Winner of the PEN/Faulkner Award for Fiction "A hilarious, richly imagined bear's eye view of love, music, alienation, manhood and humanity…that recalls Pynchon at his most controlled." —Publishers Weekly (starred review) The hero of this sensational debut novel is an alto-sax virtuoso trying to evolve a personal style out of Coltrane and Rollins. He also happens to be a walking, talking, Blake- and Shakespeare-quoting bear whose musical, spiritual, and romantic adventures add up to perhaps the best novel, ursine or human, ever written about jazz.

How is a woman in her thirties, HIV-positive and fresh out of rehab, supposed to find love and work in contemporary, urban America? Emily Carter's critically acclaimed debut traces Glory's journey from her addictions to heroin and alcohol in New York to her rebirth in Minnesota's recovery community. Glory Goes and Gets Some is a streetwise and sardonic look at sex, HIV, addiction, and recovery.

They are two sworn enemies with a single obsession: a woman on the run from them both. Scott Weiss is a private detective. John Foy is a professional killer. The woman is Julie Wyant, a hooker with the face of an angel. Julie spent one night with Foy--a night of psychopathic cruelty that Foy called love. Desperate to get away from him, she vanished without a trace. And Foy wants her back. There's only one man who can find her: Weiss, the best locate operative in the business. She's begged him not to look for her, fearing he'll bring the killer in his wake. But Weiss can't stay away. Now, from a town called Paradise, through a wilderness that feels like hell, Weiss searches for Julie--and the killer follows, waiting for his chance. They are two expert hunters matching move for move--until it ends on Damnation Street.

Heartbreak Hospital is one of the most popular TV soap operas, an endless saga of life and death, love and hatred: to many of its fans, the characters seem much more real than the actors who play them. The character everyone loves to hate is Andrea Harmon, the soap's classic Bitch, played by Sunday Tyler--a ruthless, demanding, manipulative actress who has alienated everyone connected with the show. The only person who has seen Sunday's softer side is Bill Troy of the New York Police Department Movie/TV Unit, who is inevitably drawn into the case when Sunday is murdered, and no one has a satisfactory alibi.

" What do a chamber pot, a famous poet, a family feud, and a long-ago suitor all have in common? In this delicious laugh-out-loud new novel of love and loss, rivalry and reconciliation, treasure and trash, by acclaimed author Mameve Medwed (Mail, The End of an Error), we see what happens when past and present collide. . . ." Elizabeth Barrett Browning might have written about the length and breadth of love, but Abby Randolph has given up on all that, preferring to spend her time between her cluttered "needs work" apartment and the overcrowded antiques mart -- the optimistically named Objects of Desire. Yet Abby can't help but wonder what happened to her earlier passionate self who rejected the path set out for her, dropping out of Harvard and falling headfirst into an ill-fated love affair. . . . Then the "Antiques Roadshow" comes to town, and Abby turns up at the crack of dawn, artifact in hand, standing alongside thousands of Boston's hopefuls. But there, among the carousel horses, pipe sets, potbellied stoves, and bedraggled stuffed animals, it is Abby's rather ordinary -- and squalid -- piece of porcelain that gets the star treatment. Abby is barely able to enjoy her good news, for the moment the show airs, life comes back at her at full force. Everything changes: friendship, finances, family, love affairs, career, her view of others, and the way she sees herself. With this, her fourth novel, Medwed once again returns to Cambridge and, in her "sardonic, funny voice" ("Chicago Tribune"), "homes in on the rarified self-important atmosphere of our Ivy League institutions -- and the reflected snobbishness of the people who serve them" ("New York Times Book Review"). This novel is a gift to anyone who goes to a flea market or watches "Antiques Roadshow," anyone who has ever defied expectations, or, especially, anyone who has never been able to extinguish an old flame.

Tolstoy famously wrote, "Happy families are all alike; every unhappy family is unhappy in its own way." To Tracy Farber, thirty-three, happily single, headed for tenure at a major university, and content to build a life around friends and work, this celebrated maxim is questionable at best. Because if Tolstoy is to be taken at his word, only unhappiness is interesting; happiness must be as placid and unmemorable as a daisy in a field of a thousand daisies. Having decided to reject the petty indignities of dating, Tracy focuses instead on her secret project: to determine whether happiness can be interesting, in literature and in life, or whether it can be--must be--a plant with thorns and gnarled roots. It's an unfashionable proposition, and a potential threat to her job security. But Tracy is her own best example of a happy and interesting life. Little does she know, however, that her best proof will come when she falls for George, who will challenge all of her old assumptions, as love proves to be even more complicated than she had imagined. Can this young feminist scholar, who posits that "a woman's independence is a hothouse flower--improbable, rare, requiring vigilance," find happiness in a way that fulfills both her head and her heart? Love may be the ultimate cliché, but in Rachel Kadish's hands, it is also a morally serious question, deserving of our sober attention as well as our delighted laughter.

Leib Goldkorn, aged musician, first appeared almost a quarter-century ago in The Steinway Quintet. Now Leib has replaced his magic flute with his phallus: it is love, longing, and the quest for sexual fulfillment that must stave off both his own death and the imminent destruction of the Jews. In Ice he rescues the celebrated skater Sonja Henie from Hitler's clutches. In Fire his paramour is Carmen Miranda. And in Water he engages in a South Sea Island intrigue with a famous swimming star of the 1940s. Meanwhile, in the present, Leib seeks consummation with three other inamoratas: Clara, his wife; Hustler model Miss Crystal Knight; and the critic Michiko Kakutani (causing a real-life literary scandal). In this "wickedly funny" (Elle) and no less heartbreaking novel, Leib Goldkorn emerges as one of American literature's most enduring, and endearing, creations. A New York Times Notable Book; a Los Angeles Times Best Book of the Year.

"A STRONG, CAPTIVATING NOVEL." --San Francisco Chronicle For Caroline the kitchen has always been her home, and Italian food her specialty. In fact, the minute she sets foot in Italy--and meets the appreciative Angelo, who loves her cooking like nobody's business--Caroline decides to stay. But even the magic spices of Italy can't make her marriage taste right. Angelo takes over the raising of their beautiful daughter Olivia, who, by the age of ten, hardly speaks to her mother. Caroline leaves the country and her daughter for four years, until Olivia seeks out her mother in New York. Caroline is overjoyed and hopeful--until she reacquaints herself with the difficult, demanding daughter she could never stop loving but discovers she doesn't exactly like.... "Between the risotto and the romance, Rossner treats family life with a wise and witty touch." --Us Magazine "Everything you expect from a Judith Rossner novel: story, character, language, and uniqueness--and more--a new ripeness, a maturity. It's altogether a deep and satisfying journey." --Betty Rollin

Grim, joyless and mostly friendless, Edmund Naughton is a white divorc who buries himself in his work as a computer programmer and lives a solitary life on New York's Upper West Side. He impulsively offers shelter to Careese, a recovering black alcoholic, who is homeless, has little education and is shakily attempting to stand on her own. It's an edgy arrangement.

It’s been said (actually, it’s been sung), that when a Broadway baby says goodnight, it’s early in the morning. But what about those Broadway nights? The thrill of being on stage, the adulation, the applause, the stage door fanatics… Stephen Sherrin has no such life. Sure, he dallies on the Great White Way, but when he does have a job it’s beneath the stage, subbing in the orchestra pit. Other parts of his life are the pits, too—including his love life. Why does he always date men who already have boyfriends? But now Stephen has been given the chance of a lifetime: to be the music director on a brand-new, Broadway-bound show. He couldn’t be happier. Trouble is, Stephen doesn’t do happiness well.

Mindy Solomon absolutely has to leave Miami. Florida is bad for her head and her hair. She dreams of a dancing career on Broadway and moves to New York, but after a string of failures and mishaps, she realizes that she needs to rethink her grand plan. Finding herself spending way too much time in the comedy club where her future ex-boyfriend works, she nervously goes up onstage one night. People laugh. Not in the places where Mindy thought they'd laugh, but hey, it's a start. Mindy and her friend Ursula Duran, a man-magnet model-slash-actress-slash-deeply troubled woman, soon embark on a wild ride that ricochets from New York's East Side Hotel for Women to the comedy circuit, auditions, photo shoots, film premieres, cable TV specials, Hollywood studios, late-night TV talk shows, and beyond. Surrounded by sleazy agents, sleazier lovers, and Ursula's even sleazier mother, the two find that life writes a few punch lines they weren't expecting...but through it all, they somehow manage to have the last laugh. Rita Rudner has crafted a debut novel that is not just funny, but moving and insightful. With its insider's viewpoint of the world of stand-up comedy, Tickled Pink is also, at its core, a touching tale of love, loss, female friendship, and forgiveness.

A story about love and death in Chicago during the age of prohibition, this novel was originally published in 1928 and out of print for nearly 50 years. Set in a boarding house on the north side of Chicago, the novel follows Marry Javlyn, a newspaperman who has just arrived from Iowa; Jo Ruska, a switchboard operator; and Abe Wise, a gangster on the lam. Marry and Jo fall in love, but when Marry is lured away by a glamorous newspaper culture critic, he descends into a Gomorrah of speakeasies, patronage jobs, and dingy art studios. Despite family secrets revealed, betrayed loyalties, and a violent climax, Marry still has a chance in the end for redemption. With an original, rollicking plot and memorable characters, the story stands as an authentic and invaluable artifact of an era long distorted beyond recognition by sensationalism and stereotype.

From the award-winning author of Minor Characters comes a haunting novel about the persistence of love and the sustaining and destabilizing power of memories In the vibrant downtown Manhattan art world of the 1960s, where men and women collide in "lucky and unlucky convergences," a series of love affairs has left Joanna Gold, a young photographer, feeling numbed. Then, at yet another party, a painter named Tom Murphy walks up to her. "Why do you hang back?" he asks. Rather than another brief collision, their relationship is the profound and ecstatic love each had longed to find. But it's undermined by Tom's harrowing past--his fatherless childhood, his wartime experiences, and most of all, the loss of the two children he left behind in Florida, along with the powerful red, white, and black paintings he will never set eyes on again. Tom, both tender and volatile, draws Joanna into the unwinnable struggle against the forces that drive him toward death. Once again, Joyce Johnson brings to life a mythic bohemian world where art is everything and life is as full of intensity and risk as the bold sweep of a painter's brush across a canvas. A New York Times Notable Book Excerpted in The New Yorker and Harper's Magazine

Step back in time to early 20th century New York City with Fannie Hurst's "Just Around the Corner: Romance en casserole," a captivating exploration of urban life and the timeless pursuit of love. This meticulously prepared edition allows readers to experience a classic work of women's fiction, steeped in the vibrant atmosphere of a bygone era. A compelling example of early urban fiction, "Just Around the Corner" offers a glimpse into the heart of the city, exploring themes of romance and the challenges faced by women navigating the complexities of city life. Hurst's keen observations and engaging storytelling create a rich tapestry of human experience, making this a resonant and enduring work for anyone interested in the enduring power of the human spirit. Discover a story that captures the essence of New York and the universal yearning for connection. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Nathan Stein -- once an attractive, cultured lawyer -- has stipped into the dark world of his powerful father's corrupt practice. After one too many shady deals, he finds himself alone, sick in body and spirit. His career and life are careening out of control, and he's about to become the prime suspect in the murder of a young woman. As we follow him over a long day and night, Nathan encounters the friends, lovers, and family members he has betrayed. Lurching toward redemption, he must answer for his actions. Is he a murderer or the victim of an elaborate frame-up? Or do his sins go even deeper? A tale of chilling suspense that belies the elegance of its prose, Blood Acre is a compelling story of one man's harrowing search through the dark streets of the soul.

Kat Roth and Mark Denham have plenty in common - they're CEOs of rival Seattle-area candy companies, they're both in feverish pursuit of number one status in the nation and they were both once married . . . to each other. Their brief venture into matrimony, an explosive mix of hot passion and all-out war, has made Kat and Mark wary of love and leery of the sparks between them. Push comes to shove when they finally give in to the heat. After several days of back-to-back lovemaking bouts, Kat convinces herself she's found the perfect solution to the seemingly bottomless pit of lust she feels for her ex - a passionate sex-only affair, avoiding all the messy complications of love. Then the night of the chocolate tasting, Kat experiences the ultimate betrayal . . . the two of them are locked up in her office by close friends who refuse to let them out until they resolve their differences. In a firefight of love and passion, Kat finally confesses her fears of failing at love. Mark admits his own fear that he doesn't know what real love is. They both realize that their verbal fireworks really drive them closer together. They agree to remarry, joining together physically and fiscally, in chocolate and in love.

From the the Academy Award]-nominated screenwriter of "Breakfast at Tiffanys" and "The Manchurian Candidate" comes a story unavailable for almost 50 years. A New York literary agent in love with a Hollywood starlet risks his life to uncover the secret behind a Nobel Prize-winning authors lost final manuscript.

"Celebrated stage actress Mona Zahid wakes up on Thanksgiving morning to the clamor of guests packed into her Manhattan apartment and to a wave of dread: her in-laws are lurking on the other side of the bedroom door; she's still fighting with her husband; and in just a few weeks she will begin rehearsals as Shakespeare's Cleopatra, the hardest role in theater. In an impulsive burst, Mona bounds out the door with the family dog in tow ("I forgot the parsley!" is her lame excuse) to find her estranged mentor, Milton Katz, who was recently forced out of the legendary theater company he founded amid accusations of sexual misconduct. Mona's escape turns into an overnight adventure that brings her face-to-face with her past, with her creative power and its limitations, and ultimately, with all the people she has ever loved. Beguilingly approachable and intricately constructed, at once funny and sad and wise, Mona Acts Out is a novel about acting and telling the truth, about how we play roles to get through our days, and how the great roles teach us how to live."--Amazon

Ivan Klima has been acclaimed by The Boston Globe as "a literary gem who is too little appreciated in the West" and a "Czech master at the top of his game." In No Saints or Angels, a Washington Post Best Book of 2001, Klima takes us into the heart of contemporary Prague, where the Communist People's Militia of the Stalinist era marches headlong into the drug culture of the present. Kristyna is in her forties, the divorced mother of a rebellious fifteen-year-old daughter, Jana. She is beginning to love a man fifteen years her junior, but her joy is clouded by worry -- Jana has been cutting school, and perhaps using heroin. Meanwhile Kristyna's mother has forced on her a huge box of personal papers left by her dead father, a tyrant whose Stalinist ideals she despised. No Saints or Angels is a powerful book in which "Mr. Klima's keen sense of history, his deep compassion for the ordinary people caught up in its toils, and his abiding awareness of the fragility and resilience of human life shine through.... Like Anton Chekhov, Mr. Klima is a writer able to show us what's extraordinary about ordinary life." (The Washington Times). "Ultimately, it's Prague, with its centuries of glory and misery, that gives No Saints or Angels its humane power." -- Melvin Jules Bukiet, The Washington Post Book World" A compassionate realist, [Klima] unflinchingly presents the problems facing modern Prague and civilization in general ... [and] fills it with mercy." -- Jennie Yabroff, San Francisco Chronicle "Stirring and valuable." -- Jules Verdone, The Hartford Courant

Step back in time and immerse yourself in the vibrant social tapestry of Paris with Leonard Merrick's "To Tell You the Truth." This collection of short stories offers a glimpse into the romanticism and cultural nuances of Parisian life. Explore tales woven with the delicate threads of human connection, exploring themes of love, friendship, and the everyday dramas that unfold against the backdrop of the iconic city. Merrick's prose paints a vivid picture of Parisian customs and social interactions, capturing the essence of a bygone era. This meticulously prepared edition brings these timeless narratives to life, allowing you to experience the charm and allure of classic French culture. "To Tell You the Truth" is a literary journey into the heart of Paris, a celebration of its enduring romantic spirit and the complexities of its social life. Perfect for readers who appreciate literary fiction and stories steeped in atmosphere. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.