"When Adam Freedman--a skinny, immature, and lackluster high school student from Piedmont, California--is sent by his parents to join his older sister Casey in New York City, he is hopeful that his life is about to change. And it sure does. It is the Summer of 2006--the year of gay marriage demonstrations and the rise of transgender rights--and Casey has thrust herself into New York's fringe lesbian, sexual, and political scene. Accustomed to being a social misfit, Adam now finds himself part of a wild subculture complete with underground clubs, drinking, and friendly women who take a surprisingly intense interest in him. It takes some time for him to realize many in this new crowd assume he is transgendered--a boy who was born a girl--or else why would he always be around? But then he meets Gillian, the girl of his dreams. If only she weren't a lesbian! And if only she didn't believe he was really (sort of) a girl. Ariel Schrag's scathingly funny and poignant debut novel puts a fresh spin on questions of love, attraction, self-definition, and what it takes to be at home in your own skin"--

Stolen jewels, black markets, hired guns, crossed lovers, unregistered addresses, people gone missing, shadowy figures disappearing in crowds, newspaper stories uncomfortably close and getting closer . . . this ominous novel is Patrick Modiano's most noirish work to date. Set in Nice--a departure from the author's more familiar Paris--this novel evokes the bright sun and dark shadow of the Riviera. Modiano's trademark ability to create a haunting atmosphere is here on full display: readers descend precipitously into a world of mystery, uneasiness, inevitability. A young couple in hiding keeps close watch over a notorious diamond necklace known as the Southern Cross. Its provenance is murky, its whereabouts known only to our hero and heroine, who find themselves trapped by its potential value--and its ultimate cost. Deftly Modiano reaches further and further into the past, revealing the secret histories of the two even as the pressurized present threatens to overwhelm them.

Revisits moments of the author's past to produce a spare yet moving reflection on the destructive underside of love, the dreams and follies of youth, the vagaries of memory, and the melancholy of loss. Writing from the perspective of an older man, the narrator relives a key period in his life through his relationships with several enigmatic women--Geneviève, Martine, Madeleine, a certain Madame Huberson--in the process unearthing his troubled relationship with his parents, his unorthodox childhood, and the unsettled years of his youth that helped form the celebrated writer he would become.

""I was on my way to look for a life of my own." A brilliant, brutally honest autobiographical novel, long out of print, from one of the great artistic polymaths of the 20th century. This is a Sebaldian account of the narrator's attempt to break free of a repressive upper-middle-class upbringing and make his way as an artist and individual, written in a single incantatory paragraph. Leavetaking is the story of an upper-middle-class childhood and adolescence in Berlin between the wars. In the course of the book, Weiss plumbs the depths of family life: there is the early death of his beloved sister Margit, the difficult relationship with his parents, the fantasies of adolescence and youth, all set in the midst of an increasing anti-Semitism, which forces the Weiss family to move again and again, a peripatetic existence that only intensifies the narrator's growing restlessness. The young narrator is largely oblivious to world events and focused instead on becoming an artist, an ambition frustrated generally by his milieu and specifically by his mother, who, herself a former actress, destroys his paintings during one of the family's moves. In the end, he turns to an older mentor, Harry Haller, a fictionalized portrait of Hermann Hesse, who encouraged and supported Weiss, and with Haller's example before him, the narrator takes his first steps towards a truly independent life. Intensely lyrical, written with great imaginative power, Leavetaking is a vivid evocation of a world that has disappeared and of the narrator's developing consciousness. THE NEVERSINK LIBRARY champions books from around the world that have been overlooked, underappreciated, looked askance at, or foolishly ignored. They are issued in handsome, well-designed editions at reasonable prices in hopes of their passing from one reader to another--and further enriching our culture"--

"With The Player and The Return of the Player, Michael Tolkin established himself as the master novelist of modern Hollywood. In his new novel, NK3, the H LYW OD sign presides over a Los Angeles devastated by a weaponized microbe that has been accidentally spread around the globe, deleting human identity. In post-NK3 Los Angeles, a sixty-foot-tall fence surrounds the hills where the rich used to live, but the mansions have been taken over by those with the only power that matters: the power of memory. Life for the community inside the Fence, ruled over by the new aristocracy, the Verified, is a perpetual party. Outside the Fence, in downtown Los Angeles, the Verified use an invented mythology to keep control over the mindless and nameless Drifters, Shamblers, and Bottle Bangers who serve the gift economy until no longer needed. The ruler, Chief, takes his guidance from gigantic effigies of a man and a woman in the heart of the Fence. They warn him of trouble to come, but who is the person to watch: the elusive Eckmann, holed up with the last functioning plane at LAX; Shannon Squier, the chisel-wielding pop superstar from the pre-NK3 world, pulled from the shambling masses; a treacherous member of Chief's inner circle; or Hopper, the uncommon Drifter compelled by an inner voice to search for a wife whose name and face he doesn't know? Each threatens to upset the delicate power balance in this fragile world. In deliciously dark prose, Tolkin winds a noose-like plot around this melee of despots, prophets, and rebels as they struggle for command and survival in a town that still manages to exert a magnetic force, even as a ruined husk"--

Having a profound experience on a hypnotist's stage in spite of not believing in magic, Arthur abruptly abandons his family in the middle of the night and becomes a famous author while his sons grow into men shaped by loss and doubt.

"Thirty years after From Rockaway ("A great first novel" --Harper's Bazaar), Jill Eisenstadt returns with a darkly funny new work of fiction that exposes a city and a family at their most vulnerable. When Sue Glassman's family needs a new home, Sue relents, after years of resisting, and agrees to convert to Judaism. In return, Sue's father-in-law, Sy, buys the family--Sue, Dan, and their two daughters--a capacious but ramshackle beachfront house in Rockaway, Queens, a world away from the Glassmans' cramped Tribeca apartment. The catch? Sy is moving in, too. And the house is haunted. On the weekend of Sue's conversion party, ninety-year-old Rose, who (literally) got away with murder on the premises years earlier, shows up uninvited. Towing a suitcase-sized pocketbook, having escaped an assisted living facility in Forest Hills, Rose seems intent on moving back in. Enter neighbor Tim--formerly Timmy (see From Rockaway), a former lifeguard, former firefighter, and reformed alcoholic--who feels, for reasons even he can't explain, inordinately protective of the Glassmans. The collective nervous breakdown occasioned by Rose's return swells to operatic heights in a novel that charms and surprises on every page as it unflinchingly addresses the perils of living in a world rife with uncertainty"--

"A community college professor whose career has stagnated, and a wife and mother whose marriage has tumbled into a spiral of apathy and distrust, Lena is frustrated at the seeming "impossibility of happiness." As Lena makes her way to present a paper at a remote New England conference, a chance encounter with an old schoolmate a once average-seeming teenager who has since achieved international fame as a human rights advocate-catapults Lena into memories of their life changing summer together, as counselors at a summer camp in the backwoods of rural Russia during the massive cultural changes of perestroika in the 1980s"--

""The Fox sisters grew up just outside of Rochester, NY, in a house that had a reputation for being haunted, due in large part to a series of strange "rappings" or "knockings" that plagued its inhabitants. Fed up by whatever was responsible for the knockings, the youngest of the sisters (who was twelve at the time) challenged the ghost and ended up communicating with the spirit of Charles Haynes, who had been murdered in the house and buried in the cellar.Thanks to the enthusiasm of one Isaac Post, the Fox sisters became instantly famous for talking to the dead, launching the Spiritualist Movement in the US. After taking Rochester by storm, the sisters moved to New York where they were the most famous mediums of the time, giving seances for hundreds of people.Then, it all fell apart, and the sisters were exposed as frauds. Nevertheless, even today the Fox sisters are considered to be the founders of Spiritualism, one of the most popular religious movements of the past couple centuries (consider the success of Long Island Medium and the hundreds of thousands who visit Lily Dale every year). Rich in historical detail, Rochester Knockings novelizes the rise and fall of these most infamous of mediums. Hubert Haddad was born in Tunisia, and is the author of dozens of works, including the novels Palestine (winner of the Prix des Cinq Continents de la Francophonie), Tango chinois, and La Condition magique (winner of the Grand Prix du Roman de la Socie;te; des Gens de Lettres)"--

"Good readers will find something that can be found only in great literature, the kind written by real poets, a literature that dares to venture into the dark with open eyes and that keeps its eyes open no matter what . . . . The literature of the twenty-first century will belong to Neuman and a few of his blood brothers."--Roberto Bolaño Playful, philosophizing, and gloriously unpredictable, Andrés Neuman's short stories consider love, lechery, history, mortality, family secrets, therapy, Borges, mysterious underwear, translators, and storytelling itself. Here a relationship turns on a line drawn in the sand; an analyst treats a patient who believes he's the real analyst; a discovery in a secondhand shop takes on a cruel significance; a man decides to go to work naked one day. In these small scenes and brief moments Neuman confounds our expectations with dazzling sleight of hand. With a variety of forms and styles, Neuman opens up the possibilities for fiction, calling to mind other greats of Latin American letters, such as Cortázar, Bolaño, and Bioy Casares. Intellectually stimulating and told with a voice that is wry, questioning, sometimes mordantly funny, yet always generously humane, The Things We Don't Do confirms Neuman's place as one of the most dynamic authors writing today. Andrés Neuman was born in Buenos Aires, and grew up and lives in Spain. He was included in Granta 's "Young Spanish-language Novelists" issue and is the author of almost twenty works, two of which-- Traveler of the Century and Talking to Ourselves -- have been translated into English. Traveler of the Century won the Alfaguara Prize and the National Critics Prize, and was longlisted for the 2013 Best Translated book award, and shortlisted for the 2013 Independent Foreign Fiction Prize and the 2014 International IMPAC Dublin Literary Award. Nick Caistor is a prolific British translator and journalist, best known for his translations of Spanish and Portuguese literature. He is a past winner of the Valle-Inclán Prize for translation and is a regular contributor to BBC Radio 4, Times Literary Supplement , and the Guardian. Lorenza Garcia has lived for extended periods in Spain, France, and Iceland. Since 2007, she has translated over a dozen novels and works of non-fiction from French and Spanish.

"In 1915, fourteen years before Berlin Alexanderplatz, Alfred Doblin published his first novel, an amazing, extensively researched Chinese historical extravaganza: The Three Leaps of Wang Lun. Even more remarkably, given its subject matter, the book was written in expressionist style and is now considered the first modern German novel, as well as the first Western novel to depict a China untouched by the West. Based on actual accounts of a doomed rebellion during the reign of Emperor Qianlong in the late eighteenth century, the novel tells the story of Wang Lun, a historical martial arts master and charismatic leader of the White Lotus sect, who leads a futile revolt of the "Truly Powerless." Densely packed cities and Tibetan wastes, political intrigue and religious yearning, imperial court life and the fate of wandering outcasts are depicted in a language of enormous vigor and matchless imagination, unfolding the theme of timidity against force and a mystical sense of the world against the realities of power"--

Displaced from his home more than twenty years ago as Bosnia, Croatia, and Serbia descended into war, Serbian author David Albahari found safety in Canada, where this novel was written. In Globetrotter, Albahari deals with the bewilderments of exile and lost identity, themes he has investigated in earlier works. But in this unsettling experimental book he also enters new arenas, where sexual identity and the nature of blame and guilt attract his scrutiny. Narrated in a single uninterrupted paragraph, the novel takes place in the late 1990s at the Banff Art Centre in the Canadian Rockies. Three men—a painter from Saskatchewan and the narrator of the tale, a writer from Serbia, and a man whose traveling Croatian grandfather long ago jotted his name in a local museum’s guest book—become acquainted, then attached, then fatally entangled. On a climactic mountain hike that seethes with jealousy, desire, shame, and guilt, each man must engage in a final struggle. Albahari seizes his reader’s attention and never yields it in this remarkable, gripping tale.

"A luminous and richly layered novel evoking The Big Chill--the story of a group of lifetime friends who gather together to confront life, love, and now, mortality Before Everything is a celebration of friendship and love between a group of women who have known one another since they were girls. They've faced everything together, from youthful sprees and scrapes to mid-life turning points. Now, as Anna, the group's trailblazer and brightest spark, enters hospice, they gather to do what they've always done--talk and laugh and help each other make choices and plans, this time in Anna's rural Massachusetts home. Helen, Anna's best friend and a celebrated painter, is about to remarry. The others face their own challenges--Caroline with her sister's mental health crisis; Molly with a teenage daughter's rebellion; Ming with her law practice--dilemmas with kids and work and love. Before Everything is as funny as it is bittersweet, as the friends revel in the hilarious mistakes they've seen one another through, the secrets kept and adventures shared. But now all sense of time has shifted, and the pattern of their lives together takes on new meaning. The novel offers a brilliant, emotionally charged portrait, deftly conveying the sweep of time over everyday lives, and showing how even in difficult endings, gifts can unfold. Above all it is an ode to friendship, and to how one person shapes the journeys of those around her"--