This masterpiece novel -- by the internationally acclaimed, young South African writer Damon Galgut--about E.M. Forster, his life, struggles with homosexuality, and the writing of his universally loved novel A Passage to India will call to mind the international success of Colm Toibin's The Master . For readers of Colm Toibin, Ian McEwan, and J.M. Coetzee. In 1912, the SS Birmingham approaches India. On board is Morgan Forster, novelist and man of letters, who is embarking on a journey of discovery. As Morgan stands on deck, the promise of a strange new future begins to take shape before his eyes. The seeds of a story start to gather at the corner of his mind: a sense of impending menace, lust in close confines, under a hot, empty sky. It will be another twelve years, and a second, and much longer time spent in India, before A Passage to India , E.M. Forster's most beloved work of literature, is completed. During these years, Morgan will come to a recognition of his homosexuality and of the infinite subtleties and complexities of human nature. Arctic Summer is an intimate portrait of the man who became one of Britain's finest novelists, his struggle to find a way of living and being, and a stunningly vivid evocation of the mysterious alchemy of the creative process. Galgut animates the literary times in which Forster lived with encounters with some of the writers of the day, including Virginia and Leonard Woolf and D.H. Lawrence . Galgut also brilliantly and poignantly describes Forster's two closest relationships, enduring and sadly unfulfilled. Arctic Summer is a literary masterpiece, by one of the finest writers of his generation."

"The Imperial Wife is a smart, engaging novel that parallels two fascinating worlds and two singular women. Irina Reyn writes beautifully of immigrants, art and the vagaries of love."--Jess Walter, National Book Award finalist and author of the New York Times bestseller, Beautiful Ruins Two women's lives collide when a priceless Russian artifact comes to light. Tanya Kagan, a rising specialist in Russian art at a top New York auction house, is trying to entice Russia's wealthy oligarchs to bid on the biggest sale of her career, The Order of Saint Catherine, while making sense of the sudden and unexplained departure of her husband. As questions arise over the provenance of the Order and auction fever kicks in, Reyn takes us into the dazzling world of Catherine the Great, the infamous 18th-century empress, who may have owned the priceless artifact, and who, it turns out, faced many of the same issues Tanya wrestles with in her own life. Suspenseful and beautifully written, The Imperial Wife asks whether we view female ambition any differently today than we did in the past. Can a contemporary marriage withstand an "Imperial Wife"?

From his cult classic, I Smell Esther Williams, to his wildly popular and insightful column "Wild Kingdom" appearing in Esquire magazine every month, Mark Leyner has been giving us up close and personal encounters of the most hilarious kind for over a decade. Now, in his new novel The Tetherballs of Bougainville, Leyner shares with us, long last, the quintessential coming of age story that every writer, at some point, is compelled to tell. In the novel we meet young Mark Leyner, 13-years-old to be exact, as he waits in a New Jersey prison to witness his father's execution. Adolescence is never easy, and it just so happens that this junior high schooler is on deadline to turn in a screenplay for which he has already been awarded the Vincent and Lenore DiGiacomo/Oshimitsu Polymers America Award. And, as it was for all of us during out teenage years, nothing seems to go as planned. Written as autobiography, screenplay and movie review, The Tetherballs of Bougainville twists three familiar narrative forms into an outlandishly compelling story. Leyner's use of the media-driven formats brilliantly reflects our secret, shameful and hilarious desire to experience our private lives as mass entertainment. The Tetherballs of Bougainville skewers and celebrates American pop culture in the late twentieth century. Leyner's version of our lives is so deeply funny because it is so painfully true.

Joseph Roth paints a vivid portrait of Emperor Napoleon's last grab at glory, the hundred days spanning his escape from Elba to his final defeat at Waterloo. This particularly poignant work, set in the first half of 1815 and largely in Paris, is told from two perspectives, that of Napoleon himself and that of the lowly, devoted palace laundress Angelica--an unlucky creature who deeply loves him. In The Hundred Days, Roth refracts the deep sorrow of their intertwined fates. Roth's signature lyrical elegance and haunting atmospheric details sing in The Hundred Days. "There may be," as James Wood has stated, "no modern writer more able to combine the novelistic and the poetic, to blend lusty, undamaged realism with sparkling powers of metaphor and simile."

Erskine Childers, the famed author of the classic novel of sailing and spying The Riddle of the Sands served with London's finest-The City Imperial Volunteers within its artillery arm-associated with the Honourable Artillery Company. Childers-together with his enthusiastic colleagues from the professions of the city were keen to fight the Boers of South Africa and he has written an engaging and detailed account of his time with the regiment during the war. It is written in an easy informal style-of the kind that has ensured that his better known writing has endured for over a century-as he takes the reader through training to experiences on the battlefield itself.

A beautifully written prose work, Tsing is a multi-layered narrative that combines a wholly fictional novel-within-a-novel with an episodic chronicle of the narrator's present as a traveler to and visiting writer in the United States. Much more than an "ordinary" postmodern text, Tsing is a quiet and moving paean to the narrator's deceased father. Beginning with a series of imagined vignettes involving a father and a daughter, Albahari weaves both real and imagined narrative fragments together with considerable skill. As Albahari's fragments - simple stories about persons approaching each other, spending some time together, and eventually going their separate ways - accumulate, his deft combination of paradox and poetry provides a kaleidoscopic view of memory, love, and loneliness.