Considering such witnesses of the time as Shakespeare, Dante, Petrarch, Michelangelo, Machiavelli, Montaigne, More and Bacon, Agnes Heller looks at both the concept and the image of a Renaissance man. The concept was generalised and accepted by all; its characteristic features were man as a dynamic being, creating and re-creating himself throughout his life. The images of man, however, were very different, having been formed through the ideas and imagination of artists, politicians, philosophers, scientists and theologians and viewed from the different aspects of work, love, fate, death, friendship, devotion and the concepts of space and time. Renaissance Man thus stood as both as a leading protagonist of his time, one who led and formulated the substantial attitudes of his time, and as one who stood as a witness on the sidelines of the discussion. This book, first published in English in 1978, is based on the diverse but equally important sources of autobiographies, works of art and literature, and the writings of philosophers. Although she uses Florence as a starting point, Agnes Heller points out that the Renaissance was a social and cultural phenomenon common to all of Western Europe; her Renaissance Man is thus a figure to be found throughout Europe.

In modern China, literature has been regarded as a vehicle of political and idea logical dissent, a concept that has persisted under communism. This study exhaustively analyzes the conflict between the Chinese Communist party and the intellectuals, particularly the writers, in the crucial decades of the 1940's and 1950's. By singling out individual writers as egregious examples, party leaders, through a series of thought-control campaigns, have tried to mold intellectuals along orthodox doctrinal lines. But these same leaders, holding to the paradoxical conviction that personal initiative and creativity are necessary catalysts in the effort to construct a Communist state, have not wanted to stifle these qualities altogether. The result has been a pattern of permissiveness and pressure, as illustrated by the ill-fated "Hundred Flowers" movement and the subsequent return to a policy of harsh regimentation. In depicting the views, feelings, frustrations, and tragic fates of many individual intellectuals in the confrontation with an oppressive party bureaucracy, the author reveals, in an unprecedented way, the nature of the authoritarian society that has evolved in Communist China. Her study convincingly demonstrates that totalitarian rule has not guaranteed the subservience of the Chinese intelligentsia and, even more important, that the alienated, critical intellectual remains a significant and vital force.

Hitler's Professors is a book written by Max Weinreich that explores the role of scholarship and academia in the atrocities committed against the Jewish people during the Nazi regime in Germany. The book examines the complicity of German professors and intellectuals in the promotion and justification of Nazi ideology and the persecution of Jews, as well as the impact of their teachings on the broader society. Weinreich explores the ways in which these academics used their positions of power to legitimize anti-Semitic beliefs, and how their work contributed to the dehumanization and ultimate genocide of millions of innocent people. The book provides a detailed analysis of the historical and cultural context in which these events took place, drawing on primary sources and interviews with survivors and witnesses. It is a powerful and sobering account of the role that scholarship can play in perpetuating injustice and oppression, and a reminder of the importance of critical thinking and ethical responsibility in the pursuit of knowledge.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

Is heterosexual sex inherently damaging to women? Is it possible for women to enjoy sensuality and pleasure with men that does not increase male power? Lynne Segal's unflinching examination of feminist thinking on sexuality over the past twenty-five years tackles these questions head on. Straightforward and challenging, she invites an exploration of sex in our culture--an exploration that could reverse the traditional male gaze and phallic construction of the heterosexual woman.Only two decades ago, politically aware women often declared themselves both sexual liberationists and feminists--their right to sexual fulfillment symbolized their right to selfhood. However, the most positive women's writing on female sexuality in recent years has come primarily from the lesbian community. Segal addresses the silence of heterosexual feminists on questions of sex and love and notes the shift toward sexual conservatism. She looks at the trends that followed Sixties sex as a subversive activity, the "liberated orgasm," sex advice literature, gender uncertainties, Queer politics, antipornography campaigns, the rise of the moral right.The hidden anxieties of male sexuality are also discussed. For both men and women, says Segal, our wildest dreams and worst fears are often projected onto sex. She urges an understanding of how our personal pleasures and pains remain public issues, and how a rethinking of sexual liberation could inspire a truly progressive politics for our time."It is always another whom we try to reach when we experience desire, it is their physical contact we want--sometimes, any sort of contact will suffice . . . and by whom we yearn to feel ourselves desired. It is the very greatest of joys, as I experience it . . . simply to know that we are able to desire, maybe even able to love, some other human adult." --from the book

Influential assassination researcher Harold Weisberg revolves the third installment in his Whitewash series around the photographic evidence available to government officials investigating the death of John F. Kennedy. Given the materials and photographs available to the Warren Commission, Weisberg shows that in numerous cases the government either ignored the evidence it had in front of it or intentionally misrepresented evidence. Using the photographs themselves to show the inadequacies of the government’s research techniques, as well as the impossible conclusions at which the government arrived, Weisberg’s most damning argument is that the government twisted the evidence to make it fit preconceived theories and explanations for the assassination of the president. In the years since its original publication in 1974, the books in Weisberg’s Whitewash series have become classics of assassination literature and have established the author as one of the premier investigators and researchers in his field. Decades later, the shocking revelations painstakingly detailed in his work have lost none of their impact, and the information uncovered beneath the government’s whitewash is crucial to understanding the assassination of John F. Kennedy.

Almost everything you know about heroin addiction is wrong. Not only is it wrong, but it is obviously wrong. Heroin is not highly addictive; withdrawal from it is not medically serious; addicts do not become criminals to feed their habit; addicts do not need any medical assistance to stop taking heroin; and contrary to received wisdom, heroin addiction most certainly IS a moral or spiritual problem. Based on his experience as a prison doctor and as a psychiatrist in a large general hospital in Birmingham, Dr. Dalrymple argues that addiction to heroin is not an illness at all, and that doctors only make it worse. They deceive both the addicts and themselves by pretending that they have something to offer. In this brilliant, entertaining and provocative book, Theodore Dalrymple explains how and why a literary tradition dating back to De Quincey and Coleridge, and continuing up to the deeply sociopathic William Burroughs and beyond, has misled all Western societies for generations about the nature of heroin addiction. These writers' self-dramatizing and dishonest accounts of their own addiction have been accepted uncritically, and have been more influential by far in forming public attitudes than the whole of pharmacological science. As a result, a self-serving, self-perpetuating and completely useless medical bureaucracy has been set up to deal with the problem. With scathing wit, implacable logic and savage denunciation, Dr. Dalrymple exposes the mythology surrounding heroin addiction. Moving seamlessly between literature, pharmacology, history and philosophy, he demonstrates what happens when the nature of a social problem is so thoroughly misunderstood, and when human beings are regarded as inanimate objects rather than as agents of their own destiny. His scintillating, iconoclastic little book has an importance far beyond its immediate subject matter.

This book has been considered by academicians and scholars of great significance and value to literature. This forms a part of the knowledge base for future generations. So that the book is never forgotten we have represented this book in a print format as the same form as it was originally first published. Hence any marks or annotations seen are left intentionally to preserve its true nature.

From the Booker-shortlisted author of Umbrella , a world-girdling collection of writings inspired by a life lived in and for literature From one of the most unusual and distinctive writers working today, dubbed "the most daring and delightful novelist of his generation" by the Guardian , Will Self's Why Read is a cornucopia of thoughtful and brilliantly witty essays on writing and literature. Self takes us with him: from the foibles of his typewriter repairman to the irradiated exclusion zone of Chernobyl, to the Australian outback, and to literary forms past and future. With his characteristic intellectual brio, Self aims his inimitable eye at titans of literature like Woolf, Kafka, Orwell, and Conrad. He writes movingly on W.G. Sebald's childhood in Germany and provocatively describes the elevation of William S. Burroughs's Junky from shocking pulp novel to beloved cult classic. Self also expands on his regular column in Literary Hub to ask readers, how, what, and ultimately why we should read in an ever-changing world. Whether he is writing on the rise of the bookshelf as an item of furniture in the nineteenth century or on the impossibility of Googling his own name in a world lived online, Self's trademark intoxicating prose and mordant, energetic humor infuse every piece. A book that examines how the human stream of consciousness flows into and out of literature, Why Read will satisfy both old and new readers of this icon of contemporary literature.

The Production And Distribution Of Knowledge In The United States is a comprehensive book written by Fritz Machlup that explores the ways in which knowledge is produced and disseminated in the United States. The book covers a wide range of topics related to knowledge production and distribution, including the role of universities, scientific research, and intellectual property rights. Machlup also examines the impact of technology on knowledge production and distribution, as well as the ways in which knowledge is used in various sectors of the economy. The book provides a detailed analysis of the complex processes involved in the creation and dissemination of knowledge, and offers insights into the challenges and opportunities facing knowledge-based industries in the United States. Overall, The Production And Distribution Of Knowledge In The United States is a valuable resource for anyone interested in understanding the dynamics of knowledge production and distribution in modern society.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

A World More Attractive: A View of Modern Literature and Politics is a non-fiction book written by Irving Howe. The book provides an insightful and thought-provoking analysis of the intersection of literature and politics in the modern world. Howe explores the ways in which literature reflects and shapes our political beliefs and values, and how political ideologies can influence the literary works of authors.The book is divided into three parts. The first part examines the role of literature in shaping our understanding of the world, and how literature can be used to challenge or reinforce political ideologies. The second part delves into the political themes and messages in modern literature, focusing on the works of authors such as George Orwell, James Baldwin, and Saul Bellow. The third part explores the relationship between literature and political activism, and how literature can inspire social change.Throughout the book, Howe draws on his vast knowledge of literature and politics to provide insightful commentary and analysis. He offers a nuanced and complex view of the relationship between literature and politics, highlighting the ways in which they are interconnected and influence one another. The book is written in a clear and engaging style, making it accessible to both academic and general readers.Overall, A World More Attractive is a must-read for anyone interested in the intersection of literature and politics. It offers a fascinating and insightful exploration of this complex and important topic, and is sure to spark lively debate and discussion.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

This revised edition places Ancient Greek oral literatures into a conversation with Maori oral literature.

""Open Every Door"" by Zelda Popkin is a novel about a young girl named Sarah who grows up in a small town in the early 1900s. Despite her humble beginnings, Sarah is determined to make something of herself and escape the limitations of her small town. She dreams of becoming a writer and attending college, but her family and community hold her back with their traditional values and expectations.As Sarah navigates the challenges of growing up and pursuing her dreams, she also grapples with issues of identity and belonging. She feels torn between her desire to fit in and be accepted by her community, and her need to be true to herself and follow her own path.Throughout the novel, Sarah encounters a variety of characters who help shape her journey, including a supportive teacher, a rebellious friend, and a mysterious stranger who offers her a glimpse of a different world. As she learns to navigate these relationships and find her own voice, Sarah discovers that the key to unlocking her potential is to open every door and embrace every opportunity that comes her way.""Open Every Door"" is a coming-of-age story that explores themes of identity, ambition, and the power of perseverance. It is a poignant and inspiring tale that will resonate with readers of all ages and backgrounds.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

In this important study Ernst Cassirer analyzes the non-rational thought processes that go to make up culture. He demonstrates that beneath both language and myth there lies an unconscious "grammar" of experience, whose categories and canons are not those of logical thought. He shows that this prelogical "logic" is not merely an undeveloped state of rationality, but something basically different, and that this archaic mode of thought still has enormous power over even our most rigorous thought, in language, poetry and myth. The author analyzes brilliantly such seemingly diverse (yet related) phenomena as the metaphysics of the Bhagavat Gita, the Melanesian concept of Mana, the Naturphilosophie of Schelling, modern poetry, Ancient Egyptian religion, and symbolic logic. He covers a vast range of material that is all too often neglected in studies of human thought. These six essays are of great interest to the student of philosophy or the philosophy of science, the historian, or the anthropologist. They are also remarkably timely for students of literature, what with the enormous emphasis placed upon "myth" in modern literary speculation. This book is not superficial speculation by a dabbler, but a penetrating study by one of the most profound and sensitive philosophic minds of our time.

In this stimulating study, the author explores how Conrad, T.S.Eliot, Woolf, Joyce, Faulkner, Hemingway, Huxley and others responded to the immediate challenges of their time, to the implications of Freudian psychology, molecular theory, relativist theory, and the general weakening of religious faith. Assuming that artists and writers, in coping with those problems, would develop techniques in many ways comparable, even where there was no direct contact, he positions Modernist literature within the context of contemporary painting, architecture and sculpture, thereby providing some fascinating insights into the nature of the literary works themselves.

True Love Waits brings together fifteen years of Kaminer's best writings from publications including The Village Voice, The New York Times, Mirabella, and The Atlantic - thoughtful, acerbic, and prescient essays that have helped us understand ourselves. Though her topics range from popular culture to politics and law, and her thinking has evolved over the years, her concerns have remained constant. This is no accidental collection but a cohesive set of reflections on fundamental themes - self-reliance, justice, sex, and civil liberty. First and foremost, Wendy Kaminer is concerned with feminism, a diverse and conflictual movement that includes among its adherents women who oppose pornography and women who consume it, women who want to integrate the military and women who'd like to dismantle it. A longtime proponent of equality feminism, Kaminer has been surveying the feminist landscape for over a decade, mapping its contradictory ideologies. She was also a critic of popular celebrations of victimhood long before criticism of victimism became fashionable, and Kaminer turns from questions of personal responsibility raised by the feminist movement to questions of accountability in the criminal courts. A onetime practicing attorney, her early writing on our confusion about crime, punishment, and retribution and the balancing of social injustice with the demands of criminal justice seems practically clairvoyant today. She examines the equation of the personal and the political, in the courts, the feminist movement, and the culture at large and finds a tendency to trivialize the political and inflate the personal to sometimes ridiculous proportions. And, of course, she trains her eye on thepersonal development tradition, the subject of her celebrated I'm Dysfunctional, You're Dysfunctional, offering trenchant analyses of self-help literature, popular therapeutic culture, and politics.

Psychosexual Functions In Women: Studies In Psychosomatic Medicine Of The Institute For Psychoanalysis is a comprehensive book written by Therese Friedmann Benedek. The book explores the psychosexual functions of women and provides an in-depth analysis of the psychosomatic medicine of the Institute for Psychoanalysis. Benedek delves into the complex nature of female sexuality and how it is affected by various psychological and physical factors. She discusses the role of the unconscious in shaping sexual desires and behaviors, as well as the impact of childhood experiences and cultural influences on sexual development. The book also covers topics such as sexual dysfunction, sexual trauma, and the relationship between sexuality and mental health. Benedek draws on her extensive experience as a psychoanalyst to provide insights into the challenges faced by women in their sexual lives and offers practical advice for overcoming these challenges. Overall, Psychosexual Functions In Women is a valuable resource for anyone interested in the psychology of female sexuality and the role of psychoanalysis in understanding and treating sexual issues. It is written in a clear and accessible style, making it suitable for both professionals and lay readers alike.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

This subtle, unusual book explores the many, often overlapping ways in which the Russian Jewish past has been remembered in history, in literature, and in popular culture. Drawing on a wide range of sources?including novels, plays, and archival material? Imagining Russian Jewry is a reflection on reading, collective memory, and the often uneasy, and also uncomfortably intimate, relationships that exist between seemingly incompatible ways of seeing the past. The book also explores what it means to produce scholarship on topics that are deeply personal: its anxieties, its evasions, and its pleasures. Zipperstein, a leading expert in modern Jewish history, explores the imprint left by the Russian Jewish past on American Jews starting from the turn of the twentieth century, considering literature ranging from immigrant novels to Fiddler on the Roof . In Russia, he finds nostalgia in turn-of-the-century East European Jewry itself, in novels contrasting Jewish life in acculturated Odessa with the more traditional shtetls. The book closes with a provocative call for a greater awareness regarding how the Holocaust has influenced scholarship produced since the Shoah.

""The History of Miners' Diseases: A Medical and Social Interpretation"" by George Rosen is a comprehensive exploration of the health hazards and illnesses that miners have faced throughout history. The book delves into the medical and social aspects of these diseases, examining how they have been caused and how they have impacted the lives of miners and their families.Rosen begins by discussing the various types of mining, from coal to gold, and how each type of mining has its own unique set of hazards. He then goes on to explore the diseases that miners have faced over the centuries, including lung diseases like silicosis and black lung, as well as other illnesses like lead poisoning and tuberculosis.Throughout the book, Rosen examines the social and economic factors that have contributed to the spread of these diseases, including poor working conditions, inadequate safety measures, and the lack of access to medical care. He also discusses the efforts that have been made over the years to improve the health and safety of miners, from the introduction of safety regulations to the development of new medical treatments.Overall, ""The History of Miners' Diseases: A Medical and Social Interpretation"" provides a fascinating and informative look at the challenges that miners have faced throughout history. It is a must-read for anyone interested in the history of mining, public health, and social justice.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

David Biespiel's long poetic lines crackle with rhythmic energy and a jazzy, bittersweet richness of language. Rolling out across the page like darkly luminous highways, his innovative, nine-line "American sonnets" promise adventure, offering a variant on the sonnet form that is both lyric and dramatic and bringing his masterful formal inventiveness to free verse. "I've come to imagine the nine-line sonnet to be like one of those classic Thunderbirds," says Biespiel, "something distinctly American: wide, roomy, and with a robust engine." The vastly varied voices within the poems are united by a wonderfully limber diction. Using with revelatory precision the vocabularies of history, science, art, sport, philosophy, religion, literature, government, and domestic life, Biespiel has crafted a hip, melodic, elastic language that travels the registers of expression: lush and coarse, gaudy and austere, pliant and rigidly tough. The civility of the poems is the form; the wildness is the bristling energy of the language. Passionate, resilient, rich with wit and word play, these poems affirm David Biespiel's increasing stature as a poet of remarkable accomplishment and promise. David Biespiel teaches English at Oregon State University and is Writer in Residence at The Attic in Portland, Oregon. His honors include a Stegner Fellowship in Poetry and the National Endowment for the Arts Fellowship in Literature. He is the author of Shattering Air. "Like microprocessors, the poems in Wild Civility deliver an almost incalculable amount of information instantaneously. As a result, they demonstrate the pure and powerful recombinant energy of language that is the essence of lyric poetry." - Michael Collier, Bread Loaf Writers' Conference "Wild in its imaginative thrust, civil in its formal command, this glowing new sequence represents David Biespiel's best poetry to date." - Stanley Plumly

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.