The son of the founder of public relations reflects on his unusual life in his father's shadow, chronicling his defiant youth, his escapades with beautiful women and the CIA, and his battle with multiple sclerosis

(Applause Books). "The best way I know to resuscitate the theatre is to produce dangerous new works." Stuart Ostrow. Producer Stuart Ostrow's manifesto of how intelligent life might be restored to the theatre is also a unique personal memoir of the producer-creator relationship and an evaluation of the essentials that can make a show fly, or remain earthbound. As a solo producer, Ostrow's many productions include M. Butterfly , which won the Tony Award for Best Play; Pippin ; and 1776 , which received both the New York and London Drama Critics Awards as well as the Tony Award for Best Musical. He produced the original Broadway production of the critically acclaimed La Bete , which won the Olivier Award in London for Best Comedy. Ostrow was brought in to fix the original production of Chicago , collaborated with Anthony Hopkins on a London production of M. Butterfly , that was not meant to be, and even had his own play, Stages , directed on Broadway by the avant-garde theatrical pioneer Richard Foreman. He riffs about the heroes and heels he's met along the way and that great cast includes Frank Loesser, Meredith Willson, Mel Brooks, Mike Nichols, Bob Fosse, David Geffen, Andrew Lloyd Webber, David Henry Hwang, John Kander, Fred Ebb, and many more.

"In a world where everyone is inventing a self, curating a feed and performing a fantasy of life, what does it mean to be a person? In his grandly entertaining debut memoir, playwright David Adjmi explores how human beings create themselves, and how artists make their lives into art.."--Publisher's description.

As cofounder of the internationally-known, highly-controversial radical political troupe, The Living Theater, author Judith Malina is one of the leading female countercultural figures of the 50s, 60s, 70s and beyond. In Full moon stages: personal notes from 50 years of The Living Theatre, she creates an intimate memoir in a unique format with a collection of personal notes written on every full moon for 50 years from 1964 to 2014. These never-before-published entries reveal Malina's most private thoughts and inform the reader on what The Living Theatre was performing as they wound their way from New York City to Italy, France, Belgium, Germany and Brazil in a nomadic series of notable performances of such underground classics as The Brig, The Connection, and Paradise Now. Malina is relentless in her commitment to the full moon schedule, writing regardless of her current life circumstance. Notes issue forth from hotels, trains--even prison, offering a light on the consequences of holding true to her code of the theatrical expression of her pacifist-anarchist principles.

"A bristling and brilliant memoir of the mid-twentieth-century New York School of painters and their times by the renowned artist and critic Edith Schloss"--

*Winner of the National Jewish Book Award for Biography and Autobiography This is the story of the making of a world-famous sociologist. It is even more the story of a boy hustling to survive. Here in an astonishing and candidly written memoir by one of America's premier social scientists recounting the intensely personal story of his tormented youth in a ghetto within a ghetto. It etches the painful details of a boy's overcoming alienation and isolation in a hostile place in an unloving family. In the 1930s a small remnant community of Eastern European Jewish immigrants still resided in predominantly black Harlem. As shopkeepers trying to make out a marginal existence, Harlem's Jews were a minority within a minority. Into this restricted world the author of this book was born. Irving Louis Horowitz's parents had fled Russia, his father the victim of persecution in the Tsarist army during World War I. The boy's schoolmates were the children of black sharecroppers who had immigrated to the North. Poverty, language, and culture all cut off the Horowitz family from traditional community life, and the stress of a survival existence led to the trauma of a deteriorating family unit. Harlem and its environs, the Apollo and the Alhambra theaters, the Polo Grounds, and Central Park were the stage on which a youngster from this ghetto built a kind of self-reliance at the cost of social graces. The recipient of the National Jewish Book Award for Biography and Autobiography, this new, augmented edition contains the author's reflection of the impact of the Great Depression on Harlem family life.

"A contentious, deeply moving ode to friendship, love, and urban life in the spirit of Fierce Attachments A memoir of self-discovery and the dilemma of connection in our time, The Odd Woman and the City explores the rhythms, chance encounters, and ever-changing friendships of urban life that forge the sensibility of a fiercely independent woman who has lived out her conflicts, not her fantasies, in a city (New York) that has done the same. Running steadily through the book is Vivian Gornick's exchange of more than twenty years with Leonard, a gay man who is sophisticated about his own unhappiness, whose friendship has "shed more light on the mysterious nature of ordinary human relations than has any other intimacy" she has known. The exchange between Gornick and Leonard acts as a Greek chorus to the main action of the narrator's continual engagement on the street with grocers, derelicts, and doormen; people on the bus, cross-dressers on the corner, and acquaintances by the handful. In Leonard she sees herself reflected plain; out on the street she makes sense of what she sees. Written as a narrative collage that includes meditative pieces on the making of a modern feminist, the role of the flaneur in urban literature, and the evolution of friendship over the past two centuries, The Odd Woman and the City beautifully bookends Gornick's acclaimed Fierce Attachments, in which we first encountered her rich relationship with the ultimate metropolis"--

PILGRIM STATE is a stunning memoir which tells the story of Dorothy Walker - equal parts beautiful, headstrong, brave and tragic. Her life is lovingly recreated by her daughter Jacqueline in homage to the remarkable woman she was. In the haunting opening pages, set in Pilgrim State mental facility in New York State in 1951, Dorothy has been forcibly sectioned and is battling to keep her children and her sanity. She will struggle all her life to retain both. Dorothy and her children return to Jamaica before finally making a home in post-Windrush London in the early 60s. Dorothy and her children face prejudice and loss but are bound by incredible love and their unique sense of family. This will prove to be Dorothys greatest gift. Stories like PILGRIM STATE dont come along that often. And when they do you recognise you have something very special. And when a voice is this strong and original, you stop to listen. PILGRIM STATE celebrates place, the life-affirming nature of family and the bonds between mothers and daughters that can never be broken. The story is haunting and powerful and speaks for generations of women, resonating long after the story ends. Jacqueline Walker has done her mother proud.

This book is an educational memoir, addressed in particular to aspects of his early Jewish education

Partner of one of the most infamous anarchists of her time, Johann Most, Helene Minkin joined the anarchist movement after emigrating from Russia in 1888 with her father and sister. Framed as a reaction and corrective to Emma Goldman’s Living My Life, Minkin’s memoir provides a unique account of turn-of-the-century anarchism and immigrant life in the United States. Published in the Yiddish-language newspaper Forverts in 1932, this is its first English translation.

In Strong on Music Vera Brodsky Lawrence uses the diaries of lawyer and music lover George Templeton Strong as a jumping-off point from which to explore every aspect of New York City's musical life in the mid-nineteenth century. This third and final volume ranges across opera, orchestral and chamber music, blackface minstrels, military bands, church choirs, and even concert saloons. Among the many striking scenes vividly portrayed in Repercussions are the rapturous reception of Verdi's Ballo in maschera in 1861; the impact of the Civil War on New York's music scene, from theaters closing as their musicians enlisted to the performance of "The Star-Spangled Banner" at every possible occasion; and open-air concerts in the developing Central Park. Throughout, Lawrence mines a treasure trove of primary source materials including daily newspapers, memoirs, city directories, and architectural drawings. Indispensable for scholars, Repercussions will also fascinate music fans with its witty writing and detailed descriptions of the cultural life of America's first metropolis. Formerly a concert pianist, Vera Brodsky Lawrence spent the last third of her life as a historian of American music (she died in 1996). She was editor of The Piano Works of Louis Moreau Gottschalk and The Complete Works of Scott Joplin . On Volume 1: "A marvelous book. There is nothing like it in the literature of American music."—Harold C. Schonberg, New York Times Book Review On Volume 2: "A monumental achievement."—Victor Fell Yellin, Opera Quarterly

"[Marshall] understands that the neighborhoods and cities that no longer exist can be conjured by memory and reanimated by art."-- San Francisco Chronicle "Born in Brooklyn of Arabic/Jewish heritage, Marshall may represent the keynote, most critical multicultural mixture of our time."--Naomi Shihab Nye, Hungry Mind Review Inspired by the posthumous discovery of letters written by his father but never mailed, Jack Marshall's memoir is both a moving story of a writer's artistic coming-of-age and a lush, lyrical recollection of a childhood spent in Brooklyn's Arabic-speaking Jewish community. Born in 1936 to an Iraqi father and Syrian mother who had immigrated to the United States, Marshall grew up in the hardworking Sephardic community--enveloped in an extended family that spoke little English, no Yiddish, and whose way of life owed more to their Middle Eastern homelands than to European Jewish traditions. As the sights, sounds, and tastes of midcentury New York leap off the page, Marshall beautifully evokes the magic of youth and discovery. From playing "running bases" in the Brooklyn streets to making egg creams at Coney Island, from his mother's rich kibbeh and baklava to the vast world revealed in the books of the New York Public Library, from the pleasures of music to the mysteries contained under a microscope, Marshall's story is as enduring as it is original. And before he sets sail for Africa as a seaman on a Norwegian freighter, Marshall has, through his negotiation of language, culture, family strife, and issues of education, faith, and politics, shined a light upon the possibilities of our collective future. A critically acclaimed poet, Jack Marshall has received a PEN Center USA West Award, two Bay Area Book Reviewers awards, and was a finalist for the National Book Critics Circle Award. He lives in the San Francisco Bay Area.

"This is the story of the contrasting Judaisms that Wendy Doniger's two parents brought from their very different homes in Europe during World War I; of their paths to a shared but sharply bifurcated life in America during World War II, her father a publisher, her mother a political activist; and of the ways in which their attitudes to religion in general, and Judaism in particular, influenced the author's development as a Jewish woman and a scholar of religion"--