In this riveting follow-up to the "New York Times" best-selling "The Clinic, " psychologist Dr. Alex Delaware confronts an almost unimaginably cruel, arrogant, and obsessed killer who takes as much pleasure in matching wits with the police as in robbing human life--all in the name of science.The nightmare started with a single crime: the murder of 15-year-old Irit Carmeli, the daughter of the Israeli consul in Los Angeles. But within days it had become one of the darkest, most menacing cases of Alex Delaware's career: three young people dead with no apparent motive, and the only trait linking them is the fact that each has a disability. Driven to find the answers, Alex will work closely with his longtime friend Milo Sturgis of the LAPD, but with Inspector Daniel Shavari, the brilliant Israeli detective who solved the serial murders in Kellerman's best-selling novel, "The Butcher's Theater." In the end, though, it is Alex who will go undercover to expose the smug brutality of self-styled elite who will justify their bloody deeds by any means --

For more than four hundred years, the personal essay has been one of the richest and most vibrant of all literary forms. Distinguished from the detached formal essay by its friendly, conversational tone, its loose structure, and its drive toward candor and self-disclosure, the personal essay seizes on the minutiae of daily life-vanities, fashions, foibles, oddballs, seasonal rituals, love and disappointment, the pleasures of solitude, reading, taking a walk -- to offer insight into the human condition and the great social and political issues of the day. The Art of the Personal Essay is the first anthology to celebrate this fertile genre. By presenting more than seventy-five personal essays, including influential forerunners from ancient Greece, Rome, and the Far East, masterpieces from the dawn of the personal essay in the sixteenth century, and a wealth of the finest personal essays from the last four centuries, editor Phillip Lopate, himself an acclaimed essayist, displays the tradition of the personal essay in all its historical grandeur, depth, and diversity.

WINNER OF THE PULITZER PRIZE “One of the five best novels I have ever read, maybe the best. . . . It ranks with the greatest of American fiction." —Stephen King, The New York Times “An incandescent fiction. . . . Scintillates with more Rothian wit, paradox, eloquent tantrums, and absurd pitfalls than can be counted." —Los Angeles Times Book Review “The greatest of great American novels.” —Taffy Brodesser-Akner, The New York Times “Widely considered to be Roth's masterwork."—Esquire American Pastoral is an elegy for the American century's promises of prosperity, civic order, and domestic bliss. Roth’s protagonist is Swede Levov, a legendary athlete at his Newark high school who grows up in the booming postwar years to marry a former Miss New Jersey, inherit his father’s glove factory, and move into a stone house in the idyllic hamlet of Old Rimrock. And then one day in 1968, Swede’s beautiful American luck deserts him. For Swede’s adored daughter, Merry, has grown from a loving, quick-witted girl into a sullen, fanatical teenager—a teenager capable of an outlandish act of political terrorism. And overnight Swede is wrenched out of the longed-for American pastoral and into the American berserk.

Marilyn Monroe’s final formal photo session and last interview have never been released in their entirety—until now. Completed in July 1962, just a month before her passing, the interview conducted by Richard Meryman was Marilyn at her most open and honest, and the photos by Allan Grant were the only ones ever taken in her home. Now, for the first time, you can read Marilyn in her own words and see her as the world has never seen her before. "A beautifully understated look at an American icon, as she probably wished she could have been seen.” --Library Journal In July 1962, Marilyn Monroe was at a crossroads. At thirty-six years old and embroiled in legal battles with the studio of her current picture, Something’s Gotta Give, she was struggling with fame, age, and a studio system in which she no longer fit. When she sat down to give Richard Meryman an interview, she had a lot to say. Originally intended to be an interview about fame, over the course of four hours Marilyn talked about her entire life. Only a small portion of the interview was published in LIFE Magazine. When she died, just two days after the article was published, Meryman put the full transcript and the original tapes in his files, never to see the light of day. Documenting this landmark interview was iconic photojournalist Allan Grant. His images of Marilyn would be her last formal photo shoot—in her home, in casual clothes, being the glorious, free spirit she was. Grant captured every emotion of the interview in these exquisite images, only eight of which were published alongside the LIFE interview excerpt. Most of the remainder of the images were stored in Allan’s safe, waiting to be rediscovered. Marilyn: The Lost Photographs • The Last Interview is Marilyn Monroe in her own words—words that haven’t been published, until now. In this recently restored and complete transcript, Marilyn candidly talks about her childhood and life, fame, the studio system, her approach to work, celebrity, being a sex symbol, and more. At times joyous, silly, serious, philosophical and pensive, it is a Marilyn that the world has never experienced. Accompanying the interview are more than 400 of Grant’s extraordinary images, most never published until now. This beautifully produced book offers readers a glimpse into Marilyn’s mindset during her final month as she began to assert control of her career and address her relationship with celebrity. Deepening the understanding of Marilyn’s talents, humanity, and true legacy, and the appreciation of her true beauty, this is a fitting tribute to one of the most iconic figures in history.

REESE’S BOOK CLUB PICK • NATIONAL BESTSELLER • “A shocking story, made all the more stunning by the fact that it has its roots in true history.”—Jodi Picoult, author of By Any Other Name “A new generation of survival story . . . an extraordinary book that reads like a thriller, written with the care of the most delicate psychological and historical fiction.”— Vogue (Best of 2025 Preview) A young woman and her lover are marooned on an island in this “lushly painted” ( People ) historical epic of love, faith, and defiance from the bestselling author of Sam . FINALIST FOR THE KIRKUS PRIZE • LONGLISTED FOR THE AMERICAN LIBRARY IN PARIS BOOK AWARD Heir to a fortune, Marguerite is destined for a life of prosperity and gentility. Then she is orphaned, and her guardian—an enigmatic and volatile man—spends her inheritance and insists she accompany him on an expedition to New France. That journey takes a unexpected turn when Marguerite, accused of betrayal, is brutally punished and abandoned on a small island. Once a child of privilege who dressed in gowns and laced pearls in her hair, Marguerite finds herself at the mercy of nature. As the weather turns, blanketing the island in ice, she discovers a faith she’d never before needed. Inspired by the real life of a sixteenth-century heroine, Isola is the timeless story of a woman fighting for survival.

After the destruction of the Graveyard, Connor and Lev are on the run, seeking a woman who may be the key to bringing down unwinding forever while Cam, the rewound boy, tries to prove his love for Risa by bringing Proactive Citizenry to its knees.

A beautiful American widow finds new life in France in this tender portrait from #1 New York Times bestselling author Danielle Steel. Following the unexpected death of her beloved husband, art gallery owner Samantha Thompson finds herself adrift in their Malibu beach house. Her three adult children—scattered from New York to London to Milan—are concerned for her well-being and encourage her to take a trip to Paris. Once abroad, an impulsive day trip from Paris to Biarritz leads Samantha to discover the charming medieval village of Arcangues in the Basque countryside, with its unique and iconic blue shutters and historic château. The château is the ancestral home of Xavier de Bonport, who is trapped in a loveless marriage and trying to dig himself out financially after a business failed due to the pandemic. He needs rental income as urgently as Samantha needs a refuge. With Xavier living in a smaller house on the property, Samantha begins to transform the château into a temporary home. As they each sense compassion and resilience in the other, as well as kindness, a friendship blossoms. Inspired by the stories of Xavier’s grandmother, who saved hundreds of Jewish children during World War II, Samantha considers fostering some children at the request of the local Dominican nuns, whose orphanage is filled to capacity. As a newfound family begins to fill the château, Samantha and Xavier wonder if their friendship is becoming something more. A poignant story of healing and new beginnings, The Color of Hope is an uplifting and unforgettable novel from the master, Danielle Steel.

After the wedding of Diana Goode and Andrew Douglas, Diana teases that they will make a baby on their honeymoon. But long afterward, she is still not pregnant. As Diana and Andrew wait out each month only to be bitterly disappointed, they are forced to question just how much they are willing to go through to have a baby. Charlie Winwood dreams of a house filled with children. His bride, party-girl actress Barbie Mason, has other ideas. When he discovers he is sterile, Charlie has to rethink his deepest values -- and his marriage to a woman who shares none of his dreams. After ten years of living together, Pilar Graham, a prominent Santa Barbara attorney, marries Judge Brad Coleman, who is nineteen years her senior and father of two grown children. They are happy with their comfortable life together, à deux, until Pilar begins to wonder if she will someday regret not having a baby with Brad. Are they crazy to begin now -- with Brad about to become a grandfather and Pilar with a busy career, and in her early forties, possibly putting herself at risk? Through the lives of these couples, Danielle Steel shows us the mixed blessingswe face as we build our families and live our modern lives. She touches us with the triumphant people who prevail, their victories, their defeats, their tragedies and joys, their compromises, their lives. From the Paperback edition.

"Before he was producing the musical hits of our generation, Jeffrey was just a kid coming to terms with his adoption, trying to understand his sexuality, and determined to escape his dysfunctional household in a poor neighborhood just outside Detroit. We see him find his voice through musical theater and move to New York, where he is determined to shed his past and make a name for himself on Broadway. But moving to the big city is never easy--especially not at the height of the HIV/AIDS crisis--and Jeffrey learns to survive and thrive in the colorful and cutthroat world of commercial theatre. From his early days as an office assistant, to meeting Jonathan Larson and experiencing the triumph and tragedy of Rent, to working with Lin-Manuel Miranda on In the Heights and Hamilton, Jeffrey completely pulls back the curtain on the joyous and gut-wrenching process of makingnew musicals, finding new audiences, and winning a Tony Award--all the while finding himself"--

“Invites comparison with Crane’s Red Badge of Courage . . . Ithink this is an even better book.”—The New York Times When you read this novel about April 19, 1775, you will see the British redcoats marching in a solid column through your town. Your hands will be sweating and you will shake a little as you grip your musket because never have you shot with the aim of killing a man. But you will shoot, and shoot again and again while your shoulder aches from your musket’s kick and the tight, disciplined red column bleeds and wavers and breaks and you begin to shout at the top of your lungs because you are there, at the birth of freedom—you're a veteran of the Battle of Lexington, and you’ve helped whip the King’s best soldiers...

"Joe King Oliver is at a crossroads: with his grandmother on death's door, he tasked with tracking down his estranged father, a man he discovers has been out of prison for more than a decade. He also seeks to protect another family, a mysterious woman and her young daughter on the run from an abusive billionaire who'll stop at nothing to retrieve them. Heartfelt, pulse-pounding, and undeniably sexy, Been Wrong So Long It Feels Like Right shows Walter Mosley at his very best"-- Provided by publisher.

Joe and Joan Castleman are en route to Helsinki. Joe is thinking about the prestigious literary prize he will receive and Joan is plotting how to leave him. For too long Joan has played the role of supportive wife, turning a blind eye to his misdemeanours, subjugating her own talents and quietly being the keystone of his success...This is an acerbic and astonishing take on a marriage and the truth that behind the compromises, dedication and promise inherent in marriage there so often lies a secret.

"For the last decade, as she's spent countless hours in doctor's waiting rooms searching for diagnoses, treatments, and relief, being the owner and operator of Lena Dunham's body has felt, as she puts it, 'like towing a wrecked car across town at midnight.' It's not easy dragging a wrecked car anywhere, much less to the Met Gala while sewn into a gold lamé corset. Or to the set of the hit show that you--as a twenty-five-year-old--are writing, directing, producing, and starring in. Or to the White House, the Golden Globes, or your publicist's office to discuss the latest Internet disaster. But Dunham does it--even if it means interminable hospital stays, vomiting in the bathroom when she's meant to be meeting Oprah, or terrifying those closest to her--because she can no longer tell the difference between fighting to do what she loves and being a servant to her own ambition. All the while, she is holding out for a love that can withstand her personal and public challenges and, more than anything, yearning to feel like herself again--if only she could remember who that self was. As Dunham takes us through her journey, tracking her rise to fame--from selling the pilot of Girls to the present--in three acts, it becomes clear that the spotlight casts long shadows, distorting the relationships she once held dear and isolating everyone in its glare. When an endless supply of drugs can't protect you from pain--and begins to control your every move--being famous doesn't stand a chance against the darker corners of the human experience. In Famesick, Dunham asks herself what the cost of fulfilling her dreams has really been, and whether it was worth it. What she finds is deeper than physical relief, and more lasting, as she learns to live with what she can't change and turn her regrets into wisdom that can carry her forward, as she reconnects to what, and who, she loves."--

"Show Boat" stands as one of the most significant and influential works in the history of American musical theater. Born from the collaboration between legendary composer Jerome Kern, lyricist Oscar Hammerstein II, and novelist Edna Ferber, this masterpiece revolutionized the stage by integrating a serious, complex narrative with a sophisticated musical score. Set against the sweeping backdrop of the Mississippi River from the 1880s through the 1920s, the story follows the lives of the performers, stagehands, and dockworkers aboard the 'Cotton Blossom' floating palace. This powerful drama explores enduring themes of racial prejudice, tragic romance, and the evolving landscape of American society. Through iconic compositions such as "Ol' Man River," "Can't Help Lovin' Dat Man," and "Make Believe," "Show Boat" captures the soul of a nation in transition. The work broke new ground by addressing social injustice and systemic inequality with a depth previously unseen in musical comedy, forever changing the trajectory of the Broadway stage. As a cornerstone of the American canon, "Show Boat" remains a poignant and musically rich exploration of love and hardship along the Great River. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you may see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Twelve-year-old Evie travels to Berlin for the 1936 Olympics where she witnesses Hitler's terror on the German people and plans to steal from a Nazi bank with two fellow Olympic athletes.

Jordanna Levitt, the wild daughter of a Hollywood producer; Bobby Rush, the actor son of a screen legend; and their friends live in high style, until a murder brings tough detective Michael Scorsinni into town.

What should Carly Beth be for Halloween this year? Terrified! Late at night, and ugly green mask is mysteriously calling out to her. If Carly Beth survives the night, even a scary theme park might sound like a vacation. Or maybe not! At Horrorland, every night is Halloween. And those monster masks? They aren't masks at all.

On an island where the dead once walked, seven noble houses fell to a conqueror's blade, their necromancy lost. Only the House of Teeth survives: heiress Marozia and her silent cousin Agnes, keeper of dark secrets. To reclaim their magic and avenge their family, Agnes must betray her heart - but love may doom them all.

A kaleidoscopic portrait of a modern American family—steadfast, complicated, begrudging, and loving—from the bestselling author of Isola Was this just a brief skirmish, or the beginning of a thirty-year feud? In the Rubinstein family, it could go either way. When their beloved sister passes away, Sylvia and Helen Rubinstein are unmoored. A misunderstanding about apple cake turns into a decade of stubborn silence. Busy with their own lives—divorces, dating, career setbacks, college applications, bat mitzvahs and ballet recitals—their children do not want to get involved. As for their grandchildren? Impossible. With This Is Not About Us, master storyteller Allegra Goodman—whose prior collection was heralded as “one of the most astute and engaging books about American family life” ( The Boston Globe )—returns to the form and subject that endeared her to legions of readers. Sharply observed and laced with humor, This Is Not About Us is a story of growing up and growing old, the weight of parental expectations, and the complex connection between sisters—a big-hearted book about the love that binds a family across generations.