This long-lost novel recounts a passionate triangle of love and loss among three of the most daring women of belle époque Paris. In this barely disguised roman à clef, the legendary American heiress, writer, and arts patron Natalie Clifford Barney, the dashing Italian baroness Mimi Franchetti, and the beautiful French courtesan Liane de Pougy share erotic liaisons that break all taboos and end in devastation as one unexpectedly becomes the “third woman.” Never before published in English, and only recently published in French, this modernist, experimental work has been brought to light by Chelsea Ray’s research and translation.

"When Adam Freedman--a skinny, immature, and lackluster high school student from Piedmont, California--is sent by his parents to join his older sister Casey in New York City, he is hopeful that his life is about to change. And it sure does. It is the Summer of 2006--the year of gay marriage demonstrations and the rise of transgender rights--and Casey has thrust herself into New York's fringe lesbian, sexual, and political scene. Accustomed to being a social misfit, Adam now finds himself part of a wild subculture complete with underground clubs, drinking, and friendly women who take a surprisingly intense interest in him. It takes some time for him to realize many in this new crowd assume he is transgendered--a boy who was born a girl--or else why would he always be around? But then he meets Gillian, the girl of his dreams. If only she weren't a lesbian! And if only she didn't believe he was really (sort of) a girl. Ariel Schrag's scathingly funny and poignant debut novel puts a fresh spin on questions of love, attraction, self-definition, and what it takes to be at home in your own skin"--

"This delightful lesbian romp set in Elizabethan England captures the adventures of Moll Cutpurse, a swashbuckling heroine, upholder of the right of women, as she pits her wits against Puritans and tricksters, travels with the gypsies, rescues a near-victim of the anti-witchcraft hysteria, and cheats the wealthy out of their ill-gotten gains - with help from her lifelong friend and lover, Bridget, the apothecary"--P [4] of cover.

In writing Le Livre de Promethea Hélène Cixous set for herself the task of bridging the immeasurable distance between love and language. She describes a love between two women in its totality, experienced as both a physical presence and a sense of infinity. The result is a stunning example of Pecriture feminine that won kudos when published in France in 1983. Its translation into English by Betsy Wing will extend the influence of a writer already famous for her novels and contributions to feminist theory. In her introduction Betsy Wing notes the contemporary emphasis on "fictions of presence." Cixous, in The Book of Promethea, works to "repair the separation between fiction and presence, trying to chronicle a very-present love without destroying it in the writing."

A beautifully observed novel by literary star Charlotte Mendelson about the joys of passionate love and those left in its wake, told with Charlotte's signature wit and wisdom.[Bokinfo]

In post-war Israel, the Kol family strive to regain the ability to love as they struggle with devastation and loss, and with finding the meaning to their hates, fears, and passions

Prince Kaveh, the youngest son of the king of the City of Red Clay, is bisexual and completely besotted with Farzin, the engineer his father hired to oversee the improvements to the city's roads and bridges. However, the king doesn't share his positive feelings. After Farzin ends up at the head of the protest that ensues when the workers are only paid a third of their promised wages, he's thrown in prison and is scheduled to be executed. Queen Shulamit, who rules over the neighboring nation of Perach, is eager to assist the desperate prince. She, too, loves justice and has a same-sex partner. She's also hoping Kaveh, with his royal blood, is willing to give her and her sweetheart a legitimate heir in exchange. But can she find a peaceful solution that will pacify the king next door, get his workers fairly paid, and free Farzin? Or will she and her dragon-riding bodyguard Rivka have to go to war?