If you thought the only thing Ellison writes is speculative fiction, craziness about giant cockroaches that attack Detroit, or invaders from space who look like pink eggplant and smell like chicken soup, this dynamite novel of the emergent days of rock and roll will turn you around at least three times. No spaceships, no robots, just a nice kid from Louisville named Stag Preston with a voice like an angel, seductive moves like the devil, and an invisible monkey named Success riding him straight to hell . . .

Based on Truman Capote’s classic novella, BREAKFAST AT TIFFANY'S tells the story of a young Southern-born writer, known to us only as Fred, who becomes infatuated with his Upper East Side neighbor: the beguiling, effervescent beauty Miss Holiday Golightly. As Holly pulls Fred into her world of spontaneous parties and luxury, he finds himself increasingly fascinated with this captivating woman.

KQED Radio's Michael Krasny is one of the country's leading interviewers of literary luminaries, a maestro for educated listeners who prefer their discourse high and civil. He is a writer's interviewer. But it didn't start out that way. In Off Mike , Krasny, host of one of public radio's most popular and intellectually compelling programs, talks of his strong desire to become a novelist in the footsteps of Bellow and Philip Roth, and then discovering his real talent as a communicator—a deft ability to draw others out as an interlocutor. In a mix of memoir and reportage, Krasny takes readers inside his world. He gives an account of the polarizing transformation of talk radio, from his early days at KGO commercial radio, through to his current role at NPR, where he manages to keep the flow of talk in his San Francisco based show animated and politically balanced. Forum fans and lovers of literature will be riveted by the insightful and amusing vignettes and behind the scenes accounts. They will get a taste of the sharp commentary from his encounters with panels of experts, and interviews with cultural and political personalities as well as writers.

Raised in the Hollywood of the 1920s as the privileged son of a pioneer studio mogul, Budd Schulberg went on to win fame as a distinguished novelist, short story writer, playwright, Oscar-winning screenwriter, and boxing historian. Moving Pictures is his fascinating remembrance of growing up amidst the glamour, swank, courage, triumphs, defeats, cabals, and double-crosses of an industry in the making. His utterly candid account includes unsparing portraits of outsized characters in all their power, venality, charm, pettiness, and vindictiveness. As a book on the early days of the movies in Hollywood, this one is hard to beat. Abundantly illustrated with rare photographs. Book jacket.

Author Robert Westbrook is the pampered son of the late Sheilah Graham, the former famous columnist and confidante of the stars. Now he has written Rich Kids, a novel about the fascinating and bizarre world he knows all too well--the sons and daughters of the stars, in the skies over Sunset Boulevard and on the skids beneath it.

From the woman who brought us Scruples , Dazzle , and Spring Collection comes a provocative new novel, a deeply moving mother-daughter tale set amid the elegance of a famed New York auction house and the glamour of Hollywood. A mother's secret... Tessa Kent, exquisite and precocious, gave birth to an illegitimate daughter when she was only fourteen. Her parents raised the infant, Maggie, as their own child, as Tessa went on to become an international movie star. Maggie lives for her glamorous "sister's" infrequent whirlwind visits. But when she accidentally learns the truth, eighteen-year-old Maggie breaks all ties with Tessa and starts to work at the famed Manhattan auction house of Scott & Scott. A daughter's fury... Five years later, a life-altering crisis makes Tessa passionately determined to end this estrangement. There's only one way Tessa can reach out to her daughter: a high-stakes auction of the immensely valuable collection of famed jewels lavished on her by her late husband. Tessa promises Scott & Scott the auction on the condition that Maggie and she work closely together on the sale. Tessa's whole future hangs in the balance--for she knows her happiness depends on what may be an impossible reconciliation....

Harlan Ellison's never-before-published 238-page, unproduced screenplay adaptation of Norman Spinrad's Hugo Award-nominated novel BUG JACK BARRON that was to have been directed by Costa-Gavras (Z) for Universal Pictures in the early 1980s. Respected film critic and historian LEONARD MALTIN has written an insightful introduction with input from Ellison on why-after nearly 30 years-the film has still never been made. This paperback book includes Ellison's original casting suggestions from 1983 so you can "see the movie in your mind" with the faces Ellison imagined for each role. This screenplay was reproduced from Harlan Ellison's file copy. The pages originated on a manual typewriter, hence the idiosyncrasies that set them apart from the sanitized, word-processed pages of today.

As the title Jar Jar Binks Must Die indicates, Daniel M. Kimmel is not only a film critic with strong opinions, he's also a fan. In this collection of essays, he covers movies from Metropolis (1927), answering the absurd claim that the restoration of this silent classic negated its status as a science fiction film, to how Star Trek, Avatar, Moon, and District 9 may have made 2009 a "miracle year" for the genre. Along the way he looks at neglected works like Things to Come (1936), explains why remakes aren't always bad, and how seeing E.T. in an empty screening room changed his mind about Steven Spielberg. Whether to rediscover old favorites or add new titles to your Netflix queue, this is a must-have for lovers of SF movies. Author Bio Daniel M. Kimmel is a past president of the Boston Society of Film Critics. When it was discovered he is also a science fiction fan he started getting invitations to participate at a number of SF conventions, which he continues to do. He reviewed for the Worcester Telegram and Gazette and now writes for Northshoremovies.net. He is a correspondent for Variety, the "Movie Maven" for the Jewish Advocate and teaches film--including a course on SF and horror--at Suffolk University. His essays on classic science films have appeared in several publications including Clarkesworld, Space and Time, and the Internet Review of Science Fiction. He is the author of a history of FOX TV, The Fourth Network (2004) which received the Cable Center Book Award. His other books include a history of DreamWorks, The Dream Team (2006) and I'll Have What She's Having: Behind the Scenes of the Great Romantic Comedies (2008). He is also the author of three novels: Shh! It's a Secret: a novel about Aliens, Hollywood, and the Bartender's Guide (2013) Time On My Hands: My Misadventures In Time Travel (2017), and Father of the Bride of Frankenstein (2019).

Mindy Solomon absolutely has to leave Miami. Florida is bad for her head and her hair. She dreams of a dancing career on Broadway and moves to New York, but after a string of failures and mishaps, she realizes that she needs to rethink her grand plan. Finding herself spending way too much time in the comedy club where her future ex-boyfriend works, she nervously goes up onstage one night. People laugh. Not in the places where Mindy thought they'd laugh, but hey, it's a start. Mindy and her friend Ursula Duran, a man-magnet model-slash-actress-slash-deeply troubled woman, soon embark on a wild ride that ricochets from New York's East Side Hotel for Women to the comedy circuit, auditions, photo shoots, film premieres, cable TV specials, Hollywood studios, late-night TV talk shows, and beyond. Surrounded by sleazy agents, sleazier lovers, and Ursula's even sleazier mother, the two find that life writes a few punch lines they weren't expecting...but through it all, they somehow manage to have the last laugh. Rita Rudner has crafted a debut novel that is not just funny, but moving and insightful. With its insider's viewpoint of the world of stand-up comedy, Tickled Pink is also, at its core, a touching tale of love, loss, female friendship, and forgiveness.

At the dawn of the 1980s, there was one serious name in horror and exploitation film criticism: Bill Landis. While other magazines were concerned with behind-the-scenes information, tributes, and SFX tutorials, Landis' Sleazoid Express was one part film journal and one part anthropological study, seriously critiquing the grindhouse movies that played the theaters of 42nd Street while also documenting the dying subculture that had grown up around them. Profiled in Film Comment and Rolling Stone for his pioneering work, Landis' over-the-top "Mr. Sleazoid" persona and double-life as an adult film star masked the pain behind the excess: a child genius whose intellect alienated him from his peers; a sexual abuse survivor who numbed his trauma with drugs; a consummate outcast who only felt at home among other outcasts. After settling into life as a husband, father, and author in the 90s, it seemed that Landis had turned a corner-but the ghosts of Times Square were never far behind him. Dead at the age of 49 on the eve of what should have been a successful comeback, his legacy has nominally been forgotten, most of his work lost, and his memory relegated to a footnote in journalism history. Now, award-winning author and journalist Preston Fassel (Our Lady of the Inferno; Fangoria magazine; The Daily Grindhouse) pieces together the full story of his life for the first time, from his turbulent childhood, to his meteoric rise in the New York vice scene, to his tragic demise on the streets of Chicago. Featuring exclusive interviews with Kurt Loder (MTV; Rolling Stone), Michael J. Weldon (Psychotronic Video), Art Ettinger (Ultra Violent Magazine), Carl Abrahamsson, Mike McPadden (Heavy Metal Movies; Teen Movie Hell), and others, plus excerpts from Landis' unpublished autobiographical novella Last Exit in Manattan and a reprint of Landis' seminal Fangoria interview with Andy Milligan, Landis at last pulls back the curtain on one of genre writing's most influential-yet unknown-figures. In that lost, damned, golden age called the 80s, there was a movie star named Bobby Spector and a writer named Mr. Sleazoid. Most importantly, there was a man named Bill Landis. This is his story.

Learn About the Magic of Light from a Master Step into the captivating world of Jean Rosenthal, a trailblazing figure in the realm of lighting design for modern theater. The Magic of Light, a professional memoir crafted with the assistance of friend and novelist Lael Wertenbaker, unveils the artistry behind Rosenthal's technical mastery. Renowned for transforming stage illumination from a mere necessity to a mesmerizing art form, Rosenthal shares her insights, experiences, and the evolution of her craft. Part one of the memoir delves into Rosenthal's profound thoughts on light, exploring its role in theatrical history, dissecting its impact on plays, musicals, operas, and dance. Part two, "Tools of the Trade," serves as a comprehensive guide, detailing the mechanics of lighting instruments, with diagrams, charts, and photographs illustrating Rosenthal's creative process. Included are light plots, cue sheets, and scene designer's elevations for the famous Broadway productions of Hello, Dolly and Plaza Suite. In a heartfelt preface, Wertenbaker offers a glimpse into the life of Rosenthal, a woman of immense talent, professionalism, and profound humanity. From her early collaborations with Martha Graham to her work with Broadway stage greats, Rosenthal's journey unfolds with anecdotes, humor, and the unwavering dedication that endeared her to colleagues and theater crews alike. The Magic of Light is not only a technical guide; it's a celebration of Rosenthal's legacy and her impact on the theatrical world. With contributions from luminaries like Martha Graham, John Houseman, Oliver Smith, Mary Martin, and Garson Kanin, this memoir is a tribute to a pioneering artist whose work continues to shape the essence of stage illumination. This book is also available from Echo Point Books as a hardcover (ISBN 1648374298).

Invasion of the Body Snatchers starring Kevin McCarthy and Dana Wynter is one of the most revered films in international film history. For many critics it began the serious cycle of science fiction films that now include "Alien" and "Blade Runner." Thanks to the novel by Jack Finney, the screenplay by Daniel Mainwaring and especially the direction of Don Siegel, "Invasion" runs on television somewhere virtually every day. This original book brings together interviews with Kevin McCarthy and Dana Wynter and also includes pieces by Dean Koontz (the introduction), Stephen King (an essay); and interviews with Philip Kaufman, who directed the 1978 remake; Robert H. Solo, who produced the remake; W. D. Richter, who wrote the remake; and Abel Ferrara, who directed the 1997 remake. Packed with insights into the production of a classic film, filled with moments of humor and a few moments of angst, and as entertaining as a "behind the scenes" look at the movie business. Join us in this tribute to Invasion of the Body Snatchers.

"Century 21," a time machine in literary form, ignores the unity of time, space, and character. This tragicomical idyll of the future past mixes ancient and modern genres: Platonic dialogue and nineteenth-century romance, reportage and science fiction. At the book's core are two sisters, Ann Kar, a writer and survivor, and Carol, a suicidal artist. Considering herself a lunatic, Carol dreams about escaping from the earth to the moon (luna) and about the moon scholar, a lunar archeologist, who a thousand years after her death, while reconstructing terrestrial life, discovers the traces of her existence, falls in love with her, and begins to write about her - and his - erotic adventure. The result is a novel where Anna Karenina writes about Simone Weil, where Joseph Conrad meets Malcolm Lowry in Mexico, where Goethe presides over a literary institute made up of such members as Italo Svevo and Sextus Propertius, and where Djuna Barnes, dying from AIDS, visits Moses Maimonides in Japan. Ewa Kuryluk is fascinated by the repetition of the same situations and types, yet she's after her contemporaries who are starved for affection, lost in transit, ready to slip into somebody else's skin, and speaking in English, their second language, with a heavy accent. "Century 21" is a profoundly moving and original work.

2014 COMPTON CROOK AWARD FINALIST. The Brogardi appeared out of nowhere, and -- telegraphing their peaceful intentions -- they landed in the middle of nowhere: New York State's Catskills Mountains resorts. It was an alien invasion, of the most peaceful, friendly kind. But there had to be something sinister behind it all, right? Movie executive Jake Berman lives fiction for a living, promoting movies to the masses. He's happy, and only moderately harried. But his peaceful existence is thrown into overdrive when one of the aliens sets his sights beyond the decaying resorts of the east -- when he decides it's time to invade Hollywood Daniel M. Kimmel is a film critic and professor of film. His book on the history of FOX TV, The Fourth Network received the Cable Center Book Award. His other books include a history of DreamWorks, The Dream Team , and I'll Have What She's Having: Behind the Scenes of the Great Romantic Comedies . His collection of essays, Jar Jar Binks Must Die... and other Observations about Science Fiction Movies , was a 2012 nominee for the Hugo Award for Best Related Work. He is a past president of the Boston Society of Film Critics, and current co-chair of the Boston Online Film Critics Association. This is his first novel. " Kimmel's first novel is] a true joy... let's hope there are more to come." --Don Sakers, Analog Science Fiction and Fact "This is the book we've been waiting for from Dan Kimmel -- funny, knowing, fast paced, full of humor, and told with a big heart. An absolute joy." ---Robert J. Sawyer, Hugo Award-winning author of Red Planet Blues "Dan Kimmel's first novel is a funny and delightful tour de force that will appeal to movie fans as well as science-fiction readers." --Michael A. Burstein, John W. Campbell Award-winning author of I Remember the Future "Exceptionally funny... pretty damned spectacular... this is the funniest book of the year and one of the best debut SF novels in ages " --Chris Garcia, The Drink Tank

ODDS AGAINST TOMORROW (1959), which stars Harry Belafonte, Robert Ryan, Ed Begley, and Gloria Graham, is written by blacklisted screenwriter Abraham Polonsky and directed by Robert Wise. The last great film noir of the black & white era, ODDS AGAINST TOMORROW reflects the author's strong social conscience--as racial conflict is portrayed as central to the failure of a bank robbery. This publication of the complete script of ODDS AGAINST TOMORROW blends the shooting script (written before the film was shot) and the continuity script (the elements which are contained in the finished film). The critical analysis draws extensively on specially conducted interviews with Robert Wise, Harry Belafonte, and Abraham Polonsky. Discussed din depth are the significance of a black protagonist within the film noir genre; the film's staus with African-American related cinema; the adaptation from William McGivern's novel; and the critically celebrated jazz score by John Lewis of the Modern Jazz Quartet.