""The Face of Violence"" is a thought-provoking essay by the renowned scientist and philosopher Jacob Bronowski, exploring the nature of violence and its impact on society. The essay is accompanied by a play, also written by Bronowski, that delves deeper into the themes discussed in the essay. The play tells the story of a man who becomes increasingly violent as he struggles to cope with the pressures of modern life. Through the essay and the play, Bronowski challenges readers to consider the root causes of violence and to reflect on how we can work towards a more peaceful and just society. This book is a must-read for anyone interested in the complex issues surrounding violence and its effects on individuals and society as a whole.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

"One of the main theses of the Marienthal study was that prolonged unemployment leads to a state of apathy in which the victims do not utilize any longer even the few opportunities left to them. The vicious cycle between reduced opportunities and reduced level of aspiration has remained the focus of all subsequent discussions." So begin the opening remarks to the English-language edition of what has become a major classic in the literature of social stratification.

"A rich collection that I will use in teaching graduates and undergraduates about the weave of ethnography, narrative, the women's movement, and feminism. Crafted by an impressive range of scholars, the essays are empirically rich and theoretically cogent. But most important, they engage the complexities of multicultural, feminist, and multinational ethnographies and the stories that matter to politics, scholarship, and lives. With an ear for the tones of race and gender, this book answers the political, generic, and theoretical challenge of Writing Culture with layered essays that rewrite an important range of cultural conversations."—Donna Haraway, author of Professor , History of Consciousness Board, UCSC "Since the advent of the 'post-modern' in ethnography, we have been much in need of a marvelous volume such as this, placing 'woman' at the center of the debate. Women Writing Culture will prove as stimulating for our time as its great predecessor, Women, Culture and Society was for the 1970s."—Jose E. Limon, University of Texas "A groundbreaking book—provocative, illuminating, imaginative—and it is a pleasure to read. A trenchant yet always generous feminist critique of the masculinist bias in the theoretical canon of anthropological texts, it expansively and imaginatively maps the future directions of a feminist anthropology. In moving and courageous acts of reconstruction, the writers in this volume boldly cross disciplinary and generic lines, reading fiction as anthropology, writing theater as ethnography, getting personal, radically reconceiving the relationship of self and other and, thereby, the field itself. Feminist scholars of all disciplines will find here enabling textual and conceptual strategies as well as memorable voices and powerful stories."—Marianne Hirsch, Dartmouth College, author of The Mother-Daughter Plot

In this book, Barney explores her family tree, chronicles her friendships and associations through reprinted correspondence and recreated conversations, and evokes the golden age of her salon in gallery of literary portraits.

The Black Diaspora tells the enthralling story of African-descended people outside Africa, spanning more than five centuries and a dozen countries of settlement, from Britain, Canada, and the United States to Haiti, Guyana, and Brazil. Ronald Segal's account begins in Africa itself, with the cultures and societies flourishing there before the arrival of the Atlantic slave trade, which transported over ten million people to the Americas, after killing at least as many in their procurement and passage. He examines the extent of the profits made through the trade by merchants, manufacturers, investors, and planters, along with the racist ideology that developed as whites strove to rationalize an enormous economic dependence. Segal describes the various ways in which the system of slavery developed and provides the most comprehensive account to date of the resistance by the slaves themselves, from escape and arson to guerrilla warfare and revolution. When emancipation finally came, the former slaves were left in the fetters of poverty and discrimination. Segal details the course of the struggle against colonial rule and the racial oppressions of self-styled democracies. In recounting his own travels through the Diaspora, he shows the continuing plight of peoples confined by the consequences of the past and the prejudices of the present: racked by violence, as in Jamaica and the ghettos of America; denied the right to assert their sense of identity, as in Cuba; acknowledged only to be repudiated, as in Brazil. Yet this is also, Segal reveals, a Diaspora of wondrous achievement. It has immeasurably enriched world culture in music, language and literature, painting, sculpture and architecture; has done much to make sports a form of art; and has invested Western culture with the ecological reverence derived from its African source. Segal argues that the black Diaspora has a unique destiny, infused by the love of freedom that is its creative impulse.

This book provides the first dedicated study of the Evian Conference of July 1938, an international initiative called by U.S. President Franklin D. Roosevelt. While on the surface the conference appeared as an attempt to alleviate the distress faced by Jews being forced out of Germany and Austria, in reality it only served to demonstrate that the nations of the world were not willing to accept Jews as refugees. Since the Holocaust, a generally-held assumption has been that the Evian Conference represented a lost opportunity to save Germany’s Jews, and that the conference failed to rescue the Jews of Europe. In this study, Paul Bartrop argues that in fact it did not fail when measured against the original reasons for which it was called. Exposing many of the myths surrounding the meeting, this work addresses a glaring lacuna in the literature of the Holocaust, and places the so-called 'failure' of the Evian Conference into its proper context.

It is the story of Jozsef Sondor, a tough, irreverently witty Jewish boy growing up in World War II Hungary. Jozsef carries the reader into the whirl of everyday life in war-torn Budapest, from the eve of the Holocaust in Hungary to the Russian liberation in 1945. Through his eyes, we witness history, or, as he sees it, the adult world gone mad. What is this "Jewish problem", he asks. And what can God be thinking of? Jozsef soon finds that his questions have no simple answers, but they do lead him on a journey to understanding the war, politics, religion, and, in the end, the complexity of human nature.

A genre-defying account of confinement and its literary echoes through history. As the pandemic sweeps through Paris in March 2020, the writer HC faces a choice: stay in Paris or flee to the countryside? The weight of historical responses bears down on her--those of her ancestors and Jewish writers during moments of persecution. Still uncertain, she flees to the country at the last moment, with her cats and her daughter, with her diaries and notebooks. What will she do here? Write? What will she write about? Can she write about the experience of being confined? She will write about her cats; every day she will observe their lives and take notes about how they cope with being housebound, and later, in the spring, with the outdoors. Thucydides, Defoe, Camus, Kafka--she will compare her experiences with those of others who have been confined by malady or persecution. She will write of her mother, who fled impending disaster on many occasions and always kept a suitcase ready. She too will endure. The important thing is to have a good death, surrounded by those she loves, not locked down in a hospital.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

"An important, provocative and original work, of great interest to Indian scholars, historians of religions, psychologists and historians of ideas, but accessible also to the cultivated reader. Even if one does not always agree with the author's interpretation, one cannot but admire her vast and precise learning, her splendid translations and exegesis of so many, and so different, Sanskrit texts, and her uninhibited, brilliant, and witty prose."—Mircea Eliade, University of Chicago "This is . . . a book which is as rich in detail as the carvings of the great Hindu temples. It shares with them a delight in the interplay of myth and mundane experience, and above all an empathy with the Hindu preoccupation with the meaning of human existence in all its complexity."—G. M. Carstairs, Times Literary Supplement

In this lively and intellectually engaging book, Galit Hasan-Rokem shows that religion is shaped not only in the halls of theological disputation and institutions of divine study, but also in ordinary events of everyday life. Common aspects of human relations offer a major source for the symbols of religious texts and rituals of late antique Judaism as well as its partner in narrative dialogues, early Christianity, Hasan-Rokem argues. Focusing on the "neighborhood" of the Galilee that is the birthplace of many major religious and cultural developments, this book brings to life the riddles, parables, and folktales passed down in Rabbinic stories from the first half of the first millennium of the Common Era.

This book is the first to directly address the question of how to bridge what has been termed the ""great divide"" between the approaches of systems developers and those of social scientists to computer supported cooperative work--a question that has been vigorously debated in the systems development literature. Traditionally, developers have been trained in formal methods and oriented to engineering and formal theoretical problems; many social scientists in the CSCW field come from humanistic traditions in which results are reported in a narrative mode. In spite of their differences in style,

"Translations of selected poetry concerning Jerusalem, for the 1930s to the present, with an introduction and notes"-- Provided by publisher.

This seminal work in several fields—person-centered anthropology, comparative psychology, and social history—documents the inner life of the Tahitians with sensitivity and insight. At the same time Levy reveals the ways in which private and public worlds interact. Tahitians is an ethnography focused on private but culturally organized behavior resulting in a wealth of material for the understanding of the interaction among historical, cultural, and personal spheres. "This is a unique addition to anthropological literature. . . . No review could substitute for reading it."—Margaret Mead, American Anthropologist

How the negotiation between poetic and media discourses takes place is the subject of Marjorie Perloff's groundbreaking study. Radical Artifice considers what happens when the "natural speech" model inherited from the great Modernist poets comes up against the "natural speech" of the Donahue "talk show," or again, how visual poetics and verse forms are responding to the languages of billboards and sound bytes. Among the many poets whose works are discussed are John Ashbery, George Oppen, Susan Howe, Clark Coolidge, Lyn Hejinian, Leslie Scalapino, Charles Bernstein, Johanna Drucker, and Steve McCaffery. But the strongest presence in Perloff's book is John Cage, a "poet" better known as a composer, a philosopher, a printmaker, and one who understood, almost half a century ago, that from now on no word, musical note, painted surface, or theoretical statement could ever again escape "contamination" from the media landscape in which we live. It is under his sign that Radical Artifice was composed.

Contemporary writings illuminating the struggles and achievements of African Americans since the seventeenth century are presented with brief historical notes

A provocative collection of essays by one of the foremost thinkers of second-wave feminism In a career spanning four decades, Alix Kates Shulman has written on issues ranging from marriage, sex, and divorce to religious identity, age, and family devotion. Throughout her diverse body of work runs a staunch advocacy of equal rights and social justice. Beginning with her provocative essay "A Marriage Agreement," written in 1969, and continuing through to the heartrending "Caring for an Ill Spouse, and Other Caregivers," written in 2011, this collection provides a window into the social movements that defined an era. Witty, stirring, and poignant, A Marriage Agreement and Other Essays illustrates how each generation, in Shulman's words, "can do no more than add its bit to the endless river of consciousness and change."

Ivan Jablonka's History Is a Contemporary Literature offers highly innovative perspectives on the writing of history, the relationship between literature and the social sciences, and the way that both social-scientific inquiry and literary explorations contribute to our understanding of the world. Jablonka argues that the act and art of writing, far from being an afterthought in the social sciences, should play a vital role in the production of knowledge in all stages of the researcher's work and embody or even constitute the understanding obtained. History (along with sociology and anthropology) can, he contends, achieve both greater rigor and wider audiences by creating a literary experience through a broad spectrum of narrative modes. Challenging scholars to adopt investigative, testimonial, and other experimental writing techniques as a way of creating and sharing knowledge, Jablonka envisions a social science literature that will inspire readers to become actively engaged in understanding their own pasts and to relate their histories to the present day. Lamenting the specialization that has isolated the academy from the rest of society, History Is a Contemporary Literature aims to bring imagination and audacity into the practice of scholarship, drawing on the techniques of literature to strengthen the methods of the social sciences.