Four troubled people meet beneath Chicago’s shadowy streets and discover a woman who changes their lives forever in this powerful, haunting novel of magic and miracles, from the New York Times bestselling author of the V.I. Warshawski series“Truly remarkable.”— San Francisco Chronicle“Rich, imaginative, [and] intensely moving.”— Chicago Tribune“Astonishing and affecting.”— BooklistThey come from different worlds and meet at a time of crisis for all of them. Luisa, a drunken diva fallen on hard times, discovers on Chicago's streets a drama greater than any she has experienced onstage. Madeleine, a homeless woman, sees the Virgin Mary’s blood seeping through a concrete wall beneath a luxury hotel. Mara, a rebellious adolescent cast out by her wealthy grandfather, becomes the catalyst for a war between the haves and have-nots as she searches among society’s castoffs for the mother she never knew. As the three women fight for their right to live and worship beneath the hotel, they find an ally in Hector Tammuz, an idealistic young psychiatrist risking his career to treat the homeless regardless of the cost. Tensions in the city are escalating when a mysterious woman appears during a violent storm. Alluring to some, repellent to others, she never speaks; the street people call her Starr. And as she slowly transforms their lives, miracles begin to happen in a city completely unprepared for the outcome. In this extraordinary novel, Sara Paretsky gives voice to the dispossessed, to men and women struggling to bury the ghosts of the past, fighting for their lives in a world hungry for miracles, terrified of change --

A dark, brilliant novel of astonishing pitch, set in Provincetown, a “spit of shrub and dune” captured here in the rawness and melancholy of the off-season, Tough Guys Don’t Dance is the story of Tim Madden, an unsuccessful writer addicted to bourbon, cigarettes, and blonde, careless women with money. On the twenty-fourth morning after the decampment of his wife, Patty Lareine, he awakens with a hangover, considerable sexual excitement, and, on his upper arm, a red tattoo bearing a name from the past. Of the night before, he remembers practically nothing. What he soon learns is that the front passenger seat of his Porsche is soaked with blood and that in a secluded corner of his marijuana stash in a nearby woods rests a blonde head, severed at the throat. Is Madden therefore a murderer? He has no way of knowing. As in many novels of crime, the narrative centers on violence—physical, sexual, and emotional—but these elements move in their orbits through a rich constellation of character as Madden tries to reconstruct the missing hours of a terrible evening. In the course of this in-quiry a bizarre and vividly etched gallery of characters reappears to him as in a dream—ex-prizefighters, sexual junkies, mediums, former cons, a police chief, a world-weary former girl friend, and Mad-den’s father, old now but still a Herculean figure, a practitioner of the sternest backroom ethics. Tough Guys Don’t Dance represents Mailer at the peak of his powers with a stunningly conceived novel that soon transcends its origins as a mystery to become a relentless search into the recesses and buried virtues of the modern American male. Rarely, as many readers will discern, have the paradoxes of machismo and homosexuality been so well explored.

A bestseller in 1933, and subsequently adapted into two beloved and controversial films, Imitation of Life has played a vital role in ongoing conversations about race, femininity, and the American Dream. Bea Pullman, a white single mother, and her African American maid, Delilah Johnston, also a single mother, rear their daughters together and become business partners. Combining Bea’s business savvy with Delilah’s irresistible southern recipes, they build an Aunt Jemima-like waffle business and an international restaurant empire. Yet their public success brings them little happiness. Bea is torn between her responsibilities as a businesswoman and those of a mother; Delilah is devastated when her light-skinned daughter, Peola, moves away to pass as white. Imitation of Life struck a chord in the 1930s, and it continues to resonate powerfully today. The author of numerous bestselling novels, a masterful short story writer, and an outspoken social activist, Fannie Hurst was a major celebrity in the first half of the twentieth century. Daniel Itzkovitz’s introduction situates Imitation of Life in its literary, biographical, and cultural contexts, addressing such topics as the debates over the novel and films, the role of Hurst’s one-time secretary and great friend Zora Neale Hurston in the novel’s development, and the response to the novel by Hurst’s friend Langston Hughes, whose one-act satire, “Limitations of Life” (which reverses the races of Bea and Delilah), played to a raucous Harlem crowd in the late 1930s. This edition brings a classic of popular American literature back into print.

This is a comic, tragic, supremely entertaining novel about one family's struggles with the consolations of faith and the trials of doubt. When Audrey makes a devastating discovery about her husband, New York radical lawyer Joel Litvinoff, she is forced to re-examine everything she thought she knew about their forty-year marriage. Joel's children will soon have to come to terms with this unsettling secret themselves, but for the meantime, they are trying to cope with their own dilemmas. Rosa, a disillusioned revolutionary, is grappling with a new-found attachment to Orthodox Judaism. Karla, an unhappily married social worker, is falling in love with an unlikely suitor at the hospital where she works. Adopted brother Lenny is back on drugs again. In the course of battling their own demons and each other, every member of the family is called upon to decide what - if anything - they still believe in.

"For fans of Donna Tartt's The Secret History, a propulsive literary novel about sexual obsession in which a meek Harvard freshman becomes dangerously infatuated with a classmate. David Federman has never felt appreciated. One of the most painfully forgettable members of his New Jersey high school class--yet the only one accepted to Harvard--shy, witty David arrives in Cambridge fully expecting to embrace, and be welcomed by, a new tribe of like-minded peers. But at first, beyond the friendly advances of a plain-looking girl named Sara, his social status seems devastatingly unlikely to change. Then he meets Veronica Morgan Wells. Instantly infatuated, struck by both her beauty and her brains, David falls feverishly in love with the woman he sees as a charismatic goddess. Determined to stop at nothing to win her attention and a coveted invite into her glamorous Upper East Side world, David begins compromising his own moral standards, tossing everything aside for this one, great chance at happiness. But neither Veronica nor David, it turns out, are exactly as they seem... A darkly comic and riveting portrayal of psychosexual obsession from one of the most acclaimed writers of his generation, Loner also turns the traditional campus novel on its head as it explores contemporary gender politics and class--and discovers just what we're capable of when our greatest enemies turn out to be ourselves"--

"A stunning, virtuosic novel about twelve people, mostly strangers, and the surprising ripple effect each one has on the life of the next as they cross paths while in transit around the world.' --amazon.com.

Jhabvala, winner of the Booker Prize as well as an Academy Award for screenwriting, has written a haunting tale of the complex and perilous relations between two young cousins, Angel and Lara. A masterful novel which explores the dangers of love and committment. From the Trade Paperback edition.

A haunting and emotionally satisfying novel from a much-loved and critically acclaimed author, which weaves fairy tale and gritty realism together to dazzlingly effect. 'The Story Sisters' charts the lives of three sisters - Elv, Claire and Meg. Each has a fate she must meet alone: one on a country road, one in the streets of Paris, and one in the corridors of her own imagination. Inhabiting their world are a charismatic man who cannot tell the truth, a neighbor who is not who he appears to be, a clumsy boy in Paris who falls in love and stays there, a detective who finds his heart's desire, and a demon who will not let go. What does a mother do when one of her children goes astray? How does she save one daughter without sacrificing the others? How deep can love go, and how far can it take you? At once a coming-of-age tale, a family saga, and a love story of erotic longing, 'The Story Sisters' sifts through the miraculous and the mundane as the girls become women and their choices haunt them, change them and, finally, redeem them.

The third volume of one of the greatest novels of the twentieth century Mark Treharne's acclaimed new translation of The Guermantes Way will introduce a new generation of American readers to the literary richness of Marcel Proust. The third volume in Penguin Classics' superb new edition of In Search of Lost Time—the first completely new translation of Proust's masterpiece since the 1920s—brings us a more comic and lucid prose than English readers have previously been able to enjoy. After the relative intimacy of the first two volumes of In Search of Lost Time, The Guermantes Way opens up a vast, dazzling landscape of fashionable Parisian life in the late nineteenth century, as the narrator enters the brilliant, shallow world of the literary and aristocratic salons. Both a salute to and a devastating satire of a time, place, and culture, The Guermantes Way defines the great tradition of novels that follow the initiation of a young man into the ways of the world.

"In The Apprenticeship, or The Book of Pleasures, Clarice Lispector tries to discover how to bridge the gap between people, or how to even begin to try. A woman struggles to emerge from solitude and sadness into love, including sexual love: her guide on this journey is Ulisses, who (yes) leads her patiently into the fullness of life."--

No writer plunged more wholeheartedly into the chaotic energies of the 1960s than Norman Mailer, as he fearlessly revolutionized literary norms and genres to capture the political, social, and sexual explosions of an unsettled era. Here, for the first time in one volume, are his unforgettable books of the 1960s: two disruptive and visionary novels, and two radically innovative journalistic masterpieces. War hero, television star, existential hipster, seducer, murderer: such is the protagonist of An American Dream, Mailer's hallucinatory voyage through the dark night of an America awash in money, sex, and violence. In Why Are We in Vietnam? a motor-mouthed 18-year-old Texan on the eve of military service recounts with manic and obscene exuberance a grizzly bear hunt in Alaska that exposes the macho roots of the war. The acclaimed "non-fiction novel" The Armies of the Night (winner of the Pulitzer Prize and National Book Award) and its follow-up Miami and the Siege of Chicago are on-the-scene, in-the-scene accounts of an antiwar march on the Pentagon and the party conventions of 1968, as Mailer casts himself as a player in the drama he reports, bringing a sharp and merciless eye on the decade's political upheavals.

Award-winning American novelist Nicole Krauss first captivated readers with her groundbreaking debut novel Man Walks into a Room a novel in which Krauss explores what it is to lose one's identity and what it is to discover what makes us human. Samson Greene has been missing for eight days when he is discovered wandering through the Nevada desert 'ragged as a crow' and with no idea who he is. He is rushed to hospital where doctors save his life but all his memories after the age of twelve have been permanently lost. Now as he looks around the beautiful apartment he apparently shares with his wife and which is filed with all the souvenirs of a life well lived Samson feels nothing more than a vague admiration. In her first novel Nicole Krauss tells the story of a man suddenly liberated from the life he has made disconnected from the people who have defined him. Withdrawing from a wife he has no memory of loving Samson plunges weightless into the future. But when he agrees to participate in a revolutionary experiment what he experiences a revelation of what it means to be human. 'Krauss celebrates the anything-but-simple art of human connection' San Francisco Chronicle 'You'll savour the last page - and be hungry for future work from this talented author' The Washington Post Book World Nicole Krauss is an American bestselling author who has received international critical acclaim for her first three novels: Great House (shortlisted for the Orange Prize for Fiction 2011) The History of Love (Shortlisted for the Orange Prize for Fiction 2006 and winner of the 2006 Prix du Meilleur Livre tranger) and Man Walks into a Room all of which are available in Penguin paperback.

This novel exposes the obsession that draws climbers away from civilization to test themselves against the most intimidating and inaccessible mountains in the world. James Salter captures the adventure of Gary, a roofer of churches, who feels restrained by conventions and flat ground. Unable to find happiness in his life, he travels to southern France to climb to the summits of the Alps. He finds peace and happiness within himself soon after. But when fellow climbers are trapped on the mountain, he makes a daring one-man rescue during a storm that brings him the notice he has always shunned. But the glory quickly dissapates and he returns to the anonymity he prefers, having thoroughly satisfied himself.

"Fresh from the enormous success of her debut novel Near to the Wild Heart, Hurricane Clarice let loose something stormier in 1946 with her second novel, The Chandelier. In a body of work renowned for its potent idiosyncratic genius, The Chandelier in many ways has pride of place. "It stands out," her biographer Benjamin Moser noted, "in a strange and difficult body of work, as perhaps her strangest and most difficult book." Of glacial intensity, consisting almost entirely of interior monologues--interrupted by odd and jarring fragments of dialogue and action--the novel moves in slow waves that crest in moments of revelation. As she seeks freedom via creation, the drama of Virginia's isolated life is almost entirely internal: from childhood, she sculpts clay figurines with "the best clay one could desire: white, supple, sticky, cold. She got a clear and tender material from which she could shape a world. How, how to explain the miracle..." While on one level simply the story of a woman's life, The Chandelier's real drama lies in Lispector's attempt "to find the nucleus made of a single instant ...the tenuous triumph and the defeat, perhaps nothing more than breathing." The Chandelier pushes Lispector's lifelong quest for that nucleus into deeper territories than any of her amazing works" --

In the aftermath of October 7, Ferdinand Draxler walks the streets of London in despair. Everything has changed - the sights, the sound, the spirit. He too is not who he was. Is he at the crossroads of history or is it just a bend in the cul-de-sac of his own gloomy nature? The son of a Holocaust survivor who accuses him of cowardice and the father of a daughter who sees him as complicit in genocide, Draxler fixates on bad news. He shouts at the television. He carries his own tin of paint to cover up graffiti. The staffroom at the primary school of which he is headmaster has become a battlefield of inflamed opinion he does nothing to quiet. His wife, Charmian, is a beacon of calm, but even she isn't sure she can save Ferdie from himself. 'Don't worry about me,' he tells her. 'I don't have what it takes to go mad.' -- Source other than Library of Congress.

A chilling, compulsively readable novel of psychological suspense from the author of Little Face and The Carrier Sally Thorning is watching the news with her husband when she hears a name she never thought she'd hear again: Mark Bretherick. It's a name she shouldn't recognize. Last year, a work trip Sally had planned was canceled at the last minute. Desperate for a break from juggling her job and a young family, Sally didn't tell her husband that the trip had fallen through. Instead, she treated herself to a secret vacation in a remote hotel. While she was there, Sally met a man--Mark Bretherick. All the details are the same: where he lives, his job, his wife Geraldine and daughter Lucy. Except that the photograph on the news is of a man Sally has never seen before. And Geraldine and Lucy Bretherick are both dead... With the international bestseller Little Face , Sophie Hannah established herself as a striking new voice in psychological suspense. The Wrong Mother , a riveting exploration of a mother's unspeakable betrayal, confirms her reputation as a master of the form.

"Austin, a struggling screenwriter living in LA, is transported to the medieval city of Galiana, where he is charged with murder. He is suddenly transported back to LA and sets off in search of the only book written about the medieval kingdom. But Austin is not the only one interested in the book - Serge Orosgo, a powerful billionaire and family friend, wants the books so badly that he threatens to kill Austin if he doesn't find it. Realizing Serge and his family are on an evil mission, Austin struggles to stay alive and find the book before it gets into Serge's hands. His search is continually derailed, however, because Austin has no control over his passage between the two worlds and keeps suddenly returning Galiana."--

Four decades ago, Erica Jong revolutionized the way we look at love, marriage and sex. Her world-wide bestseller, FEAR OF FLYING opened the doors for writers from Jennifer Weiner to Lena Dunham. Now she does it again by giving us powerful, new perspective on the next phase of women's lives. Full of the sly humor, deep wisdom and poignancy we know from her poetry, fiction and essays, she delivers the novel women everywhere have been waiting for... FEAR OF DYING As the afternoon of life looms over Vanessa Wonderman, she watches her parents age, attends doctor appointments with her pregnant daughter, and sits by the hospital bed of her husband, Asher, fifteen years her senior. With her best years as an actress behind her, she's discovering that beginnings are easy, but endings can be hard. Could her fountain of youth fantasies be fulfilled on zipless.com? A site inspired by the writings of her best friend, Isadora Wing, it promises "no strings attached" encounters-and Vanessa is so restless that she's willing to try anything. Fear of Dying is a daring and delightful look at what it really takes to be human and female in the 21st century. Wildly funny and searingly honest, it is a story for everyone who has ever been shaken and changed by love.

The powerful, moving and turbulent novel of Sally Porter and the multiple personalities she has no idea she lives with... From the award-winning bestselling author of FLOWERS FOR ALGERNON: 'Heartbreaking, and utterly, completely brilliant' GUARDIAN Sally Porter is perfectly 'ordinary'. A waitress, divorcee, and loner in the great city. But, though she is unaware of it, she is also four other, quite different people: Nola, the cold independent artist who has a studio in Greenwich Village; Derry, the happy-go-lucky tomboy; Bella, the highly-sexed live wire with a talent for singing and dancing; and finally Jinx, the hate-filled killer. Whenever events put too much of a strain on Sally Porter, she feels a headache and a blackout coming on - and a new character takes over. If there is a man to be fascinated, she will become Bella. If there is an intellectual problem, she will become Nola. And - as happens in the opening scene of the novel - if there is a rapist to be dealt with, she becomes the vicious Jinx. It is the task of the wise and patient psychiatrist, Dr. Roger Ash - a man who nevertheless has severe problems of his own - to deal with this case of multiple personality and, through painstaking therapy, to try to fuse the four disparate personalities into "the fifth Sally."