Novel Gazing is the first collection of queer criticism on the history of the novel. The contributors to this volume navigate new territory in literary theory with essays that implicitly challenge the "hermeneutic of suspicion" widespread in current critical theory. In a stunning introductory essay, Eve Kosofsky Sedgwick delineates the possibilities for a criticism that would be "reparative" rather than cynical or paranoid. The startlingly imaginative essays in the volume explore new critical practices that can weave the pleasures and disorientations of reading into the fabric of queer analyses. Through discussions of a diverse array of British, French, and American novels—including major canonical novels, best-sellers, children’s fiction, and science fiction—these essays explore queer worlds of taste, texture, joy, and ennui, focusing on such subjects as flogging, wizardry, exorcism, dance, Zionist desire, and Internet sexuality. Interpreting the works of authors as diverse as Benjamin Constant, Toni Morrison, T. H. White, and William Gibson, along with canonical queer modernists such as James, Proust, Woolf, and Cather, contributors reveal the wealth of ways in which selves and communities succeed in extracting sustenance from the objects of a culture whose avowed desire has often been not to sustain them. The dramatic reframing that these essays perform will make the significance of Novel Gazing extend beyond the scope of queer studies to literary criticism in general. Contributors . Stephen Barber, Renu Bora, Anne Chandler, James Creech, Tyler Curtain, Jonathan Goldberg, Joseph Litvak, Michael Lucey, Jeff Nunokawa, Cindy Patton, Jacob Press, Robert F. Reid-Pharr, Eve Kosofsky Sedgwick, Melissa Solomon, Kathryn Bond Stockton, John Vincent, Maurice Wallace, Barry Weller

Conversations with Nadine Gordimer edited by Nancy Topping Bazin and Marilyn Dallman Seymour Nadine Gordimer is one of the contemporary world's most admired writers of novels and short stories. This volume collects three decades of her interviews. In them she presents her attitudes toward her art and its interconnection with the oppressive, volatile politics in her native land. She has traveled extensively to other countries only to discover that no matter how white her skin she is indeed African and the only country she can call home is South Africa. If you write honestly about life in South Africa, apartheid damns itself, she says. She is ruthlessly honest, and her fiction has played the vital role of communicating in detail to the rest of the world the effects of apartheid upon the daily lives of the South African people. To maintain her integrity, she writes as though she were dead, without any thought of how anyone will react to what she has written. She remains heroically undaunted both by the banning of three of her novels by the white government and by the protests of radical blacks who assert that whites cannot write convincingly about blacks.She is concerned neither with the image of blacks nor with the image of whites, only with revealing the complexity, the full truth. This truth condemns the racism upon which apartheid is built. In her nine novels and eight volumes of short stories, Gordimer digs deeper and deeper until she has thematic layers. These include betrayal-political, sexual, every form and power, the way human beings use power in their relationships. Her accounts in these interviews of how she works and of which writers she admires will fascinate readers, scholars, teachers, and students alike. Co-editors Nancy Topping Bazin retired from the faculty of the English and women's studies departments at Old Dominion University, and Marilyn Dallman Seymour retired from the staff of the Government Publications Department of the Old Dominion University Library.

Udvalgte noveller fra de to samlinger: The soft voice of the serpent (1953), og Livingstone's companions (1972)

By the author of Nothing Natural, Rainforest and Like Mother, this novel fuses life in the 14th and late 20th centuries. The characters make several journeys into the wilderness between sanity and madness, biology and nurturing, faith and rational discourse.

Helene Moglen offers a revisionary feminist argument about the origins, cultural function, and formal structure of the English novel. While most critics and historians have associated the novel's emergence and development with the burgeoning of capitalism and the rise of the middle classes, Moglen contends that the novel principally came into being in order to manage the social and psychological strains of the modern sex-gender system. Rejecting the familiar claim that realism represents the novel's dominant tradition, she shows that, from its inception in the eighteenth century, the English novel has contained both realistic and fantastic narratives, which compete for primacy within individual texts.

City Codes is a study of the representation of the city in the modern novel that takes difference as its point of departure, so that cities are read according to the cultural and social position of the urbanite. City Codes argues that the modern urban novel, in contrast to earlier novels, is characterized by an intersection of public and private space, but that this intersection is mapped differently according to the position of the city dweller in terms of history, politics, nationality, gender, class, and race.

ALEKSANDAR TISMA was born in 1924 in Vojvodina, Yugoslavia, to a Serbian father and a Hungarian mother. He experienced the Holocaust in his native town of Novi Sad. After the war he worked as a journalist in Novi Sad and Belgrade, and later became an editor, writer, and translator. He has written sixteen works of fiction, of which the last five--what he calls a pentateuch of novels and stories--have been devoted to the subject of the Holocaust.

Cover is for the paperback copy, Tight Binding, Limited Chipping or Tears to Edges, No Markings or Creasing, Discoloration to lower parts of pages, back cover is scuffed, stamp on bottom edge of book,

After being sidetracked by two affairs in the region, Haffner finally resolves to claim his widow's inheritance in the eastern Alps, a villa seized in darker times, but must first win a fight with a team of bureaucrats and their minions.

Thomas Mann meets Mordecai Richler in this outstanding novel of great intellect and humour that already reads like a classic. The Frumkiss family doesn't look much different from any of the others in Toronto's Bathurst Manor. Grandpa survived the Holocaust; Grandma the Second came from Poland at the age of five. Dad's a foot doctor; Mom is dead, and her mother -- Grandma Number One --died while giving birth to her in Kazakhstan. Her three kids -- the oldest is forty-two -- are as frustrated and directionless as most baby boomers with no real financial worries. One's in Toronto, there's one in the suburbs and the third lives in Israel. As far as the Frumkisses know, all that distinguishes them from anybody else is that Grandpa is a famous Yiddish writer who ended up working for the CBC. But Grandpa's death sets off a chain of events that force the Frumkisses to see how different their family is from all the others. The Frumkiss Family Business , Michael Wex's brilliant and hilarious new novel, is a family saga for the twenty-first century, a lovingly accurate portrait of middle-class Canadian life at the turn of the century and of the Toronto neighbourhood that has produced such famous Canadians as Howie Mandel and Wex himself. Imagine Thomas Mann's Buddenbrooks without the stodgy Germans or The Brothers Karamazov with only one brother. Finally, a novel that does for Toronto what Mordecai Richler's books did for Montreal.

The Sea of Light is a wise, beautiful, and very American story of three women and their desire to excel and win - and heal one another - in the highly charged world of athletic competition. Angelita is the hurricane that brings down a plane carrying a team of star-quality swimmers, groomed from childhood to compete at the international level. Babe Delgado is a young Cuban-American woman, presumed dead, who is rescued from the crash. Fifty-one hours in the Atlantic have left her scarred in body and spirit, afraid to compete again. Brenna Allen is a tough, driven swim coach at a small university, grieving for a lover lost to cancer. She finds solace in building her own winning team, driving her overworked captain, Ellie Marks, ever harder. Ellie is a child of holocaust survivors, struggling to own herself and her sexuality as hard as she's working to win. Brenna recruits Babe, promising to help her rebuild her damaged body, strength, and will. The Sea of Light is a story of wins, losses, and passions in a world where destiny and magic interfere with victory, where families are forced to reconcile with private hurts and false dreams, and where a redemptive, healing love between women - erotic and overwhelmingly intimate - stands in stark contrast to the expectations of the world. A sensitive, powerful tale of self-discovery, sexual identity, and violent emotions unleashed by sudden disaster, this novel is sure to command attention and acclaim.

A novel set in the world of modern art, loosely based on the life of the French Dadaist Marcel Duchamp. From the author of THE BOOK OF GOD.

Giles Steel Ahsad Adelman finds himself adrift in a tiny lifeboat with a group of human slaves and two alien crewmen. Only the aliens know how to pilot the vessel - and they have lost the will to live. This novel of disaster and survival comes from the author of Planet of the Damned.

A novel about a recently widowed 61-year-old woman's changing values and the inevitable conflict which she arouses with her children and social milieu. The author's first novel, 'Gracious Living', was published in 1990.

Buruma's prismatic, fascinating first novel is a portrait of Ranji, the cricket player who was "not simply the greatest cricketer of all time, but a fairy tale prince . . . so famous that children sang songs about him, and grown men wept when they saw him

Product Description Marcus Brennan is a successful small-town lawyer on the verge of a breakdown. His wife, Schelle, thinks it’s post-traumatic stress disorder from his years as a POW in Vietnam. Planning the dedication of a memorial for Vietnam soldiers, she asks Marcus to say a few words at the ceremony, hoping the experience will help to exorcise his demons. But after agreeing to defend Estella Pritchett, a social worker accused of murdering her lover, Marcus begins a downward spiral into the murky depths of his own past–where sex is violent, where love means betrayal, and where his own memories have the power to destroy him. . . . From Publishers Weekly The author of Harry and Catherine and Absent Friends , among other distinguished literary works, Busch has reached a new level of achievement with this taut and gripping novel. Former Marine Phantom pilot Mark Brennan is a small-town attorney in upstate New York. He has a devoted wife who was active as an anti-war demonstrator, a high-school-age son who seems to be on the edge of big trouble, a daughter in New York who may have made a fatal romantic liaison, and his own demons--memories of Vietnam. Code-named Goblin, Brennan was shot down and captured by the Viet Cong. After several soul-crushing months enduring diabolical torture, he managed a bloody escape. Uncomfortable with his local-hero status and his wife's determination to perpetuate it, Brennan has an uneasy and distant relationship with his family; he lives inside his head most of the time, trying to suppress almost hallucinatory flashbacks to his desolate childhood and his later torments as a POW. But when he takes a pro bono murder case, defending a woman accused of killing her lover during rough sex, the past starts to intrude. Layer upon layer of lies and unbearable truths are peeled away as the trial progresses and Brennan succumbs to his own despair. In his disturbing, thrilling, imaginative exploration of some of the darkest sides of human experience, Busch has deftly transmuted rage and anguish into an extraordinary novel, one that packs a visceral wallop. Copyright 1991 Reed Business Information, Inc. From Library Journal Mark Brennan was a Marine pilot who became a prisoner of the Vietcong. Now a lawyer in upstate New York, he confronts a failing marriage, a troubled son, and a dangerously seductive client on trial for murdering her lover in a motel bed. Both attorney and client suffer a dark legacy of past violence, and in both cases post-traumatic stress disorder leads to further destruction. As first-person narrator, Brennan observes that "the best defense is a good story," and his carefully wrought closing argument becomes a moving apology for his own life. Although the subplot involving Brennan's daughter (whom we encounter only via long-distance telephone) is not entirely convincing, the central narrative remains powerful. Busch's two previous works are Harry and Catherine (LJ 3/1/90) and Absent Friends (LJ 4/1/89), a collection of short stories. - Al bert E. Wilhelm, Tennessee Technologi cal Univ., Cookeville Copyright 1991 Reed Business Information, Inc. From Kirkus Reviews ``The best defense is a good story,'' Vietnam vet/lawyer hero Mark Brennan obsessively tells himself. The disintegration of Brennan's own ``story'' through his involvement with a sex killing makes a painfully focused one for Busch (Harry and Catherine, 1990, etc.). Brennan's client, tiny Estella Pritchett, is accused of strangling almost-divorced radio-station owner Larry Ziegler during a bout of rough sex. Brennan plans to defend Estella by arguing that Ziegler's abusive behavior caused her to flash back to her abused childhood and strike out to defend herself. But he knows that Estella wasn't really defending herself: she'd already tied Ziegler to the bed at the Stone's Throw Motel--the same bed she's begun to use for her increasingly dangerous liaisons with Brennan. Drawn as he is to Estella, Brennan--already

"The Exiles Return is set in Occupied Vienna in 1954-5. It describes five people who grew up there before the war and have come back to see if they can re-establish the life they have lost. The novel begins with Professor Kuno Adler, who is Jewish and fled Vienna after the Anschluss (the events of March 1938 when Hitler's troops marched into Austria). He is returning from New York to try and take up his old life as a research scientist. We realise through his confrontation with officialdom and with the changed fabric of the city (the lime trees are there no longer, it is hard to know who behaved well during the war and who was a Nazi sympathiser) that a refugee who goes back has a very difficult time. Next we are introduced to a wealthy Greek named Kanakis..."--Publisher description.

Can We Still Be Friends is the debut novel by the editor of British Vogue Alexandra Shulman. Summer 1983. Best friends Sal Annie and Kendra are fresh-faced and fresh out of university. Three very different girls about to walk three very different but equally tangled paths . . . Sal's the aspiring journalist whose personal demons threaten to destroy everything she achieves. Annie's the domestic beauty convinced that marriage will give her everything she wants. And Kendra the daughter of chic liberal parents is searching for her an identity all of her own. As they plunge headlong into the years of pixie boots and shoulder pads Duran Duran and Margaret Thatcher they find that for all their plans and hopes and dreams nothing in life is certain - and that includes friendship. 'Exquisite time travel . . . Every detail - from fashion design and music to social tribes and verbal tics - is spot on' Guardian 'Warm and entertaining . . . captures the excitement of being young and glamorous at a time when the sky really did seem to be the limit' The Times 'Wonderfully evokes that ping-pong between trivial and tremendous so characteristic of the Eighties . . . great on atmosphere . . . An engaging debut alive with human sympathy' Wendy Holden Daily Mail Alexandra Shulman has edited British Vogue since 1992. She is a contributor to The Times Daily Mail Guardian and Daily Telegraph and lives in London. This is her first novel.