'Perec is serious fun' The Guardian Both an affectionate portrait of mid-century Paris and a daring memoir, Georges Perec's I Remember is now available in English to UK readers for the first time, with an introduction by David Bellos. In 480 numbered statements, all beginning identically with 'I remember', Perec records a stream of individual memories of a childhood in post-war France, while posing wider questions about memory and nostalgia. As playful and puzzling as the best of his novels, I Remember is an ode to life: the ordinary, the extraordinary, and the sometimes trivial, as seen through the eyes of the irreplaceable Georges Perec.

Millions of adult Americans will fondly remember such entertaining movies as Carousel, The Jackpot, and There's No Business Like Show Business. Phoebe and Henry Ephron, who wrote the screenplays for these and other films, were a unique team in that they used their special talents, working with dozens of great names of screen and stage, to create everything from the comic to the somber under circumstances both humorous and quite the opposite. Whether they were working on a Carousel, starring Shirley Jones and Gordon MacRae or a new What Price Glory, or Fred Astaire's Daddy Long Legs, the Ephrons were always learning something new and exciting about a magical assortment of people (Henry remembers the famous director John Ford the day he was faulted by his producer for being two days behind in shooting a film. He tore up six pages and said: "Tell the SOB I'm six days ahead!") This is also a story of the thirty-seven-year marriage of two people who started out with very little, realized their dreams of having a play produced on Broadway, and then went to Hollywood, where they wrote major scripts for some of the biggest stars. Woven throughout the story is the family element of raising four daughters in the make-believe atmosphere of Southern California. As the two Ephrons worried about the work they'd done on one major script, the make-believe turning into a glorious reprieve when it was reported to them that Darryl Zanuck had just told a friend, "I'll never know how the Ephrons took that old chestnut and turned it into this great screenplay." Here, a professional storyteller is at his best in a personal narrative which also brings onstage a fascinating supporting cast.

The New York Times Bestseller. "Dear readers: have I got a treat for you! Art Buchwald has written a book about his life . . . I guarantee 254 pages of pure pleasure". -- Ann Landers "Strikingly honest . . . [Buchwald] grew up in orphanages and foster homes and never knew his mother who, shortly after he was born, entered a mental hospital and spent the rest of her life there . . . . But instead of becoming a sociopath, Buchwald became a professional funnyman and a national figure whose columns skewer pretense and politicians . . . . Score one for humor as a means of survival". -- The Washington Post Book World "

“Sexy, surprising, funny, insightful, and wildly entertaining” ( Huffington Post )—the definitive biography of Giacomo Casanova, the impoverished boy who became the famous writer, notorious libertine, and self-invented genius in decadent eighteenth-century Europe. Today, “Casanova” is a synonym for “great lover,” yet the real story of this remarkable figure is little known. A figure straight out of a Henry Fielding novel, Giacomo Casanova was erotic, brilliant, impulsive, and desperate for recognition; a self-destructive genius. Over the course of his lifetime, he claimed to have seduced more than one hundred women, among them married women, young women in convents, girls just barely in their teens, women of high and low birth alike. Abandoned by his mother, an actress and courtesan, Casanova was raised by his illiterate grandmother, coming of age in a Venice filled with spies and political intrigue. He was intellectually curious and read forbidden books, for which he was jailed. He staged a dramatic escape from Venice’s notorious prison, I Piombi, the only person known to have done so. He then fled to France, ingratiated himself at the royal court, and invented the national lottery that still exists to this day. He crisscrossed Europe, landing for a while in St. Petersburg, where he was admitted to the court of Catherine the Great. He corresponded with Voltaire and met Mozart and Lorenzo da Ponte—assisting them as they composed the timeless opera Don Giovanni . And he wrote what many consider the greatest memoir of the era, the twelve-volume Story of My Life . Laurence Bergreen’s Casanova recounts this astonishing life in rich, intimate detail, and at the same time, paints a dazzling portrait of eighteenth-century Europe, filled with a cast characters from serving girls to kings and courtiers, “great fun for any history lover” ( Kirkus Reviews ).

“The intricacies of family and the complexities of the games they play mingle wonderfully here in a memoir quite unlike any other.”—George Plimpton, author of Truman Capote Katy Lederer grew up on the bucolic campus of an exclusive East Coast boarding school where her father taught English, her mother retreated into crosswords and scotch, and her much older siblings played “grown-up” games like gin rummy and chess. But Katy faced much more than the typical trials of childhood. Within the confines of the Lederer household an unlikely transformation was brewing, one that would turn this darkly intellectual and game-happy group into a family of professional gamblers. Poker Face is Katy Lederer’s perceptive account of her family’s lively history. From the long kitchen table where her mother played what seemed an endless game of solitaire, to the seedy New York bars where her brother first learned to play poker, to the glamorous Bellagio casino in Las Vegas, where her sister and brother wager hundreds of thousands of dollars a night at the tables, Lederer takes us on a tragicomic journey through a world where intelligence and deceit are used equally as currency. Not since Mary McCarthy’s Memories of a Catholic Girlhood has a writer cast such a witty and astringently analytic eye on the demands of growing up. An unflinching exploration of trust and betrayal, competition, suspicion, and unconventional familial love, Poker Face is a testament to the human spirit’s inventiveness when faced with unusually difficult odds.

Katie Roiphe’s stimulating work has made her one of the most talked about cultural critics of her generation. Now this bracing young writer delves deeply into one of the most layered of subjects: marriage. Drawn in part from the private memoirs, personal correspondence, and long-forgotten journals of the British literary community from 1910 to the Second World War, here are seven “marriages à la mode”—each rising to the challenge of intimate relations in more or less creative ways. Jane Wells, the wife of H.G., remained his rock, despite his decade-long relationship with Rebecca West (among others). Katherine Mansfield had an irresponsible, childlike romance with her husband, John Middleton Murry, that collapsed under the strain of real-life problems. Vera Brittain and George Gordon Catlin spent years in a “semidetached” marriage (he in America, she in England). Vanessa Bell maintained a complicated harmony with the painter Duncan Grant, whom she loved, and her husband, Clive. And her sister Virginia Woolf, herself no stranger to marital particularities, sustained a brilliant running commentary on the most intimate details of those around her. Every chapter revolves around a crisis that occurred in each of these marriages—as serious as life-threatening illness or as seemingly innocuous as a slightly tipsy dinner table conversation—and how it was resolved…or not resolved. In these portraits, Roiphe brilliantly evokes what are, as she says, “the fluctuations and shifts in attraction, the mysteries of lasting affection, the endurance and changes in love, and the role of friendship in marriage.” The deeper mysteries at stake in all relationships.

WINNER OF THE CANADIAN JEWISH LITERARY AWARD FOR MEMOIR FINALIST FOR THE HILARY WESTON WRITERS' TRUST PRIZE FOR NONFICTION An unforgettable memoir about a young woman who tries to outrun loss, but eventually finds a way home. Ayelet Tsabari was 21 years old the first time she left Tel Aviv with no plans to return. Restless after two turbulent mandatory years in the Israel Defense Forces, Tsabari longed to get away. It was not the never-ending conflict that drove her, but the grief that had shaken the foundations of her home. The loss of Tsabari's beloved father in years past had left her alienated and exiled within her own large Yemeni family and at odds with her Mizrahi identity. By leaving, she would be free to reinvent herself and to rewrite her own story. For nearly a decade, Tsabari travelled, through India, Europe, the US and Canada, as though her life might go stagnant without perpetual motion. She moved fast and often because--as in the Intifada--it was safer to keep going than to stand still. Soon the act of leaving--jobs, friends and relationships--came to feel most like home. But a series of dramatic events forced Tsabari to examine her choices and her feelings of longing and displacement. By periodically returning to Israel, Tsabari began to examine her Jewish-Yemeni background and the Mizrahi identity she had once rejected, as well as unearthing a family history that had been untold for years. What she found resonated deeply with her own immigrant experience and struggles with new motherhood. Beautifully written, frank and poignant, The Art of Leaving is a courageous coming-of-age story that reflects on identity and belonging and that explores themes of family and home--both inherited and chosen.

From the bestselling novelist and author of "The Invention of Solitude," a moving and highly personal meditation on the body, time, and language itself ""That is where the story begins, in your body, and everything will end in the body as well." Facing his sixty-third winter, internationally acclaimed novelist Paul Auster sits down to write a history of his body and its sensations--both pleasurable and painful. Thirty years after the publication of "The Invention of Solitude," in which he wrote so movingly about fatherhood, Auster gives us a second unconventional memoir in which he writes about his mother's life and death. "Winter Journal" is a highly personal meditation on the body, time, and memory, by one of our most intellectually elegant writers.

The National Book Award-winner Patti Smith updates her treasure box of a childhood memoir about "clear unspeakable joy" and "just the wish to know" with a radiant new afterword, written during the pandemic and reflecting on current times. This expanded paperback edition also includes new photographs by the author. A great book about becoming an artist, Woolgathering tells of a child finding herself as she learns the noble vocation of woolgathering, "a worthy calling that seemed a good job for me." She discovers--often at night, often in nature--the pleasures of rescuing "a fleeting thought." Woolgathering calls up our own memories, as the child "glimpses and gleans, piecing together a crazy quilt of truths." Smith shares the fierce, vital pleasures of stargazing and wandering. Her new Afterword, penned during the quarantine, opens new horizons in "the scarcely charted landscape of memory governed by clouds." Woolgathering celebrates the sacred nature of creation in Smith's singular language, acclaimed as "glorious" (NPR), "spellbinding" (Booklist), "rare and ferocious" (Salon), and "shockingly beautiful" (New York Magazine).

Larry Gelbart is the comic genius who developed M*A*S*H for TV, one of the longest-running, most beloved series in history; he was a much-admired member of that memorable gaggle of writers who worked for Sid Caesar, which also included Mel Brooks, Carl Reiner, Woody Allen, and Neil Simon; and he's written successful movies like Tootsie and Oh, God!, smash hits for Broadway, including A Funny Thing Happened on the Way to the Forum and City of Angels, TV comedy-dramas like Barbarians at the Gate and Weapons of Mass Distraction, and more. His book now adds to the fun. Part memoir, part sampler, part love letter, Gelbart tells of writing radio comedy at age sixteen for Danny Thomas--and later for Bob Hope, Jack Paar, and Red Buttons; he offers behind-the-set stories about Milton Berle, George C. Scott, and George Burns, "Klinger" and "Radar" and "Father Mulcahy"; and he lets us know about the places he's lived and how he's lived and what he's learned while doing so. Not everything is played for laughs. Some of Laughing Matters is serious--Gelbart is a wit, not a gag writer, and he cares deeply about writing. Some is touching--for instance, his account of the last days of M*A*S*H. His sketches of comedy performers and writers are "elegant," said Publishers Weekly in an early review, his sense of form original. He's won Emmys, Tonys, and Peabody awards, he's twice been nominated for an Academy Award, and now, in print, he may well win your heart. A lot of funny things happened on the way to this book--and you'll be hugely entertained.

From the author of two of our most legendary novels, Catch-22 and Something Happened , comes a slyly funny, vastly revelatory memoir that is at once a loving evocation of a lost America and an exploration of the frontier where life turns into literature. Now and Then follows Joseph Heller from his fatherless childhood on the boardwalks of Depression-era Coney Island, where he grew up amid the rumble of the Cyclone and the tantalizing aroma of Mrs. Shatzkin's knishes. It offers a dizzying bombardier's-eye view of the sky over wartime Italy, where Heller encountered the characters and incidents he would later translate into Catch-22. It depicts a writer coming to terms with both rejection and celebrity. Here, in short, is a life filled with incident and insight, recollected with subversive humor, exquisite timing, and a fine appreciation for the absurd.

It was Christmas Eve 1927 and Prohibition was at its height when Diana and Lionel Trilling, that distinguished literary pair, were introduced to each other. They met at a Manhattan speakeasy. Both were 22. Lionel was a graduate student at Columbia, taking his first tentative steps to a literary career. Diana hoped to be a singer. Soon after their marriage in 1929, the stock market crashed. Their families were in financial ruin. Not until the forties did Lionel attain literary recognition and Diana launch her career as fiction critic of the Nation. A long arduous decade had been lost to illness, financial hardship, grueling family responsibility. Also to the lure, and rejection, of Communism. The Beginning of the Journey takes its title from Lionel Trilling's famous novel, The Middle of the Journey. An uncommonly personal account of the upbringing, education, and marriage of two remarkable individuals, it is also a probing portrait of life among the group now so widely referred to as "the New York intellectuals." Mary McCarthy, Dwight Macdonald, William Phillips, Phillip Rahv, Edmund Wilson, James Agee, Sidney Hook, Randall Jarrell, Allen Ginsberg: these are but a few of the well-known figures whom we come to see through the eyes of someone who lived at the center of America's Bloomsbury. Although Mrs. Trilling chiefly deals with the intellectual culture of our century, the range of her memoir is not limited to this single section of society. The Beginning of the Journey speaks to questions of a kind which transcend social lines but which have been largely ignored by our literary biographers. What was it like, what was it really like, to be a woman in this predominantly male universe? What did it feel like to be as respected a critic as Diana Trilling but married to a man so much more celebrated than herself? What did a woman of her generation sacrifice for marriage and motherhood?

Norman Mailer, Susan Mailer's father, was among the most celebrated, talented, and controversial writers of the 20th Century. The Naked and the Dead (1948), inspired by his experience in World War II, was a bestseller and made him famous at the age of 25. Notoriously combative and egotistical, her father enjoyed a good fight both physically and verbally. Whether cheered or booed, Mailer was front and center in America's cultural battles for more than 50 years. He married six times and was father to nine children. Susan, born in 1949, is the eldest. Susan's parents separated when she was a baby. She grew up shuttling between her mother's home in Mexico and New York. Later she would marry a Chilean activist, spending the majority of her adult life in Chile, where she is a practicing psychoanalyst. In Another Place tells the story of her intense and complex relationship with her father, her five stepmothers and nine siblings, and the joys and pains of being part of the large Mailer clan. It is a tale of separation, and of the rewards and struggles of living in two very different cultures. Of being someone who belongs everywhere and nowhere, always longing for a life . . . In Another Place.

Memoirs of a twenty-year relationship between the author and Ayn Rand, who was his friend, mentor, lover, and enemy. No index. No bibliography. Annotation copyrighted by Book News, Inc., Portland, OR

"In Another Place brings us to many remarkable new places in the Mailer universe. Written with tenderness, acuity and unadorned psychological depth, Susan Mailer's memoir is a powerful look at the literary world." -Colum McCann, National Book Award-winning author of Let the Great World Spin"Brisk, enthralling [. . .] full of dramatic family scenes, most of them heretofore unknown. I wish I had her memoir in hand when writing my biography." -J. Michael Lennon, author of Norman Mailer: A Double Life Norman Mailer, Susan Mailer's father, was among the most celebrated, talented, and controversial writers of the 20th Century. The Naked and the Dead (1948), inspired by his experience in World War II, was a bestseller and made him famous at the age of 25. Notoriously combative and egotistical, her father enjoyed a good ¿ght both physically and verbally. Whether cheered or booed, Mailer was front and center in America's cultural battles for more than 50 years. He married six times and was father to nine children. Susan, born in 1949, is the eldest.Susan's parents separated when she was a baby. She grew up shuttling between her mother's home in Mexico and New York. Later she would marry a Chilean activist, spending the majority of her adult life in Chile, where she is a practicing psychoanalyst.In Another Place tells the story of her intense and complex relationship with her father, her ¿ve stepmothers and nine siblings, and the joys and pains of being part of the large Mailer clan. It is a tale of separation, and of the rewards and struggles of living in two very di¿erent cultures. Of being someone who belongs everywhere and nowhere, always longing for a life . . . In Another Place.

Part memoir, part humor, and part myth, this entertaining and inspirational volume explores the moment the author realized his high-school basketball career would not last forever and examines why women continue to be perplexed by men's fascination with sports.

KQED Radio's Michael Krasny is one of the country's leading interviewers of literary luminaries, a maestro for educated listeners who prefer their discourse high and civil. He is a writer's interviewer. But it didn't start out that way. In Off Mike , Krasny, host of one of public radio's most popular and intellectually compelling programs, talks of his strong desire to become a novelist in the footsteps of Bellow and Philip Roth, and then discovering his real talent as a communicator—a deft ability to draw others out as an interlocutor. In a mix of memoir and reportage, Krasny takes readers inside his world. He gives an account of the polarizing transformation of talk radio, from his early days at KGO commercial radio, through to his current role at NPR, where he manages to keep the flow of talk in his San Francisco based show animated and politically balanced. Forum fans and lovers of literature will be riveted by the insightful and amusing vignettes and behind the scenes accounts. They will get a taste of the sharp commentary from his encounters with panels of experts, and interviews with cultural and political personalities as well as writers.

"ART BUCHWALD DOES IT AGAIN. . . . A GREAT READ." --Larry King, USA Today In 1948, an American innocent named Art Buchwald set sail for Paris, France, determined to crash Hemingway's moveable feast and make himself famous. What's more, he did it. Now he remembers those golden years--when he wrote for the Paris Herald Tribune, fell in love, spoofed Hemingway, dined with gangsters, and crashed costume balls in Venice. Everything that has made Buchwald one of the world's best-loved writers is in this funny, enchanting, poignant book. "HONEST AND MOVING . . . A CONSUMMATE STORYTELLER." --The New York Times Book Review "ROLLICKING . . . The book gallops and gambols along. . . . Buchwald is a master of the anecdote." --The Baltimore Sun

The definitive memoir of Arthur Miller--the famous playwright of The Crucible , All My Sons , Death of a Salesman , A View from the Bridge , and other plays-- Timebends reveals Miller's incredible trajectory as a man and a writer. Born in 1915, Miller grew up in Harlem in the 1920s and 1930s, developed leftist political convictions during the Great Depression, achieved moral victory against McCarthyism in the 1950s, and became president of PEN International near the end of his life, fighting for writers' freedom of expression. Along the way, his prolific output established him as one of the greatest writers of the twentieth century--he wrote twenty-two plays, various screenplays, short stories, and essays, and won the Pulitzer Prize in 1949 for Death of a Salesman and the New York Drama Critics Circle Award in 1947 for All My Sons . Miller also wrote the screenplay for The Misfits, Marilyn Monroe's final film. This memoir also reveals the incredible host of notables that populated his life, including Marilyn Monroe, Elia Kazan, Clark Gable, Sir Laurence Olivier, John F. Kennedy, and Mikhail Gorbachev. Leaving behind a formidable reputation in the worlds of theater, cinema, and politics, Arthur Miller died in 2005 but his memoir continues his legacy.