"The Collapse of Chaos is the first post-chaos, post-complexity book, a groundbreaking inquiry into how simplicity in nature is generated from chaos and complexity. Rather than asking science's traditional question of how to break the world down into its simplest components, Jack Cohen and Ian Stewart ask something much more interesting: why does simplicity exist at all? Their story combines chaos and complexity and - surprisingly - derives simplicity from the interaction of the two." "The Collapse of Chaos is composed of two parts. The first half is a witty primer, a guided tour of the islands of Truth that have been mapped out by conventional science. This section provides a streamlined and accessible introduction to the central areas of modern science, including cosmology, quantum mechanics, the arrow of time, biological development, evolution, and consciousness. The unorthodox and adventurous second half dives into the Oceans of Ignorance that surround what is known. Educated by the first half to appreciate the subtler issues in the second, the reader is introduced to a novel and even heretical world where unconventional possibilities are explored through conversations with characters such as the Victorian computer scientist Augusta Ada Lovelace and - for the more outlandish scenarios - the alien inhabitants of the planet Zarathustra."--Jacket.

"Ressentiment" by Max Scheler delves into the psychological and philosophical underpinnings of resentment as a fundamental human emotion. Scheler explores how ressentiment arises in individuals who feel powerless and oppressed, leading to a moral inversion where they vilify the values of those they envy. This work is significant in understanding the dynamics of social relationships and the impact of feelings of inferiority on moral judgments. Scheler's insights into the nature of ressentiment provide a critical lens through which to examine personal and societal conflicts. *** In this book, Scheler also contrasts ressentiment with authentic values, emphasizing the importance of love and empathy in overcoming negative emotions. He argues that ressentiment can lead to destructive behaviors and societal decay, as it fosters a culture of blame and victimhood. By analyzing the roots of ressentiment, Scheler encourages readers to reflect on their own emotional responses and the broader implications for society. His philosophical approach invites a deeper understanding of how feelings of resentment can shape moral landscapes and interpersonal dynamics.

Pre-eminent author and art historian - Simon Schama has written widely on art for many years to great acclaim. In "Hang-Ups", a personal selection of his articles from, amongst others, The New Yorker, appears in Britain for the very first time. Brilliantly and lucidly written by one of the most singular voices in non-fiction, this volume of provocative and often idiosyncratic essays makes hugely satisfying reading for lovers of both art and social history. It contains pieces on artists as diverse as David Hockney, Rembrandt and Charles Rennie Mackintosh, and on such subjects as the 'unforgettable peculiarity' of Stanley Spencer. From the author whose writing has been called 'sublime' and whose ability to bring art and history vividly to life has earned him admiration worldwide, "Hang-Ups" is Schama's rallying cry for the art lover to look at familiar works of art and their artists - and embrace a new way of seeing.

The Wisdom of Love examines the seemingly contradictory claims of universalism and partisanship for the ethnic or racial Other. In discussions of topics ranging from the work of the Jewish philosopher Emmanuel Lävinas to the Dreyfus Affair of the 1890s to the contending positions of Right and Left in the recent culture wars in Europe and the Americas, Finkielkraut cautions against both an unreflective universalism and an equally inflexible advocacy of the Other. He argues instead that genuine respect for the Other is inseparable from calls for universal justice and equality. Rather than being opposites, otherness and universalism are, for Finkielkraut, inextricably bound to one another.

Considering such witnesses of the time as Shakespeare, Dante, Petrarch, Michelangelo, Machiavelli, Montaigne, More and Bacon, Agnes Heller looks at both the concept and the image of a Renaissance man. The concept was generalised and accepted by all; its characteristic features were man as a dynamic being, creating and re-creating himself throughout his life. The images of man, however, were very different, having been formed through the ideas and imagination of artists, politicians, philosophers, scientists and theologians and viewed from the different aspects of work, love, fate, death, friendship, devotion and the concepts of space and time. Renaissance Man thus stood as both as a leading protagonist of his time, one who led and formulated the substantial attitudes of his time, and as one who stood as a witness on the sidelines of the discussion. This book, first published in English in 1978, is based on the diverse but equally important sources of autobiographies, works of art and literature, and the writings of philosophers. Although she uses Florence as a starting point, Agnes Heller points out that the Renaissance was a social and cultural phenomenon common to all of Western Europe; her Renaissance Man is thus a figure to be found throughout Europe.

Happiness is within everyone's grasp and is only a matter of making the right choices. Taking destiny into one's own hands and having the creative audacity to strive, seek, and meet challenges is the essence of life's drama and exaltation. Life per se has no meaning; it only presents opportunity to be seized and acted upon, thus paving the way for personal achievement and the full life.Paul Kurtz, in Exuberance, shows his readers how to banish drudgery from life and how to find happiness in the active life. Drawing upon his personal experience, knowledge, and success, Kurtz explains his philosophy of life, discussing learning and work, pleasure, eroticism and sexuality, morality, the need for love and friendship, and participation in contemporary issues. He suggests that self-power, resourcefulness, daring, creativity, and intelligence help guide and control one's life in spite of the many obstacles along the way. Only the individual can initiate his own success and therefore can take pride in accomplishing what he sets out to do.Exuberance also shows the reader how to cope with an ambiguous world. Life is charged with unexpected events and bizarre happenings. It is filled with richly diverse and idiosyncratic characters. Constant effort and exertion is needed in making a living, meeting new friends, falling in love, raising children, seeing projects through, and coming to terms with old age and death. Dealing with these problems directly rather than fleeing from life's risks reinforces a person and leads him towards an exuberant, rich, zestful life.According to Dr. Kurtz, the fulfillment of one's own purpose is in creating one's own ends and expending the power and energy to attain them. Thus, life's great sin, he suggests, is being lazy and noncreative.

Paul Kurtz has been the dominant voice of secular humanism over the past thirty years. This compilation of his work reveals the scope of his thinking on the basic topics of our time and his many and varied contributions to the cause of free thought. It focuses on the central issues that have concerned Kurtz throughout his career: ethics, politics, education, religion, science, and pseudoscience. The chapters are linked by a common theme: the need for a new enlightenment, one committed to the use of rationality and skepticism, but also devoted to realizing the highest values of humanist culture. Many writings included here were first published in magazines and journals long unavailable. Some of the essays have never before been published. They now appear as a coherent whole for the first time. Also included is an extensive bibliography of Kurtz's writings. Toward a New Enlightenment is essential for those who know and admire Paul Kurtz's work. It will also be an important resource for students of philosophy, political science, ethics, and religion. Among the chapters are: "Humanist Ethics: Eating the Forbidden Fruit"; "Relevance of Science to Ethics"; "Democracy without Theology"; "Misuses of Civil Disobedience"; "The Limits of Tolerance"; "Skepticism about the Paranormal: Legitimate and Illegitimate"; "Militant Atheism vs. Freedom of Conscience"; "Promethean Love: Unbound"; "The Case for Euthanasia"; and "The New Inquisition in the Schools."

Professor C. G. Hempel (known to a host of admirers and friends as 'Peter' Hempel) is one of the most esteemed and best loved philosophers in the If an Empiricist Saint were not somewhat of a Meinongian Impos world. sible Object, one might describe Peter Hempel as an Empiricist Saint. In deed, he is as admired for his brilliance, intellectual flexibility, and crea tivity as he is for his warmth, kindness, and integrity, and does not the presence of so many wonderful qualities in one human being assume the dimensions of an impossibility? But Peter Hempel is not only possible but actual! One of us (Hilary Putnam) remembers vividly the occasion on which he first witnessed Hempel 'in action'. It was 1950, and Quine had begun to attack the analytic/synthetic distinction (a distinction which Carnap and Reichenbach had made a cornerstone, if not the keystone, of Logical Em piricist philosophy). Hempel, who is as quick to accept any idea that seems to contain real substance and insight as he is to demolish ideas that are empty or confused, was one of the first leading philosophers outside of Quine's immediate circle to join Quine in his attack. Hempel had come to Los Angeles (where Reichenbach taught) on a visit, and a small group consisting of Reichenbach and a few of his graduate students were gath ered together in Reichenbach's home to hear Hempel defend the new posi tion.

"The term ars erotica refers to the styles and techniques of lovemaking with the honorific title of art. But in what sense are these practices artistic and how do they contribute to the aesthetics and ethics of self-cultivation in the art of living? In this book, Richard Shusterman offers a critical, comparative analysis of the erotic theories proposed by the most influential premodern cultural traditions that shaped our contemporary world. Beginning with ancient Greece, whose god of desiring love gave eroticism its name, Shusterman examines the Judaeo-Christian biblical tradition and the classical erotic theories of Chinese, Indian, Islamic, and Japanese cultures, before concluding with medieval and Renaissance Europe. His exploration of their errors and insights shows how we could improve the quality of life and love today. By using the engine of eros to cultivate qualities of sensitivity, grace, skill, and self-mastery, we can reimagine a richer, more positive vision of sex education"--

"The term ars erotica refers to the styles and techniques of lovemaking with the honorific title of art. But in what sense are these practices artistic and how do they contribute to the aesthetics and ethics of self-cultivation in the art of living? In this book, Richard Shusterman offers a critical, comparative analysis of the erotic theories proposed by the most influential premodern cultural traditions that shaped our contemporary world. Beginning with ancient Greece, whose god of desiring love gave eroticism its name, Shusterman examines the Judaeo-Christian biblical tradition and the classical erotic theories of Chinese, Indian, Islamic, and Japanese cultures, before concluding with medieval and Renaissance Europe. His exploration of their errors and insights shows how we could improve the quality of life and love today. By using the engine of eros to cultivate qualities of sensitivity, grace, skill, and self-mastery, we can reimagine a richer, more positive vision of sex education"--

The idea and practice of sacrifice play a profound role in religion, ethics, and politics. In this brief work, philosopher Moshe Halbertal explores the meaning and implications of sacrifice, developing a theory of sacrifice, ritual, violence, and love.

"Everyone is fascinated by crime." "When you look at the history of song, romantic love songs may be the dominant mode of songwriting, but second would probably be songs involving crime--murder ballads, political protest songs; crime is a major theme in all songwriting," says Harper Simon. He offers a new and expansive contribution to this legacy with Meditations on Crime , an ambitious multi-media project that includes an album he produced of musical collaborations with a sweeping range of contributors (Julia Holter, Gang Gang Dance, King Khan, the Sun Ra Arkestra) and a book he edited featuring essays by such notables as Miranda July, Hooman Majd, and Jerry Stahl, alongside artwork from giants like Cindy Sherman, Tracey Emin, Julian Schnabel, and Raymond Pettibon. The genesis of Meditations on Crime came in 2016 as the confluence of several ideas. Simon was interested in collaborating with musicians he knew and admired, to create a vinyl LP with an accompanying book--"a beautiful physical object to stand outside the digital world." Given what America was going through during that particular election year, though, he also thought it was a time that called for something more politically charged. Meditations on Crime --if you get down to it, crime is politics and politics is crime, so crime can go a lot of different ways. It seemed to be a way of approaching the moment that was a little more subtle and left space to explore." The songs were developed in a variety of ways: Sometimes Simon sent his collaborators guitar tracks or demos he was working on and had them write over that, sometimes he collaborated on lyrics. On the Sun Ra Arkestra track, he composed melodic themes and went to the group's home base of Philadelphia with the legendary producer Hal Willner, where they fleshed out two songs (Willner passed away in 2020 from Covid; "to have that creative moment with him makes it really touching for me," says Simon. As he reached out to more musicians ("I kind of just went with my gut, and one person led to the next"), Simon retained a consistent backing band for most of the tracks to keep some cohesion. He played most of the guitars, with Paz Lenchantin from the Pixies on bass and Carla Azar, who has played with everyone from Jack White to PJ Harvey to The Who, on drums, as well as members of Ariel Pink's band and Nick Zinner from the Yeah Yeah Yeah's. For the book, Simon points to "On Crime," the essay by Nigerian novelist and poet Ben Okri, as a central piece. "It almost felt like an introduction because it was so philosophical," he says. "It really set the tone and the book started to become less political and more interesting. Once that tone was set, you could go to this beautiful essay on war crimes by Janine di Giovanni, the famous foreign correspondent. You could see it go to a humorous piece by Jerry Stahl or an interview with Kenneth Anger. Wayne Kramer from the MC5 has a foundation called Jail Guitar Doors that brings musical instruments and songwriting to prisoners, and has spent time in prison himself, so I thought he would have an interesting perspective."

Drawing on the riches of the Western tradition, Anthony T. Kronman defends a humane conservativism for our enlightened age "Rigorous and philosophically demanding, Kronman's book invites principled argument from every side."-- Kirkus Reviews As the party of the left has grown more strident, its conservative critics have responded in kind. Each year conservatives do a poorer job of defending their position as a citadel of human values without lapsing into an angry assault on ideals that they and progressives share. It becomes harder to see the enduring appeal of a true conservatism that celebrates the worth of custom and inheritance; the splendor of what is excellent and rare; the expansive solidarity of our friendship with the dead; and the dignity, indeed necessity, of our longing for a connection to the eternal and divine--while affirming that these timeless human goods are compatible with the modern ideals of equality, toleration, and reasoned argument. In this bracing book, Anthony Kronman defends a conservative philosophy of life that respects our enlightened ideals but decries the damage their arrogant simplification causes in our moral, political, and spiritual lives. Drawing on the work of Aristotle, Cicero, Spinoza, Burke, Hume, Madison, Tocqueville, Lincoln, Arendt, Heidegger, and others, he argues that humanism is conservatism, today as in the past. He reminds us that our humbling parameters make possible every form of human greatness, every human glory, every human love worthy of the name.

When we talk about education today, we tend to avoid the rhetoric of "mastery," with its erotic and inegalitarian overtones. But the charged personal encounter between master and disciple is precisely what interests George Steiner in this book, a sustained reflection on the infinitely complex and subtle interplay of power, trust, and passions in the most profound sorts of pedagogy. Based on Steiner's Norton Lectures on the art and lore of teaching, Lessons of the Masters evokes a host of exemplary figures, including Socrates and Plato, Jesus and his disciples, Virgil and Dante, Heloise and Abelard, Tycho Brahe and Johann Kepler, the Baal Shem Tov, Confucian and Buddhist sages, Edmund Husserl and Martin Heidegger, Nadia Boulanger, and Knute Rockne. Pivotal in the unfolding of Western culture are Socrates and Jesus, charismatic masters who left no written teachings, founded no schools. In the efforts of their disciples, in the passion narratives inspired by their deaths, Steiner sees the beginnings of the inward vocabulary, the encoded recognitions of much of our moral, philosophical, and theological idiom. He goes on to consider a diverse array of traditions and disciplines, recurring throughout to three underlying themes: the master's power to exploit his student's dependence and vulnerability; the complementary threat of subversion and betrayal of the mentor by his pupil; and the reciprocal exchange of trust and love, of learning and instruction between master and disciple. Forcefully written, passionately argued, Lessons of the Masters is itself a masterly testament to the high vocation and perilous risks undertaken by true teacher and learner alike.

Presence and Immortality brings Marce's philosophy to light as a search, “a finding one’s way,” an endeavor which achieves a profound unity despite the seemingly haphazard nature of its process. The diary excerpts—Metaphysical Journals—offer a broad overview of the central features of Marcel’s thought and serve as the backdrop for the title essay, which takes up a problem central to the human experience: the death of a loved one. The volume’s concluding element, the unfinished play entitled The Unfathomable, emphasizes the profound connection between drama and philosophy in the mind of Marcel. Through its series of introspective, impressionistic reflections on life and death, Presence and Immortality offers significant insight into the multiform themes and variations of Marcel’s philosophy.

Explore the foundations of modern thought with Charles S. Peirce's "Chance, Love, and Logic: Philosophical Essays." This collection showcases Peirce's groundbreaking contributions to philosophy, logic, and metaphysics, revealing the roots of pragmatism and semiotics. Peirce, a pivotal figure in American intellectual history, delves into the nature of scientific inquiry, the role of chance in the universe, and the power of love as a cosmic principle. These essays offer a window into Peirce's complex and influential ideas, demonstrating his commitment to rigorous reasoning and his innovative approach to understanding the world. Spanning a range of topics central to philosophical discourse, "Chance, Love, and Logic" presents Peirce's enduring insights in a clear and accessible manner. Perfect for anyone interested in the history of philosophy, the development of logic, or the intersection of science and metaphysics, this volume is a valuable resource for both students and seasoned scholars. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Hamlet tells Horatio that there are more things in heaven and earth than are dreamt of in his philosophy. In Double Vision , philosopher and literary critic Tzachi Zamir argues that there are more things in Hamlet than are dreamt of--or at least conceded--by most philosophers. Making an original and persuasive case for the philosophical value of literature, Zamir suggests that certain important philosophical insights can be gained only through literature. But such insights cannot be reached if literature is deployed merely as an aesthetic sugaring of a conceptual pill. Philosophical knowledge is not opposed to, but is consonant with, the literariness of literature. By focusing on the experience of reading literature as literature and not philosophy, Zamir sets a theoretical framework for a philosophically oriented literary criticism that will appeal both to philosophers and literary critics. Double Vision is concerned with the philosophical understanding induced by the aesthetic experience of literature. Literary works can function as credible philosophical arguments--not ones in which claims are conclusively demonstrated, but in which claims are made plausible. Such claims, Zamir argues, are embedded within an experiential structure that is itself a crucial dimension of knowing. Developing an account of literature's relation to knowledge, morality, and rhetoric, and advancing philosophical-literary readings of Richard III, Macbeth, Romeo and Juliet, Othello, Antony and Cleopatra, Hamlet , and King Lear , Zamir shows how his approach can open up familiar texts in surprising and rewarding ways.

These two essays by Raïssa Maritain-"Sense and Non-Sense in Poetry" and "Magic, Poetry, and Mysticism"-comprise an often forgotten but significant contribution to Catholic letters. Maritain considers the way true poetry always transcends its "logical sense" in order to convey a "poetic sense." Poetry is a human thing, but it stirs the human beyond mere "logic" in the direction of the divine. In his introduction, James Matthew Wilson explains that, "Poetry is the fruit of a contact of the spirit with reality, which is in itself ineffable, and with the source of reality, which we believe to be God himself in that movement of love which causes him to create images of his beauty." While the poet might be prayerful and the mystic might wax poetic, there is a "fundamental difference which separates the poetic experience from the mystical experience: while the poet progresses toward the Word, the mystic tends toward Silence." As Raïssa Maritain expounds, mystics may be moved to describe their heightened experiences, but for them this "expression is not a means of completing the experience." For the furnishing of her interior castle, a mystic like St. Teresa of Avila needs no speech; her talk, the record she left us of the "prayer of quiet," is "only a result of superabundance, a generous attempt at communication." The poet, on the contrary, cannot do without words. They are the vital stuff of his service to the world. Albert Béguin corroborates Maritain's conclusion, contending that "whatever value one attributes to the poetic act, it remains an act submitted to the necessity of form. It ends at the word." On the other hand, the poetic word points beyond language, ever striving for a fuller communion with reality and its Maker. Inhabiting the tensions between sense and nonsense, poetry and mysticism, articulation and its absence, Maritain manifests the hidden mysteries at the heart of all poetry worthy of the name.

Most American young people, like their ancestors, harbor desires for a worthy life: a life of meaning, a life that makes sense. But they are increasingly confused about what such a life might look like, and how they might, in the present age, be able to live one. With a once confident culture no longer offering authoritative guidance, the young are now at sea--regarding work, family, religion, and civic identity. The true, the good, and the beautiful have few defenders, and the higher cynicism mocks any innocent love of wisdom or love of country. We are supercompetent regarding efficiency and convenience; we are at a loss regarding what it's all for. Yet because the old orthodoxies have crumbled, our "interesting time" paradoxically offers genuine opportunities for renewal and growth. The old Socratic question "How to live?" suddenly commands serious attention. Young Americans, if liberated from the prevailing cynicism, will readily embrace weighty questions and undertake serious quests for a flourishing life. All they (and we) need is encouragement. This book provides that necessary encouragement by illuminating crucial--and still available--aspects of a worthy life, and by defending them against their enemies. With chapters on love, family, and friendship; human excellence and human dignity; teaching, learning, and truth; and the great human aspirations of Western civilization, it offers help to both secular and religious readers, to people who are looking on their own for meaning and to people who are looking to deepen what they have been taught or to square it with the spirit of our times.