Brighton, 1956: When Mirabelle's on-off boyfriend, Superintendent Alan McGregor, is taken off a gruesome murder case, she steps in to unravel the tangle of poisoned gin, prostitutes and high-stakes gambling that surrounds the death. It isn't long before McGregor's integrity is called into question, and Mirabelle finds herself doubting him. So when a wartime hero's body turns up on the Sussex Downs, she is glad that he is caught up in a mystery of his own as Brighton's establishment close ranks. Mirabelle is in a dangerous situation, though, and she doesn't have McGregor watching her back on this one. And when the dead man on the Downs turns out to have been a member of a deadly thrill-seekers club, related to the earlier murder, Mirabelle is determined to uncover the truth...

1955. When Mirabelle Bevan is rescued from a fire at her home on the Brighton seafront she's lucky to escape unharmed - but the blaze takes the life of her neighbour, Dougie Beaumont, a dashing and successful racing driver living in the flat above. It soon becomes clear that this was arson, raising questions about the young man's death that Mirabelle can't resist investigating further. With her curiosity piqued and on the trail of a potential killer she finds herself taking on the mysterious world of Fleet Street with its long lunches and dodgy deals as well as the glamorous motor racing world at Goodwood. It gradually becomes clear to Mirabelle that Dougie Beaumont's life was not as above-board as it first seemed and that this talented man had many secrets, hidden when he was alive by his international lifestyle where he was constantly on the move. Then, when a second shocking murder takes place, Mirabelle's pursuit is frustrated first by Dougie's well-connected and suspicious family and then by the official investigation - led by her would-be lover Superintendent McGregor. With the help of her colleague at McGuigan & McGuigan Debt Recovery, Vesta, and some of her ex-intelligence service connections, Mirabelle discovers the dark secrets of the glamorous racing driver have ramifications far beyond the English coastline.

Scottish Highlands, 1958 Britain is awash in Cold War anxiety as Mirabelle Bevan heads for the Highlands on a holiday to visit Superintendent Alan McGregor's family. More glamorous than she expected, the Robertsons welcome her with open arms and an array of cocktails, but she has scarcely arrived when the body of an American fashion buyer turns up brutally murdered, plunging the local village into disarray and sending shockwaves around the close, Highland community. Mirabelle can't resist investigating, but what she finds lays the limitations of her feelings for McGregor bare and calls into question the loyalties of all those around her from the Robertson's housekeeper Mrs Gillies to the family of the dead woman. What started as a relaxing break in scenic surroundings soon spirals into a week fraught with danger. As the press descend on the Robertson's Highland estate, it rapidly becomes clear that things are not as black and white as they first appeared and Mirabelle can't count on anyone . . .

"About to get married, Mirabelle and her fiance retired Superintendent Alan McGregor are torn about where they will settle but when a once-in-a-lifetime opportunity comes up to buy a secluded house on the banks of the Firth of Forth, they submit to getting permission from the local landlord. But that permission comes at a price and when a nun dies in mysterious circumstances at the Little Sisters of Gethsemane Convent nearby they are drafted to uncover what happened."--Provided by publisher.

One of the hallmarks of French author Patrick Modiano's writing is a singular ability to revisit particular motifs and episodes, infusing each telling with new detail and emotional nuance. In this evocative novel the internationally acclaimed author takes up one of his most compelling themes: a love affair with a woman who disappears, and a narrator grappling with the mystery of a relationship stopped short. Set in mid-sixties Paris, After the Circus traces the relationship between the narrator, a young man not quite of legal age, and the slightly older, enigmatic woman he first glimpses at a police interrogation. The two lovers make their uncertain way into each other's hearts, but the narrator soon finds himself in the unsettling, ominous presence of others. Who are these people? Are they real, or simply evoked? Part romance, part detective story, this mesmerizing book fully demonstrates Modiano's signature use of atmosphere and suggestion as he investigates the perils and the exhilaration of young love.

This is a collection of articles, reviews, interviews and essays by the 1990 Cartier Diamond Dagger award winner - critic and writer, Julian Symons. Following an introduction entitled The Crime Story Yesterday, Today, Tommorrow, this book offers a collection of Symons's writing on crime fiction from Britain, the United States and elsewhere, plus a section on real life stories, such as The Hiss Affair and the Yorkshire Ripper.

"Once upon a time there were three men who exemplified, without knowing it, my ideal in life. All of them became famous as writers, influential thinkers, and public figures. Their names are Clifton Fadiman, Lionel Trilling, and Jacques Barzun. They met in college, they remained aware of one another as friends or, if less than friends, companions and fellow crusaders on behalf of similar ideals. Although one of them never knew of my existence, the second ignored it, and the third treated me with formal kindness, without them I would have had no concrete model in my youth of what I wanted to become. Theirs was the universe in which I wished to have my being." With these words, Carolyn Heilbrun begins a personal, pointed, and surprisingly moving account of how a woman, destined to become one of the leading feminist critics of her day as well as one of our most popular mystery novelists, found the models for the life she aspired to in men who neither imagined nor countenanced women as their equals or colleagues. Remembering these three figures as they were when she hung upon their printed words and professorial presences, reappraising them now half a century later, Heilbrun vividly evokes what these remarkable individuals had to offer to an admiring young woman who could not acknowledge—and later would not accept—the impossibility of following in their paths. In the admired anthologies, magazine articles, and introductions through which Fadiman transmitted the world of high culture to an educated general public, he indicated no devotion to questions of female destiny; yet long before Heilbrun could imagine the life in the academy that was denied to Fadiman but would eventually be hers, his was the career to which she privately aspired. Later, in her days as a graduate student at Columbia, it was Trilling who would have the most powerful intellectual effect upon her, formulating as he did the tensions inherent in the desire to salvage what was of worth from a sad, almost moribund culture, even if he frankly admitted to no interest in teaching women or in considering their destinies beyond the domestic sphere. Only the courtly Barzun, also a mentor at Columbia, seemed capable of respecting female accomplishment and eschewing stereotyped views of women. Yet together, all three men unconsciously made Heilbrun's life as a feminist possible, by representing both what she wished to join and what she needed to struggle against. When Men Were the Only Models We Had is a loving, admiring, but stringent account of youthful enthusiasms, of the romance of ideas, of the intellectual brilliance of three unwitting mentors, and of the hopelessness of female ambition in the years before the feminist movement of the last three decades of the last century. And it is, in the end, a book that offers splendid proof that the models we once had are no longer the only ones before us.

This is an account of the life and career of the entrepreneur, Tiny Rowland, the head of Lonrho and the owner of "The Observer". It is a story of empire-building, unresolved mystery, commercial skulduggery, financial acumen, and confrontations with a succession of governments in Europe, America and Africa. The book reflects not only the fortunes of an individualist, but the ambitions, machinations and limitations of an array of power-brokers in the City, Whitehall, Wall Street and elsewhere in the world.

Nelly Sachs' book-length poem "Glowing Enigmas" is widely regarded as the Nobel Laureate's finest poetic achievement and one of the essential poetic works of postwar Europe. This definitive edition is the first in English to showcase the poem in its entirety. Michael Hamburger's incomparable translation captures the deep sadness, lyrical mystery, and transcendent opacity at the heart of Sachs' haunting masterpiece.

“A moving act of absolution . . . . This strong novel about a girl who is debased but never destroyed pushes the reader to a new level of understanding of the things people do—and the things that are done to them.”— Washington Post Book World She has hair of ginger and lovely green eyes, and she has just been transported with her family from Terezín to Auschwitz. In short order, her father commits suicide, and her mother and younger brother are dispatched to the gas chambers, but fifteen-year-old Hanka Kauderzová is still alive. Faced with the choice of certain death in the camp or working in a German military brothel, she chooses a chance at life. Passing for an Aryan, Hanka spends her days in the brothel cold, hungry, fearful, and ashamed. She is sustained only by her loathing of the men who visit her and by a fierce, indomitable will to live. This devastatingly beautiful novel explores and delineates the impossible choices one sometimes has to make in life, when the fabric of the world is rent asunder. Soaring beyond the nightmare, it leaves the reader with a transcendent sense of hope. Skyhorse Publishing, as well as our Arcade, Yucca, and Good Books imprints, are proud to publish a broad range of books for readers interested in fiction—novels, novellas, political and medical thrillers, comedy, satire, historical fiction, romance, erotic and love stories, mystery, classic literature, folklore and mythology, literary classics including Shakespeare, Dumas, Wilde, Cather, and much more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home.

This book examines the staggering popularity of early-twentieth-century Russian detective serials. Traditionally maligned as Pinkertonovshchina, these appropriations of American and British detective stories featuring Nat Pinkerton, Nick Carter, Sherlock Holmes, Ethel King, and scores of other sleuths swept the Russian reading market in successive waves between 1907 and 1917, and famously experienced a red resurgence in the 1920s under the aegis of Nikolai Bukharin. The book presents the first holistic view of Pinkertonovshchina as a phenomenon, and produces a working model of cross-cultural appropriation and reception. The red Pinkerton emerges as a vital missing link between pre- and post-Revolutionary popular literature, and marks the fitful start of a decades-long negotiation between the regime, the author, and the reading masses.

Elliot R. Wolfson is Professor of Religious Studies and the Marsha and Jay Glazer Chair of Jewish Studies at the University of California, Santa Barbara. A scholar of Jewish mysticism and philosophy, he uses the textual sources of Judaism to examine universal philosophical topics such as the function and processes of the imagination, the paradoxes of temporality, and the mystery of poetic language. Working at the intersection of disciplines and refusing to reduce texts to their simple historical contexts, Wolfson puts texts spanning diverse temporal, cultural, and religious periods in creative counterpoint. His sensitivity to language reveals its fragility as it simultaneously points to the uncertainty of meaning. The result is a creative reading of both Judaism and philosophy that informs and is informed by poetic sensibility and philosophical hermeneutics.