The Moment of Cubism is one of John Berger’s most important collections of art criticism. Whether considering Vermeer in his studio, Poussin’s poignant meditation on death, or the complexities of Rodin’s sculpture, Berger draws together the threads that bind individual artists to their social and political context. Here Berger argues that Cubism was a moment rather than a movement, one that came and went without the consent of its key figures – Picasso and Braque above all. He makes a case for Cubism’s revolutionary influence. As always, Berger helps us see the world in new ways

Chronicles the American journalist's role in the development of national radicalism, and examines the methods of investigative reporting which brought him into conflict with government leaders. Bibliogs Chronicles the American journalist's role in the development of national radicalism, and examines the methods of investigative reporting which brought him into conflict with government leaders. Bibliogs

To movie audiences, the work of Andrew Marton (born in Hungary in 1904) is memorable: the famous chariot race in Ben-Hur and the meticulously accurate Normandy invasion in The Longest Day are two of his important achievements. But because his credits were very often "Second Unit Director" or "Co-Director," Marton is often not immediately associated with his work. For the first time this oral history reveals just what were Andrew Marton's contributions to the cinema. This extensive interview, filled with great detail on how he did his movie magic, covers Marton's 55-year career. Technically clever, he always retained his humanity, humor, and humaneness.

"An intimate, inspiring memoir by educator and labor union leader Karen Lewis, a formidable fighter, a staunch defender of teachers and students, and a beloved Chicagoan. In 2012, Karen Lewis led the Chicago Teachers Union to a historic strike, challenging the city's powerful mayor and paving the way for an unprecedented wave of teacher strikes in the decade that followed. But Lewis's life took her in rich and surprising directions long before she landed in the CTU President's office. I Didn't Come Here to Lie, written in collaboration with historian and education expert Elizabeth Todd-Breland, tells Lewis's story in full for the first time, capturing her lively wit, her charisma, and her commitment to building the schools and communities teachers, students, and families deserve. From her childhood on Chicago's South Side to her teen years organizing Black Power walkouts, from her education at Mount Holyoke and Dartmouth to her years in Oklahoma and Barbados and her stints in medical school and film school, readers follow Lewis through a life full of exploration. Wherever she was, she maintained a strong commitment to building fairness. She found her calling in the classroom, teaching science for more than twenty years before becoming a union leader in Chicago. Up until her untimely death from brain cancer in 2021, Karen Lewis was spirited, unshakeable, and fierce. She remains a model for current organizers and teachers doing the day-to-day work of building a better world. I Didn't Come Here to Lie is a testament to one of the true revolutionaries of her generation"--

"It was one of history's great vanishing acts. As early as 3500 BCE, scribes in the mud-walled city-state of Sumer used a reed stylus to press tiny wedge-shaped symbols into clay. For three thousand years, the script chronicled the military conquests, scientific discoveries, and epic literature of the grand kingdoms of Mesopotamia - Assyria, Babylon, the mighty Achaemenid Empire - along with precious minutia about everyday life so long ago. But as the palaces of these once great kingdoms sank beneath the desert sands, the meaning of these characters was lost. London, 1857. Colossal sculptures of winged bulls and alabaster bas-reliefs depicting cities under siege and vassals bearing tributes to Biblical kings lined the halls of the British Museum. In the Victorian era's obsession with the triumph of human progress, the mysterious kingdoms of ancient Mesopotamia - the very cradle of civilization - had captured the public imagination. Yet Europe's best philologists struggled to decipher the strange characters. Cuneiform seemed to have thousands of symbols - with some scholars claiming each could be pronounced in up to eight, nine, even ten different ways. Others insisted they'd cracked the code and deciphered inscriptions that corresponded precisely to the Old Testament - proving the veracity of the Word of God. Was it all a hoax? A delusion? A rollicking adventure through the golden age of archaeology, The Writing on the Wall tracks the decades-long race to decipher the oldest script in the world. It's the story of a swashbuckling young archeologist, a suave British military officer, and a curmudgeonly Irish rector, all vying for glory - from the ruins of Persepolis to the opulence of Ottoman-era Baghdad - in a quest to unearth the relics of lost civilizations and unlock the secrets of humanity's past"--

For several of his books, Theo Aronson has been granted rare interviews with the Queen Mother, Prince Charles, Princess Margaret, Princess Alice, Countess of Athlone and Princess Alice, Duchess of Gloucester. In this sparkling and often irreverent memoir, based on notebooks kept during the last twenty years, Theo Aronson describes these royal interviews as well as the trials and excitements of writing a royal biography. Ranging from the disastrous to the successful and the amusing to the touching, the encounters in Royal Subjects include hilarious descriptions of lunching on a Scotch egg (and Scotch!) with Princess Margaret, revealing conversations with the Queen Mother and bizarrely gracious meals with ageing princesses in Kensington Palace. Frank and affectionate, these portraits are assembled with a deft touch. Praise for Royal Subjects: ‘Wise and witty … Aronson writes with engaging frankness’ - Mail on Sunday ‘Compelling and funny … I was riveted’ - Sunday Telegraph Theo Aronson is the author of over twenty works of royal historical biography, published in eleven languages. Among the widely read are Grandmama of Europe, The King in Love, Napoleon and Josephine and a biography of Princess Margaret. In the course of researching and writing these books he has interviewed major and minor members of Britain's royal family and members of the royal households, as well as various officials, servants, friends and others whose lives are in some way connected with the monarchy.

"A rich collection that I will use in teaching graduates and undergraduates about the weave of ethnography, narrative, the women's movement, and feminism. Crafted by an impressive range of scholars, the essays are empirically rich and theoretically cogent. But most important, they engage the complexities of multicultural, feminist, and multinational ethnographies and the stories that matter to politics, scholarship, and lives. With an ear for the tones of race and gender, this book answers the political, generic, and theoretical challenge of Writing Culture with layered essays that rewrite an important range of cultural conversations."—Donna Haraway, author of Professor , History of Consciousness Board, UCSC "Since the advent of the 'post-modern' in ethnography, we have been much in need of a marvelous volume such as this, placing 'woman' at the center of the debate. Women Writing Culture will prove as stimulating for our time as its great predecessor, Women, Culture and Society was for the 1970s."—Jose E. Limon, University of Texas "A groundbreaking book—provocative, illuminating, imaginative—and it is a pleasure to read. A trenchant yet always generous feminist critique of the masculinist bias in the theoretical canon of anthropological texts, it expansively and imaginatively maps the future directions of a feminist anthropology. In moving and courageous acts of reconstruction, the writers in this volume boldly cross disciplinary and generic lines, reading fiction as anthropology, writing theater as ethnography, getting personal, radically reconceiving the relationship of self and other and, thereby, the field itself. Feminist scholars of all disciplines will find here enabling textual and conceptual strategies as well as memorable voices and powerful stories."—Marianne Hirsch, Dartmouth College, author of The Mother-Daughter Plot

"In her trusted loaded-up minivan 'Minnie,' E.A. Hanks follows the same route as a long-ago road trip with her mother in an attempt to better understand the complicated woman who gave her life. Along the way, as she follows her mother's diaries and her own recollections of the route, she begins to uncover secrets--some unexpectedly wonderful, and others darker and more violent than she ever imagined--that bring more questions than answers. From the quiet expanses of White Sands National Park to the bustling streets of New Orleans, and the Texas-Mexico border to the swamps of the Florida panhandle, she interacts with the amazing breadth and diversity of the people that call these places home. Reckoning with the past, the present, her memories, and herself, Hanks brings us along a ... voyage towards understanding how the stories we tell about the places we're from ultimately become the stories we tell about the people we are"--

" Inspired by treasured family memoirs and musings, Susan J. Gordon' s work strikes a chord of connections in the hearts of her many readers. Many of her early childhood experiences were instrumental in shaping her lifelong love of writing. " Most of her pieces are about universal topics such as marriage, family life, parenting, being Jewish, family histories, and growing up in a family of divorce. Over the years, they were published in many well-known, popular magazines and newspapers. " ' Childhood is as fleeting as falling leaves,' Gordon says, ' and home is where we can find our way in the dark. There are no secrets in families-- just things no one wants to talk about. The past is always present, I believe, whether or not we are conscious of it.' " -- Anne Garry, former Managing Editor of Victoria " Gordon' s research on the historical context of relatives' lives, and her explorations of family secrets and myths are models for the genealogical community." -- Renee Steinig, genealogist and former president of the Jewish Genealogical Society of Long Island