A treasury of Yiddish literature features stories that represent Jewish traditions, culture, and history in a volume that includes works from the earliest literary periods through the present-day writings of I.B. Singer

This definitive anthology gathers stories, essays, memoirs, excerpts from novels, and poems by more than 130 Jewish writers of the past two centuries who worked in the Russian language. It features writers of the tsarist, Soviet, and post-Soviet periods, both in Russia and in the great emigrations, representing styles and artistic movements from Romantic to Postmodern. The authors include figures who are not widely known today, as well as writers of world renown. Most of the works appear here for the first time in English or in new translations. The editor of the anthology, Maxim D. Shrayer of Boston College, is a leading authority on Jewish-Russian literature. The selections were chosen not simply on the basis of the author's background, but because each work illuminates questions of Jewish history, status, and identity. Each author is profiled in an essay describing the personal, cultural, and historical circumstances in which the writer worked, and individual works or groups of works are headnoted to provide further context. The anthology not only showcases a wide selection of individual works but also offers an encyclopedic history of Jewish-Russian culture. This handsome two-volume set is organized chronologically. The first volume spans the nineteenth century and the first part of the twentieth century, and includes the editor's extensive introduction to the Jewish-Russian literary canon. The second volume covers the period from the death of Stalin to the present, and each volume includes a corresponding survey of Jewish-Russian history by John D. Klier of University College, London, as well as detailed bibliographies of historical and literary sources.

Recorded in sacred Sanskrit texts, including the Rig Veda and the Mahabharata , Hindu Myths are thought to date back as far as the tenth century BCE. Here in these seventy-five seminal myths are the many incarnations of Vishnu, who saves mankind from destruction, and the mischievous child Krishna, alongside stories of the minor gods, demons, rivers and animals including boars, buffalo, serpents and monkeys. Immensely varied and bursting with colour and life, they demonstrate the Hindu belief in the limitless possibilities of the world - from the teeming miracles of creation to the origins of the incarnation of Death who eventually touches them all. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Product Description Originally published in Poland in 1948, and acclaimed as one of the finest postwar Polish novels, Ashes and Diamonds takes place in the spring of 1945, as the nation is in the throes of its transformation to People' Poland. Communists, socialists, and nationalists; thieves and black marketeers; servants and fading aristocrats; veteran terrorists and bands of murderous children bewitched by the lure of crime and adventure--all of these converge on a provincial town's chief hotel, a microcosm of an uprooted world. About the Author Jerzy Andrzejewski (1909-1983) published his first book, Unavoidable Roads, a collection of short stories, in 1936. Two years later he won several prizes, incuding one from the Polish Academy of Literature, for his first novel, Mode of the Heart. Ashes and Diamonds, originally published in 1948, was made into a highly esteemed film and was awarded the International Critics' Prize at the 1959 Venice Film Festival.

"...this definitive anthology of major nineteenth- and twentieth-century fiction, nonfiction and poetry by eighty Jewish-Russian writers explores both timeless themes and specific tribulations of a people's history"--Publisher's info.

Israeli Nobel Laureate S.Y. Agnon's famous masterpiece, his novel Only Yesterday, here appears in English translation for the first time. Published in 1945, the book tells a seemingly simple tale about a man who immigrates to Palestine with the Second Aliya--the several hundred idealists who returned between 1904 and 1914 to work the Hebrew soil as in Biblical times and revive Hebrew culture. Only Yesterday quickly became recognized as a monumental work of world literature, but not only for its vivid historical reconstruction of Israel's founding society. This epic novel also engages the reader in a fascinating network of meanings, contradictions, and paradoxes all leading to the question, what, if anything, controls human existence? Seduced by Zionist slogans, young Isaac Kumer imagines the Land of Israel filled with the financial, social, and erotic opportunities that were denied him, the son of an impoverished shopkeeper, in Poland. Once there, he cannot find the agricultural work he anticipated. Instead Isaac happens upon house-painting jobs as he moves from secular, Zionist Jaffa, where the ideological fervor and sexual freedom are alien to him, to ultra-orthodox, anti-Zionist Jerusalem. While some of his Zionist friends turn capitalist, becoming successful merchants, his own life remains adrift and impoverished in a land torn between idealism and practicality, a place that is at once homeland and diaspora. Eventually he marries a religious woman in Jerusalem, after his worldly girlfriend in Jaffa rejects him. Led astray by circumstances, Isaac always ends up in the place opposite of where he wants to be, but why? The text soars to Surrealist-Kafkaesque dimensions when, in a playful mode, Isaac drips paint on a stray dog, writing "Crazy Dog" on his back. Causing panic wherever he roams, the dog takes over the story, until, after enduring persecution for so long without "understanding" why, he really does go mad and bites Isaac. The dog has been interpreted as everything from the embodiment of Exile to a daemonic force, and becomes an unforgettable character in a book about the death of God, the deception of discourse, the power of suppressed eroticism, and the destiny of a people depicted in all its darkness and promise.

"A joyful round of the seasons in the garden of the best-selling novelist, memoirist, and champion putterer with a wheelbarrow. On the perimeter of Israel's Jezreel Valley, with the Carmel Mountains rising up to the west, Meir Shalev has a large garden, "neither neatly organized nor well-kept," as he cheerfully explains. Often covered in mud and scrapes, Shalev cultivates both nomadic plants and "house dwellers," using his own quirky techniques. He extolls the virtues of the lemon tree; rescues a precious variety of purple snapdragon from the Jerusalem-Tel Aviv highway; does battle with a saboteur mole rat. He even gives us his superior private recipe for curing olives. The book will attract gardeners and literary readers alike, with its appreciation for the joy of living, quite literally, on earth, and for our borrowed time on a particular patch of it--enhanced, the author continually reminds us, by our honest, respectful dealings with all manner of beings who inhabit it with us"--

A volume of poetry by 50 writers from antiquity to present. It includes: translations of biblical and rabbinic literature; poems from the medieval period; Sarah Horowitz's intimate lyric poems woven into communal prayers from the early modern period; and contemporary poetry.

Rabbinic texts are often cited in New Testament and Old Testament studies, but hitherto there has been no easy way for a student to grasp the scope and variety of the relevant rabbinic writings. This book introduces the student to the full range of the early rabbinic writings, with a thorough introduction and notes, so that both a bird's eye view of the literature as well as close aquaintance with typical and important texts can be obtained. This will enable the reader to embark on further study with a clearer orientation. The book also aims to correct many mistaken views about rabbinic Judaism arising from outdated conceptions of the relation between Christianity and Judaism.

A novel of ordinary, every day life in Israel during multiple plagues ― deadly flu, economic collapse, apocalyptic weather, and suicide bombings. “It was an exceptional winter.” With understatement, Orly Castel-Bloom draws back the curtain on her disturbing, revelatory novel set in Israel during the Al Aksa intifada. This is a world already regularly interrupted by terrorist ambushes and suicide bombs. And now it is further plagued―by a Saudi flu that is decimating the population, and by weather that brings a ruinous winter after eight years of drought. The economy is shot to pieces. Hail stones as big as dinner plates are falling from the sky. And yet, against this backdrop of monumental affliction, ordinary people are still trying to lead normal lives. Kati Beit-Halahmi, an impoverished cleaner, is snatched up by a community television program and given her full fifteen-minutes-of-fame. Iris Ventura, divorced with three children, is wondering how she can afford both to replace her broken washing machine and have some essential dental work done. And the Israeli president, Reuven Tekoa, travels from hospital to funeral, musing on the state of the nation from the back of his limousine. First published in 2002, Orly Castel-Bloom spins a web of filament-fine connections between her characters. Death or disaster might intrude at any moment, but people still watch game shows on TV, go to the laundromat and train to be beauticians. Holding a mirror up to her country, Castel-Bloom shows us a society in microcosm, struggling for continuity and normalcy in a fractured world. Sardonic, topical and wholly engrossing, this is a novel capturing the maelstrom of contradictions that is life today.

It is set in the summer of 1931, when twenty-year-old Nora Krieger returns to her small-town home in Lithuania from university in Berlin ready to present her new, mature self. Instead, her time at home becomes a period of unrequited love, difficult memories and introspection. Hopeful that her long wallks and intellectual banter with Albert Arin will lead to romance. Nora must abandon the notion when she discovers Arin's affair with his daughter's friend. Determined to come to terms with her relationship with her father, who was driven to madness after being tortured in the First World War, Nora must confront her own fear of losing her sanity. Young, educated and Jewish, she must accept the limits imposed on her by a class-conscious, increasingly anti-Semitic society.

"In the beginning was the pun," Samuel Beckett once wrote. And so it was that Georges Perec brought the good word to his friends and acquaintances on a yearly basis, as an expression of his best wishes for the New Year. Wishes gathers together these ten pamphlets of homophonic wordplay that Perec sent out from 1970 until his death in 1982, printed at his own expense in limited quantities. This paean to the pun consists of a series of short prose pieces, each concluding with a list of the everyday bits of language lying at their root. English proverbs, Latin phrases, the names of musicians, filmmakers, novelists and book titles are all fodder for Perec's homophonic translations: John Coltrane turns into an anecdote about a wanderer with a severe ring around the collar; Antonioni's first movie transforms into a prophecy of a murderous holiday; the phrase "All's well that ends well" becomes a pregnant cow named Alice hailed by a drunk Satan; and Maurice Ravel proves to be a warning against corpses with a predilection for root vegetables. These texts and their marriage of sound to meaning present a challenge to any translation, and bring into stark relief the choices translators are often forced to make. This English edition sidesteps such choices, offering two alternate translations: a traditional one focused on the literal content of Perec's texts, and another focused on their formal phonological play."--Page 4 of cover.

[From the back of the book] “A one minute story by Örkény is an enigmatic something. It is not just short prose, it is a combination of many things, anecdote… short note, found object, tale, joke, parable, a little of everything.” / “Örkeny does not tell it, he comes out and says it. What he writes is philosophy, but it is not abstract. It is witty, but not convivial. Keen, unsparing, brutal – poetic. Wry, elegant, consistent – in short, Hungarian” / “From time to time, the one minute stories resemble post-Auschwitz poems that can’t be written” /// More One Minute Stories / Classic Hungarian Literature in English Language /// This is a great Christian product sourced from BIML- Bible In My Language, the leader in foreign language Bibles and outreach materials from Baltimore, Maryland in the USA. BIML stocks Bibles in more than 600 languages.

Dan Pagis (1930-1986) spent three of his adolescent years in a Nazi camp before arriving in Palestine in 1946. He became one of the most vibrant voices in modern Israeli poetry and is considered a major world poet of his generation. A master scholar of Hebrew literature, Pagis drew fully on classical texts and infused his poetry with a centuries-old mysticism. Yet he also brought an immediacy and colloquialism to Hebrew poetry. In these superbly translated poems, Dan Pagis's voice can be heard celebrating the human spirit.

Aaron Zeitlin was a living cruse of sacred oil saved from the Holocaust. Wracked by guilt and despair for having survived by chance, Aaron Zeitlin, a Yiddish poet of religious intensity, reconfirmed his faith while memorializing Polish Jewry and his lost family. In Poems of the Holocaust and Poems of Faith, Morris Faierstein succeeds in bringing the reader closer to the unique vision and verse of Zeitlin's afflicted existence. He masterfully illuminates the images and allusions, whether Talmudic, kabalistic or hasidic, that inform and enrich the poetry of Aaron Zeitlin. Faierstein chose the texts he translates with esthetic sensibility and brings across their delicate nuances of insight and emotional challenges. This volume throws open a wholly new area of Jewish poetry, a distinct spiritual perspective and a shared human expression of both the faith and grief of someone faced with the obliteration of his home, family and people. Seth L. Wolitz Gale Chair of Jewish Studies Professor of Comparative Literature University of Texas at Austin This edition of Aaron Zeitlin's Poems of the Holocaust and Poems of Faith introduces the English reader to the work of this remarkable author who embodies the broad culture of Polish Jewry that was virtually annihilated during the Holocaust. Morris Faierstein has done an admirable job in rendering Zeitlin's rich poetry into moving and powerful English, supplemented with annotations to the rich palette of mystical, biblical and religious allusions that illuminate Zeitlin's writing. This is a worthy introduction to the works of a prolific author who collaborated with his younger contemporary, Isaac Bashevis Singer. Prof. Robert Moses Shapiro Judaic Studies Department Brooklyn College of the City University of New York

Humor in Early Islam, first published in 1956, is a pioneering study by the versatile and prolific scholar Franz Rosenthal (1914–2003), who (having published an article on mediaeval Arabic blurbs), should have written this text himself. It contains an annotated translation of an Arabic text on a figure who became the subject of many jokes and anecdotes, the greedy and obtuse Ash?ab, a singer who lived in the eighth century but whose literary and fictional life long survived him. The translation is preceded by chapters on the textual sources and on the historical and legendary personalities of Ash?ab; the book ends with a short essay on laughter. Whether or not the jokes will make a modern reader laugh, the book is a valuable source for those seriously interested in a religion or a culture that all too often but unjustly is associated, by outsiders, with an aversion to laughter.

Masterpieces of Hebrew Literature is a true masterpiece of its own--one of the few collections in which readers can find important works of Jewish tradition and culture by such authors as Rashi, Maimonides, Judah Halevi, and Joseph Caro, all in one place. Curt Leviant includes literature that spans many genres, from fiction and poetry to legal, ethical, and midrashic works; from responsa and Biblical commentary to histories and letters. His brief introductions place the works and their authors in historical perspective.

Neusner introduces the reader to selections from all the documents of the Torah and Scripture that define the canon of Judaism in its formative stage.