This basic, one-volume study of Johann Sebastian Bach combines a sensitive biographical sketch with a detailed analysis of each of his major types of composition, including vocal music, organ music, keyboard music, and instrumental music. In each section, Geiringer thoroughly examines many Bach compositions and evaluates them in relation to the rest of the composer's work, as well as in relation to the music of his contemporaries. More than seventy musical examples enable the reader to understand how Bach worked and to observe his music in various stages of completion. In addition, an interesting aspect of research methods is revealed through an explanation of the techniques used in studying handwriting, paper, and watermarks in the original sources.

The universally acclaimed and award-winning Oxford History of Western Music is the eminent musicologist Richard Taruskin's provocative, erudite telling of the story of Western music from its earliest days to the present. Each book in this superlative five-volume set illuminates-through a representative sampling of masterworks- the themes, styles, and currents that give shape and direction to a significant period in the history of Western music. This first volume in Richard Taruskin's majestic history, Music from the Earliest Notations to the Sixteenth Century , sweeps across centuries of musical innovation to shed light on the early forces that shaped the development of the Western classical tradition. Beginning with the invention of musical notation more than a thousand years ago, Taruskin addresses topics such as the legend of Saint Gregory and Gregorian chant, Augustine's and Boethius's thoughts on music, the liturgical dramas of Hildegard of Bingen, the growth of the music printing business, the literary revolution and the English madrigal, the influence of the Reformation and the Counter-Reformation, and the operas of Monteverdi. Laced with brilliant observations, memorable musical analysis, and a panoramic sense of the interactions between history, culture, politics, art, literature, religion, and music, this book will be essential reading for anyone who wishes to understand this rich and diverse period.

The universally acclaimed and award-winning Oxford History of Western Music is the eminent musicologist Richard Taruskin's provocative, erudite telling of the story of Western music from its earliest days to the present. Each book in this superlative five-volume set illuminates-through a representative sampling of masterworks-the themes, styles, and currents that give shape and direction to a significant period in the history of Western music. In Music in the Nineteenth Century , Richard Taruskin offers a panoramic tour of this magnificent century in the history music. Major themes addressed in this book include the romantic transformation of opera, Franz Schubert and the German lied, the rise of virtuosos such as Paganini and Liszt, the twin giants of nineteenth-century opera, Richard Wagner and Giuseppe Verdi, the lyric dramas of Bizet and Puccini, and the revival of the symphony by Brahms. Laced with brilliant observations, memorable musical analysis, and a panoramic sense of the interactions between history, culture, politics, art, literature, religion, and music, this book will be essential reading for anyone who wishes to understand this rich and diverse period.

The universally acclaimed and award-winning Oxford History of Western Music is the eminent musicologist Richard Taruskin's provocative, erudite telling of the story of Western music from its earliest days to the present. Each book in this superlative five-volume set illuminates-through a representative sampling of masterworks-the themes, styles, and currents that give shape and direction to a significant period in the history of Western music. Music in the Late Twentieth Century is the final installment of the set, covering the years from the end of World War II to the present. In these pages, Taruskin illuminates the great compositions of recent times, offering insightful analyses of works by Aaron Copland, John Cage, Milton Babbitt, Benjamin Britten, Steve Reich, and Philip Glass, among many others. He also looks at the impact of electronic music and computers, the rise of pop music and rock 'n' roll, the advent of postmodernism, and the contemporary music of Laurie Anderson, John Zorn, and John Adams. Laced with brilliant observations, memorable musical analysis, and a panoramic sense of the interactions between history, culture, politics, art, literature, religion, and music, this book will be essential reading for anyone who wishes to understand this rich and diverse period.

Divided into three parts, this book addresses all aspects of Puccinni's life and work. Part I, The Man, gives the facts of the composer's somewhat stormy life, quoting extensively from his own letters. Part II, The Artist, calls on the resources of modern psychology in assessing his personality and its curious limitations, and the unconscious springs of his creative processes. Part III, The Work, is a detailed guide to each opera, both music and libretto, with a synopsis of opera plots.

The new book from Jimmy Barnes, the award-winning author of the number-one bestsellers Working Class Boy, Working Class Man and Killing Time From larger-than-life adventures to vivid and poignant tales of the imagination, Highways and Byways is a collection of stories taking readers on an enthralling tour (complete with the odd detour) through the raucous, well-lived life of one of this country's most successful and beloved artists. Told with Jimmy's signature verve and flair, and richly coloured by his distinctive voice and wit, Highways and Byways sees him sharing a 1970s Texas stage with a dream line-up of US musicians; flirting with disaster in a Hawaiian high-rise; discovering a life-changing cassette tape; unearthing shattering family secrets in Glasgow; encountering charismatic and not-so-endearing superstars, ghosts of the recent and distant past, superfan traffic cops and shady salesmen; and confronting his own mortality - while pondering the more amusing effects of hospital medication. Charming, personal and poignant, Highways and Byways is a collection that celebrates Jimmy's Scottish heritage, family, friends, music and the adventure of a grand life.

Widely recognized as the definitive work in its field ever since its original publication in 1962, Serial Composition and Atonality remains an unsurpassed introduction to the technical features of what is probably the most revolutionary body of work since the beginnings of polyphony. In the analysis of specific compositions there is first and last of all a concern with the musical surface—an attempt to trace connections and distinctions there before offering any deeper-level constructions, and to offer none where their effects are not obvious on more immediate levels of musical experience. In this sixth edition of the book, George Perle employs the new and more consistent terminology for the identification of transpositional levels of twelve-tone sets that he first proposed in Twelve-Tone Tonality (1977).

A classic of the specialized literature for piano, this volume is an undisputed touchstone for students and professionals. One of the few manuals to deal so specifically and thoroughly with the use of the pedal as a valuable aid in the production of sound, it presents a practical and rational approach, with the support of numerous musical examples. This new edition (September 2021) is realized in collaboration with the Schnabel Music Foundation and presents the original content in a new layout, with the addition of a text dedicated to the left pedal. Contents: Ancient and modern notations for the use of the pedal The different degrees of legato and separation Adapting pedal techniques to tempo and dynamics Intermediate positions Using the central and left pedals Karl Ulrich Schnabel (1909-2001), a pianist of international renown, had a distinguished career spanning eight decades as a solo performer and also interpreter of original works for one piano four-hands and for two pianos. He was one of the most sought after teachers in the world, and was especially known for his ability to teach musical expression.

(Boosey & Hawkes Voice). The two sets of Old American Songs are beloved, standard vocal literature. This edition combines both sets in one publication, available for the first time with online audio of piano accompaniments. Audio is accessed online using the unique code inside the book and can be streamed or downloaded. The audio files include PLAYBACK+, a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and more. Contents: FIRST SET: The Boatmen's Dance * The Dodger * Long Time Ago * Simple Gifts * I Bought Me a Cat * SECOND SET: The Little Horses * Zion's Walls * The Golden Willow Tree * At the River * Ching-a-ring Chaw

A book version of Lou Reed's musical POEtry (2000), and CD The Raven (2003), inspired by Edgar Allan Poe's poems and stories, with illustrations by Lorenzo Mattotti.

When FBI Director J. Edgar Hoover reported to the Nixon White House in 1972 about the Bureau's surveillance of John Lennon, he began by explaining that Lennon was a "former member of the Beatles singing group." When a copy of this letter arrived in response to Jon Wiener's 1981 Freedom of Information request, the entire text was withheld—along with almost 200 other pages—on the grounds that releasing it would endanger national security. This book tells the story of the author's remarkable fourteen-year court battle to win release of the Lennon files under the Freedom of Information Act in a case that went all the way to the Supreme Court. With the publication of Gimme Some Truth , 100 key pages of the Lennon FBI file are available—complete and unexpurgated, fully annotated and presented in a "before and after" format. Lennon's file was compiled in 1972, when the war in Vietnam was at its peak, when Nixon was facing reelection, and when the "clever Beatle" was living in New York and joining up with the New Left and the anti-war movement. The Nixon administration's efforts to "neutralize" Lennon are the subject of Lennon's file. The documents are reproduced in facsimile so that readers can see all the classification stamps, marginal notes, blacked out passages and—in some cases—the initials of J. Edgar Hoover. The file includes lengthy reports by confidential informants detailing the daily lives of anti-war activists, memos to the White House, transcripts of TV shows on which Lennon appeared, and a proposal that Lennon be arrested by local police on drug charges. Fascinating, engrossing, at points hilarious and absurd, Gimme Some Truth documents an era when rock music seemed to have real political force and when youth culture challenged the status quo in Washington. It also delineates the ways the Reagan, Bush, and Clinton administrations fought to preserve government secrecy, and highlights the legal strategies adopted by those who have challenged it.

HEBRIDES: FINGAL'S CAVE OVERTURE, Op. 26, arranged by Steven Rosenhaus, is a programmatic masterpiece! You can almost hear the breaking waves and imagine the vastness of the cave Mendelssohn encountered on his tour of the Hebrides Islands of Scotland. With numerous titles and subtitles including Calm Sea," "Prosperous Voyage," and most commonly, "Fingal's Cave Overture," this is a staple in concert literature that shouldn't be missed!"

The oboist looks back at her twenty-five year career, offering a glimpse into the world of classical music and providing details of substance abuse and the practice of trading sexual favors for jobs.

"Step into the extraordinary life of Samuel Adler, one of the most celebrated composers and conductors of our time. From a childhood marked by the horrors of Nazi Germany to a career spanning over six decades in music, teaching, and composition, Adler's journey is a testament to resilience, creativity, and the unifying power of music"--

This book undoes 50 years of mythmaking about Stravinsky's life in music. During his spectacular career, Igor Stravinsky underplayed his Russian past in favor of a European cosmopolitanism. Richard Taruskin has refused to take the composer at his word. In this long-awaited study, he defines Stravinsky's relationship to the musical and artistic traditions of his native land and gives us a dramatically new picture of one of the major figures in the history of music. Taruskin draws directly on newly accessible archives and on a wealth of Russian documents. In Volume One, he sets the historical scene: the St. Petersburg musical press, the arts journals, and the writings of anthropologists, folklorists, philosophers, and poets. Volume Two addresses the masterpieces of Stravinsky's early maturityÑ Petrushka, The Rite of Spring, and Les Noces . Taruskin investigates the composer's collaborations with Diaghilev to illuminate the relationship between folklore and modernity. He elucidates the Silver Age ideal of "neonationalism"Ñthe professional appropriation of motifs and style characteristics from folk artÑand how Stravinsky realized this ideal in his music. Taruskin demonstrates how Stravinsky achieved his modernist technique by combining what was most characteristically Russian in his musical training with stylistic elements abstracted from Russian folklore. The stylistic synthesis thus achieved formed Stravinsky as a composer for life, whatever the aesthetic allegiances he later professed. Written with Taruskin's characteristic mixture of in-depth research and stylistic verve, this book will be mandatory reading for all those seriously interested in the life and work of Stravinsky.

Alex is an awkward, introverted child growing up in 1970s Berkeley, California - a confusing vortex of shifting values, rampant drug use and social confusion. Misunderstood by his family and taunted mercilessly by classmates, he suffers from a paralyzing lack of confidence and low self-esteem. His existence is made tolerable when he discovers a superhero-like rock band, KISS, which inspires him to learn the guitar. While in high school, he auditions for Legacy - a group of hard partying, working class, twenty-something metalheads from the East Bay suburbs. After recording his first album with the group at age eighteen, he defies his Ivy League parents' rigid academic expectations by forgoing college and hitting the road with metal bands including Slayer, Megadeth, White Zombie and Judas Priest. As his own band, now known as Testament, rises through the ranks of thrash metal, the world begins to take notice of the young guitar prodigy who, despite being fawned over by autograph-seeking metalheads, guitar fanatics and adoring female fans, still feels the pain, awkwardness and ghosts of his past. Soon, a blooming interest in jazz and literature reshapes his values and strengthens his musicianship, bringing further accolades from fans and media but causing resistance and tension from within his inner circle. These experiences cause a realization to unfold: that the scene in which he had first sought his freedom and self-identity is fraught with its own perilous limitations, while the education he'd so fiercely resisted from his family can be invaluable when sought on one's own terms.

Instrumentation : SST Soli - SATB Chorus - 2.2.2.2 - 4.2.3.0 - Timp - Org - Str(Ger.) Lobgesang was written for the 400th anniversary of the invention of moveable type by Johannes Gutenberg, an event celebrated in Leizig in the Summer of 1840. The work unites dome of Mendlessohn's most pressing compositional concerns: to bring the Church and the concert hall one step closer together as he felt had already been accomplished in England, and, at the same time, to give expression to his dydactic and educational impetus while creating a novel genre transcending conventional boundaries. Editor :Cornelis

"Completely revised to include new artists and recordings, as well as, for the first time, a CD of rare recordings of the piano literature, this is the only all-inclusive and up-to-date book containing profiles of every major pianist and his or her essential repertoire. David Dubal also includes, in alphabetical order by composer, insightful commentary on the masterpieces of the literature, solo and concerto, and lists of recordings that represent the finest craftsmanship and widest diversity of interpretation of each work." "The Art of the Piano is an essential resource for piano teachers, concert-goers, and other devotees of keyboard virtuosity."--Jacket.