A family history of surpassing beauty and power: Ian Buruma's account of his grandparents' enduring love through the terror and separation of two world wars. Woven from their correspondence, this labor of love brings to life not just a remarkable marriage, but a class, and an age.

A collection of favorite poems. One of them is by Stephen Crane, who wrote: "I saw a man pursuing the horizon; / Round and round they sped. / I was disturbed at this; / I accosted the man. It's futile, I said, / You can never ̓/ You lie, he cried, / And ran on."

Tales of adventure, misadventure, love and loss - this collection of non-fiction short stories from the Australian rock legend turned writer is vintage Jimmy. Outrageous, witty, warm and wise, Killing Time shares more than forty yarns reflecting an epic life - from an encounter with a soul legend in Memphis, a night in a haunted studio in upstate New York, and a doomed haircut in Thailand to a madcap misunderstanding in a Japanese ski resort, a family feud on a remote coral atoll, and an all-too-revealing appearance for a Sydney charity. PRAISE FOR KILLING TIME: "A moving and deeply felt kaleidoscope of life, love, family, music, friendship and the fragility of time. Barnes proved his storytelling mettle with his memoirs. But in Killing Time he has refined his unique voice with this wildly entertaining suite of tales, anecdotes, observations and reflections that can have you laughing out loud on one page and moved to tears on the next. It is all here, the joys and fears of parenthood, the search for your sense of place, fortune-tellers, the loss of beloved pets, bad golf, ghosts, backstage stories, celebrities, the homeless, and the wonder of being alive, all told with searing honesty. What sets Barnes's writing above the rest is that it comes from an authentic and soulful place. His work cannot help but ring true, like the strike of a tuning fork." Matt Condon "Jimmy Barnes is never a bystander. Stories happen to him. He not only remembers every circumstance, he has the ability to distil the moment in a way that's both poetic and uncontrived. He's funny, chaotic, insightful and heartbreaking. Jimmy is truly a natural-born storyteller. It's like writing has just been waiting for him to arrive. And now, he's here." Mandy Nolan

Through personal essays and poetry, short fiction and painting, book reviews, interviews, performance pieces, and hybrid creations of text and image, Bridges to Cuba/Puentes a Cuba opens a window onto the meaning of nationality, transnationalism, and homeland in our time. For more than thirty-five years U.S.-Cuban relations have been couched in terms of the Cold War, often pitting Cubans in the diaspora against Cubans who remain in their homeland. Bridges to Cuba/Puentes a Cuba celebrates the informal networks that Cubans in both countries have maintained through artistic, academic, family, and other ties. The book brings together for the first time in English Cuban voices of the second generation, both on the island and in the diaspora. The multivocal and multigenre collection includes both scholarly and creative writing and an impressive range of visual art. The participants are earnest, angry, witty, and hopeful. They are sometimes visionaries, but they are not deluded about Cuban or North American realities. Their voices offer testimony to the continuing efforts of Cubans and Cuban-Americans to look beyond the animosities and failings of their respective societies and find possibilities for personal and international reconciliation, dialogue, and renewal. "Ruth Behar, as editor of Bridges to Cuba/Puentes a Cuba, leaps across conventional intellectual boundaries in an effort to show the complexity of nationhood, exile, and revolution in the Cuban experience of the last thirty years. An important book about the possibility and impossibility of building cultural and political bridges."--Arcadio Díaz-Quiñones, Princeton University "Behar narrows the straits of Florida with a richly textured dialogue of voices in and out of Cuba. Bridges to Cuba is sure to make history."--Liz Balmaseda, Miami Herald "A vital and interesting anthology about contemporary Cuba."--Oscar Hijuelos, author of The Mambo Kings Play Songs of Love " Bridges to Cuba is the first U.S. anthology that looks at Cuban creativity from an integrated perspective, refusing to kneel before the painful and often arbitrary divisions that have split the voices of this passionate culture into forever separate bands. The results are magnificent. Read this book and get a long overdue understanding of contemporary Cuban literature and art."--Margaret Randall, author of Women in Cuba: Twenty Years Later "In order for memory to be recovered, there must be a community that remembers and tells the story. . . . Bridges to Cuba displays a wealth of insights that leave the reader with a sense of having experienced first hand the intricate web of thought and feeling that is Cuban life."--Latino Review of Books "Ruth Behar's anthology represents one of the most important and moving bridges yet published on contemporary Cuba and its condition as the island that is still absent from the Western world. Bridges to Cuba is an extraordinary example of the faith and ability of Latin American intellectuals to cross true bridges, bridges of solidarity."--Marjorie Agosín, Wellesley College Ruth Behar is author of Translated Woman: Crossing the Border with Esperanza's Story and coeditor, with Deborah Gordon, of Women Writing Culture. She has been the recipient of awards from the MacArthur and Guggenheim foundations.

""A Dream of Love"" is a play written by William Carlos Williams, consisting of three acts and eight scenes. The story revolves around a young couple, Jack and Edith, who are deeply in love but face numerous challenges in their relationship. Jack is an aspiring writer who struggles to make ends meet, while Edith comes from a wealthy family and is torn between her love for Jack and her family's expectations. As the play progresses, the couple's relationship is put to the test as they navigate through various obstacles such as financial struggles, infidelity, and societal pressures. The play also touches upon themes of class struggle, the pursuit of artistic passion, and the complexities of human relationships.Throughout the play, Williams employs poetic language and vivid imagery to convey the emotional depth of the characters and their struggles. The play ultimately culminates in a dramatic conclusion that leaves the audience questioning the true nature of love and the sacrifices one must make to pursue it.Overall, ""A Dream of Love"" is a poignant and thought-provoking play that explores the complexities of love and the human experience.Direction, No. 6.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

The essays in Phillip Lopate's new book record an ardent three-decades-plus love affair with the movies; like Michel Piccoli with Brigitte Bardot in Godard's "Contempt," he is "totally, tenderly, tragically" besotted with the cinema. Artfully braiding emotional and intellectual autobiography with critical and historical commentary, these essays exemplify and record a passionate engagement with an irreplaceable art form, its creators, and its critics. Lopate evaluates those filmmakers who have most affected him since his days as a nascent film cultist at Columbia: Antonioni, Godard, Bresson, Mizoguchi, Fassbinder, Ozu, and Visconti. He celebrates Andrew Sarris as the film critic who first won his heart and provides an eye-opening extended portrait and fondly skeptical critique of Pauline Kael, the most influential film writer of our time. And in essays such as "The Last Taboo: The Dumbing Down of American Movies, " he addresses the elusive question of whether movies can actually think. With his full-hearted affection and bracing intelligence, Phillip Lopate captures, as few others have, the insistent allure of films and filmgoing.

I Love Her, That's Why! is an entertaining look at the life and career of comedian George Burns and his wife Gracie Allen. From humble beginnings in New York, Burns and Allen went on to become much-loved stars of stage, radio, television, and the big-screen, one of the few entertainers to be successful in each venue. The book begins with Burns' childhood and early struggles in vaudeville before he meets Gracie Allen. Burns then details his efforts to win her affections; their marriage and adoptions of two children; radio, film, and TV productions (including the script for their television series). Included are numerous illustrated pages of photographs.

“There’s still time to change things.”—Siri Hustvedt, The Blazing World Addiction is easy to fall into and hard to escape. It destroys the lives of individuals, and has a devastating cost to society. The National Institute of Health estimates seventeen million adults in the United States are alcoholics or have a serious problem with alcohol. At the same time, the country is seeing entire communities brought to their knees because of opioid additions. These scourges affect not only those who drink or use drugs but also their families and friends, who witness the horror of addiction. With Out of the Wreck I Rise , Neil Steinberg and Sara Bader have created a resource like no other—one that harnesses the power of literature, poetry, and creativity to illuminate what alcoholism and addiction are all about, while forging change, deepening understanding, and even saving lives. Structured to follow the arduous steps to sobriety, the book marshals the wisdom of centuries and explores essential topics, including the importance of time, navigating family and friends, relapse, and what Raymond Carver calls “gravy,” the reward that is recovery. Each chapter begins with advice and commentary followed by a wealth of quotes to inspire and heal. The result is a mosaic of observations and encouragement that draws on writers and artists spanning thousands of years—from Seneca to David Foster Wallace, William Shakespeare to Patti Smith. The ruminations of notorious drinkers like John Cheever, Charles Bukowski, and Ernest Hemingway shed light on the difficult process of becoming sober and remind the reader that while the literary alcoholic is often romanticized, recovery is the true path of the hero. Along with traditional routes to recovery—Alcoholics Anonymous, out-patient therapy, and intensive rehabilitation programs—this literary companion offers valuable support and inspiration to anyone seeking to fight their addiction or to a struggling loved one. Featuring Charles Bukowski, John Cheever, Dante, Ricky Gervais, Ernest Hemingway, Billie Holiday, Anne Lamott, John Lennon, Haruki Murakami, Anaïs Nin, Mary Oliver, Samuel Pepys, Rainer Maria Rilke, J. K. Rowling, Patti Smith, Kurt Vonnegut, and many more.

Book by Schwartz, Delmore

Phillip Lopate's richest and most ambitious book yet--the final volume of a trilogy that began with Bachelorhood and Against Joie de Vivre -- Portrait of My Body is a powerful memoir in the form of interconnected personal essays. One of America's foremost essayists, who helped focus attention on the form in his acclaimed anthology The Art of the Personal Essay , Lopate demonstrates here just how far a writer can go in the direction of honesty and risk taking. In thirteen essays, Lopate explores the resources and limits of the self, its many disguises, excuses, and unmaskings, with his characteristic wry humor and insight. From the title essay, a hilarious physical self-exam, to the haunting portrait of his ex-colleague Donald Barthelme, to the bittersweet account of his long-delayed surrender to marriage, "On Leaving Bachelorhood," Lopate wrestles with finding the proper balance between detachment and empathy, doubt and conviction. In other essays, he celebrates his love of film and city life, and reflects on his religious identity as a Jew. A wrenchingly vivid, unforgettable portrait of the author's eccentric, solipsistic, aged father, a self-proclaimed failure, is the centerpiece of a suite of essays about father-figures and resisted mentors. The book ends with the author's own introduction to fatherhood, as witness to the birth of his daughter. A book that will engage readers with its conversational eloquence, skeptical intelligence, candor, and mischief, Portrait of My Body is a captivating work of literary nonfiction.

Modern Japanese Short Stories is a remarkable collection of Japanese stories from the pioneers of contemporary Japanese literature. This volume's twenty-five stories by as many authors display a wide range of style and subject matter--offering a revealing picture of modern Japanese culture and society. The stories in this anthology include: "Tattoo" by Junichiro Tanizaki--a large spider tattooed on the back of a young woman results in unexpected changes "Autumn Mountain" by Ryunosuke Akutagawa--vivid memories of a beautiful painting leads a man to wonder if the it ever actually existed "The Priest and His Love" by Yukio Mishima--a Buddhist priest finds his path to enlightenment challenged after falling in love "The Moon on the Water" by Nobel Prize winner Yasunari Kawabata--a young woman who cared for her ailing first husband through most of their marriage regrets remarrying after his death Featuring a new foreword by Japanese literary scholar Seiji Lippit and striking woodcut illustrations by Masakazu Kuwata, the stories are translated by the editor, Ivan Morris, and Edward Seidensticker, George Saito, and Geoffery Sargent. This collection of short stories shows why Japanese literature is so highly valued today--it teaches not only about Japan, but about the human condition and the possibilities of art.

We first meet Lucy Appelbaum, the heroine of Paradise, New York , n 1970, when she is a nine year old girl enjoying her family's Catskills hotel, the Garden of Eden. Ten years later, having found nothing else at which she can distinguish herself, she tries to save the Eden by capitalizing on a wave of nostalgia for the Borscht Belt, running the hotel as a sort of living museum of Yiddish culture. In the course of that season, Lucy comes to realize her love for the hotel's black handyman, Mr. Jefferson -- and the difficulties she faces in overcoming the barriers between them. She battles her grandmother's not-so-subtle attempts to sabotage her success, her parents' superstitious fear of anything that attracts attention to the Jews, and her brother's contention that what Lucy is doing is more a matter of ego than authentic religious feeling. On top of all this, Lucy must contend with the Hasid who buys the chicken farm next door, a cell of ancient Jewish Communist who foment a strike among Eden's overworked young staff, and a gay chef and a gay baker who want to prove to the world that kosher cuisine can satisfy the most sophisticated gourmet. Among the novel's characters are Shirley and Nat Feidel, who barely survived the Holocaust but refuse to allow bitterness to rule their lives; Mami Goshgarian, the Eden's tumeler ; and Jimmy Kilcoin, and Irish Catholic insurance adjustor who has earned a reputation as "the Don Juan of the Catskills" and is determined to seduce Lucy before summer's end.

“[A] well–edited collection . . . More than friends and less than lovers, Salter and Phelps were literary soul mates.” — Publishers Weekly It was James Salter’s third novel, A Sport and a Pastime —together with his film Three and a script he had written for Downhill Racer —that in 1969 prompted Robert Phelps to write a letter of admiration. Though the two writers didn’t know each other, their correspondence went on to span decades. The letters themselves are exceptionally alive, uninhibited, gossipy, touching, and brilliant. The successes of Salter and the struggles of Phelps are fully explored by the writers themselves in the kind of honest exchange only letters can divulge. With an insightful foreword by Michael Dirda, this book gives voice to a nearly forgotten figure and his friendship with a man he admired.

"The Crow's Dinner" is master novelist Jonathan Carroll's debut essay collection, and that is very good news. Gathering together hundreds of entries that initially appeared on the website Medium, "The Crow's Dinner" is at once a wide-ranging spiritual autobiography and an annotated guide to what Carroll calls "The Map of Me." Beginning with an appreciation of "The Invisibles," those insignificant moments we overlook at our peril, "The Crow's Dinner" encompasses an extraordinary range of incidents, ideas, and images that cumulatively illuminate the inner and outer weather of a major American artist. This generous volume contains fragments of autobiography, reflections on the nature of creativity, vivid recreations of chance encounters, and provocative meditations on the complexityand unpredictabilityof human relationships. It is a book filled with colorful vignettes, unexpected bursts of whimsy, and observations filtered through an utterly unique sensibility. Witty, compassionate, open at all times to the "momentary magic" of existence, it is a work of singular beauty that is unlike anything you have ever read. Since the publication of his first novel, "The Land of Laughs," in 1980, Jonathan Carroll has repeatedly offered us new and startling ways of looking at our familiar world. With "The Crow's Dinner," he speaks to us in direct, unmediated fashion about the things that matter most: love, lust, books, dogs, food, friendshipand the transforming power of the imagination. The result is an intimate, one-of-a kind tour of a lively, unfettered mind. Like the best of Carroll's fiction, "The Crow's Dinner" is a book that matters.

The haunting story of a woman who desires “something more, as if something more had been promised her that was not yet given.” Vivian Carpentier, confined by her role as an upper class woman in the 1940s, gleans meaning only from erotic love. Troubled by the elusiveness of men, yet convinced that they run the world, she can barely conceal her desperation to entice. Struggling with motherhood and the failure of marriage, she takes jobs to bridge intervals between lovers. She sings in a hotel bar, sells dresses, and nurses her father’s friend through his last illness, hoping to atone for a self-centered life. The constant in Vivian’s life is her son, David. Having seen her worst and best moments, he provides her with consolation and a reason for living.

" Inspired by treasured family memoirs and musings, Susan J. Gordon' s work strikes a chord of connections in the hearts of her many readers. Many of her early childhood experiences were instrumental in shaping her lifelong love of writing. " Most of her pieces are about universal topics such as marriage, family life, parenting, being Jewish, family histories, and growing up in a family of divorce. Over the years, they were published in many well-known, popular magazines and newspapers. " ' Childhood is as fleeting as falling leaves,' Gordon says, ' and home is where we can find our way in the dark. There are no secrets in families-- just things no one wants to talk about. The past is always present, I believe, whether or not we are conscious of it.' " -- Anne Garry, former Managing Editor of Victoria " Gordon' s research on the historical context of relatives' lives, and her explorations of family secrets and myths are models for the genealogical community." -- Renee Steinig, genealogist and former president of the Jewish Genealogical Society of Long Island

Freaky families, fake Lovecrafts, literary sabotage, coffee-shop assassins, Eucharist-stealing monkeys, mediocre hauntings, discreet dystopias: FLAPPERHOUSE #11.

Nothing is as it seems at Wood Norton. A Zeppelin on a midnight flight over the English coast nearly crashes, leaving behind its observation car-and a Homberg hat. A mysterious stranger who appears from nowhere bearing news of Lady Cranston's brother, who languishes as a German prisoner of war. And Sir Henry Cranston, who refuses to come out of retirement at a time when his country is in need, but prefers instead to spend his time fishing. The fate of nations and of two lovers separated by war depends on discovering the secret of... The Zeppelin's Passenger!

From the Bill of Rights, freedom of speech, and civil rights to jazz, blues and country music, Nat Hentoff has written about American life for decades, in the Atlantic Monthly , the New Yorker , the Village Voice , the Wall Street Journal , and JazzTimes, among countless other publications. The New York Times has hailed Hentoff's work as "an invigorating and entertaining reminder of why freedom of expression matters." The Washington Post Book World has called Hentoff "an old-fashioned music lover who likes, as Charlie Parker once put it, 'to listen to the stories' that good music tells." Nat Hentoff is a legend.And now, for the first time, here are his most important writings of the past twenty years—the quintessential Hentoff on everything from Cardinal John O'Connor to Merle Haggard, racism and political correctness in the classroom to Lester Young, Dizzy Gillespie to the censorship of Huckleberry Finn. Controversial? You bet. Whatever the topic, The Nat Hentoff Reader shows a man of passion and insight, of streetwise wit and polished eloquence-a true American original.