This collection includes thirty scholarly essays on Homer and Greek epic poetry published by Margalit Finkelberg over the past three decades. The topics discussed reflect the author?s research interests and represent the main directions of her contribution to Homeric studies: Homer's language and diction, archaic Greek epic tradition, Homer's world and values, transmission and reception of the Homeric poems. The book gives special emphasis to some of the central issues in contemporary Homeric scholarship, such as oral-formulaic theory and the role of the individual poet; Neoanalysis and the character of the relationship between Homer and the tradition about the Trojan War; the multi-layered texture of the Homeric poems; the Homeric Question; the canonic status of the Iliad and the Odyssey in antiquity and modernity. All the articles are revised and updated. The book addresses both scholars and advanced students of Classics, as well as non-specialists interested in the Homeric poems and their journey through centuries

The Soul of Wit demonstrates the unity of experience in Donne's poetry, and suggests that despite all surface differences, there exists an underlying affinity between the 'libertine' or amatory poems and the devotional writings. The unifying impulse is traced to Donne's dissatisfaction with certain Renaissance modes of thought and his attempt to resist or negate them. In applying this reading to the major poems, the author broadens the cultural context to include such Mannerist artists as El Greco, Tintoretto, and Caravaggio, who are seen as sharing many of Donne's own philosophical and aesthetic concerns, and as offering valuable insights into the 'metaphysical' quality of his verse.

Dan Miron's erudite and rich essay chronicles and analyzes the rise and fall of the prophetic poem in modern Hebrew literature. While focusing on H. N. Bialik's contribution to the rise and decline of the prophetic poem, Miron analyzes the historical, literary, and artistic factors influencing the fate of the prophetic poem from its ascendancy during the period of Hebrew Romanticism of the late 1890s and early 1900s to its decline in the post-World War I era and its eventual demise with the rise of the new poetics and the establishment of the State of Israel. In addition to Bialik, Miron discusses the works of Avraham Mapu, M.L. Lilienblum, Issac Irter, Shaul Tchernikhovsky, A. Shlonsky, U. Z. Greenberg, Yonatan Ratosh, Haim Gouri, and Amir Gilboa, among others.

Nicholas Horsfall was one of the most recognizable and influential Latinists of his generation. His main legacy is his work on Virgil and the five erudite commentaries on the Aeneid, but he was also a prolific writer of papers, both Virgilian and non-Virgilian. A number of Horsfall's papers, including the important 'Camilla', are translated in this volume for the first time.0Stretching from 1971 to 2015, the papers are drawn from his entire output demonstrating his unparalleled ability to connect Roman poetry with history, antiquarianism, and Realien. While showcasing his unique analysis of Virgil, it also highlights Horsfall's work as both a Latinist and a Romanist, illuminating the coherence in his approach. This volume includes many Virgilian papers that have become classics-on Aeneas the colonist, and on the Aeneas-legend, for example. This does not detract from the value of the non-Virgilian papers, many of which-on the collegium poetarum, and on discussions of reading and libraries at Rome, for example-have become standard treatments of their subjects. Throughout all these works there is an astonishing degree of connection, with glimpses in many papers of his other research interests.0'Nicholas Horsfall needs to be approached through his short papers, typically fresh, innovative and stimulating, and he has been so productive that nobody can claim to have had a full view of his scholarship. When it comes to placing a literary text in the frames offered by material culture, documents, landscapes, history, and by religious, legal, military and antiquarian studies, he was unrivalled.' Professor Alessandro Barchiesi, Professor of Classics, New York University.

In the mid-fifties Paul Celan suggested that he had a mind for writing that "would be a bit more sober & more spacious" than his poems. And yet, in his life-time Celan published very little of such "more spacious" work -- i.e. prose -- except for two essays that were public award-acceptance speeches, and a few occasional bits and pieces often published, or better, hidden away in obscure places. It is only with this volume, edited by Barbara Wiedemann and Bertrand Badiou, that Celan's multifaceted achievements as a prose writer can be discovered. For example, in the early language games of surrealist inspiration. In the biting, bitter aphorisms, "counterlights" thrown on those concrete dates from and toward which his poems are written -- since the early sixties we are dealing with texts that explicitly exhibit their contemporaneity. Or in the poetological critique of the prejudices with which the volumes of his poetry were read. Among the most surprising and appealing of these prose writings are the narratives, the "stories" and dialogues with the background of his Jewish fate. This English version of Microliths follows the first German edition of 2005. The sole difference is in the final section, the commentaries, which is a shortened version of Wiedemann & Badiou's original commentary, with some additional material by Pierre Joris. The translator, who this year concludes a 52-year involvement with bringing Celan's oeuvre into English, & the publisher are honored to release this book -- the only major collection of Paul Celan's prose -- in 2020, his 100th birth- & 50th death-year.

Discusses the Russian Jewish poet (born Eduard Dzyubin, 1895-1934), including the role that antisemitism played in regard to the publication (or non-publication) of his works and to their interpretation. Mentions, in particular, the Russian ultra-nationalist Stanislav Kunyayev, who viewed Bagritskii both as an "alien trespasser in the fields of Russian poetry" and as a self-hating Jew. Focuses on the poems "Origin" and "February" and their relation to the poet's Jewishness, which contemporary and later Soviet criticism minimized. Examines the Jewish trauma of rejection depicted in "February" and the protagonist's reactions to it. Denies the antisemitic view that the Jew in the poem rapes a Russian woman. Rejects the image of Bagritskii as a self-hating Jew, as well as the allegation that he has no place in Russian culture. Bagritskii was hoping for a synthesis, a utopia where a Russian-Jewish identity was possible and welcome. The fate of his works, as well as those of Soviet Jews who outlived him, proved otherwise.

Analyzes the works of Canadian Jewish poet A.M. Klein (1909-1972) written in the late 1920s-early 1950s, reading them as a combative poetic response to history. Klein's early poetry in "Hath Not a Jew, " composed against the background of the rise of antisemitism in Europe and in Montreal, his hometown, reveals his deep identification with Jewish tradition and his disillusionment with the humanist inability to confront Nazism. Deeply affected by news of the Holocaust, he wrote his mock epic "The Hitleriad" in 1942, in which he presented Hitler's ugliness, mediocrity, and meanness of spirit. This seems an attempt to demystify Hitler, paralleled perhaps by Arendt's concept of the banality of evil. "The Rocking Chair, " a collection of poems, and the novel "The Second Scroll" represent Klein's attempt to come to terms with the post-Holocaust world. Ch. 4 (pp. 61-80), "The Hitleriad: Against the Silence of the Apocalypse, " appeared in "Studies in American Jewish Literature" 9 (1990).

In this edition, which was originally published in 1961, Dr Prawer follows his study of the Buch der Lieder with a full-length study of the later works of Heine. A brief introductory study of the Buch der Lieder is followed by detailed treatment of Neue Gesichte, Atta Troll, Deutdchland, ein Wintermärchen, Romanzero, Gedichte 1853 und 1854, and the poems in the posthumous Letzte Gedichte und Gedanken. Dr Prawer extracts and relates to Heine's life the underlying themes in his poetry; those, and the consistent careful analysis of the poems, makes his book an excellent introduction to the poet's work.