The Book of Questions, of which volumes IV, V, VI are together published here, is a meditative narrative of Jewish Experience, and, more generally, man's relation to the world. In these volumes the word is personified in the woman Yael, silence in her still-born child Elya. Even though words imply ambiguity and lies, they are the home of the exile. A book becomes the Book, fragments of the law that are in some way unified, where past and present, the visionary, and the common place, encounter each other. For Jabes every word is a question in the book of being. Man defines himself in the world against all that threatens his existence- death, the infinite, silence, that is, God, his primal opponent. How can one speak what cannot be spoken?

Theology is, by definition, rational discourse about God and, by extension, the rational discourse about religious matters in general. Humans are rational--though not only rational--creatures and, as such, they are ever striving to verbalize, to rationalize, and to systematize. But, if theology is rational discourse about a primary experience rather than experience itself, we are faced with the problem of whether theology can really do full justice to the primary experience. Theologians have often list sight of the fact that theology is an interpretive discipline, that the primary source of religious knowledge is human experience, and that we have in our experience only hints and intimations of God. The images and nuances of poetry may be better suited than logical discourse for capturing these hints and intimations. Alongside its technical theological tractates, Judaism has always had its prayerbook, and the language of prayer is the language of poetry. Theological systems may come and go, but the theology that is translatable into liturgy remains. Liturgical poems expressing the unconventional and the idiosyncratic share the same prayerbook pages with conventional theology, just as conflicting ideas had always shared the same pages of Talmud and Midrash, where no uniformity of theological positions was ever enforced. Ibn Ezra's advice to "pray only in a literalist manner" was hardly the advice by which Jews let themselves be guided. The poetry of the synagogue proves it. The traditional Jewish liturgy contains not only the standard prayers ordained in the Talmud and the ritual codes, but also poetic embellishments of all kinds. Such poetic embellishments, or piyyutim, take the form of hymns to be sung in conjunction with the standard prayers, and of poetic inserts in the standard prayers themselves. Jakob Petuchowski presents ten such poems in pointed Hebrew, with translation, commentary, and introduction to the theological theme of each poem. The poems-ranging from the sixth to the fourteenth centuries and hailing Palestine, Spain, France, Germany, and Italy-introduce the reader to innovative poetic expressions of unconventional and daring theological ideas that have been incorporated into the standard liturgy. This reprint edition is an indispensible introduction to piyyut (medieval liturgical poetry) for all students of Jewish thought and culture.

This book of poems has intent, design, and purpose. They are written to touch something hidden deep within you, something latent, undiscovered, and mysterious. I hope that you may wish to discover more about that of which I speak.For there are answers to your questions if you but seek. That hidden something is true of everyone, almost without exception, but most of us have fallen asleep to the yearning and the searching that it can give rise to. If you are not in the category of the walking dead--and you are truly searching-- perhaps this book will be for you. If you loved fairy tales as a child, would rather travel to ancient sites than take cruises or hang out on a beach, appreciate the mythology from other cultures, enjoy classical art, perhaps read philosophy and great literature, are enthralled by the wonder of the natural world--and the list goes on and on--this book may be of interest to you. Even if your yearning takes other forms, you may love what I've written as well. But the book is not an answer to your yearnings. It can, though, be a window into a world where those same yearnings are addressed, satisfied, and shown a further and meaningful path to take. I wrote it in the language of today (including a small amount of crude language), with some references to literary or artistic works of the past. Despite the simplicity of many of the poems, there is great depth of meaning, if you are open to it. My suggestion would be to read only a few poems at a time, trying to ponder what I am talking about, letting them sink in emotionally, rather than dissecting them intellectually. And certainly don't continue to read until your eyes glaze over, as that will not profit you in the least. Enjoy!

This Is A New Release Of The Original 1883 Edition.

"Thoroughly readable....A fascinating introduction to the world of the Jew in 19th-century Europe, viewed through the eyes of a brilliant and perceptive artist."--AB Bookman's Weekly. "A first-rate eye-opener, a fascinating compendium of the profound struggle toward a more integrated humanity."--Choice. The work of the great 19th-century German poet Heine is rich with verbal portraits of men and women, real and imaginary, contemporary and historical, ranging from Karl Marx and the Rothschilds to Spinoza and characters from the Bible. Drawing on material only recently made available, as well as letters and recorded conversations, Prawer has produced a work which is at once a study of the technique of literary portraiture, and a panorama of the Jewish world throughout the ages.