A personal memoir by Eizenstat, who served under President Carter in several capacities, including secretary of state on Holocaust issues, relating his experiences in negotiations with governments of and/or business representatives from Switzerland, Austria, France, and Germany to pay compensation to Holocaust victims or their heirs for looted property and for suffering (slave labor) under the Nazis. Swiss gold, stolen art, and other stolen property of individuals and communities were finally repaid through agreements reached or encouraged by U.S. class-action suits. In addition to the "imperfect justice" of financial recompense, notes the moral success of furthering the truth and inspiring international efforts at Holocaust education. also discusses the author's role in helping establish the U.S. Holocaust Memorial Museum.

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In this alternately humorous and horrifying memoir, a Jewish father shleps his reluctant children around Europe on a hard-charging tour of Holocaust sites and memorials in order to impress on them the profound evil of Hitler’s war against the Jews and the importance of combatting genocide. In 2017, renowned author and celebrity rabbi, Shmuley Boteach, decided to take his family on a European holiday. But instead of seeing the sights of London or Paris, he took his reluctant—and at times complaining—children on a harrowing journey though Auschwitz, Treblinka, Warsaw, and many other sites associated with Hitler’s genocidal war against the Jews. His purpose was to impress upon them the full horror of the Holocaust so they would know and remember it deep in their bones. In the process, he and his children learn a great deal about the scope and nature of the European genocide and the continuing effects of global hatred and anti-Semitism. The resulting memoir is an utterly unique blend of travelogue, memoir and history—alternately fascinating, terrifying, frustrating, humorous, and tragic. “It is my honor to contribute a foreword to his important book, in which Rabbi Shmuley Boteach details the excruciating journey he took with his wife and children in the summer of 2017 to the killing fields of Europe, a pilgrimage which every person of conscience should attempt at least once in their lifetime. It is our universal obligation to dedicate ourselves to the memory of the martyred six million, just as it is our obligation to confront and defeat genocide wherever it rises.” —From the foreword by Amb. Georgette Mosbacher

A tragic family history told in a collection of imaginary letters to a famed collector, Moïse de Camondo. 63 rue de Monceau, Paris Dear friend, As you may have guessed by now, I am not in your house by accident. I know your street rather well. Count Moïse de Camondo lived a few doors away from Edmund de Waal’s forebears, the Ephrussi, first encountered in his bestselling memoir, The Hare with Amber Eyes . Like the Ephrussi, the Camondos were part of belle epoque high society. They were also targets of antisemitism. Camondo created a spectacular house and filled it with the greatest private collection of French eighteenth-century art for his son, Nissim, to inherit. But when Nissim was killed in the First World War, it became a memorial and, upon the Count’s death, was bequeathed to France. The Musée Nissim de Camondo has remained unchanged since 1936. De Waal explores the lavish rooms and detailed archives and uncovers new layers to the family story. In a series of haunting letters addressed to the Count, he tells us what happened next.

Renaissance military memoirs studied for what they reveal of contemporary attiudes towards war, selfhood and identity.

The Kaisers were only in power for less than fifty years, but their reigns would shape the fate of Europe forever… There were only three Kaisers, and their reigns lasted for less than fifty years. Yet their time on the throne was marked by drama, turbulence, and a bloody impact upon the lives of millions. The short lived Second Reich born out of the Franco-Prussian War of 1870 and defeated on the Western Front in 1918 is without parallel. The Kaisers is the story of six people whose influence changed the world. Wilhelm I, Frederick II, Wilhelm II and their wives had huge control over the recently unified Germany. They were military minded, autocratic men who, caught in bitter, almost continual conflict, found themselves on an inevitable path to destruction. The Kaisers is a comprehensive study of the rise and fall of the House of Hohenzollern that shows the light and shade of the Kaisers as well as explaining why they are perhaps deserving of our understanding and compassion. Praise for Theo Aronson: 'A lively and eminently readable book' - The Teacher 'An engrossing piece of almost contemporary history' - Homes & Gardens 'A vivid evocation of the lives and characters of the personalities involved' - The Observer Theo Aronson is the author of over twenty works of royal historical biography, published in eleven languages. Among the widely read are Grandmama of Europe, The King in Love, Napoleon and Josephine and a biography of Princess Margaret. In the course of researching and writing these books he has interviewed major and minor members of Britain’s royal family and members of the royal households, as well as various officials, servants, friends and others whose lives are in some way connected with the monarchy.

From her political awakening as a high school student in tsarist-occupied Poland until her murder in 1919 during the German revolution, Rosa Luxemburg acted and wrote as a proletarian revolutionist. Rosa Luxemburg Speaks takes us inside the political battles between revolution and class collaboration that still shape the modern workers movement.

The Life of Benito Mussolini is a comprehensive biography of the Italian fascist dictator written by Margherita G. Sarfatti. The book covers Mussolini's early life, his rise to power, and his eventual downfall. Sarfatti, who was a close friend and advisor to Mussolini, offers unique insights into his personality and political philosophy. The biography explores Mussolini's role in World War II, his alliance with Nazi Germany, and his ultimate defeat and execution. Sarfatti also delves into Mussolini's personal life, including his relationships with women and his family. The Life of Benito Mussolini is a detailed and informative account of one of the most controversial figures in modern history.1925. Translated by Frederic Whyte. A pro-Fascist biography of the life and, pre-WWII, pre-Hitler alliance, political career of Mussolini. Towards the end of the Preface, Mussolini writes: my life is to be found recorded-at least, such part of it as can be made known, ...it is no great affair-my life. There is nothing extraordinary in it to capture the imagination. No victorious wars, no out-of-the-way adventures. No creations of new systems of thought. It is a life full of movement, certainly, but it is a less interesting life, ...It is possible that the future may modify these proportions-it may reduce or increase them. But with this my biographers of tomorrow will have to do.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original wor

A critical biography drawn from the author's letters, notebooks, memoirs and fiction.

For fans of Lorna Sage and Paula Fox, a unique memoir from Irma Kurtz, the acclaimed author of 'The Great American Bus Ride' and internationally renowned agony aunt. "A girl of indisputable gifts, she should of course use them someday to make a beautiful home and raise a family in elegant surroundings..." School psychologist's report on Irma Kurtz, 1950. In 1954 eighteen-year-old Irma Kurtz left New Jersey to travel across Europe, intent on transforming herself and changing the world. She looked to the Old World for an alternative destiny to that mapped out by the traditional expectations at home. On her post-war Grand Tour she found what she believed in: Art and Culture and Beauty and Love, and some horror as a Jewish girl encountering the seat of much of her family's destruction. Years later, sifting through a cardboard box filled with memories at her mother's house, she rediscovered the journal of her first journey, the one that marked the beginning of a life of writing and living abroad. Gripped by intense recollections of sailing across the Atlantic, and intrigued by the exuberant remarks of her adventurous younger self, she decided to leave her London home and retrace her footsteps, this time with herself as a guide. Testing her theory that older women are invisible, Kurtz's journey is peppered with acute observations of human behaviour, not to mention some sharp advice for her ghostly travel companion, a teenager who thinks she knows it all, yet is blind to what lies ahead of her. Part-memoir, part-travelogue, this unique book contrasts the experience of two very different travellers, offering an insight into what has endured, and what has been lost, in the life of one woman and the altered environment of Europe at the dawn of a new millennium. Beautifully written, moving and funny, Then Again is time-travel at its best, revealing the pains and pleasures of growing older and wiser.

"ART BUCHWALD DOES IT AGAIN. . . . A GREAT READ." --Larry King, USA Today In 1948, an American innocent named Art Buchwald set sail for Paris, France, determined to crash Hemingway's moveable feast and make himself famous. What's more, he did it. Now he remembers those golden years--when he wrote for the Paris Herald Tribune, fell in love, spoofed Hemingway, dined with gangsters, and crashed costume balls in Venice. Everything that has made Buchwald one of the world's best-loved writers is in this funny, enchanting, poignant book. "HONEST AND MOVING . . . A CONSUMMATE STORYTELLER." --The New York Times Book Review "ROLLICKING . . . The book gallops and gambols along. . . . Buchwald is a master of the anecdote." --The Baltimore Sun

Napoleon III, being accused on one occasion of having nothing of the Great Napoleon about him, replied with as much exasperation as wit, that he did, on the contrary, have his relations. This book is a domestic chronicle of the incredible Bonaparte family, a greedy, amorous, quarrelsome and hot-blooded Corsican clan who provided nineteenth-century Europe — and America — not only with two French emperors but also with a dazzling assortment of pretenders and parvenus, statesmen and eccentrics, great ladies and adventurers. Plumped onto the thrones of Europe by the career of Napoleon I, who probably took better care of his family than any other conqueror in history, the Bonapartes survived the wreck of the two empires they ruled, buzzing around the honeypots of the continent with all the persistence of the imperial bees of Napoleon's crest. This is a personal history, not a political one. It is the family, with its eccentricities, vulgarities and fascinations manifesting themselves in generation after generation, which holds the centre of the stage. The great political, economic and military events of the time are heard dimly as 'noises off'. Napoleon I himself appears as a son, brother, husband, father and above all as the founder of a dynasty, rather than as a great public figure. Theo Aronson paints this family portrait with a wealth of detail based on many years of research with historical documents and original records, letters, memoirs and family diaries. Praise for The Golden Bees: ‘A very considerable feat… a long, comfortable, easy-going sort of narrative full of tit-bits of information, stuffed with anecdotes’ - Observer ‘This is a hugely entertaining book. Neither biography nor history; but a mixture of both.… All lovers of royal gossip, of sprightly anecdotes and of the scandal and personal drama of history should delight in it’ - New York Times Theo Aronson is the author of over twenty works of royal historical biography, published in eleven languages. Among the widely read are Grandmama of Europe, The King in Love, Napoleon and Josephine and a biography of Princess Margaret. In the course of researching and writing these books he has interviewed major and minor members of Britain’s royal family and members of the royal households, as well as various officials, servants, friends and others whose lives are in some way connected with the monarchy.

'This war', wrote Winston Churchill to King George VI at the height of the Second World War, 'has brought throne and people closer together than was ever before recorded.' Here is a full and fascinating account of that coming together. It is a study of the contribution made not only by George VI and his redoubtable Queen, but also by the entire royal family during those turbulent years, and of how that contribution strengthened and popularized the monarchy. This is a family saga; an account of the lives, as much private as public, of all the diverse members of what George VI called 'The Firm'. Together with the tireless efforts of the King and Queen, it deals with such aspects as the Duke of Windsor's flirtation with fascism, the mysterious death of the Duke of Kent, the activities of the Athlones in Canada and the Gloucesters in Australia, and the imprisonment of the Princess Royal's eldest son, Viscount Lascelles. Occasionally tragic, often amusing, always interesting, The Royal Family at War is a richly detailed panorama of the monarchy in one of its finest hours. Theo Aronson is the author of over twenty works of royal historical biography including Grandmama of Europe, The King in Love, Napoleon and Josephine and a biography of Princess Margaret. In the course of researching and writing these books he has interviewed major and minor members of Britain’s royal family and members of the royal households, as well as various officials, servants, friends and others whose lives are in some way connected with the monarchy.

A Russian biography of Krushchev, containing new information on his private and political life.

The French political philosopher Raymond Aron once observed that the twentieth century "could have been Germany's century." In 1900, the country was Europe's preeminent power, its material strength and strident militaristic ethos apparently balanced by a vital culture and extraordinary scientific achievement. It was poised to achieve greatness. In Einstein's German World, the eminent historian Fritz Stern explores the ambiguous promise of Germany before Hitler, as well as its horrifying decline into moral nihilism under Nazi rule, and aspects of its remarkable recovery since World War II. He does so by gracefully blending history and biography in a sequence of finely drawn studies of Germany's great scientists and of German-Jewish relations before and during Hitler's regime. Stern's central chapter traces the complex friendship of Albert Einstein and the Nobel Prize-winning chemist Fritz Haber, contrasting their responses to German life and to their Jewish heritage. Haber, a convert to Christianity and a firm German patriot until the rise of the Nazis; Einstein, a committed internationalist and pacifist, and a proud though secular Jew. Other chapters, also based on new archival sources, consider the turbulent and interrelated careers of the physicist Max Planck, an austere and powerful figure who helped to make Berlin a happy, productive place for Einstein and other legendary scientists; of Paul Ehrlich, the founder of chemotherapy; of Walther Rathenau, the German-Jewish industrialist and statesman tragically assassinated in 1922; and of Chaim Weizmann, chemist, Zionist, and first president of Israel, whose close relations with his German colleagues is here for the first time recounted. Stern examines the still controversial way that historians have dealt with World War I and Germans have dealt with their nation's defeat, and he analyzes the conflicts over the interpretations of Germany's past that persist to this day. He also writes movingly about the psychic cost of Germany's reunification in 1990, the reconciliation between Germany and Poland, and the challenges and prospects facing Germany today. At once historical and personal, provocative and accessible, Einstein's German World illuminates the issues that made Germany's and Europe's past and present so important in a tumultuous century of creativity and violence.

The Book Smugglers is the nearly unbelievable story of ghetto residents who rescued thousands of rare books and manuscripts--first from the Nazis and then from the Soviets--by hiding them on their bodies, burying them in bunkers, and smuggling them across borders. It is a tale of heroism and resistance, of friendship and romance, and of unwavering devotion--including the readiness to risk one's life--to literature and art. And it is entirely true. Based on Jewish, German, and Soviet documents, including diaries, letters, memoirs, and the author's interviews with several of the story's participants, The Book Smugglers chronicles the daring activities of a group of poets turned partisans and scholars turned smugglers in Vilna, "The Jerusalem of Lithuania." The rescuers were pitted against Johannes Pohl, a Nazi "expert" on the Jews, who had been dispatched to Vilna by the Nazi looting agency, Einsatzstab Reichsleiter Rosenberg, to organize the seizure of the city's great collections of Jewish books. Pohl and his Einsatzstab staff planned to ship the most valuable materials to Germany and incinerate the rest. The Germans used forty ghetto inmates as slave-laborers to sort, select, pack, and transport the materials, either to Germany or to nearby paper mills. Based on Jewish, German, and Soviet documents, including diaries, letters, memoirs, and the author's interviews with several of the story's participants, The Book Smugglers chronicles the daring activities of a group of poets turned partisans and scholars turned smugglers in Vilna, "The Jerusalem of Lithuania." The rescuers were pitted against Johannes Pohl, a Nazi "expert" on the Jews, who had been dispatched to Vilna by the Nazi looting agency, Einsatzstab Reichsleiter Rosenberg, to organize the seizure of the city's great collections of Jewish books. Pohl and his Einsatzstab staff planned to ship the most valuable materials to Germany and incinerate the rest...

Berlin--"East" and "West," day and of course night--throughout the 80s before the Wall came down. In the eyes of an American philosophy student. And Jewish, which makes for moments at once awkward, poignant, resonant, unspoken, crass, funny, and always lurking. Most of all, Susan Neiman can write, as borne out again by her books to follow this debut. Here, we live the Reagan years with her--when a city was divided, America the occupier, and the cigarettes not named "Salem" because it sounds too Jewish. Peter Becker folded an easel in the corner to make a table. He brought cold cuts and bread and asked me what I thought of his paintings. Later I would learn that people here always ask you what you think of their paintings, and that it's wrong just to say you find them interesting, but perfectly alright to say you find them awful. . . . You come from a Jewish family, don't you?" asked Becker. "Yes," I said. "It doesn't matter," said the other painter. Doesn't matter? To whom?

This book undoes 50 years of mythmaking about Stravinsky's life in music. During his spectacular career, Igor Stravinsky underplayed his Russian past in favor of a European cosmopolitanism. Richard Taruskin has refused to take the composer at his word. In this long-awaited study, he defines Stravinsky's relationship to the musical and artistic traditions of his native land and gives us a dramatically new picture of one of the major figures in the history of music. Taruskin draws directly on newly accessible archives and on a wealth of Russian documents. In Volume One, he sets the historical scene: the St. Petersburg musical press, the arts journals, and the writings of anthropologists, folklorists, philosophers, and poets. Volume Two addresses the masterpieces of Stravinsky's early maturityÑ Petrushka, The Rite of Spring, and Les Noces . Taruskin investigates the composer's collaborations with Diaghilev to illuminate the relationship between folklore and modernity. He elucidates the Silver Age ideal of "neonationalism"Ñthe professional appropriation of motifs and style characteristics from folk artÑand how Stravinsky realized this ideal in his music. Taruskin demonstrates how Stravinsky achieved his modernist technique by combining what was most characteristically Russian in his musical training with stylistic elements abstracted from Russian folklore. The stylistic synthesis thus achieved formed Stravinsky as a composer for life, whatever the aesthetic allegiances he later professed. Written with Taruskin's characteristic mixture of in-depth research and stylistic verve, this book will be mandatory reading for all those seriously interested in the life and work of Stravinsky.

On the night the SS rounded up the Jews of his Ukrainian ghetto, eighteen-year-old Yosel Epelbaum crawled on his hands and knees to a nearby forest. There he joined a diverse band of pro-Soviet partisans, led by a kind of warlord in the wilderness, who created a "forest republic" behind enemy lines. With his courageous comrades, Epelbaum disrupted the German war effort for almost a year and a half and saved hundreds of civilans at the same time. After the liberation. the young survivor became caught up in Europe's roaring black market. With little money or formal education, an knowing no English, he immigrated to San Francisco in 1947 and within a year opened an ice cream shop in the city's outlying, foggy Sunset District. Only a decade later Joe Pell was well on his way to becoming one of the leading real estate developers in Northern California. Taking Risks, related in a taut and vivid style, is his story--one of loss and torment but also daring, ingenuity, and uncommon resilience.

The iconoclastic writer and director of the revered classic Withnail & I—"The funniest British film of all time" (Esquire)—returns to London in a decade-long examination of the most provocative murder investigation in British history, and finally solves the identity of the killer known as "Jack the Ripper."In a literary high-wire act reminiscent of both Hunter S. Thompson and Errol Morris, Bruce Robinson offers a radical reinterpretation of Jack the Ripper, contending that he was not the madman of common legend, but the vile manifestation of the Victorian Age's moral bankruptcy.In exploring the case of Jack the Ripper, Robison goes beyond the who that has obsessed countless others and focuses on the why. He asserts that any "gentlemen" that walked above the fetid gutters of London, the nineteenth century's most depraved city, often harbored proclivities both violent and taboo—yearnings that went entirely unpunished, especially if he also bore royal connections. The story of Jack the Ripper hinges on accounts that were printed and distributed throughout history by the same murderous miscreants who frequented the East End of her Majesty's London, wiping the fetid muck from their boots when they once again reached the marble floors of society's finest homes.Supported by primary sources and illustrated with 75 to 100 black and white photographs, this breathtaking work of cultural history dismisses the theories of previous "Ripperologists." A Robinson persuasively makes clear with his unique brilliance, The Ripper was far from a poor resident of Whitechapel . . . he was a way of life.