In the early decades of this century, the wave of immigration that brought nearly two million Jews from the Pale of Settlement to the United States included an extraordinary group of gifted Yiddish poets and writers, who came to be called Di Yunge (The Young). A Little Love in Big Manhattan tells the story of two of the Young’s most prominent figures―Mani Leib, a lyric poet intent on refining the hard facts of his life into works of enduring beauty, and Moishe Leib Halpern, for whom poetry had to be the expression of coarse and shattering reality. Through a dual biography of these opposing personalities, Ruth Wisse describes the rich and vital cultural movement that embraced them both. She tells of the burst of creative energy exhibited by the young poets and intellectuals who, after a long day of manual labor, would congregate in the cafes of the Lower East Side for badinage, debate, and literary talk. They started literary journals and compiled anthologies of their writings, which found their way overseas and had a rejuvenating influence on Yiddish poetry abroad. Ironically, their achievement coincided with the decline of the language in which they wrote, so that Yiddish poetry came into its own in America at a time when the next generation could scarcely read it; there were no literary heirs. Ruth Wisse presents modern Jews with a part of their lost inheritance, and also claims for the Yiddish poets a place in the American canon. The first book to present these poets as part of the history of immigrant Jews in America, A Little Love in Big Manhattan (the title is from a poem of Halpern’s) will appeal to readers of poetry and to people interested in facets of the intellectual and artistic atmosphere of the interwar period.

Covering every aspect of the genre, this book presents more than 400 of the best, most original, historically significant and even worst works of horror from film and literature.

In this book gender is the lens through which autobiography and biography are scrutinized. The authors show what is revealed when they magnify the gendered aspects of both men’s and women’s writing. The eternal questions of identity, choice, responsibility, happiness, tragedy, and even death are interpreted in terms of gender analysis. The book presents a sequence of studies from the early nineteenth to the late twentieth century that includes individuals such as American poet Anne Sexton and German writers Christa Wolf and Paul Celan, and groups such as nineteenth-century Mexican women and members of the British working class. It extends the paradigm of “self-reflexive” literature to include and highlight the overlap between autobiography and biography, especially in the case of women who often wrote their lives obliquely through the biographies of their famous male relatives, e. g., Adèle Hugo and Anne Thackeray Ritchie. The authors refuse to accept a monolithic conception of gender. The studies of Charles and Mary Lamb, Nadezhda Durova, and John Stuart Mill demonstrate that even in the nineteenth century, a binary gender system is inadequate as a mode of approach to actual life stories.

Symposium of the Whole traces a discourse on poetry and culture that has profoundly influenced the art of our time, with precedents going back two centuries and more. Beginning with a reassertion of the complexity of poetry among peoples long labeled “primitive” and “savage,” many recent poets have sought to base a new poetics over the fullest range of human cultures. The attempt to define an ethnopoetics has been significantly connected with the most experimental and future-directed side of Romantic and modern poetry, both in the Western world and, increasingly, outside it. As a visionary poetics and as a politics, this complex redefinition of cultural and intellectual values has involved a rarely acknowledged collaboration between poets and scholars, who together have challenged the narrow view of literature that has excluded so many traditions. In this gathering, the Rothenbergs follow the idea of an ethnopoetics from predecessors such as Vico, Blake, Thoreau, and Tzara to more recent essays and manifestos by poets and social thinkers such as Olson, Eliade, Snyder, Turner, and Baraka. The themes range widely, from the divergence of oral and written cultures to the shaman as proto-poet and the reemergence of suppressed and rejected forms and images: the goddess, the trickster, and the “human universe.” The book’s three ethnographic sections demonstrate how various poetries are structured and composed, how they reflect meaning and worldview, and how they are performed in cultures where all art may be thought of as art-in-motion. Among the poetries discussed are the language of magic; West African drum language and poetry; the Huichol Indian language of reversals; chance operations in African divination poetry; picture-writings and action-writings from Australia and Africa; and American Indian sacred-clown dramas and traditional trickster narratives. The cumulative effect is a new reading of the poetic past and present—in the editors’ words, “a changed paradigm of what poetry was or now could come to be.”

"It is a collection of essays that takes up, in a mostly affirmative way, various challenges to the coherence of the "human body" as a figure through which culture is processed and oriented." Partial contents : The end of the world of White Men ; Class and its close relations : identities among women, servants, and machines ; Soft fictions and intimate documents : can feminism be posthuman? ; Reproducing the posthuman body : ectogenetic fetus, surrogate mother, pregnant man ; The seductive power of science in the making of deviant subjectivity ; Phantom and reel projections lesbians and the (serial) killing-machine ; "Death of the family."

Fly Like a Bat Out of Hell collects the almost fifteen-year correspondence between two of America's most influential modern poets, Harold Norse and Charles Bukowski. Norse, then a tenuously established writer, acolyte of William Carlos Williams and one-time resident of the Beat Hotel, began exchanging letters with the fledgling bard of the downtrodden, Bukowski, in 1963. Their daily struggle for self-determination, recognition, and just a little money provides the dramatic arc of their ribald, thoughtful, often licentious, and always quotable correspondence. Sparring and exhorting, comforting and recriminating in terrific counterpoint, outdoing one another in scatological complaint, Norse and Bukowski intimately reveal the seldom seen realities of creative lives.

Discusses the influence of Ezra Pound, Wyndham Lewis, James Joyce, and T.S. Eliot, looks at Imagism, and includes profiles of others who shaped the Modernist movement

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This fierce memoir is both elegiac and indicting. Marcel Liebman's account of his childhood in Brussels under the Nazi occupation explores the emergence of his class-consciousness against a background of resistance and collaboration. He documents the internal class war that has long been hidden from historyhow the Nazi persecution exploited class distinctions within the Jewish community, and how certain Jewish notables collaborated in a systematic program of denunciation and deportation against immigrant Jews who lacked the privileges of wealth and citizenship. An eminent anti-Zionist and Marxist, Liebman tells the story of his family's struggle to survive in the face of persecution, terror and constant evasion, an existence observed with acuity, humor and lyricism.

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Provocative essays from one of America's most important cultural critics Think Again gathers one hundred of the best of Stanley Fish's provocative New York Times essays, pieces that have generated passionate discussion and debate. Addressing controversies about such hot-button topics as atheism, affirmative action, free speech, identity politics, guns, and postmodernism, Fish dissects the arguments put forth by different sides in order to explain how their arguments work or don't work. Brief and accessible yet challenging, these essays teach you not what to think but how to think more clearly, and provide all the powerful intellectual, cultural, and political analysis one expects from Fish, one of America's most influential thinkers.

Endorsed personally by Ayn Rand in 1962, this essay discusses the essentials of Rand's ethics and its crucial relevance to America's intellectual, moral, and political crisis. An excellent commentary on the historical and cultural significance of her ethics and the view of man as a moral ideal.

Text: English, Yiddish

Anita, who has lived in Austria through the Second World War, comes to live in a large English country house in the early 1950s. She forms a close bond with its elderly owner, Mr Barlow, and another with his grandson Tony. But what does the future hold for any of them, for the house, and for England itself?

"Since 1997, author and scholar Maxim D. Shrayer has been offering seminars on Vladimir Nabokov, the great Russian American immigrant writer, at Boston College. This volume features essays by undergraduate and graduate students, which originated in the Nabokov seminar, as well as scholarship by Boston College faculty who work on Nabokov. The essays cover a broad thematic and intellectual terrain and showcase cutting-edge Nabokov scholarship and criticism. The topics include but are not limited to: translingualism, sexuality, Cold War politics, food studies, Nabokov and the visual arts, religion and metaphysics, urban studies, immigration studies, and modernist poetics. The collection will be of great interest to students and scholars, as well as to the broad audience of Nabokovians"--

The publication of Jacqueline de Romilly's Histoire et raison chez Thucydide in 1956 virtually transformed scholarship on Thucydides. Rather than mining The Peloponnesian War to speculate on its layers of composition or second-guess its accuracy, it treated it as a work of art deserving rhetorical and aesthetic analysis. Ahead of its time in its sophisticated focus upon the verbal texture of narrative, it proved that a literary approach offered the most productive and nuanced way to study Thucydides. Still in print in the original French, the book has influenced numerous Classicists and historians, and is now available in English for the first time in a careful translation by Elizabeth Trapnell Rawlings. The Cornell edition includes an introduction by Hunter R. Rawlings III and Jeffrey Rusten tracing the context of this book's original publication and its continuing influence on the study of Thucydides. Romilly shows that Thucydides constructs his account of the Peloponnesian War as a profoundly intellectual experience for readers who want to discern the patterns underlying historical events. Employing a commanding logic that exercises total control over the data of history, Thucydides uses rigorous principles of selection, suggestive juxtapositions, and artfully opposed speeches to reveal systematic relationships between plans and outcomes, impose meaning on the smallest events, and insist on the constant battle between intellect and chance. Thucydides' mind found in unity and coherence its ideal of historical truth.

Trenchant, occasionally splenetic, and always brutally funny, Romanian-born Codrescu confronts the convulsions of our post-ideological world at a time when "the advent of cyberspace and the caffeinating of America has occurred simultaneously." With these newest essays from 1994 and 1995 - some that are straight off the NPR airwaves and some that have served as magazine pieces or speeches - Codrescu takes us on a roller-coaster tour through our own dramatically changing country. Making stops along the way to observe the shifting American landscape, our incisive guide confronts, among other curiosities: the ever-increasing illusion of democracy; the Internet and sex in the cyber age; the rise and rerise of the religious Right; the grotesquerie born out of the cooling shards of post-Communism; the transformation of the American palate; the ascendance of vampirism; and the new millennial contagion. Andrei Codrescu has been keeping his audience abreast of the absurdities of American culture for over ten years, and his trademark irony, buoyant paranoia, and mystical cynicism are once again in ample evidence in this collection. Along for the ride are all of his familiar characters, including puppets, fascists, airplanes, and Greyhound buses, but now his menagerie has expanded to include one electronically adjusted dog, Miss America, and an alligator god.

Offers profiles of ancient Greek writers, including Homer, Hesiod, Herodotus, Sophocles, Plato, Aristotle, and Plutarch, and traces the development of Greek literature.