essays in this fascinating collection depart from these approaches in several ways. By examining not only English, but also Scottish and Welsh oral culture, they provide the first pan-British study of the subject. The authors also emphasise the ways in which oral and literate culture continued to compliment and inform each other, rather than focusing exclusively on their incompatibility, or on the 'inevitable' triumph of the written word. The chronological focus, ranging from the sixteenth to the mid-nineteenth century, with glances ahead to the twentieth, set the problem against a longer chronological span than most other studies, providing a link between early modern and modern oral and literate cultures. This book it will be of interest to students and scholars of British history, Linguistics, Literary Studies and Folklore Studies"--Publisher's description.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

'Zone of the Interior' is a classic of zonked-out high-as-kite sixties literature. It tells the story of Sid Bell an American political refugee in London, who falls under the spell of Dr. Willie Last.

At the end of the millennium, the leading British industry magazine, The Bookseller, selected the ten people who had most influenced its century. Tom Maschler—described as "the most important publisher in Britain; the most innovative, adventurous, and newsworthy"—was one of them. It went on to say that for nearly 20 years, "he made publishing glamorous." Over the course of his career, Maschler launched the careers of Thomas Pynchon, Joseph Heller, Gabriel García Márquez, Julian Barnes, Ian McEwan, Martin Amis, and Bruce Chatwin, among others. From the party where Norman Mailer stabbed his wife to the porch where Ernest Hemingway shot himself, this frank and fascinating memoir affords a rare glimpse into the golden days of British publishing. An extraordinary literary memoir by one great publishers of the 20th century.

In 1967 the world of Milton studies was divided into two armed camps: one proclaiming (in the tradition of Blake and Shelley) that Milton was of the devil's party with or without knowing it, the other proclaiming (in the tradition of Addison and C. S. Lewis) that the poet's sympathies are obviously with God and the angels loyal to him. The achievement of Stanley Fish's Surprised by Sin was to reconcile the two camps by subsuming their claims in a single overarching thesis: Paradise Lost is a poem about how its readers came to be the way they are--that is, fallen--and the poem's lesson is proven on a reader's impulse every time he or she finds a devilish action attractive or a godly action dismaying. Fish's argument reshaped the face of Milton studies; thirty years later the issues raised in Surprised by Sin continue to set the agenda and drive debate.

In this extensively revised and updated edition of her classic work, Look Back in Gender, Michelene Wandor confirms the symbiotic relationship between drama and gender in a provocative look at key, representative British plays from the last fifty years. Repositioning the text at the heart of hteatre studies, Wandor surveys plays by Ayckbourn, Beckett, Churchill, Daniels, Friel, Hare, Kane, Osborne, Pinter, Ravenhill, Wertenbaker, Wesker and others. Her nuanced argument, central to any analysis of contemporary drama, discusses: *the imperative of gender in the playwright's imagination *the function of gender as a major determinant of the text's structural and narrative drives *the impact of socialism and feminism on post-war British drama, and the relevance of feminist dynamics in drama *differences in the representation of the fmaily, sexuality and the mother, before and after 1968 *the impact of the slogan that the 'personal is political' on contemporary form and content.