Intense and deeply personal, this compilation of poetry, grapples with the reality of death, loss, and finding meaning in the face of life's finitude in contemporary times. For over three decades, Simcha Paull Raphael has written scholarly books on death and the afterlife, including his groundbreaking study Jewish Views of the Afterlife. In this collection of thirty-six poems, Raphael invites us into the inner sanctum of his own intimate wrestling with death and loss. As Rabbi Jill Hammer writes in the Foreword: "Raphael has done the brave work of exposing his own emotional life, the inner workings of his drive to address mortality and immortality. In a sense, he has let us know the behind-the-scenes of his academic and spiritual work." The poems herein reflect and wrestle with a spectrum of topics: the gamut of Jewish death rituals (funeral & shiva, Kaddish & Yizkor); personal tributes to the author's deceased parents; his journey of making meaning in the face of grief and loss; challenges of love and marriage; the vicissitudes of family life; and thoughtful poetic reflections on the state of the world today. As a book mirroring the universal journey of awakening to the reality of life's finality and eternity, Musings with the Angel of Death speaks to the heart and soul.

This study - a blend of philosophy, poetry, and philology - draws on theories of sexuality, phenomenology, comparative religion, philological writings, Russian formalism, Wittgenstein, Rosenzweig, William Blake, and the very physics of the time-space continuum to explore Kabbalah.

This study - a blend of philosophy, poetry, and philology - draws on theories of sexuality, phenomenology, comparative religion, philological writings, Russian formalism, Wittgenstein, Rosenzweig, William Blake, and the very physics of the time-space continuum to explore Kabbalah.

The Book of Questions, of which volumes IV, V, VI are together published here, is a meditative narrative of Jewish Experience, and, more generally, man's relation to the world. In these volumes the word is personified in the woman Yael, silence in her still-born child Elya. Even though words imply ambiguity and lies, they are the home of the exile. A book becomes the Book, fragments of the law that are in some way unified, where past and present, the visionary, and the common place, encounter each other. For Jabes every word is a question in the book of being. Man defines himself in the world against all that threatens his existence- death, the infinite, silence, that is, God, his primal opponent. How can one speak what cannot be spoken?

When King Philip VI expelled the Jews in 1306, some 100,000 men, women, and children were driven from royal France into the neighboring lands of Spain, Provence, Italy, and North Africa. The great expulsion of 1306 was arguably one of the most traumatic moments of medieval Jewish history and would prove to be the harbinger of a series of recalls and expulsions, local and general, culminating in King Charles VI's expulsion decree of 1394. Despite the upheavals of the fourteenth century, the literary productivity of Jews was astonishing. Yet there are few direct references to the catastrophic events of 1306, even in Jewish liturgical and historiographic texts, where one would expect to find them. In No Place of Rest , Susan Einbinder coaxes out the literary traces of this traumatic expulsion. Why did the memory of this proud and vibrant Jewish community fade from historical memory? Where do its remnants reside among later communities and readers? From the lyrics of the supposed "Jewish troubadour" Isaac HaGorni to medical texts and astronomical charts, Einbinder studies a range of writings she reveals to be commemorative. Her careful readings uncover the ways in which medieval Jews asserted their identity in exile and, perhaps more important, helped to preserve or efface their history.

Theology is, by definition, rational discourse about God and, by extension, the rational discourse about religious matters in general. Humans are rational--though not only rational--creatures and, as such, they are ever striving to verbalize, to rationalize, and to systematize. But, if theology is rational discourse about a primary experience rather than experience itself, we are faced with the problem of whether theology can really do full justice to the primary experience. Theologians have often list sight of the fact that theology is an interpretive discipline, that the primary source of religious knowledge is human experience, and that we have in our experience only hints and intimations of God. The images and nuances of poetry may be better suited than logical discourse for capturing these hints and intimations. Alongside its technical theological tractates, Judaism has always had its prayerbook, and the language of prayer is the language of poetry. Theological systems may come and go, but the theology that is translatable into liturgy remains. Liturgical poems expressing the unconventional and the idiosyncratic share the same prayerbook pages with conventional theology, just as conflicting ideas had always shared the same pages of Talmud and Midrash, where no uniformity of theological positions was ever enforced. Ibn Ezra's advice to "pray only in a literalist manner" was hardly the advice by which Jews let themselves be guided. The poetry of the synagogue proves it. The traditional Jewish liturgy contains not only the standard prayers ordained in the Talmud and the ritual codes, but also poetic embellishments of all kinds. Such poetic embellishments, or piyyutim, take the form of hymns to be sung in conjunction with the standard prayers, and of poetic inserts in the standard prayers themselves. Jakob Petuchowski presents ten such poems in pointed Hebrew, with translation, commentary, and introduction to the theological theme of each poem. The poems-ranging from the sixth to the fourteenth centuries and hailing Palestine, Spain, France, Germany, and Italy-introduce the reader to innovative poetic expressions of unconventional and daring theological ideas that have been incorporated into the standard liturgy. This reprint edition is an indispensible introduction to piyyut (medieval liturgical poetry) for all students of Jewish thought and culture.

A collection of sixteen poems, by twelve contemporary authors, celebrating Jewish holidays such as Yom Kippur and Purim.

Discusses medieval poetry in Hebrew (plus one example in Old French) dealing with martyrdom in the face of forced conversion. Deals with the ideal of Jewish resistance to persecution, but notes also the influence of Christian culture on Jewish literature. Focuses on Jewish martyrs in Blois, Troyes, and Paris. Notes how Talmud burnings impacted on the literature, reflected in the idea of the immortality of both the Jews and their books. Elucidates how the literature, often directed at the educated Jewish elite (the Tosafists and their pupils), reflected ideals of Jewish life as well as death. Suggests the latter ideal may have led most Ashkenazi Jews to prefer "Kiddush Hashem" or exile to conversion, when faced with that choice.

[Poems form] a tale of Jewish assimilation and its discontents: a sweeping exposition on Jewish American culture in all its bawdy, contradictory, inventive, glory. Exploring -- in his own family and in culture and politics at large -- how Jews have shed their minority status in the United States, poet Kevin Coval show us a people's transformation out of diaspora, landing on bothe sides of the color line--From back cover.