Would you risk everything for love? Bestselling children's book writer Angelica is amused and flattered at the attention of Jack, the owner of a vineyard in South Africa, whom she meets at a dinner party. With his easy charm and reputation as a ladies' man, Jack makes her feel good about herself -- surely it can't do any harm to indulge in a mild email flirtation? After all, she wouldn't risk her stable marriage and the happiness of her children. But things don't stop there, and when Angelica is sent to Cape Town for a book tour, the affair begins in earnest.

Each bilingual volume in The Defiant Muse series includes 60 to 80 poems by both well-known and rediscovered poets, selected on the basis of their individual merit and as illustrations of the evolution of feminist thought and feeling. Reflecting their own cultural milieus as well as enduring themes, the poets write of love and friendship, revolution and peace, religion, nature, isolation, work, and family. The Dutch, French, German, and Italian volumes represent their respective countries; the Hispanic volume includes poems from the many Spanish-speaking nations; and the Hebrew volume encompasses writing in Hebrew from around the world. The poems are presented in their original languages alongside English translations. Each volume includes an introduction, placing the poetry in historical and aesthetic perspective, and full biographical and bibliographical notes on the poets.

Women and the Comics is the first attempt to document the careers of the hundreds of women who have created and worked in the field of comic strips, comic book and cartooning. The women whose work is showcased in this book have been long overlooked or ignored by most other histories of comics. In this volume you'll encounter the art of Rose O'Neill, whose Kewpies popularity spans over 70 years; Nell Brinkley, whose "Brinkley Girl" was just as famous in her day as Gibson's; Grace Drayton, whose lovely drawings gave the Campbell Kids life; the "flapper" artists of the 1920s; Dale Messick, creator of Brenda Starr; Martha Orr, who originated Mary Worth; the once anonymous female comic book artists of the 1940s; newspaper strip creators Marty Links (Bobby Sox), Cathy Guisewite (Cathy) and Lynn Johnston (For Better or For Worse); and the many women who write and draw today's most popular comic books. A special chapter surveying female cartoonists in Europe, Japan, and Australia is also included. Women and the Comics is a landmark book, the result of four years of research by Catherine Yronwode and Trina Robbins. It is a reference source designed to serve future generations interested in discovering the contributions women have made to America's most popular art form.

Jenny Joseph is known mainly as the author of Warning, her internationally renowned dramatic monologue in which a middle-aged character talks of her fantasies of old age. But when Jenny was first published in the 1950s she was most admired for the wit of her precision with words in service to a memorable lyric style. Over the more than 60 years in which she has been exploring a wide range of literary forms, new ways of telling stories in prose and verse, introducing cadences of common speech into the lyrical movement of her verse, creating characters who tell their own stories, she has always written what she thinks if as songs . For this new book she has brought back some of those best-loved early love poems to make an entirely fresh combination with previously uncollected poems, and some very new poems published here for the first time. This new collection shows that Jenny Joseph s ability to convey the experiences of a thinking heart is in no way diminished."

"It's a passionate rush of language, hope in a hard time, truth in the middle of lies. This poetry sparks and burns with the hidden language and stories of women" -Minnie Bruce Pratt Judith Arcana, a reproductive rights activist formerly involved in Chicago's pre-Roe v. Wade underground abortion service, imbues her poetry, fiction and essays with the same ferocity, humor and passion that informs her activism. As Grace Paley wrote, "What I love about this important book is how the work Judith began in Chicago years ago has deepened in poetry and prose with love for the lives of women." In light of the leaked 2022 decision regarding Roe, it's more important than ever that we examine and promote reproductive rights and justice. Judith has been a tireless fighter on this front for decades. Hello. This is Jane. was published on the 48th anniversary of her 1972 arrest as one of the "Abortion 7," which directly inspired the pieces in the collection. Hard to believe that 50 years later, we're now in danger of losing the progress she and so many others fought so hard for. Previously Judith tackled the topics in poetry, with What if your mother, first released in 2005. Note that this 2nd edition of the book includes an updated preface. "The title poem ... should be made into a poster and pinned up on the wall in every clinic in the United States." -Peter Bours, MD, longtime abortion provider

Poet Loiterer is D.L. Lang's fifth poetry book. This 180 page collection features nature poems, protest poems, spiritual poems, and story poems. "Lang's themes include wanderlust, love for nature (and especially hiking in the California hills), religious devotion, paying the bills versus living the artist's life, and transforming from a passive pacifist to an activist. "You gave me lungs, / so that I might breathe peace" expresses forthright praise to God in "What You Created," and elsewhere, verse expresses delight in Jewish practice: "There's music and Torah both running through my soul," she observes--a quirky combination that brings to mind a Jewish Janis Joplin. In the satirical "Doves in Season," the traditional peace symbol is being hunted. "Fear not the rocking boat," another poem advises, encouraging readers to question racism, capitalism, and America's reliance on weapons. There's "More than one way to be an American," the poem "Headline Antidote" insists; indeed, this collection imagines a peaceful, joyful future America." -- Kirkus Reviews

Carole Balin introduces us to dozens of Jewish women writers from late nineteenth- and early twentieth- century Tsarist Russia, focusing on five who were among the most prolific. Their extant literary remains include not only fiction, poetry, drama, translations, and essays, but also memoirs, autobiographies, diaries, and letters. Balin contextualizes the works of each within the culture in which she lived and wrote. Miriam Markel-Mosessohn (1839-1920) toiled to advance the goals of the Russian Haskalah (Enlightenment), translated German works into Hebrew, tried her hand at poetry, and became a foreign correspondent for a Hebrew newspaper at the age of 48. Hava Shapiro (1879-1943) published short stories and newspaper articles in Hebrew, earned a doctorate at the University of Berne, and was an active participant in the writing circle convened at the Warsaw home of Y. L. Peretz. Rashel Mironovna Khin (1861-1928) wrote numerous short stories and plays in Russian, two of which were staged at Moscow's Malyi Theater. Feiga Israilevna Kogan (1891-1974) composed books of Symbolist poetry in Russian while harboring a love of Hebrew, which she nurtured at the Society for Lovers of the Hebrew Language. Sofia Dubnova-Erlikh (1885-1986) was the daughter of historian Simon Dubnov, the wife of socialist Genrikh Erlikh, and an accomplished poet, essayist, biographer, and political activist in her own right. The life-like and touching portraits that emerge of these talented writers allow us a penetrating view of Jewish women within their Russian-Jewish milieu that is far more nuanced than the images of housewife and revolutionary currently held in collective Jewish memory. The lives and works of these women help to tell a larger story of Jewish cultural history in the Russian Empire.

A captivating collection of poems that explore the themes of love, nature, and the human condition through vivid and evocative imagery. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

A fantastic essayist, the inimitable Muriel Spark addresses here the writing life, cats, favorite writers (the Brontës, T. S. Eliot, Robert Burns, Mary Shelley), love, Piero della Francesca, life in wartime London and in glamorous "Hollywood-on-the-Tiber" 1960s Rome, faith, and parties (on her first New Year's Eve, as a baby sipping her mother's sherry: "I always loved a party"). No one was as "fearless and original" (TLS) as Muriel Spark, who believed that "art is an act of daring." Here she glides from the mysteries of Job's sufferings to Dame Edith Sitwell's cocktail advice about how to handle a nasty publisher: "'My dear, ' she said, 'you must acquire a pair of lorgnettes, make an occasion to see that man again, focus the glasses on him and sit looking at him through them as if he was an insect. Just look and look.'"

Luisa Futoransky is a poet of lived experience above all, though not hers alone; other voices inhabit the work, whether of friends, lovers, fellow travellers (people she met or figures from history and literature). Like her fiction, the poetry employs a direct language rooted in anecdote and reflection, while sometimes delighting in playful experimentalism. Hers are mosaic narratives, made of pieces, fragments. Something else to notice in Nettles is her flair for the theatrical, especially acute when she writes in shorter forms. Surely her studies of opera helped to hone her instinct for the dramatic gesture. But to think that we start in Rome with this book only to end up in Ohio. That is some sense of humour.

Incandescent poems about living and aging—about being awake in this young century—by one of our most moving and eloquent poets. These poems chart the journeys of sleepless nights when whole lifetimes seem to pass with their stories: loves lost and gained; children and seasons in their phases; and the world beyond, both threatening and enriching life. The time before sleep acts as an invitation to reflect on the world's quieter movements—from gardens heavy after a first storm to the moon slipping into darkness in an eclipse—as well as on the subtle but relentless passage of time. Insomnia embodies Linda Pastan's graceful and iconic voice, both lucid and haunting.

This new bilingual edition of Rosalind Resnick's poetry celebrates her life, loves and adventures in New York and Italy. For romantics everywhere!

A musical phrase, a dream image, the absence of a lover, fragments of conversation with friends, an atrocity, the fragility and infinite mutability of words . . . each of the 71 poems in this collection proliferates around its transient nucleus. Like cells in a body, they are dynamic repositories of the past, sites for the breakdown and synthesis of experience, receptors and translators of self-generated and external messages. The immediate setting of the poems is Europe, a continent of many languages, whose borders can be porous or impenetrable depending on who wants to cross them. A truly heterogeneous space, whose land- and mindscapes remain deeply scarred - but also nourished - by the events and concepts of not only the twentieth century. Although the poems in this book written over a period of four years are distinguished by annually changing forms, they have been arranged not chronologically but calendrically.