Choosing My Religion is a luminous memoir, crafted with the eye of a journalist and the art of a novelist by New York Times Magazine writer and editor Stephen J. Dubner. By turns comic and heartbreaking, it tells the story of a family torn apart by religion, sustained by faith, and reunited by truth.

Herman Wouk has ranged in his novels from the mighty narrative of The Caine Mutiny and the warm, intimate humor of Marjorie Morningstar to the global panorama of The Winds of War and War and Remembrance. All these powers merge in this major new work of nonfiction, The Will to Live On, an illuminating account of the worldwide revolution that has been sweeping over Jewry, set against a swiftly reviewed background of history, tradition, and sacred literature. Forty years ago, in his modern classic This Is My God, Herman Wouk stated the case for his religious beliefs and conduct. His aim in that work and in The Will to Live On has been to break through the crust of prejudice, to reawaken clearheaded thought about the magnificent Jewish patrimony, and to convey a message of hope for Jewish survival. Although the Torah and the Talmud are timeless, the twentieth century has brought earthquake shocks to the Jews: the apocalyptic experience of the Holocaust, the reborn Jewish state, the precarious American diaspora, and deepening religious schisms. After a lifetime of study, Herman Wouk examines the changes affecting the Jewish world, especially the troubled wonder of Israel, and the remarkable, though dwindling, American Jewry. The book is peppered with wonderful stories of the author's encounters with such luminaries as Ben Gurion, Isidor Rabi, Yitzhak Rabin, Saul Bellow, and Richard Feynan. Learned in general culture, warmly tolerant of other beliefs, this noted author expresses his own other beliefs, this noted author expresses his own faith with a passion that gives the book its fire and does so in the clear, engaging style tha-as in all Wouk's fiction -- makes the reader want to know what the next page will bring.

Masterly collection of short stories by an American novelist at the height of her powers. It is the stories upon which Cynthia Ozick's literary reputation rests. She writes about bitterness, cruelty and compulsion with brutal acuity and tenderness. She has created a timeless collection in which Greek mythology, superstition and the religious and cultural experience of the Jewish diaspora in America collide. The Pagan Rabbi is seduced by a tree sprite after seeing his daughter rescued from drowning by a water sprite. Such ecstasy is not permitted to mortals and so the scholar must die. He hangs himself with his prayer shawl as he watches the strangely beautiful nymph decay. In Envy, a Yiddish poet who watches the success of a contemporary, becomes very like a character in an I.B. Singer story entrapped by his anguish and haunted by the memory of a child. In the Doctor's Wife, the most gentle of the stories, a poor doctor not unlike Chekhov endures family life in which he is adored by his three sisters and oppressed by his family obligations. In these stories, we see Ozick defining herself and her literary territory. The stories may be read purely as evocations of Jewish experience, where time seems to have by-passed these characters. In the Butterfly and the Traffic Light, Jerusalem is seen upon a hill as only it can be in legend, and America is said not to have cities scarred by battles. This is a dazzling collection of short stories by an internationally celebrated novelist.

"Hailed as a remarkable literary discovery, a lost novel of heart-stopping intensity and harrowing absurdity about flight and persecution in 1930s Germany"--

Follows the Redlichs as they return to Germany in 1947 after 10 years in exile from National Socialism on a Kenyan farm. Walter is so desperate to practice law again that he uproots his complaining wife, Jettel, his clever, nurturing daughter, Regina, and baby Max to Frankfurt, where gentiles either make snide anti-Semitic comments or claim that they saved Jews and used to have many Jewish friends. Zweig has a deft hand with telling anecdotes.

In the aftermath of October 7, Ferdinand Draxler walks the streets of London in despair. Everything has changed - the sights, the sound, the spirit. He too is not who he was. Is he at the crossroads of history or is it just a bend in the cul-de-sac of his own gloomy nature? The son of a Holocaust survivor who accuses him of cowardice and the father of a daughter who sees him as complicit in genocide, Draxler fixates on bad news. He shouts at the television. He carries his own tin of paint to cover up graffiti. The staffroom at the primary school of which he is headmaster has become a battlefield of inflamed opinion he does nothing to quiet. His wife, Charmian, is a beacon of calm, but even she isn't sure she can save Ferdie from himself. 'Don't worry about me,' he tells her. 'I don't have what it takes to go mad.' -- Source other than Library of Congress.

A short story and a novella which, together, tell an exquisitely powerful and moving tale of the Holocaust. Both The Shawl and Rosa won first prize in the O. Henry Prize Stories and were chosen for Best American Short Stories.

Part of the Jewish Encounter series A dandy, a best-selling novelist, and a man of political and sexual intrigue, Benjamin Disraeli was one of the most captivating figures of the nineteenth century. His flirtation with proto-Zionism, his ideas about power and empire, and his fantasies about the Middle East remain prophetically relevant today. How a man who was born a Jew--and who remained in the eyes of his countrymen a member of a despised minority--managed to become prime minister of England seems even today nothing short of miraculous. In this compelling biography, renowned poet and critic Adam Kirsch looks at Disraeli as a novelist as well as a statesman, recognizing that the outsider Jew who became one of the world's most powerful men was his own greatest character. Though baptized by his father at the age of twelve, Disraeli was seen--and saw himself--as a Jew. But her created an idea of Jewishness to rival the British notion of aristocracy. Disraeli was a figure of fascinating contradictions: an archconservative who benefited from England's liberal attitudes, a baptized Christian who saw Jewishness as a matter of racial superiority, a perennial outsider who dreamed of glory for England, which, in the words of one contemporary, became for Disraeli "the Israel of his imagination."

When a Christian boy disappears in a fictional Eastern European town in the 1920s, the local Jews are quickly accused of ritual murder. There is tension in the air and a pogrom threatens to erupt. Suddenly, an extraordinary man—Moshe the dreamer, a madman and mystic—steps forward and confesses to a crime he did not commit, in a vain attempt to save his people from certain death. The community gathers to hear his last words—a plea for silence—and everyone present takes an oath: whoever survives the impending tragedy must never speak of the town’s last days and nights of terror. For fifty years the sole survivor keeps his oath—until he meets a man whose life depends on hearing the story, and one man’s loyalty to the dead confronts head-on another’s reason to go on living. One of Wiesel’s strongest early novels, this timeless parable about the Jews and their enemies, about hate, family, friendship, and silence, is as powerful, haunting, and significant as it was when first published in 1973.

In 1755 on a mission of revenge, and in the guise of English businessman Sebastian Foxx, exiled Sebastião Raposa returns to Lisbon, stalking the ruthless Inquisitor priest Pedro Azinheiro who imprisoned his parents ten years earlier. When a twist of fate turns his carefully laid plans to chaos, he will be forced to choose between surrendering to bloodlust or serving the cause of mercy.

In the final days of World War II, a band of Jewish partisans makes its way from Russia to Italy, moving toward the ultimate goal of Palestine. Based on a true story, the novel chronicles their adventures as they wage a personal war of revenge against the Nazis: blowing up trains, rescuing the last victims of concentration camps, scoring victories in the face of unspeakable devastation. Primo Levi captures the landscape and the people of Eastern Europe in vivid detail, depicting as well the terrible bleakness of war-ridden Europe. But finally, what he gives us is a tribute to the strength and ingenuity of the human spirit.

Through his distinctive fusion of modernist daring and traditional storytelling, Bernard Malamud became one of postwar America's most important writers, his work an inspiration for and lasting influence on novelists who have come after him, Cynthia Ozick and Philip Roth most notably among them. The second volume of the Library of America's Malamud edition brings together three novels of the 1960s: A New Life (1961), a satiric campus novel set in the Pacific Northwest (based on the author's experiences at Oregon State), in which native New Yorker Seymour Levin finds himself confronted not only with a new landscape but with erotic intrigue, university politics, and an appointment that isn't quite what he had expected it to be. The Fixer (1966) is the gripping saga of a Jew imprisoned in pre-Revolutionary Russia after being falsely accused of the ritual murder of a twelve-year-old boy. The novel-in-stories Pictures of Fidelman: An Exhibition (1969) follows the comic misadventures, sexual and otherwise, of a failed American painter in Italy. In the ten unforgettable stories concluding the collection, Malamud shows himself to be an heir to the tradition of Hawthorne, Chekhov, and Kafka, and at his best--"Idiots First," "The Jewbird," "The German Refugee"--their equal--

Set in Jewish London in the 1930s, Susan Glickman's The Violin Lover is written against the backdrop of Hitler's escalating campaign against the Jews. This beautifully written novel tells the story of Clara Weiss and Ned Abraham, "the violin lover," brought together by Clara's 11-year-old son, Jacob. A successful doctor and amateur violinist, Ned is pressured to practice a duet with Jacob by the boy's piano teacher. Though reluctant at first, Ned is charmed by the young prodigy and surprised by Jacob's dedication and passion for music. In him Ned sees his younger self, so young and full of promise. A friendship is soon built on a mutual love for music. A dinner invitation to spend Passover with the Weiss family seals Ned's fate and a clandestine love affair begins. Although they both agree that no one must ever know — especially not Clara's family — their affair inevitably comes to a crashing end, with disastrous, life-altering consequences. Unfolding like a melody, The Violin Lover is infused with music and told in three voices. It is a powerful novel about the love one feels for family, friends, culture, faith and music, and the passion that comes with it — regardless of the outcome.

The first word in this mesmerizing novel by the winner of the Nobel Prize for Literature is “No.” It is how the novel’s narrator, a middle-aged Hungarian-Jewish writer, answers an acquaintance who asks him if he has a child. It is the answer he gave his wife (now ex-wife) years earlier when she told him that she wanted one. The loss, longing and regret that haunt the years between those two “no”s give rise to one of the most eloquent meditations ever written on the Holocaust. As Kertesz’s narrator addresses the child he couldn’t bear to bring into the world he ushers readers into the labyrinth of his consciousness, dramatizing the paradoxes attendant on surviving the catastrophe of Auschwitz. Kaddish for the Unborn Child is a work of staggering power, lit by flashes of perverse wit and fueled by the energy of its wholly original voice. Translated by Tim Wilkinson

Roth's 1934 Call It Sleep was later hailed as one of the greatest immigrant novels of this century. Sixty years later, this novel follows the adventures of an immigrant boy and deals with Prohibition, anti-Semitism, racism, sexuality, and the alienation that followed the Great War.

This dramatic and chilling novel about one girl's escape from Hitler's Germany was inspired by the experiences of the author's mother, one of 1,200 children rescued by Americans as part of the One Thousand Children project.

This is the first novel of Charles Reznikoff, one of the outstanding American poets of this century. It tells the story of a courageous woman in Russia who emigrates to America and starts a family and business in New York's Lower East Side. Her son, a young poet, opens a bookstore in bohemian Greenwich Village. Into his shop one day comes a beautiful upper-class girl, and the two are immediately drawn to one another.

The five short novellas which comprise this anthology were written between 1890 and World War I. All share a common setting-the Eastern European Jewish town or shtetl, and all deal in different ways with a single topic-the Jewish confrontation with modernity. The authors of these novellas are among the greatest masters of Yiddish prose. In their work, today's reader will discover a literary tradition of considerable scope, energy, and variety and will come face to face with an exceptionally memorable cast of characters and with a human community now irrevocably lost.In her general introduction, Professor Wisse traces the development of modern Yiddish literature in the late 19th and early 20th centuries and describes the many shifts that took place between the Yiddish writers and the world about which they wrote. She also furnishes a brief introduction for each novella, giving the historical and biographical background and offering a critical interpretation of the work.

"In this follow-up work to Jacob the Liar, Becker tells the story of a man named Aron Blank, tracing his life from his release from a concentration camp in the summer of 1945 through the next twenty or so years. Living in a ghetto at the start of the war, Aron had lost his wife who one day was arrested by the Nazis. In desperation, he turned over his two-year-old son, Mark, for safe-keeping to a neighbor just before he was deported. Now, having survived the war, Aron sets out, with the help of an American relief organization, to find his son."--Jacket.

"This beautiful work of historical fiction was inspired by the diary of an actual 18th-century Roman Jewish girl, imprisoned by the Catholic Church because someone with a grudge offered her to the Church. Anything But Yes is the true story of a young woman's struggle to defend her identity in the face of relentless attempts to destroy it. In 1749, 18-year-old Anna del Monte was seized at gunpoint from her home in Rome's Jewish ghetto and thrown into a convent cell at the Casa dei Convertiti, the house of converts. With no access to the outside world, she withstood isolation, sleep deprivation, endless lectures, and threats and promises. If Anna were to utter the simple word "yes," she would risk forced baptism, which meant never returning to her home and losing contact with any Jew-including her own family-for the rest of her life. Even in Italy today, few people know the full story of Rome's Jewish ghetto, the abduction of Jews, or the popes who were intent on forcibly converting every non-Catholic living in the long shadow of the Vatican. Young girls and small children were the primary targets of these forced conversions, for they were most vulnerable. But Anna del Monte was different. She was strong, brilliant, and educated, and wrote a diary of her experiences. Her diary became lost for more than 200 years but was rediscovered in Israel in 1989. Anything But Yes is based on Anna's diary and Joie Davidow's extensive research on life in the 18th-century Roman Jewish ghetto and its personalities, traditions, foods, and dialect"--