The only book on movies ever to win the National Book Award.

* NEW YORK TIMES BESTSELLER* “This book is so many things I didn’t know I needed: a testament to the work of healing, a raw howl of anger, and an indictment of misogyny’s insipid, predictable, infuriating reign.” —Carmen Maria Machado, author of the National Book Award finalist Her Body and Other Parties and the Lambda Literary Award winner In the Dream House A powerful memoir that reckons with mental health as well as the insidious ways men impact the lives of women. In early 2021, popular artist Anna Marie Tendler checked herself into a psychiatric hospital following a year of crippling anxiety, depression, and self-harm. Over two weeks, she underwent myriad psychological tests, participated in numerous therapy sessions, connected with fellow patients and experienced profound breakthroughs, such as when a doctor noted, “There is a you inside that feels invisible to those looking at you from the outside.” In Men Have Called Her Crazy , Tendler recounts her hospital experience as well as pivotal moments in her life that preceded and followed. As the title suggests, many of these moments are impacted by men: unrequited love in high school; the twenty-eight-year-old she lost her virginity to when she was sixteen; the frustrations and absurdities of dating in her mid-thirties; and her decision to freeze her eggs as all her friends were starting families. This stunning literary self-portrait examines the unreasonable expectations and pressures women face in the 21st century. Yet overwhelming and despairing as that can feel, Tendler ultimately offers a message of hope. Early in her stay in the hospital, she says, “My wish for myself is that one day I’ll reach a place where I can face hardship without trying to destroy myself.” By the end of the book, she fulfills that wish.

Short-listed for the Booker Prize Long-listed for the National Book Award "The first major American novel to be published this year." --Sam Sacks, The Wall Street Journal "Gorgeous . . . Almost impossibly heartbreaking." --Sam Worley, New York Magazine A Must-Read: The New York Times , New York Magazine, Time , The Washington Post , Los Angeles Times , The Boston Globe , Entertainment Weekly , USA Today , The Chicago Review of Books , Forbes , Literary Hub , and Town & Country "A major world writer . . . Choi is in thrilling command." ―Dwight Garner, The New York Times "Devastating." --Ron Charles, The Washington Post "Ranks among her best work." --Hamilton Cain, Los Angeles Times A Dakota Johnson x TeaTime Book Club Pick A novel tracing a father's disappearance across time, nations, and memory, from the author of Trust Exercise . One summer night, Louisa and her father take a walk on the breakwater. Her father is carrying a flashlight. He cannot swim. Later, Louisa is found on the beach, soaked to the skin, barely alive. Her father is gone. She is ten years old. Louisa is an only child of parents who have severed themselves from the past. Her father, Serk, is Korean, but was born and raised in Japan; he lost touch with his family when they bought into the promises of postwar Pyongyang and relocated to North Korea. Her American mother, Anne, is estranged from her Midwestern family after a reckless adventure in her youth. And then there is Tobias, Anne's illegitimate son, whose reappearance in their lives will have astonishing consequences. But now it is just Anne and Louisa, Louisa and Anne, adrift and facing the challenges of ordinary life in the wake of great loss. United, separated, and also repelled by their mutual grief, they attempt to move on. But they cannot escape the echoes of that night. What really happened to Louisa's father? Shifting perspectives across time and character and turning back again and again to that night by the sea, Flashlight chases the shock waves of one family's catastrophe, even as they are swept up in the invisible currents of history. A monumental new novel from the National Book Award winner Susan Choi, Flashlight spans decades and continents in a spellbinding, heart-gripping investigation of family, loss, memory, and the ways in which we are shaped by what we cannot see.

In this brilliant and widely acclaimed book, winner of the 1975 National Book Award, Robert Nozick challenges the most commonly held political and social positions of our age - liberal, socialist, and conservative.

WINNER OF THE 2025 NOBEL PRIZE Now in paperback, the capstone to Krasznahorkai’s four-part masterwork, and winner of the 2019 National Book Award for Translated Literature Set in contemporary times, Baron Wenckheim’s Homecoming tells the story of a Prince Myshkin–like figure, Baron Béla Wenckheim, who returns at the end of his life to his provincial Hungarian hometown. Having escaped from his many casino debts in Buenos Aires, where he was living in exile, he longs to be reunited with his high-school sweetheart Marika. Confusions abound, and what follows is an endless storm of gossip, con men, and local politicians, vividly evoking the small town’s alternately drab and absurd existence. All along, the Professor―a world-famous natural scientist who studies mosses and inhabits a bizarre Zen-like shack in a desolate area outside of town?offers long rants and disquisitions on his attempts to immunize himself from thought. Spectacular actions are staged as death and the abyss loom over the unsuspecting townfolk.

A New York Times Notable Book From the winner of the National Book Award and the National Books Critics’ Circle Award—and one of the most original thinkers of our time—a riveting collection of essays about places in dramatic transition. Far and Away collects Andrew Solomon’s writings about places undergoing seismic shifts—political, cultural, and spiritual. Chronicling his stint on the barricades in Moscow in 1991, when he joined artists in resisting the coup whose failure ended the Soviet Union, his 2002 account of the rebirth of culture in Afghanistan following the fall of the Taliban, his insightful appraisal of a Myanmar seeped in contradictions as it slowly, fitfully pushes toward freedom, and many other stories of profound upheaval, this book provides a unique window onto the very idea of social change. With his signature brilliance and compassion, Solomon demonstrates both how history is altered by individuals, and how personal identities are altered when governments alter. A journalist and essayist of remarkable perception and prescience, Solomon captures the essence of these cultures. Ranging across seven continents and twenty-five years, Far and Away takes a magnificent journey into the heart of extraordinarily diverse experiences, yet Solomon finds a common humanity wherever he travels. Illuminating the development of his own genius, his stories are always intimate and often both funny and deeply moving.

Finalist for the 1997 National Book Award for Nonfiction Jamaica Kincaid’s brother Devon Drew died of AIDS on January 19, 1996, at the age of thirty-three. Kincaid’s incantatory, poetic, and often shockingly frank recounting of her brother’s life and death is also a story of her family on the island of Antigua, a constellation centered on the powerful, sometimes threatening figure of the writer’s mother. My Brother is an unblinking record of a life that ended too early, and it speaks volumes about the difficult truths at the heart of all families.

A new 30th Anniversary paperback edition of an award-winning classic. Winner of the National Book Award, 1976 World of Our Fathers traces the story of Eastern Europe's Jews to America over four decades. Beginning in the 1880s, it offers a rich portrayal of the East European Jewish experience in New York, and shows how the immigrant generation tried to maintain their Yiddish culture while becoming American. It is essential reading for those interested in understanding why these forebears to many of today's American Jews made the decision to leave their homelands, the challenges these new Jewish Americans faced, and how they experienced every aspect of immigrant life in the early part of the twentieth century. This invaluable contribution to Jewish literature and culture is now back in print in a new paperback edition, which includes a new foreword by noted author and literary critic Morris Dickstein.

From the bestselling, twice-Orange Prize-shortlisted, National Book Award-nominated author comes a tale of transformation; a richly layered masterpiece' ( Financial Times ) A brilliant novel ' Philip Roth Impossible to put down ' Independent Dazzling ' Guardian Jules Epstein has vanished from the world. He leaves no trace but a rundown flat patrolled by a solitary cockroach, and a monogrammed briefcase abandoned in the desert. To Epstein 's mystified family, the disappearance of a man whose drive and avidity have been a force to be reckoned with for sixty-eight years marks the conclusion of a gradual fading. This transformation began in the wake of Epstein 's parents ' deaths, and continued with his divorce after more than thirty-five years of marriage, his retirement from a New York legal firm, and the rapid shedding of his possessions. With the last of his wealth and a nebulous plan, he departs for the Tel Aviv Hilton. Meanwhile, a novelist leaves her husband and children behind in Brooklyn and checks into the same hotel, hoping to unlock her writer 's block. But when a man claiming to be a retired professor of literature recruits her for a project involving Kafka, she is drawn into a mystery that will take her on a metaphysical journey and change her in ways she could never have imagined. Bursting with life and humour, this is a profound, mesmerising, achingly beautiful novel of metamorphosis and self-realisation.

National Book Award winner Jonathan Kozol is best known for his fifty years of work among our nation’s poorest and most vulnerable children. Now, in the most personal book of his career, he tells the story of his father’s life and work as a nationally noted specialist in disorders of the brain and his astonishing ability, at the onset of Alzheimer’s disease, to explain the causes of his sickness and then to narrate, step-by-step, his slow descent into dementia. Dr. Harry Kozol was born in Boston in 1906. Classically trained at Harvard and Johns Hopkins, he was an unusually intuitive clinician with a special gift for diagnosing interwoven elements of neurological and psychiatric illnesses in highly complicated and creative people. “One of the most intense relationships of his career,” his son recalls, “was with Eugene O’Neill, who moved to Boston in the last years of his life so my father could examine him and talk with him almost every day.” At a later stage in his career, he evaluated criminal defendants including Patricia Hearst and the Boston Strangler, Albert H. DeSalvo, who described to him in detail what was going through his mind while he was killing thirteen women. But The Theft of Memory is not primarily about a doctor’s public life. The heart of the book lies in the bond between a father and his son and the ways that bond intensified even as Harry’s verbal skills and cogency progressively abandoned him. “Somehow,” the author says, “all those hours that we spent trying to fathom something that he wanted to express, or summon up a vivid piece of seemingly lost memory that still brought a smile to his eyes, left me with a deeper sense of intimate connection with my father than I’d ever felt before.” Lyrical and stirring, The Theft of Memory is at once a tender tribute to a father from his son and a richly colored portrait of a devoted doctor who lived more than a century.

Now a New York Times Best Seller and a National Book Award finalist. Charged with racial, sexual, and political overtones, the confirmation of Clarence Thomas as a Supreme Court justice was one of the most divisive spectacles the country has ever seen. Anita Hill's accusation of sexual harassment by Thomas, and the attacks on her that were part of his high-placed supporters' rebuttal, both shocked the nation and split it into two camps. One believed Hill was lying, the other believed that the man who ultimately took his place on the Supreme Court had committed perjury. In this brilliant, often shocking book, Jane Mayer and Jill Abramson, two of the nation's top investigative journalists examine all aspects of this controversial case. They interview witnesses that the Judiciary Committee chose not to call, and present documents never before made public. They detail the personal and professional pasts of both Clarence Thomas and Anita Hill and lay bare a campaign of lobbying, public rela

"In the bitter desolation of Siberia, Esther and her family fight to stay alive." It is June 1941. The Rudomin family has been arrested by the Russians. They are "capitalists--enemies of the people." Forced from their home and friends in Vilna, Poland, they are herded into crowded cattle cars. Their destination: the endless steppe of Siberia. For five years, Esther and her family live in exile, weeding potato fields and working in the mines, struggling for enough food and clothing to stay alive. Only the strength of family sustains them and gives them hope for the future. Notable Children's Books of 1968 (ALA) 1968 Boston Globe-Horn Book Award Honor Book Outstanding Children's Books of 1968 (NYT) 1969 Jane Addams Award 1971 Lewis Carroll Shelf Award Nominee, 1969 National Book Award for Children's Literature 1969 Shirley Kravitz Children's Book Award 1987 Deutsche Jugenliteraturpreis (German Youth Literature Prize) "Honorable List" 1969 Fanfare Honor List (The Horn Book)

Product Description Both an enhanced digital edition―the first edited specifically for undergraduates―and a handsome print volume, The Norton Shakespeare, Third Edition, provides a freshly edited text, acclaimed apparatus, and an unmatched value. The attractive print and digital bundle offers students a great reading experience at an affordable price in two ways―a hardcover volume for their dorm shelf and lifetime library, and a digital edition ideal for in-class use. Students can access the ebook from their computer, tablet, or smartphone via the registration code included in the print volume at no additional charge. As one instructor summed it up, “It’s a long overdue step forward in the way Shakespeare is taught.” Book Description with The Norton Shakespeare Digital Edition registration card About the Author Stephen Greenblatt (Ph.D. Yale) is Cogan University Professor of the Humanities at Harvard University. Also General Editor of The Norton Anthology of English Literature, he is the author of eleven books, including Tyrant, The Rise and Fall of Adam and Eve: The Story that Created Us, The Swerve: How the World Became Modern (winner of the 2011 National Book Award and the 2012 Pulitzer Prize); Shakespeare's Freedom; Will in the World: How Shakespeare Became Shakespeare; Hamlet in Purgatory; Marvelous Possessions: The Wonder of the New World; Learning to Curse: Essays in Early Modern Culture; and Renaissance Self-Fashioning: From More to Shakespeare. He has edited seven collections of criticism, including Cultural Mobility: A Manifesto, and is a founding coeditor of the journal Representations. His honors include the MLA’s James Russell Lowell Prize, for both Shakespearean Negotiations: The Circulation of Social Energy in Renaissance England and The Swerve, the Sapegno Prize, the Distinguished Humanist Award from the Mellon Foundation, the Wilbur Cross Medal from the Yale University Graduate School, the William Shakespeare Award for Classical Theatre, the Erasmus Institute Prize, two Guggenheim Fellowships, and the Distinguished Teaching Award from the University of California, Berkeley. He was president of the Modern Language Association of America and is a fellow of the American Academy of Arts and Sciences, the American Philosophical Society, and the American Academy of Arts and Letters. Walter Cohen (Ph.D. Berkeley) is Professor of English at the University of Michigan, Ann Arbor, and Professor of Comparative Literature Emeritus at Cornell University, where he received the Clark Distinguished Teaching Award. He is the author of Drama of a Nation: Public Theater in Renaissance England and Spain, as well as numerous journal articles on Renaissance literature, literary criticism, the history of the novel, and world literature. He has recently completed a critical study entitled A History of European Literature: The West and the World from Antiquity to the Present. Jean E. Howard (Ph.D., Yale) is the George Delacorte Professor in the Humanities at Columbia University. A past president of the Shakespeare Association of America, she is the author of numerous books on Renaissance drama, including Shakespeare’s Art of Orchestration: Stage Technique and Audience Response (1984), The Stage and Social Struggle (1994), Engendering a Nation: A Feminist Account of Shakespeare’s English Histories, with Phyllis Rackin (1997), Theater of a City: The Places of London Comedy 1598–1642 (2007), and Marx and Shakespeare with Crystal Bartolovich (2012). She is at work on a book about the English history play from Shakespeare to Caryl Churchill and another on the invention of Renaissance tragedy. Katharine Eisaman Maus (Ph.D. Johns Hopkins) is James Branch Cabell Professor of English at the University of Virginia. She is the author of Being and Having in Shakespeare; Inwardness and Theater in the English Renaissance; and Ben Jonson and the Roman Frame of Mind; editor of a volume of Renaissance tragedies; an

National Book Award winner Ron Chernow expertly traces the decline of the big bankers and the rise of small investors. The reader is taken on a fascinating tour of Anglo-American high finance over the past two centuries, with detours into Canadian, German and Japanese finance. As the point of departure for his colourful, panoramic survey, Mr. Chernow poses a historic riddle: Why did the great financial dynasties - the Rothschilds, Barings, Morgans and Warburgs - flare so brilliantly in the 19th and 20th centuries and then enter into a precipitous decline? Why did such heavyweights give way to more anonymous financial conglomerates? And, most curious of all, why have small investors, banded together in mutual funds, suddenly inherited the financial earth? The Death of the Banker shows how American reformers mounted a spirited campaign to pry captive companies loose from their traditional bankers and restored competition to financial markets. In a world criss-crossed by capital flows, the banker will never again exercise such spectacular but arbitrary rule over clients.

One of the first examples of "new journalism" daringly combines reportage with a novelistic style and garnered Mailer his first Pulitzer Prize and a National Book Award in 1968.

After more than two decades, this dramatic and concise single-volume distillation of James Thomas Flexner's definitive four-volume biography George Washington , which received a Pulitzer Prize citation and a National Book Award for the fourth volume, has itself become an American classic. Now in a new trade paperback edition, this masterful work explores the Father of Our Country - sometimes an unpopular hero, a man of great contradictions, but always a towering historical figure, who remains, as Flexner writes in these pages, "a fallible human being made of flesh and blood and spirit - not a statue of marble and wood... a great and good man." The author unflinchingly paints a portrait of slave owner, brave leader, man of passion, reluctant politician, and fierce general. His complex character and career are neither glorified nor vilified here; rather, Flexner sets up a brilliant counterpoint between Washington's public and private lives and gives us a challenging look at the man who has become as much a national symbol as the American flag.

A New York Times Notable Book * Winner of the National Jewish Book Award * Winner of the National Book Critics Circle Award * A Los Angeles Times Book Prize Finalist "A gripping detective story, a stirring epic, a tale of ghosts and dark marvels, a thrilling display of scholarship, a meditation on the unfathomable mystery of good and evil, a testimony to the enduring power of the ancient archetypes that haunt one Jewish family and the greater human family, The Lost is as complex and rich with meaning and story as the past it seeks to illuminate. A beautiful book, beautifully written."--Michael Chabon In this rich and riveting narrative, a writer's search for the truth behind his family's tragic past in World War II becomes a remarkably original epic--part memoir, part reportage, part mystery, and part scholarly detective work--that brilliantly explores the nature of time and memory, family and history. The Lost begins as the story of a boy who grew up in a family haunted by the disappearance of six relatives during the Holocaust--an unmentionable subject that gripped his imagination from earliest childhood. Decades later, spurred by the discovery of a cache of desperate letters written to his grandfather in 1939 and tantalized by fragmentary tales of a terrible betrayal, Daniel Mendelsohn sets out to find the remaining eyewitnesses to his relatives' fates. That quest eventually takes him to a dozen countries on four continents and forces him to confront the wrenching discrepancies between the histories we live and the stories we tell. And it leads him, finally, back to the small Ukrainian town where his family's story began, and where the solution to a decades-old mystery awaits him. Deftly moving between past and present, interweaving a world-wandering odyssey with childhood memories of a now-lost generation of immigrant Jews and provocative ruminations on biblical texts and Jewish history, The Lost transforms the story of one family into a profound, morally searching meditation on our fragile hold on the past. Deeply personal, grippingly suspenseful, and beautifully written, this literary tour de force illuminates all that is lost, and found, in the passage of time.

Winner of the National Book Critics Circle Award 2014 With this volume, Davis presents the age of emancipation as a model for reform and as probably the greatest landmark of willed moral progress in human history. Bringing to a close his staggeringly ambitious, prizewinning trilogy on slavery in Western culture Davis offers original and penetrating insights into what slavery and emancipation meant to Americans. He explores how the Haitian Revolution respectively terrified and inspired white and black Americans, hovering over the antislavery debates like a bloodstained ghost. He offers a surprising analysis of the complex and misunderstood significance the project to move freed slaves back to Africa. He vividly portrays the dehumanizing impact of slavery, as well as the generally unrecognized importance of freed slaves to abolition. Most of all, Davis presents the age of emancipation as a model for reform and as probably the greatest landmark of willed moral progress in human history.

David Brion Davis has long been recognized as the leading authority on slavery in the Western World. His books have won every major history award--including the Pulitzer Prize and the National Book Award--and he has been universally praised for his prodigious research, his brilliant analytical skill, and his rich and powerful prose. Now, in Inhuman Bondage, Davis sums up a lifetime of insight in what Stanley L. Engerman calls "a monumental and magisterial book, the essential work on New World slavery for several decades to come."Davis begins with the dramatic Amistad case, which vividly highlights the international character of the Atlantic slave trade and the roles of the American judiciary, the presidency, the media, and of both black and white abolitionists. The heart of the book looks at slavery in the American South, describing black slaveholding planters, the rise of the Cotton Kingdom, the daily life of ordinary slaves, the highly destructive internal, long-distance slave trade, the sexual exploitation of slaves, the emergence of an African-American culture, and much more. But though centered on the United States, the book offers a global perspective spanning four continents. It is the only study of American slavery that reaches back to ancient foundations (discussing the classical and biblical justifications for chattel bondage) and also traces the long evolution of anti-black racism (as in the writings of David Hume and Immanuel Kant, among many others). Equally important, it combines the subjects of slavery and abolitionism as very few books do, and it illuminates the meaning of nineteenth-century slave conspiracies and revolts, with a detailed comparison with 3 major revolts in the British Caribbean. It connects the actual life of slaves with the crucial place of slavery in American politics and stresses that slavery was integral to America's success as a nation--not a marginal enterprise.A definitive history by a writer deeply immersed in the subject, Inhuman Bondage offers a compelling narrative that links together the profits of slavery, the pain of the enslaved, and the legacy of racism. It is the ultimate portrait of the dark side of the American dream. Yet it offers an inspiring example as well--the story of how abolitionists, barely a fringe group in the 1770s, successfully fought, in the space of a hundred years, to defeat one of human history's greatest evils.

"A book about the literal and figurative end of time and what that means for us as conscious beings, Desert Notebooks looks at how both the unprecedented pace of destruction to our environment and our increasingly unstable global socio-political institutions have led to an existential crisis orders of magnitude greater than any humankind has confronted before. As inhabitants of the Anthropocene what might some of our own histories tell us about how to grapple with apocalypse? And how might the geologies and ecologies of desert spaces inform how we see and act towards time? Employing an elegant, discursive style that interweaves memoir with science writing, creation myths, and history, National Magazine Award winner and The Nation columnist Ben Ehrenreich uses the desolate landscape of the American desert -the main locales for the book are Joshua Tree and Las Vegas- as a springboard to examine how we formulate our concepts of time and what it means to confront the looming apocalypse. Desert Notebooks is a moving confrontation with Deep Time and a meditation on landscape in the face of climate change. Faced with an uncertain future, Ehrenreich argues there is comfort in reflecting on the role we humans have played in our own demise in the past. The difference is that this time the clock may finally be running out for good"--