Pittsburgh has always been—despite its industrial reputation—a great city in which to be a writer. Its active, close-knit writing community has seen the rise of several luminaries with Pittsburgh connections, such as Annie Dillard and Stewart O'Nan, and the caliber of Pittsburgh's writing community today is better than ever. Lee Gutkind has assembled a reunion of sorts with writers from across the nation, as well as the up-and-coming stars on the local scene—each of whom has a Pittsburgh connection. Many grew up in the region, others attended college here: all of them have an association with the city. The resulting collection of essays is both gentle and jarring, eclectic and persuasive, covering a range of topics—from a stripper's work ethic to West Virginia's famed Matewan shootout, Atlantic City's Boardwalk before Donald Trump, and the uses of poetry to better understand one's own life. Although Pittsburgh is not the subject of most of the essays, these writers are bound by their affinity for the written word and their collective fondness for Pittsburgh.

David Amram has played and rambled and galloped and staggered through a remarkably broad sweep of American life, experience, and creative struggle. The Boston Globe has described him as "the Renaissance man of American Music." Amram and Jack Kerouac collaborated on the first-ever jazz poetry reading in New York City in 1957 as well as the subsequent legendary film Pull My Daisy in 1959, combining Amram's music with Kerouac's narration. Amram, honored as the first Composer-in-Residence of the New York Philharmonic, has composed more than 100 orchestral and chamber works, written two operas, and has collaborated with Leonard Bernstein, Dizzy Gillespie, Lionel Hampton, Charles Mingus, Dustin Hoffman, Thelonious Monk, Willie Nelson, Nancy Griffith, Johnny Depp, and more. Vibrations is the story of one boy's adventures growing up on a farm in Pennsylvania, working odd jobs, misfitting in the U.S. Army, barnstorming through Europe with the famous Seventh Army Symphony, exiling in Paris, scuffling on the Lower East Side, day-laboring-often down but never out-finally emerging as a major musical force. With its stage-setting foreword by Douglas Brinkley and a new afterword by Kerouac biographer Audrey Sprenger, this new edition is not to be missed.

The Pulitzer Prize-winning poet writes about her life, the creative process, and the work of other poets.

"From Pulitzer Prize-winning poet Maxine Kumin, a timeless memoir of life, love, and poetry. Maxine Kumin left an unrivaled legacy as a pioneering poet and feminist. The Pawnbroker's Daughter charts her journey from a childhood in the Jewish community in Depression-era Philadelphia, where Kumin's father was a pawnbroker, to Radcliffe College, where she comes into her own as an intellectual and meets the soldier-turned-Los Alamos scientist who would become her husband; to her metamorphosis from a poet of "light verse" to a "poet of witness"; to her farm in rural New England, the subject and setting of much of her later work. Against all odds, Kumin channels her dissatisfaction with the life that is expected of her as a wife and a mother into her work as a feminist and one of the most renowned and remembered twentieth-century American poets" --

Originally published in 1959, Yes, Mrs. Williams has long been unavailable. In recalling one of the "determined women" in his life. William Carlos Williams, the quintessentially American poet of this century, does not write about his mother so much as recreate her. An experimentalist in prose as well as poetry, Williams records the "talk" of Raquel Hélène Rose Hoheb Williams, capturing the contradictions of this Spanish-speaking, Puerto Rican-born, Parisian-trained artist turned New Jersey wile and mother, her strength and cantankerousness, her vitality and sense of failed purpose. For this first New Directions paperbook edition, Dr. William Eric Williams, son and grandson, has written an illuminating foreword that includes newly discovered Williams family letters.

The oral autobiography of the controversial Vienna Aktionist, with archival materials and additional writings by Nitsch A pioneer of Vienna's postwar avant-garde and the most notorious member of the Vienna Aktionist group, Hermann Nitsch (1938-2022) united performance, painting and musical composition in dramatic, often blood-soaked rituals. Newly translated into English from the original German, this oral autobiography offers the readers Nitsch's life story in his own words. Over the course of an in-depth interview with Austrian journalist Danielle Spera, he recounts his family history, early childhood, the evolution of his artistic practice and the fraught reception of his work, as well as his various romantic and financial struggles. The interview is illustrated with images of his work, in the studio and in action; archival photographs; and other ephemeral material, such as flyers and news clips. Excerpts from Nitsch's writings, including "Blood Organ Manifesto" and "Verbal Poetry of the Orgies Mysteries Theatre," punctuate the interview between Spera and the artist.

Book and jacket rate fine/like new used better than very good not quite mint.

"Franz Baermann Steiner (1909-52) provided the vital link between the intellectual culture of central Europe and the Oxford Institute of Anthropology in its post-Second World War years. This book demonstrates his quiet influence within anthropology, which has extended from Mary Douglas to David Graeber, and how his remarkable poetry reflected profoundly on the slavery and murder of the Shoah, an event which he escaped from. Steiner's concerns including inter-disciplinarity, genre, refugees and exile, colonialism and violence, and the sources of European anthropology speak to contemporary concerns more directly now than at any time since his early death"--

Literary Nonfiction. FURTHER CONFESSIONS OF A SMALL PRESS RACKETEER is a continuation of the columns and essays that comprised Stuart's 2005 release, Confessions of a Small Press Racketeer. Again, equal parts literary memoir, reckless tirade, and unsolicited advice for the aspiring writer, FURTHER CONFESSIONS is drawn largely from Stuart Ross's notorious Hunkamooga column, his blog entries, essays for subTerrain magazine and other online venues. We bring them together here in their collected brilliance: alternately snarky, sincere, touching, honest, and always opinionated, Stuart's confessions are essential reading for any literary confessional. This volume offers its readers a roller-coaster journey into the mind of one of Canada's most committed small press activists. Praise for Stuart Ross: One of North America's most active and fiercely independent literary populists.--Another Chicago Magazine If Stuart Ross was living and working in the United States, and writing the exact same poetry he does now he would be rich and famous. Well, famous, at least.--The Globe and Mail Praise for CONFESSIONS OF A SMALL PRESS RACKETEER: For a quick and dirty breath of fresh air, it's difficult to beat renegade urban poet Stuart Ross's latest effort... Ross has the battle scars and knows poetry isn't about flowers and meadows, it's about blood and guts.--Steven Knight, Quill & Quire ...a wonderful book--funny, outrageous, and acute. I'll even say it's the best short-essay collection about the writing life that I've read in ages... Every aspiring writer should read CONFESSIONS OF A SMALL PRESS RACKETEER, just to find inspiration. And so should every established writer--just to keep humble.--Lynne Van Luven, Malahat Review

The author describes his activities as a sportsman, his involvement in the London literary circle, and the beginnings of his career as a poet

Translated from the original Kindheit, written in 1958 and published in German in 2003, David Dollenmayer’s edition makes this remarkable work available to a much-deserved wider audience. Moses Rosenkranz came from impoverished roots in rural Bucovina and gained acclaim for his poetry only late in his life. He survived the same Rumanian fascist work camp as his fellow poet Paul Celan, only to be arrested by the Russians in 1947 and interned in the Gulag for ten years. With his richly detailed recollections of rural life among Jews, Ukrainians, Rumanians, Poles, and Germans in Bucovina, a colorful parade of characters, and a remarkable eloquence, Rosenkranz recaptures a vanished moment of cultural history. The author’s unvarnished portraits of love, jealousy, and passion in his extensive family bring a fresh resonance to his poetry.

This book details the background to the Kingitanga and also tells the story of the first king, Potatau Te Wherowhero. It details all the momentous events of Te Wherowhero's life from around 1775 to his death in 1860, including his status as Lord of the Waikato and the famous battles and conflicts with other tribes, his raising up as the First Maori King, and Mana Motuhake, the Maori Kingship, set apart as the symbol of the spiritual and cultural life of the Maori. Pei Te Hurinui's biography of King Potatau tells this story in a Maori voice employing waiata, poetry and whakapapa as well as prose text in English and English translations so that the book is accessible to both Maori language speakers and those with no knowledge of Maori.