What should Carly Beth be for Halloween this year? Terrified! Late at night, and ugly green mask is mysteriously calling out to her. If Carly Beth survives the night, even a scary theme park might sound like a vacation. Or maybe not! At Horrorland, every night is Halloween. And those monster masks? They aren't masks at all.

"The Bradford-Shmulkin family is falling apart. A very modern blend of Russian, Jewish, Korean, and New England WASP, they love one another deeply but the pressures of life in an unstable America are fraying their bonds. There's Daddy, a struggling, cash-thirsty editor whose Russian heritage gives him a surprising new currency in the upside-down world of twenty-first-century geopolitics; his wife, Anne Mom, a progressive, underfunded blue blood from Boston who's barely holding the household together; their son, Dylan, whose blond hair and Mayflower lineage provide him pride of place in the newly forming American political order; and, above all, the young Vera, half-Jewish, half-Korean, and wholly original. Observant, sensitive, and always writing down new vocabulary words, Vera wants only three things in life: to make a friend at school; Daddy and Anne Mom to stay together; and to meet her birth mother, Mom Mom, who will at last tell Vera the secret of who she really is and how to ensure love's survival in this great, mad, imploding world"--

Cult writer, author, podcaster and preeminent “Weird Al” Yankovic historian Nathan Rabin loves the objectively terrible. He's spent the last quarter century celebrating the spectacular garbage that makes life worth living. Rabin began his obsession with the abysmal at the The A.V. Club in 1996, where he worked for eighteen years, primarily as the site’s head writer. Rabin left The A.V. Club in 2013 to become a staff writer for the short-lived but much loved film website The Dissolve before starting Nathan Rabin’s Happy Place in 2017. The Joy of Trash collects the best pieces from the Happy Place alongside 8 new entries on both seasons of Baywatch Nights, Shasta McNasty, Robert Evans’ Get High On Yourself, Adrien Brody’s ad-libbed introduction for Sean Paul on Saturday Night Live, and more. The Flaming Garbage Fire extended edition of The Joy of Trash combines brand new pieces on the notorious Easy Rider sequel Easy Rider: The Ride Back and the infamous Kelsey Grammer vehicle Gary the Rat with classics from the Happy Place archives on everything from a coffee table book celebrating kiddie cigarette pitchman Joe Camel to John Kricfalusi’s reviled “Adult” Spike TV Ren & Stimpy reboot to a lengthy closing essay that uses an ill-fated Blues Brothers convention to explore multi-generational depression, the blues and the author’s complicated feelings about his hometown of Chicago. The Joy of Trash: Flaming Garbage Fire Extended Edition is an even better book about very bad people and very bad entertainment from a true American original. PRAISE FOR The Joy of Trash “Being somewhat of an expert on Nathan Rabin’s entire body of work, I can honestly say that The Joy of Trash is absolutely one of the best non-weird Al rated books he’s ever written. Terrific.” -“Weird Al” Yankovic “This is not a condemnation, it’s a celebration of how, despite the pop-culture garbage we’re forced to wade through every day, we can still rise above it. And make fun of it. In a celebratory way. I think I mixed up my metaphors here.” - Patton Oswalt “Is anyone as adept at insightful dives into the bizarre avenues of pop culture as Nathan Rabin is with ‘The Joy of Trash’!?!” - Andrew Helm, writer of A Talking Cat!?! “Nathan Rabin does not merely poke fun at bad media. He exactingly, methodically lies each of its sins bare with the thrilling precision of Hercule Poriot revealing the true identity of the murderer. Except instead of explaining how some gardener shot poison through a blowgun he’s dismantling Loqueesha to its atomic components. It’s an incredible spectacle.” - Justin McElroy “Nathan Rabin is one of my favorite pop-culture critics and historians. He takes on the good, the bad, and what some might refer to as the “ugly.” To me, it’s all beautiful. Especially the ugly. Like a crab scuttling along this nation’s depths, he collects forgotten, shimmering, neglected objects and reveals them to a most grateful world." - Mike Sacks “I have been reading Nathan since I was a no-name improvisor riding the L Train. Now I am a no-name podcaster driving a station wagon, and STILL reading him. The Joy of Trash was a fast, funny, eye opening read. A dark trip down an awful memory lane. It seems made for me. I mean the dude even covers Steven Seagal’s book!” - Jon Gabrus “Nathan Rabin is one of the funniest pop-culture writers out there. He engages some truly twisted topics with a mix of humor, insight and true curiosity. Please read this fascinating and hilarious book so that his suffering will not be in vain!” - Jordan Morris

This collection of literature attempts to compile many of the classic, timeless works that have stood the test of time and offer them at a reduced, affordable price, in an attractive volume so that everyone can enjoy them.

~ An Anne Izard Storytellers’ Choice Award Winner ~ A Storytelling World Honor Book Once, when young Nasruddin was acting up in class by distracting his friends with endless antics, jests, and stories, his irate teacher uttered a curse: “Whatever you do or say, people will only laugh at you.” Now, eight centuries later, children, adults, and wise fools everywhere are still laughing at Nasruddin (Nasreddin Hoca), one of the world’s most beloved folk characters. This entertaining and insightful retelling of more than a year’s worth of daily Mullah stories brings the famed Persian legend into the Twenty-First Century. Storytellers, folklorists, Sufis, comedians, wisdom seekers, and everyone who loves to laugh will be enriched and enlightened by the timeless wit, inscrutable wisdom, and uncommon sense of humor of Mullah Nasruddin. “Suresha identifies the real strength of Nasruddin’s stories in context to world literature and story performance, that is, its power to build bridges between cultures. … The point of these stories is to speak to the audience in the language and metaphors that are familiar.” — Storytelling, Self, Society “A contemporary reworking of the tales (the stories fit for a general audience, at least) … to Suresha’s credit he has maintained the direct, unadorned style that is a hallmark of folk tales. … a delightful break from the everyday world for an hour or two.” — Green Man Review “A fine pick and very highly recommended.” — Midwest Book Review “These hilarious, and at times, ribald folk tales of the Turkish wise fool take the reader to another time and place, and share the spiritual lessons of Nasruddin. … The teaching stories included in this volume help to build bridges between cultures by exemplifying Arabic wisdom and universal human humor.” — from the Preface by Ann Shapiro, Executive Director, Connecticut Storytelling Center

A luckless thief’s wrong turn becomes a crooked cop’s fortune in a wild ride of a thriller by a New York Times bestselling author. Failed lawyer Robert Green has such a good plan: Crack three hundred safe-deposit boxes and sail off to South America with his brilliant, morally flexible sister, Penny. If it weren’t for the damned freezing rain. In the dying resort town of Granite Shores, cop Jack Biddle is self-appointed king―mostly of bad decisions. Between his family’s crumbling legacy, a wife who just joined the city council, and life-threatening gambling debts, Jack’s looking for a way out. Then he spots a van spinning off a mountain road into the valley below. In the wreckage, Jack finds a very dead Robert, millions in heisted loot…and opportunity. All Jack has to do is clean up the mess, disappear Robert’s body, make off with the fortune, and not get caught. One hitch is Penny. Another is Mitch Diamond, a wild card ex-con who knows more about the missing fortune than he lets on. Jack, Penny, and Mitch each have an endgame. But there’s only one way out, and they’re crashing headlong toward it.

"In this Booker Prize-winning classic, a Casanova-esque young man searches for philosophical and sexual fulfillment as he seduces his way across Europe on the eve of World War I. John Berger's picaresque work, one of the author's best novels, is an inspired exploration of intimacy and loneliness set at the turn of the 20th century. In this luminous novel about a modern Don Juan, John Berger relates the story of G., a young man forging an energetic sexual career in Europe during the early years of the last century as Europe teeters on the brink of war. With profound compassion, Berger explores the hearts and minds of both men and women, and what happens during sex, to reveal the conditions of the libertine's success: his essential loneliness, the quiet cumulation in each of his sexual experiences of all of those that precede it, the tenderness that infuses even the briefest of his encounters, and the way women experience their own extraordinariness through their liaisons with him. Set against the turbulent backdrop of Garibaldi's attempt to unite Italy, the failed revolution of Milanese workers in 1898, the Boer War, and the dramatic first flight across the Alps, G. is a brilliant novel about the search for intimacy in the turmoil of history"-- Provided by publisher.

softcover book

"When his toxic medical director dies of a heart attack, fellow doctor Eitan Rose smells foul play. Nobody else does, though, including some quite crucial players like the police and the medical examiner. So Eitan vows to uncover the truth himself. But Eitan's own past and reputation are far from spotless, despite his budding relationship with Cole, a handsome hospital porter, and reluctant camaraderie with his office mate, Margaret-with-the-cats. As his colleagues become increasingly concerned about his mental health, Eitan's investigation spirals out of control. Could a killer really be stalking the wards? Or is Eitan making a catastrophic mistake?"-- Publisher's website.

In this outrageous exposé of Canada's secrets, scandals, and occasional awkward lapses in proper etiquette, you'll discover Canada's bizarre history and shocking present. From whether Canadian cuisine and sexuality exist, to instructions on how to write Canadian literature, you'll discover some real stuff about Canada. Honestly. The authors didn't just copy and paste from Wikipedia. Ok, so there may be a few mistakes. But the idea is that this stuff is real. We think.

A witty political satire ripped from the headlines and written by Congressman Steve Israel, who's met the characters, heard the conversations, and seen the plot twists firsthand. Meet Morris Feldstein, a pharmaceutical salesman living and working in western Long Island who loves the Mets, loves his wife Rona, and loves things just the way they are. He doesn't enjoy the news; he doesn't like to argue. Rona may want to change the world; Morris wants the world to leave him alone. Morris does not make waves. But one day Morris is seduced by a lonely, lovesick receptionist at one of the doctors' offices along his sales route, and in a moment of weakness charges a non-business expense to his company credit card. No big deal, you might think. Easy mistake. But the government's top-secret surveillance program, anchored by a giant, complex supercomputer known as NICK, thinks differently. Eventually NICK begins to thread together the largely disparate and tenuously connected strands of Morris's life.

When Dr. Bud Payne of Mobile, Alabama, donates two weeks of his time to a Kenyan village hospital, it is the beginning of an astonishing adventure for him and his family.Bud offers to fly a young Maasai girl back to America for life-saving heart surgery. She comes - but not her entire tribe is with her, Maasai warriors carrying spears, mothers in tribal dress carrying babies, even a mysterious medicine man alight from the airplane.The girl goes to the hospital, but the tribe goes to the Paynes' backyard. Gone are Gail Payne's prized rose beds, gone is the lawn. In their place are the mud huts of the Maasai.As the suburban neighbors mingle with the tribesmen and the medicine man mingles with the surgeons, hilarious, harrowing, and even enlightening adventures result. The warriors rustle the nearest redneck's prime dairy cow for slaughter, and the Paynes' children swap their school clothes for war paint. Gail nearly loses her mind and Bud nearly loses his medical license.However, it all leads to a classic happy ending, heightened by a cultural exchange beyond anyone's original dreams.

Welcome back to the irrepressible and unstoppable world of Miriam Margolyes. Packed with her wit, wisdom and unfiltered stories, 'The Little Book of Miriam' is a memory palace of Miriam's extraordinary life's standout moments, opinions and conclusions.

Lara Vapnyar, author of the prizewinning story collection There Are Jews in My House, brings us a poignant and comic first novel about a delightfully sincere modern-day muse. We meet Tanya as a typical Russian girl, living with her bookish professor mother in a drab Soviet apartment. As a teenager, Tanya becomes obsessed with Dostoevsky and settles on her life’s she will be the companion to a great writer. Her memoirs tell of her immigration to New York after college, the stifling expectations of her Brighton Beach cousins, and the crucial moment in a bookshop on the Upper West Side, where Tanya attends a reading by Mark Schneider, a Significant New York Novelist. Tanya soon moves in with Mark, ready to dazzle in bed, to serve and inspire . . . if only he would spend a little more time writing and a little less time at the gym, the shrink, and the literary soirees where she feels hopelessly unglamorous and out of place. But as she gradually learns to read English—struggling to better understand Mark’s work and her true role as Muse—Tanya also learns more than she expected about the destiny she has imagined for herself. Animated by Vapnyar’s beguiling grace and vividness—with a narrative richness reflecting the great tradition of Russian realism to which she is a natural heir— Memoirs of a Muse is an altogether wonderful novel. It is a lively meditation on female capabilities and happiness, on the mysteries of artistic inspiration (and the absurdities of artistic life), and, perhaps most movingly, on the pain and wonder of the immigrant experience in New York City.

Confessions of a verbivore--A celebration of English. Our abounding English language; Doing a number on English ; A guide to Britspeak, A to Zed --This American language. A declaration of language independence ; Talking turkey ; All-American dialects ; Slang as it is slung ; A circus of words ; Words from oure presidents ; Stamp out fadspeak! ; Like, what's happening to our language? -- The glamour of grammar. Conan the grammarian ; Laying down the law--without lying down on the job; Sex and the singular pronoun ; An open letter to Ann Landers--Spellbound. Under a spell ; I before E, except?..;Fairly familiar phrases--Getting the word out. Writing is ... ; How I write; Plane talk; Radio days; English with a Russian dressing--The collide-o-scope of language. How wise is proverbial wisdom? ; Words that never stray ; Heads without tails ; Our uppity English language ; On palindromes ; The long and the short of English--The romance of words. Toothsome etymologies ; Haunted words ; My kids the poker players ; On paradox ; A primer of political words; The true meaning of Christmas ; Literature lives!--It's a punderful life. Jest for the pun of it ; Pun your way to success ; Nothing works for me ; A bilingual pun is twice the fun ; My favorite monsters.

" And so begins the adventure of J.J. Smith, the keeper of the records for The Book of Records, and ordinary man searching for the extraordinary. He has verified the longest continuous kiss, the lenghiest single unbroken apple peel, the furthest flight of a champagne cork"... "But J.J. has a problem: his boss says his records are getting dull. Either he comes up with something special, or he's fired." - front inside dustcover.

In You Never Call, You Never Write, Joyce Antler provides an illuminating and often amusing history of one of the best-known figures in popular culture--the Jewish Mother. Whether drawn as self-sacrificing or manipulative, in countless films, novels, radio and television programs, stand-up comedy, and psychological and historical studies, she appears as a colossal figure, intensely involved in the lives of her children. Antler traces the odyssey of this compelling personality through decades of American culture. She reminds us of a time when Jewish mothers were admired for their tenacity and nurturance, as in the early twentieth-century image of the "Yiddishe Mama," a sentimental figure popularized by entertainers such as George Jessel, Al Jolson, and Sophie Tucker, and especially by Gertrude Berg, whose amazingly successful "Molly Goldberg" ruled American radio and television for over 25 years. Antler explains the transformation of this Jewish Mother into a "brassy-voiced, smothering, and shrewish" scourge (in Irving Howe's words), detailing many variations on this negative theme, from Philip Roth's Portnoy's Complaint and Woody Allen's Oedipus Wrecks to television shows such as "The Nanny," "Seinfeld," and "Will and Grace." But she also uncovers a new counter-narrative, leading feminist scholars and stand-up comediennes to see the Jewish Mother in positive terms. Continually revised and reinvented, the Jewish Mother becomes in Antler's expert hands a unique lens with which to examine vital concerns of American Jews and the culture at large. A joy to read, You Never Call, You Never Write will delight anyone who has ever known or been nurtured by a "Jewish Mother," and it will be a special source of insight for modern parents. As Antler suggests, in many ways "we are all Jewish Mothers" today.

In You Never Call, You Never Write, Joyce Antler provides an illuminating and often amusing history of one of the best-known figures in popular culture--the Jewish Mother. Whether drawn as self-sacrificing or manipulative, in countless films, novels, radio and television programs, stand-up comedy, and psychological and historical studies, she appears as a colossal figure, intensely involved in the lives of her children.Antler traces the odyssey of this compelling personality through decades of American culture. She reminds us of a time when Jewish mothers were admired for their tenacity and nurturance, as in the early twentieth-century image of the "Yiddishe Mama," a sentimental figure popularized by entertainers such as George Jessel, Al Jolson, and Sophie Tucker, and especially by Gertrude Berg, whose amazingly successful "Molly Goldberg" ruled American radio and television for over 25 years. Antler explains the transformation of this Jewish Mother into a "brassy-voiced, smothering, and shrewish" scourge (in Irving Howe's words), detailing many variations on this negative theme, from Philip Roth's Portnoy's Complaint and Woody Allen's Oedipus Wrecks to television shows such as "The Nanny," "Seinfeld," and "Will and Grace." But she also uncovers a new counter-narrative, leading feminist scholars and stand-up comediennes to see the Jewish Mother in positive terms. Continually revised and reinvented, the Jewish Mother becomes in Antler's expert hands a unique lens with which to examine vital concerns of American Jews and the culture at large.A joy to read, You Never Call, You Never Write will delight anyone who has ever known or been nurtured by a "Jewish Mother," and it will be a special source of insight for modern parents. As Antler suggests, in many ways "we are all Jewish Mothers" today.

Best-selling author Richard Lederer offers a chorus of praise to those who change our lives one day and one lesson at a time. Readers will meet great teachers throughout history, as well as educators captured in literature, film, and comic strips. Offering compelling proof that teachers really do make a difference in the English, math, history, and science classrooms, A Tribute to Teachers celebrates the most unheralded, exhausting, income-challenged, and ultimately rewarding of all professions.