"ART BUCHWALD DOES IT AGAIN. . . . A GREAT READ." --Larry King, USA Today In 1948, an American innocent named Art Buchwald set sail for Paris, France, determined to crash Hemingway's moveable feast and make himself famous. What's more, he did it. Now he remembers those golden years--when he wrote for the Paris Herald Tribune, fell in love, spoofed Hemingway, dined with gangsters, and crashed costume balls in Venice. Everything that has made Buchwald one of the world's best-loved writers is in this funny, enchanting, poignant book. "HONEST AND MOVING . . . A CONSUMMATE STORYTELLER." --The New York Times Book Review "ROLLICKING . . . The book gallops and gambols along. . . . Buchwald is a master of the anecdote." --The Baltimore Sun

Napoleon III, being accused on one occasion of having nothing of the Great Napoleon about him, replied with as much exasperation as wit, that he did, on the contrary, have his relations. This book is a domestic chronicle of the incredible Bonaparte family, a greedy, amorous, quarrelsome and hot-blooded Corsican clan who provided nineteenth-century Europe — and America — not only with two French emperors but also with a dazzling assortment of pretenders and parvenus, statesmen and eccentrics, great ladies and adventurers. Plumped onto the thrones of Europe by the career of Napoleon I, who probably took better care of his family than any other conqueror in history, the Bonapartes survived the wreck of the two empires they ruled, buzzing around the honeypots of the continent with all the persistence of the imperial bees of Napoleon's crest. This is a personal history, not a political one. It is the family, with its eccentricities, vulgarities and fascinations manifesting themselves in generation after generation, which holds the centre of the stage. The great political, economic and military events of the time are heard dimly as 'noises off'. Napoleon I himself appears as a son, brother, husband, father and above all as the founder of a dynasty, rather than as a great public figure. Theo Aronson paints this family portrait with a wealth of detail based on many years of research with historical documents and original records, letters, memoirs and family diaries. Praise for The Golden Bees: ‘A very considerable feat… a long, comfortable, easy-going sort of narrative full of tit-bits of information, stuffed with anecdotes’ - Observer ‘This is a hugely entertaining book. Neither biography nor history; but a mixture of both.… All lovers of royal gossip, of sprightly anecdotes and of the scandal and personal drama of history should delight in it’ - New York Times Theo Aronson is the author of over twenty works of royal historical biography, published in eleven languages. Among the widely read are Grandmama of Europe, The King in Love, Napoleon and Josephine and a biography of Princess Margaret. In the course of researching and writing these books he has interviewed major and minor members of Britain’s royal family and members of the royal households, as well as various officials, servants, friends and others whose lives are in some way connected with the monarchy.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

"This is the colorful memoir of the brilliant, eccentric Parisian art dealer Berthe Weill (1865-1951), who championed many of the emerging masters of modern art in the first part of the twentieth century. In this, she was radical and pioneering. She made the first sales in Paris for Picasso and Matisse, and she gave Modigliani the only solo show in his lifetime. Weill also promoted the work of women artists, and her salty memoir (originally published in 1933) details her struggles against sexism and anti-Semitism in the Parisian art world. This text has long been mined by historians for details about the Paris art scene at the turn of the twentieth century, but beyond that, Weill is little known because she was too poor to publish lavish catalogues or invest enormous sums in grooming artists and purchasing their work-which is how most art dealers operated. At the same time, she appears over and over in numerous artist biographies depicted as a colorful figure with an uncanny nose for sniffing out talent"--

Memoirs of Cohn, a Jew born in 1920 in Metz as Marthe Hoffnung. As a child, Cohn was confronted with the antisemitism of the local population. In September 1939 the family moved to Poitiers, where they experienced the German occupation and the Nazi anti-Jewish measures. Several of Cohn's seven siblings joined the resistance. One sister, Stéphanie, was arrested in summer 1942, interned in various camps, and murdered in Auschwitz. Cohn arranged for most of her family to escape to the south of France, with the help of her fiancé, Jacques Delaunay, who was executed in 1943 for his resistance activities. Cohn moved to Paris to live with one of her sisters. After the liberation she joined the French army and, being fluent in German, worked for intelligence, interrogating German POWs. In early 1945 she entered Germany to gather vital information for the advancing French army, for which she was awarded various medals. In 1956 she emigrated to the U.S.

"An entertaining and openhearted tale of a naïf eventually getting to understand a complex, glittering, beautiful and often cruel society - at least a little. When Simon Kuper left London for Paris in his early thirties, he wasn't planning to make a permanent move. Paris, however, had other plans. Kuper has grown middle-aged there, eaten the croissants, seen his American wife through life-threatening cancer, taken his children to countless football matches on freezing Saturday mornings in the city's notorious banlieues, and in 2015 lived through two terrorist attacks on their neighborhood. Over two decades of becoming something of a cantankerous Parisian himself, Kuper has watched the city change. This century, it has globalized, gentrified, and been shocked into realizing its role as the crucible of civilizational conflict. Sometimes it's a multicultural paradise, and sometimes it isn't. This decade, Parisians have lived through a sequence of shocks: terrorist attacks, record floods and heatwaves, the burning of Notre Dame, the storming of the city by gilets jaunes, and then the pandemic. Now, as the Olympics come to town, France is busy executing the "Grand Paris" project: the most serious attempt yet to knit together the bejewelled city with its neglected suburbs. This is a captivating memoir of the Paris of today, without the Parisian cliches"--

"I had to do something to escape Hitler's clutches," writes Esti Freud. Yet she waits with her then-16-year-old daughter, Sophie in Paris, until German canons can be heard in the distance, before deciding to escape by bicycle across France as Sophie keeps looking back to see whether German tanks will overtake them. Both women survive by sheer miracle and, in their own ways, come to feel a need to keep a personal record of those tumultuous times. In a memoir written at age 79, Esti Freud, daughter-in-law of Sigmund Freud and wife of his oldest son Martin, looks back on her life that began before the 20th century, was lived on three continents, and stretched through two world wars and the Holocaust. Twenty years after her mother's death, daughter Sophie turned to Esti's memoir as a scaffold for this book, expanding it through family letters and archival material. Out of these documents the author has created a fascinating, many-voiced mosaic--the story of a famous family and of a century seen through the eyes of many characters. Indomitable Esti was not an easy person to love. While she establishes herself professionally three times, in three different languages, her troubled family relationships leave her lonely, often deeply unhappy. Sophie confides that Esti died without son or daughter at her side. This work gives an insider's, in-law view of the family Freud, its foundations, and flaws. The relationship between Esti, daughter of a wealthy Vienna attorney and her husband Martin Freud is foreshadowed by the young lovers' fathers. At first meeting Esti, Sigmund told his son the glamorous woman was "too beautiful" for the clan, meaning her splendor belied a lifestyle not conducive to the frugal Freud ways. And Esti's father, on hearing of her love for Martin, expressed regret she was involved with a man who was "not a financially favorable linkage," and that his family was not respectable since patriarch Sigmund was "just another psychiatrist, and one who writes pornography books at that." Thus begins the ill-fated relationship that would rock two families and a generation of children to come. Sophie weaves into the text letters she inherited, including letters from Martin while he was a prisoner of war, and excerpts from her own diary, kept as an adolescent. The resulting mosaic will fascinate--and perhaps disturb--readers interested in Freud and psychoanalysis, as well as those intrigued by relationships and family.

A collection of essays and articles translated from the revised edition of "Les Juifs, la mémoire et le présent" (Paris: La Découverte, 1991), with some changes. The following deal with antisemitism or the Holocaust:

"Lettres d'un Innocent: The Letters of Captain Dreyfus to His Wife" offers a poignant and invaluable firsthand account of one of the most significant political scandals in French history: the Dreyfus Affair. Penned by Alfred Dreyfus himself, these letters to his wife, Lucie, provide a deeply personal window into his experience as he faced accusations of treason and endured the crucible of military justice. This historical collection allows readers to witness the emotional and intellectual resilience of Alfred Dreyfus during a time of immense personal and national turmoil. More than just correspondence, these letters are a testament to enduring love and unwavering hope in the face of injustice. Explore the complexities of the Dreyfus Affair through the intimate lens of a man fighting to clear his name, offering a unique perspective on a pivotal moment in European history. A powerful and moving historical document. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.