THE REALITY BEHIND REALITY TV—HOLLYWOOD’S FAVORITE MOM-STAR TELLS IT LIKE IT IS Tori Spelling is the first to admit that the “reality” behind her popular television show, Tori & Dean, isn’t always real. Not even Star Magazine could invent the true chaos that happens behind the scenes. Luckily, Tori is famously honest and self-deprecatingly funny when it comes to her personal life. She’s always Spelling It Like It Is… Life is never boring at Tori’s house, but since her New York Times bestselling memoirs sTORI Telling, Mommywood, and Uncharted terriTORI, things have been especially unpredictable: Finding out she was pregnant with her third baby after nearly vomiting live on the Home Shopping Network; trying to hide her fourth pregnancy so soon after giving birth (as her stylist said, “who would be that crazy?”); being rescued from a paparazzo by a mom lynch mob; stalking her celebrity neighbor; and allowing cameras to film every personal detail of her life—from the most challenging time in her marriage to the only time in six years when she really felt as though those cameras invaded her privacy. Tori shares these stories and many more with the usual humor, candor, and down-to-earth charm that her fans love. She also writes openly about her biggest challenges: the terrifying health problems surrounding her high-risk pregnancy with youngest son Finn, her guilt over missing baby Hattie’s early months because she was in the hospital on bed rest, her struggles (and failures) to live within her means after growing up in opulence, discovering how much she has in common with her late mega-producer father, Aaron Spelling, and falling in love with Dean all over again (hint: it didn’t happen at their vow renewal ceremony). After years of intimately revealing her everyday antics onscreen, Tori’s life is still full of surprises. Slowing down long enough to enjoy them? Now that’s another sTORI.

At the age of 44—at the height of his success—Richard Lewis found himself on a gurney in an emergency room, suffering from a lethal mix of alcohol and drugs. The same dysfunctions that had been the basis for his successful stage persona and had generated so much wonderful material for comedy had turned on him. In this blistering memoir, Lewis tells how he got to that point, how he got on the road to recovery, and how he copes with being Richard Lewis, sober, on a daily basis, in this very funny, profoundly honest, inspiring but unsentimental book. He shares candid and revealing anecdotes about love, sex, fame, family, drinking therapy, eating disorders, and the serious business of comedy.

For Rembrandt as for Shakespeare, all the world was indeed a stage, and he knew in exhaustive detail the tactics of its performance; the strutting and mincing; the wardrobe and the face paint; the full repertoire of gesture and grimace; the flutter of hands and the roll of the eyes; the belly laugh and the half-stifled sob. He knew what it looked like to seduce, to intimidate, to wheedle, and to console; to strike a pose or preach a sermon; to shake a fist or uncover a breast; how to sin and how to atone; how to commit murder and how to commit suicide. No artist had ever been so fascinated by the fashioning of personae, beginning with his own. No painter ever looked with such unsparing intelligence or such bottomless compassion at our entrances and our exits and the whole rowdy show in between. More than three centuries after his death, Rembrandt remains the most deeply loved of all the great masters of painting, his face so familiar to us from the self-portraits painted at every stage in his life, yet still so mysterious. As with Shakespeare, the facts of his life are hard to come by; the Leiden miller's son who briefly found fame in Amsterdam, whose genius was fitfully recognized by his contemporaries, who fell into bankruptcy and died in poverty. So there is probably no other painter whose life has engendered more legends, nor to whom more unlikely pictures have been attributed (a process now undergoing rigorous reversal). "Rembrandt's Eyes," about which Simon Schama has been thinking for more than twenty years, shows that the true biography of Rembrandt is to be discovered in his pictures. Though a succession of superbly incisive descriptions and interpretations of Rembrandt'spaintings threaded into his narrative, he allows us to see Rembrandt's life clearly and to think about it afresh. But this book moves far beyond the bounds of conventional biography or art history. With extraordinary imaginative sympathy, Schama conjures up the world in which Rembrandt moved -- its sounds, smells and tastes as well as its politics; the influences on him of the wars of the Protestant United Provinces against Spain, of the extreme Calvinism of his native Leiden, of the demands of patrons and the ambitions of contemporaries; the importance of his beloved Saskia and, after her death (Rembrandt was later forced to sell her grave, so complete was his ruin), of his mistress Hendrickje Stoffels; and, above all, the profound effect on him of the great master of the immediately preceding generation, the Catholic painter from Antwerp, Peter Paul Rubens: "the prince of painters and the painter of princes" with whom Rembrandt was obsessed for the first part of his life, and whose career was the shaping force that drove Rembrandt to test the farthest reaches of his own originality. "Rembrandt's Eyes" shows us "why" Rembrandt is such a thrilling painter, so revolutionary in his art, so penetrating of the hearts of those who have looked for three hundred years at his pictures. Above all, Schama's understanding of Rembrandt's mind and the dynamic of his life allows him to re-create Rembrandt's life on the page. Through a combination of scholarship and literary skill, Schama allows us to actually see that life through Rembrandt's own eyes. In overcoming the paucity of conventional historical evidence, it is the most intelligently true biography of Rembrandt that has ever beenwritten, and the most dazzling achievement to date of the art historian whose work has been hailed as "marvelously rich and eloquent" ... "rare, imaginative" ... "provocative" ... "astoundingly learned with verve, humor, and an unflagging sense of delight" ... that of "a master storyteller ... and a master of history."* Quotes from the "New York Times Book Review, Time," the "New York Times, The Independent on Sunday," and "Nature," respectively. "From the Hardcover edition."

First published in the US in 1959 by Bernard Geis Associates, New York. The "Me" in the title is a comparatively unknown Marx named Julius (1895-1977), who, under the nom de plume of Groucho, enjoyed a sensational career on Broadway and in Hollywood with such comedy classics as Animal Crackers, Monkey Business, Horse Feathers, Duck Soup, A Night at the Opera, and A Day at the Races. His solo career included work as a film actor, television game show emcee, and author of The Groucho Letters, Memoirs of a Mangy Lover, and his classic autobiography, Groucho and Me. With impeccable timing, outrageous humor, irreverent wit, and a superb sense of the ridiculous, Groucho tells the saga of the Marx Brothers: the poverty of their childhood in New York's Upper East Side; the crooked world of small-time vaudeville (where they learned to carry blackjacks); how a pretzel magnate and the graceless dancer of his dreams led to the Marx Brothers' first Broadway hit, I'll Say She Is!, how the stock market crash in 1929 proved a godsend for Groucho (even though he lost nearly a quarter of a million dollars); the adventures of the Marx Brothers in Hollywood, the making of their hilarious films, and Groucho's triumphant television series, You Bet Your Life!. Here is the life and lunatic times of the great eccentric genius, Groucho, a.k.a. Julius Henry Marx. "The book is never less than readable and its glimpses of American show business at its least glamorous are simple, true and sometimes rather touching."-Times Literary Supplement "My advice is to ration yourself to a chapter a night-it's that delectable."-Chicago Sunday Tribune

Eddie on his ex-wives: Debbie Reynolds : Debbie's whole life has been an act...When I left her for Elizabeth Taylor, she should have won an Academy Award for her portrayal of the wronged woman. [p. 83] Elizabeth Taylor : If I had known that first night we spent together how our love was going to help destroy my career and, for a time, my life, if I had known how much pain my love for Elizabeth was going to bring me, I still wouldn't have hesitated. [p. 144] Connie Stevens : I always wondered how she could work so hard, how she could accomplish to much. Then I took a couple of [her] pills... [p. 269] Read the explosive memoir everyone's talking about!

Celebrated for her indelible, Oscar-caliber performances in some of the most memorable films of the 1980s and 1990s, Debra Winger, in Undiscovered , her first book, demonstrates that her creative range extends from screen to page. Here is an intimate glimpse of an artist marvelously wide-ranging in her gifts. In fact, as this beguiling book reveals, Winger is that rare star who dared to resist the all-consuming industry that is Hollywood becoming her entire reason for being. "I love the work," she states, "and don't much care for the business." Yet she cares deeply for the people who have inspired her. We meet them (most famously, James Bridges, Bernardo Bertolucci; most dearly, her mother, husband, and sons) here, as Winger passionately makes her case for forging a life beyond acting -- and shows how she has done just that. Winger's screen performances have long been celebrated for their breathtaking emotional range, a quality that shines through in these pages. "When I was little," she writes, "someone told me that when you age, you turn into the person you were all your life." In this intriguing mix of reminiscence, poetry, storytelling, and insightful observation, a portrait of a life well-lived is strikingly rendered.

From award-winning actress Illeana Douglas comes a memoir about learning to survive in Hollywood while staying true to her quirky vision of the world. In 1969 Illeana Douglas' parents saw the film Easy Rider and were transformed. Taking Dennis Hopper's words, "That's what it's all about man" to heart, they abandoned their comfortable upper middle class life and gave Illeana a childhood filled with hippies, goats, free spirits, and free love. Illeana writes, "Since it was all out of my control, I began to think of my life as a movie, with a Dennis Hopper-like father at the center of it." I Blame Dennis Hopper is a testament to the power of art and the tenacity of passion. It is a rollicking, funny, at times tender exploration of the way movies can change our lives. With crackling humor and a full heart, Douglas describes how a good Liza Minnelli impression helped her land her first gig and how Rudy Valley taught her the meaning of being a show biz trouper. From her first experience being on set with her grandfather and mentor-two-time Academy Award-winning actor Melvyn Douglas-to the moment she was discovered by Martin Scorsese for her blood-curdling scream and cast in her first film, to starring in movies alongside Robert DeNiro, Nicole Kidman, and Ethan Hawke, to becoming an award winning writer, director and producer in her own right, I Blame Dennis Hopper is an irresistible love letter to movies and filmmaking. Writing from the perspective of the ultimate show business fan, Douglas packs each page with hilarious anecdotes, bizarre coincidences, and fateful meetings that seem, well, right out of a plot of a movie. I Blame Dennis Hopper is the story of one woman's experience in show business, but it is also a genuine reminder of why we all love the movies: for the glitz, the glamor, the sweat, passion, humor, and escape they offer us all.

The world of Aaron Spelling is one we all know from hours spent in front of the TV screen. Dynasty, Melrose Place, Beverly Hills 90210, Charlie's Angels, The Love Boat, The Mod Squad, Hart to Hart - these shows claimed huge audiences and define him as one of the most successful showmen of all time. Never told before, Aaron Spelling is the story of his life from the Prime-Time King himself - personal, revealing, filled with confidential facts on such Hollywood greats as Michelle Pfeiffer, Heather Locklear, Farrah Fawcett, Joan Collins, and Ricardo Montalban. Now for the first time, Spelling opens the door to his backstage world with his candid observations about Hollywood and the TV business, along with the inspiring rags-to-riches story of a poor Jew from Texas who overcame insurmountable odds to become the most successful TV producer ever.

Just months before her death, Marilyn Monroe gave a young photographer his big break, and this is his story "You're already famous, now you're going to make me famous," photographer Lawrence Schiller said to Marilyn Monroe as they discussed the photos he was about to shoot of her. "Don't be so cocky," Marilyn replied, "photographers can be easily replaced." The year was 1962, and Schiller, 25, was on assignment for Paris Match magazine. He already knew Marilyn -- they had met on the set of Let's Make Love -- but nothing could have prepared him for the day she appeared nude during a swimming pool scene for the motion picture Something's Got to Give . Marilyn & Me is an intimate story of a legend before her fall and a young photographer on his way to the top. Schiller's original text and extraordinary photographs--over two thirds of which have never or rarely been published --take us back to that time, and to the surprising connection that allowed Marilyn to bond with a kid from Brooklyn, a kid with a lot of ambition but very little experience. Now, 50 years later, TASCHEN is publishing Lawrence Schiller's story as a signed, numbered monograph limited to 1,962 copies, for the year of Monroe's untimely death. Schiller's is a story that has never been told before, and he tells it with tact, humor, and compassion. The result is a real and unexpected portrait that captures the star in the midst of her final struggle. Collector's Edition of 1,712 numbered copies (books numbered No. 251-1,962) signed by the photographer. Also available in two Art Editions of 125 copies , each with an original photograph The book and clamshell box are covered in a custom woven duchesse silk from one of the world's most distinguished silk mills, Taroni , of Como, Italy Printed on archival paper Four foldouts, with one gatefold measuring a full 110 cm (44 in.) across Translation booklet of the text available in German, French and Spanish with purchase upon request

In a memoir by turns moving, tragic, and hilarious, Jerry Lewis recounts with crystal clarity every step of his fifty-year friendship with Dean Martin. They were the unlikeliest of pairs—a handsome crooner and a skinny monkey, an Italian from Steubenville, Ohio, and a Jew from Newark, N.J.. Before they teamed up, Dean Martin seemed destined for a mediocre career as a nightclub singer, and Jerry Lewis was dressing up as Carmen Miranda and miming records on stage. But the moment they got together, something clicked—something miraculous—and audiences saw it at once. Before long, they were as big as Elvis or the Beatles would be after them, creating hysteria wherever they went and grabbing an unprecedented hold over every entertainment outlet of the era: radio, television, movies, stage shows, and nightclubs. Martin and Lewis were a national craze, an American institution. The millions flowed in, seemingly without end—and then, on July 24, 1956, ten years after it all started, it ended suddenly. After that traumatic day, the two wouldn’t speak again for twenty years. And while both went on to forge triumphant individual careers—Martin as a movie and television star, recording artist, and nightclub luminary (and charter member of the Rat Pack); Lewis as the groundbreaking writer, producer, director, and star of a series of hugely successful movie comedies—their parting left a hole in the national psyche, as well as in each man’s heart. In Dean & Me , Lewis makes a convincing case for Martin as one of the great—and most underrated—comic talents of our era. But what comes across most powerfully in this definitive memoir is the depth of love Lewis felt for his partner, and which his partner felt for him: truly a love to last for all time.

"For forty years my act consisted of one joke. And then she died". So begins one of the most charming and moving tributes to a lifelong love story as told by one of America's most adored comedians, George Burns. This phenomenal #1 bestseller recalls George and Gracie's first meeting backstage at a New Jersey hall; their happy times and their losses; and much more. Ten weeks on the New York Times paperback bestseller list. 16 pages of photos.

Fragile, raw, daring, brilliant...Sandra Bernhard rocks. The actress, philospher, comedian, and cult goddess is definitely back -- and feeling fabulous -- with a labor of love that'll knock her followers off their feet and draw new ones to her like a magnet. Stage, film, music, television -- in every performance, Bernhard has shocked and amused, titillated and broken every rule. With her first two books, Confessions of a Pretty Lady and Love, Love, and Love Bernhard's electrifying talent took to the page and burned it up with flashes of true brillance -- the kind of writing that separates the powerful from the good. And now, in this new book, Sandra returns with a deeply personal collection of spicy tales, fiercely witty riffs, and sweet doses of wisdom. Here is Sandy as we know and love her -- and as we've never quite seen her before: heartrenderingly honest, with the mouth of a diva, the soul of a fighter, and the insight of a girl who has lived life big. Like a whisper in your ear, Sandy opens up her world: from her friendship with her loyal housepainter to her imagined history as as one of Jack Kennedy's lovers; from the sensual streets of Mogador to the comfort of her pristine L.A. bungalow; from her own poetry of romantic yearning and reflective prayer to dead-on truths brought to light in the heartbreaking and hilarious glow of fashion, celebrity, rock and spirituality. There is nothing Sandra Bernhard offers that doesn't deliver a pungent snap of truth and the surprise of unexpected emotion in this, her most revealing and entertaining book yet.

The Most Revealing Elvis Book You'll Ever Read Literally hundreds of books and millions of words have been written about the phenomenon that was Elvis Presley. None even approaches what is revealed in this one-because this is the only story Elvis made Larry Geller promise to tell. Here at last is the full, true and mesmerizing story of Elvis Presley, who died in 1977, but whose legend is bigger than ever. Not until now have we had the chance to know him as he would have wanted us to. Many books tell what Elvis did. This one tells what Elvis believed. When you plumb the depths of Elvis' soul as it is revealed here, you will understand the real Elvis. You will know him, and very likely, love him even more.

“Jeff Tamarkin is an able guide through the tangled history of one of the Sixties' most musically visionary bands.” — Rolling Stone From a renowned music journalist, a close-up portrait of Jefferson Airplane, chronicling the band's origins in 1965 San Francisco and their role in defining the sound and culture of 1960s and 1970s rock 'n' roll. The most successful and influential rock band to emerge from San Francisco during the 1960s, Jefferson Airplane created the sound of a generation. Their smash hits "Somebody to Love" and "White Rabbit" virtually invented the era's signature pulsating psychedelic music and, during one of the most tumultuous times in American history, came to personify the decade's radical counterculture and paved the way for other Bay Area music greats, including the Grateful Dead and Janis Joplin. Having worked closely with Jefferson Airplane for more than a decade, Tamarkin had unprecedented access to the band members, their families, friends, lovers, crew members, fellow musicians, cultural luminaries, even the highest-ranking politicians of the time. More than just a definitive history, Got a Revolution! is a rock legend unto itself.

Harlow, An Intimate Biography , is the biography of Jean Harlow, the first of the typically American love goddesses as well as a presentation of the big-studio feudalism of the Thirties and a near sociological consideration of that American phenomenon, the sex symbol devised for mass consumption.

Inside Trek is an unauthorized, behind-the-scenes look at the making of televisionOs most beloved series, filled with never-before-told stories about the actors, the writers, and everyone else who made Trek what it is--most importantly, Star Trek creator Gene Roddenberry. For over seventeen years, Susan Sackett was RoddenberryOs executive assistantDand secret lover. She has an insiderOs view with Trek secrets you've never heard before.

In Fever Pitch meets Anchor Boy, Montreal Canadiens superfan Jay Baruchel tells us why he loves the Habs no matter what It’s no secret that Jay Baruchel is a die-hard fan of the Montreal Canadiens. He talks about the team at every opportunity, wears their gear proudly in interviews and on the street, appeared in a series of videos promoting the team, and was once named honorary captain by owner Geoff Molson and Habs tough guy Chris Nilan. As he has said publicly, “I was raised both Catholic and Jewish, but really more than anything just a Habs fan.” In Born Into It, Baruchel’s lifelong memories as a Canadiens’ fan explode on the page in a collection of hilarious, heartfelt and nostalgic stories that draw on his childhood experiences as a homer living in Montreal and the enemy living in the Maple Leaf stronghold of Oshawa, Ontario. Knuckles drawn, and with the rouge, bleu et blanc emblazoned on just about every piece of clothing he owns, Baruchel shares all in the same spirit with which he laid his soul bare in his hugely popular Goon movies. Born Into It is a memoir unlike any other, and a book not to be missed.

The complete memoirs of Neil Simon, the greatest—and most successful—American playwright of all time, the author of such iconic works as Lost in Yonkers , The Odd Couple , Biloxi Blues , and The Goodbye Girl , now with an insightful Introduction by Nathan Lane. This omnibus edition combines Neil Simon’s two memoirs, Rewrites and The Play Goes On , into one volume that spans his extraordinary five-decade career in theater, television, and film. Rewrites takes Simon through his first love, his first play, and his first brush with failure. There is the humor of growing up in Washington Heights (the inspiration for his play Brighton Beach Memoirs ) where, despite his parents’ rocky marriage and many separations, he learned to see the funny side of family drama, as when his mother thought she saw a body on the floor in their apartment—and it turned out to be the clothes his father discarded in the hallway after a night of carousing. He describes his marriage to his beloved wife, Joan, and writes lucidly about the pain of losing her to cancer. The Play Goes On adds to his life’s story, as he wins the Pulitzer Prize and reflects with humor and insight on his tumultuous life and meteoric career. “Neil Simon’s terrific memoirs are worth revisiting” ( New York Post ). Now, with the whole story in one place, he traces the history of modern entertainment over the last fifty years as seen through the eyes of a man who started life the son of a garment salesman and became the greatest—and most successful—American playwright of all time.

We all want to matter, right? We want to love people well and be loved in return. We want to have made a difference before our life is over. We want to have lived a full life without any regrets. In I Want to Matter, New York Times bestselling author and former Today show host Kathie Lee Gifford shares stories about her life and encourages you to remember your self-worth and never give up on your dreams. In this beautiful two-color 60-day DayReader® each day features a: focal topic, story from Kathie Lee Gifford's life, and reflection questions to help you apply the message to your own life. I Want to Matter is inspired by a song written by Kathie Lee and includes content from her New York Times bestselling book, It's Never Too Late. She wants to help you feel seen and heard. This daily reader is great for: birthdays, Mother's Day, Teacher Appreciation Day, Hanukkah, Christmas, or as a just because gift to anyone needing encouragement. morning and night reading routines. anyone searching for an inspirational message. This DayReader® is a way for you to relive the moments that shaped you into who you are today and will allow you to revive your ability to wonder because you truly do matter.

"If they gave out Emmys for best book about an Emmy-award winning TV series, Executive Producer Barney Rosenzweig would have another to add to his huge collection. If you love Cagney & Lacey-as I do-this is a must read. Triple love it " -Rosie O'Donnell, comedian, actress, host of award-winning The Rosie O'Donnell Show , and co-host of The View " Cagney & Lacey ... and Me is terrific-a must-read for anyone interested in how the television business really works. From insecure stars with over-sized egos, to network executives blundering their way to success in spite of themselves, Barney Rosenzweig's chronicle of the rise and fall of the hit series Cagney & Lacey has it all: tempers, tears, greed, deceit, duplicity and sex-in short, more juicy melodrama than a daytime soap opera." -Steven Bochco, producer writer of award-winning series Hill Street Blues, LA Law and NYPD Blue "One of Hollywood's greatest producers is also a brilliant storyteller. Barney recounts tales from the front lines of network television battlefields-with candor, intelligence and inimitable wit. If you want to know how television really works, this is the book for you"-Linda Bloodworth and Harry Thomason, award-winning creators, writer, producers and director of Designing Women "Barney wrote a book?" -Peter Falk, Emmy-winning star of iconic television series, Columbo and twice nominated Academy Award star of motion pictures too numerous to mention "Just as William Goldman's Adventures in the Screen Trade is considered a bible for screenwriters, Rosenzweig's new memoir offers a Master Class for television producers."- Kevin Howell, Publisher's Weekly