In Israel, militant settlers establish a secessionist kingdom on the West Bank. They are led by Jerry Goldberg, a onetime Bronx social worker who becomes king. When the Israeli army moves in, the militants gather in the necropolis under Hebron to stage a second Masada. A tragicomedy by the author of Mara.

And the Rat Laughed is a unique book. Unlike other Holocaust-related books that focus on the historical horrific events, this novel deals with the act of remembering them. It resembles a relay race in which the characters transfer memory from one another, while travelling on the axis of time. The book begins in the last day of 1999, when a survivor Grandmother in Tel Aviv shares her tragic life story as a hidden child in a pit, with only a rat for company with her granddaughter. The day after – 2000 already – the granddaughter tells the legend of "Girl and Rat" to her teacher and in 2009 those who heard it through her classmates establish an internet website with poems. From now on this memory is spread all over the world and becomes a myth. In 2099 a future anthropologist discovers it and tries to uncover its mysterious roots. In her research, she reveals the first man who created this myth in the past. Father Stanislaw, a Catholic priest, saved that little Jewish girl (who later became the Grandmother in Tel Aviv) and returned her after the war to her Jewish people. In his personal journal he documented everything, to make sure the world will never forget. The chain of remembearers, therefore, moves from the present to the future and back to the past. The novel is written in 5 genres: story, legend, poems, science fiction and diary, creating a cycle of 150 years. And the Rat Laughed got acclaim for its use of unconventional and original literary devices and became a ground breaker for exploring the act of memory itself. How do we tell our painful story? Does it change while we recall it? How will our next recipient recall it in his own individual way? Is Art the only corridor to transfer emotional memory?

Watching her Russian immigrant mother, Irina, struggle to put food on the table, Nina, a beautiful and restless teenager, vows her life will be different. When a strapping older man in a fancy car appears at school one day offering her luxuries her single mother cannot afford, Nina believes he's her ticket out of her dumpy little town. Ignoring the danger signs and her mother's constant pleas, which end in exhausting screaming matches, she packs a suitcase and leaves home after one last fight. Ten days later, a terrified Nina, her dress torn, is hiding in the stairwell of a Tel Aviv apartment after witnessing a murder she cannot talk about. She is discovered by one of the building's tenants, a confused, lonely old widow who mistakes her for the granddaughter she hasn't seen for a long while, not since her son moved his family to America. "You've come back to me, Dana'le." Instead of correcting the mistake, the desperate Nina jumps at the chance for a place to hide. Hiding from her mother and the dangerous man who are both frantically searching for her, Nina settles into the old woman's apartment. But how long can Nina possibly hide out until the poor woman realizes she's not who she says she is, or before someone else, her homesick son in America who keeps calling, or the lovely local neighbors who drop by with groceries, catches on?

Past Continuous is a brilliant tour de force, a Joycean panorama of the lives of three men, their families, their lovers, and their friends in the quintessentially modern city of Tel Aviv. It is as much a novel about Tel Aviv-its landscape, its idiosyncratic atmosphere, and its history-as it is about the human condition.

In the surprising world that Sami Michael reveals, Shula, an Ashkenazic Jew, is the center of a web of brilliantly drawn characters: Israeli Arabs, Palestinian refugees, "black Jews," and "white Jews." Swirling in and out of Shula's story are poignantly drawn minor players - an Arab/Israeli couple, their ever-more-militant son, a seductive Arab poet, and political outsiders in a fragile society at war. Sami Michael was born in Baghdad in 1926, fled to Iran during WWII, and eventually made his way to Israel. His first novel, Equal and More Equal was published to critical acclaim. Refuge was his second major work, written originally in Hebrew but, he adds, "with the emotional baggage of the Third World."

Yehoshua Hankin had two loves: love for his wife Olga, many years his senior, and a love for the land. The two competed with each other, but he never preferred one over the other. Displayed for the reader, against the backdrop of the atmosphere in the Land of Israel toward the close of the Ottoman period and into that of the British Mandate, is a broad slice of life spread over fifty years of the man dubbed by constituents as the “Redeemer of the Land,” and of the figures who accompanied him.The characters, events, times, and places described in this historical novel are to a great extent a faithful representation of reality, and they are interwoven into a multi-faceted biography illuminating the period and forgotten actors in a new light. Joining forces in writing this book were Irit Amit Cohen and Ruth Kark, who combined Irit Amit Cohen’s literary work in the genre of the historical novel with Ruth Kark’s long-term research endeavor on Yehoshua Hankin, which even encompassed oral documentation from his close associates.

Partition--the idea of separating Jews and Arabs along ethnic or national lines--is a legacy at least as old as the Zionist-Palestinian conflict. Challenging the widespread "separatist imagination" behind partition, Gil Hochberg demonstrates the ways in which works of contemporary Jewish and Arab literature reject simple notions of separatism and instead display complex configurations of identity that emphasize the presence of alterity within the self--the Jew within the Arab, and the Arab within the Jew. In Spite of Partition examines Hebrew, Arabic, and French works that are largely unknown to English readers to reveal how, far from being independent, the signifiers "Jew" and "Arab" are inseparable.In a series of original close readings, Hochberg analyzes fascinating examples of such inseparability. In the Palestinian writer Anton Shammas's Hebrew novel Arabesques, the Israeli and Palestinian protagonists are a "schizophrenic pair" who "have not yet decided who is the ventriloquist of whom." And in the Moroccan Jewish writer Albert Swissa's Hebrew novel Aqud, the Moroccan-Israeli main character's identity is uneasily located between the "Moroccan Muslim boy he could have been" and the "Jewish Israeli boy he has become." Other examples draw attention to the intricate linguistic proximity of Hebrew and Arabic, the historical link between the traumatic memories of the Jewish Holocaust and the Palestinian Nakbah, and the libidinal ties that bind Jews and Arabs despite, or even because of, their current animosity.

A darkly comic novel about the bizarre realities of life in Israel today. 'Why is everyone so paranoid in this country? Can't dark guys get on buses with suit bags any more?' Eitan Enoch - 'Croc' to his friends - is taking his usual bus to work in Tel Aviv one morning when a fellow passenger starts to worry about the dark-skinned man with the suit-bag sitting up at the front.Thus begins a week of bloody bombings and bloodier reprisals, at the end of which Croc is transformed into an inadvertent national celebrity: 'CrocAttack - the man the terrorists couldn't kill!' Naturally, the Palestinian cell behind the attacks are less than happy about this reluctant symbol of Israeli defiance. They may not have been after him before, but they are now. Meanwhile, in a hospital somewhere in Jerusalem, a young Palestinian suicide bomber lies in a coma, fighting for his life and trying to piece together how he got there - and just exactly what happened when he finally met the Croc... Fast as a thriller, blackly funny and very contemporary, 'CrocAttack!' is the story of the lethal convergence of two very different lives, and a tragicomic portrait of the country exploding around them.

"Anyone who wants to understand the connection between anti-Semitism, Islamic terrorism, the role of propaganda and appeasement must read this book." -Natan Sharansky, author, The Case for Democracy: The Power of Freedom to Overcome Tyranny and Terror "I admire the courage of this vision and the power of the writing." -Rabbi Lord Dr. Jonathan Sacks "Passionate and beautifully written.... This book will make you weep. It will also make you angry and frightened." -Alan Dershowitz, Harvard Law School; author, The Case for Israel "Absolutely amazing...An indispensable guide to the apocalyptic sandstorms our world now faces." -Erica Jong, poet and novelist, Fear of Flying A dangerous worldwide coalition of Islamic terrorists, well-intentioned but misinformed students, right-wing fascists, left-wing ideologues, academics, feminists, European politicians, journalists, and international human rights organizations have joined together to again scapegoat the Jews and the Jewish state for crimes they did not commit and for whatever ails the world. In this intensely passionate and compelling book, the best-selling and prize-winning Jewish feminist author Dr. Phyllis Chesler demonstrates how old-fashioned anti-Semitism - now often seen in the form of anti-Zionism - has become fashionable and even politically correct, and how this plague threatens the Jews of the world, Israel, America, and Western civilization.

"A piercing novel about the experience of a life abroad in a cultural setting not one's own: Reut is an Israeli translator in Paris with a French husband and their child. But she feels isolated and misunderstood, resulting in a sense of estrangement that explodes at a festive dinner party with affluent, intellectual friends. During the elaborate meal, she sits at the edge of her chair, alert and navigating a tangle of cultural codes with which she's never been fully at ease. Eventually, Reut gets up and leaves. Will she escape the alienation that accompanies her everywhere? Where I Am, Dana Shem-Ur's virtuoso debut, blends comedy and travelogue to examine a woman's attitudes about belonging to a man, to a culture, to language. It concerns migration and wandering, long journeys and changing landscapes. Filled with intercultural mishaps, this intimate, heartbreaking book portrays a profoundly human yearning to stop everything, to lay down one's head, and to feel-if only for a moment-at home"--

This book brings together an inter-disciplinary group of Palestinian, Israeli, American, British and Irish scholars who theorise 'the question of Palestine'. Critically committed to supporting the Palestinian quest for self determination, they present new theoretical ways of thinking about Palestine. These include the 'Palestinization' of ethnic and racial conflicts, the theorization of Palestine as camp, ghetto and prison, the tourist/activist gaze, the role of gendered resistance, the centrality of the memory of the 1948 Nakba (catastrophe) to the contemporary understanding of the conflict, and the historic roots of the contemporary discourse on Palestine. The book offers a novel examination of how the Palestinian experience of being governed under what Giorgio Agamben names a 'state of exception' may be theorised as paradigmatic for new forms of global governance. An indispensable read for any serious scholar.

"Newlyweds just barely out of their childhood, the ben-Yichyas make their new home in Jerusalem, in the shadows of the dark towering walls of stone and amid a community of devout Jews living in squalor. Who among these impoverished neighbors will buy the exquisite jewelry that Ezra fashions from gold and silver? And how will the young Yemenite couple maintain their ancient traditions and customs while struggling to weave themselves into the vivid tapestry of immigrants from distant lands who comprise the old Yishuv?"--from jacket.

A collection of interrelated short stories centering on the author's Egyptian family and ancestors exiled from Castile.

Ammiel Alcalay's groundbreaking work, After Jews and Arabs, published in 1993, redrew the geographic, political, cultural, and emotional map of relations between Jews and Arabs in the Levantine/Mediterranean world over a thousand-year period. Based on over a decade of research and fieldwork in many disciplines-including history and historiography; anthropology, ethnography, and ethnomusicology; political economy and geography; linguistics; philosophy; and the history of science and technology-the book presented a radically different perspective than that presented by received opinion. Given the radical and iconoclastic nature of Alcalay's perspective, After Jews and Arabs met great resistance in attempts to publish it. Though completed and already circulating in 1989, it didn't appear until 1993. In addition, when the book was published, there wasn't enough space to include its original bibliography, a foundational part of the project. A Bibliography for After Jews and Arabs presents the original bibliography, as completed in 1992, without changes, as a glimpse into the historical record of a unique scholarly, political, poetic, and cultural journey. The bibliography itself had roots in research begun in the late 1970s and demonstrates a very wide arc. In addition to the bibliography, we include three accompanying texts here. In "Behind the Scenes: Before After Jews and Arabs, " Alcalay takes us behind the closed doors of the academic process, reprinting the original reader reports and his detailed rebuttals, and in "A Bibliography for After Jews and Arabs A Brief Introduction," Alcalay contextualizes his own path to the work he undertook, in methodological, historical, and political terms. Also included is "A Poetics of Bibliography." Poet, novelist, translator, critic, and scholar Ammiel Alcalay teaches at Queens College and The Graduate Center, CUNY. His books include After Jews and Arabs, Keys to the Garden, Memories of Our Future, Islanders, and neither wit nor gold: from then. A 10th-anniversary edition of from the warring factions, a book-length poem dedicated to Srebrenica, and a book of essays, a little history, came out in 2013. a little history also came out in a Portuguese translation with Editor Lumme, São Paolo in 2019. During the wars in ex-Yugoslavia, he was the primary translator of texts from Bosnia, and translations include Sarajevo Blues and Nine Alexandrias by poet Semezdin Mehmedinovic, as well as works by journalist Zlatko Dizdarevic, and many others. Alcalay is the General Editor of Lost & Found: The CUNY Poetics Document Initiative, a series of student and guest-edited archival texts emerging from New American Poetry, and he was the recipient of a 2017 Before Columbus Foundation American Book Award for this work.

Despite the tragic reality of the continuing Israeli-Arab conflict, this book affirms the bonds between the two communities, showing that the literatures of both ethnic groups defy obstructive ideologies. Rachel Brenner argues that literary critics have ignored the variety and dissent in the novels of both Arab and Jewish writers in Israel, giving them interpretations that conform with Zionist ideology. She offers insightful new readings that compare fiction by Jewish writers Amos Oz, A. B. Yehoshua, David Grossman, and others with fiction written in Hebrew by such Arab-Israeli writers as Atallah Mansour, Emile Habiby, and Anton Shammas. She highlights the moral and psychological dilemmas faced by both Jews and Arabs and suggests that the hope for release from the historical trauma lies in reaching an understanding with and of the adversary.