A major new collection of poems about women's lives and the closing circle of nature, from a bestselling poet. These poems celebrate the beauties of nature and the eternal cycle of love, death and birth that is being interrupted by the assault on the environment.

Each bilingual volume in The Defiant Muse series includes 60 to 80 poems by both well-known and rediscovered poets, selected on the basis of their individual merit and as illustrations of the evolution of feminist thought and feeling. Reflecting their own cultural milieus as well as enduring themes, the poets write of love and friendship, revolution and peace, religion, nature, isolation, work, and family. The Dutch, French, German, and Italian volumes represent their respective countries; the Hispanic volume includes poems from the many Spanish-speaking nations; and the Hebrew volume encompasses writing in Hebrew from around the world. The poems are presented in their original languages alongside English translations. Each volume includes an introduction, placing the poetry in historical and aesthetic perspective, and full biographical and bibliographical notes on the poets.

Poems by Else Lasker-Schüler A bilingual edition selected and translated by Francis Booth Along with Nelly Sachs and Paul Celan, Else Lasker-Schüler was one of the most important German-Jewish poets of the twentieth century. And along with August Stramm and Georg Trakl, one of the most important early German Expressionist poets. Born into a middle-class banking family in 1869, Lasker-Schüler began writing poetry very early, imagining herself as a child living in the Orient. Later she lived a bohemian life in Berlin, where she moved to train as an artist in 1894. Else later married the artist Georg Lewin, who founded the seminal Expressionist magazine Der Sturm , which published much of her early work. Lasker-Schüler embraced political activism in favour of animal rights, artists' rights and Jewish causes. Although not explicitly a feminist, she advocated and used "gender-just" grammar. Else lived in Berlin until 1933, when she fled Nazi persecution, finally settling in Jerusalem where she lived a life of poverty and eccentricity until she died in 1945. The German text in this edition is presented as a near-facsimile of the 1917 edition of her Collected Poems , from which these verses are selected.

Microscopes swivel and flowers spread as the poet wrestles with a spectrum of growing pains. These coming-of-age poems draw inspiration equally from science textbooks and fairy tales. As the final poem prays, "I will see the moon and morning and know". Branches explores what it means to live to the next day, and the next, before we fully understand what we are surviving.

Heaven is Portable: New and Collected Poems is D.L. Lang's 14th poetry book featuring poems on social justice, the global pandemic, Judaism, nature, and more. This volume contains dozens of poems previously published in anthologies worldwide and other brand new poems.

My laughter came tearing out of me, child-eyed, leaping in front of your door, singing Day in the face of Night. Mildred Faintly gives power to female voices from around the world that have not received the literary recognition they deserved. With this stunning collection, Faintly presents us Styx - German-Jewish Else Lasker-Schüler's first poetry book, which in its entirety had not been published in English. Until now. The exquisite translation goes beyond a faithful line-by-line representation of the German text. It brings Lasker-Schüler to life in the nuanced and coruscating complexity that characterized her personality: irreverent, sensuous, courageous, loving, lonely, funny, facetious, earnest, while covering the wide thematic range of the only woman poet to play a major role in the Expressionist movement.

Poetry arises from the search for sacred language that describes the awe and mystery of the real world. Deena Metzger is a contemporary poet who has aligned herself with this ancient tradition. This collection, that includes selections from her earlier books of poetry Dark Milk, The Axis Mundi Poems, Looking For the Faces of God , A Sabbath Among the Ruins and Skin: Shadows/Silence draws on her life s work, more than forty years of devotion to the word, and aligns itself with such a quest for meaning that has increasing urgency because of the spiritual and political ruins of our time. It is no longer sufficient, she believes, for the poet to be an unacknowledged legislator of the world, for the committed poet is called to engage with full heart in the continuous activity of restoration on behalf of beauty, wisdom and the natural world. Here we meet the articulate voices of the otherwise silenced, the voices of the animals, the land and the elementals, rain, wind fire and earth, and our responsibility to them. This book combines a searing look at the horrors that we permit, the anguish of human cruelty, brutality, and indulgence, but carrying the fierce determination to live, act, and write on behalf of the soul in all its manifestations. In this collection, despair is acknowledged but not indulged, as Metzger engages in the meticulous task of reconstructing a world, informed by the past and history as language demands, but, extracting ourselves from its violence and caprices, looking toward a viable future and all its unexpected possibilities. Poetry arises from the search for sacred language thatdescribes the awe and mystery of the realworld.Deena Metzger is a contemporarypoet who has aligned herself with this ancient tradition. This collection, thatincludes selections from her earlier books of poetry, and draws on her life swork, more than forty years of devotion to the word, and aligns itself withsuch a quest for meaning that has increasing urgency because of the spiritualand political ruins of our time.It isno longer sufficient, she believes, for the poet to be an unacknowledgedlegislator of the world, for the committed poet is called to engage with fullheart in the continuous activity of restoration on behalf of beauty, wisdom andthe natural world.Here we meet thearticulate voices of the otherwise silenced, the voices of the animals, theland and the elementals, rain, wind fire and earth, and our responsibility to them.This book combines a searing look at thehorrors that we permit, the anguish of human cruelty, brutality, andindulgence, but carrying the fierce determination to live, act, and write onbehalf of the soul in all its manifestations. In this collection, despair isacknowledged but not indulged, as Metzger engages in the meticulous task ofreconstructing a world, informed by the past and history as language demands, but, extracting ourselves from its violence and caprices, looking toward aviable future and all its unexpected possibilities. "

An anthology which bridges the poetic and the lesbian cultures developed in contemporary England and North America.

This Poem is an ironic investigation of contemporary culture and the technomediatic-saturated world we are enmeshed in. Composed in the style of Facebook updates and extended tweets, each section infuses itself with continuously shifting tones, styles, and commentary which in turn are provocative, emotive, and deeply satiric. Mashing up lexicons of Stein, Zukofsky, Shakespeare, Whitman, the recent financial meltdown, semiotic theory, Lady Gaga, Derrida, and Flickr streams, This Poem is a self-reflexive romp through shards and fragments of post-consumerist culture.

Unlike the literary traditions of the United States, England, and France, the first century of Hebrew literature was lacking in women novelists; women tended to write poetry, while prose fiction was mainly the domain of male writers. Since the 1980s, however, there has been a virtual explosion of commercially successful Hebrew fiction by women that includes many traditionally male genres, such as the historical novel, fictional autobiography, and the mystery novel. No Room of Their Own is a comparative analysis of recent Israeli fiction by women and some of its Western models, from Virginia Woolf and Simone de Beauvoir to Marilyn French and Marie Cardinal. Feldman shows the richness and subtleties of Israeli women's fiction as she explores the themes of gender and nation, as well as the (non)representation of the "New Hebrew Woman" in five authors -- the "foremothers" of the contemporary boom in Israeli Women's fiction: Amalia Kahana-Carmon ( Up on Montifer, With Her on Her Way Home), Shulamith Hareven ( City of Many Days, Thirst, The Vocabulary of Peace), Netiva BenYehuda ( The Palmach Trilogy), Ruth Almog ( Women, The Story of a [Writer's] Block, Roots of Air), and Shulamit Lapid ( Gei Oni).

Jenny Joseph is known mainly as the author of Warning, her internationally renowned dramatic monologue in which a middle-aged character talks of her fantasies of old age. But when Jenny was first published in the 1950s she was most admired for the wit of her precision with words in service to a memorable lyric style. Over the more than 60 years in which she has been exploring a wide range of literary forms, new ways of telling stories in prose and verse, introducing cadences of common speech into the lyrical movement of her verse, creating characters who tell their own stories, she has always written what she thinks if as songs . For this new book she has brought back some of those best-loved early love poems to make an entirely fresh combination with previously uncollected poems, and some very new poems published here for the first time. This new collection shows that Jenny Joseph s ability to convey the experiences of a thinking heart is in no way diminished."

Resting on my Laurels contains poetry written, performed, and published during D.L. Lang's tenure as the 2nd Poet Laureate of Vallejo in addition to other never before seen poems. It's kind of a sadness sandwich with two slices of hope and a side order of silly.

Abundant Sparks & Personal Archeology combines D.L. Lang's second and third ebooks into one paperback. This poetry collection offers poems spanning the silly to the spiritual. The poems were largely transcribed from notebooks by her husband and soul mate, Timothy Lang. There is a mix of poetry written in 2013 as well as older poems from the author's archives.

Id Biscuits is D.L. Lang's sixth poetry book. This 200 page volume contains topical poetry, autobiographical poems, spiritual poems, and story poems.

This chapbook contains poems previously published in full length poetry collections. It is a small sampling of the poetry published by D.L Lang, the current Poet Laureate of Vallejo, California. It includes some poems that have received ribbons or rosettes at county fairs. It contains poems inspired by Oklahoma, the San Francisco bay area, Judaism, a few of her other favorites.For more information visit D.L. Lang online at poetryebook.com

Poetry. The series of poems in Maxine Chernoff's WITHOUT are elegiac brushstrokes, each somewhat feathery and brushing in more than one direction, which creates tension and unexpected arrivals as well as departures: someone or something is missing. Parts of the world are wavering and parts have disappeared. What remains is treated in the subtle management of the lines without a hint of punctuation, which allows for "waves" of attention, as meaning rises and subsides. The emotional impact is powerful, as are the recognitions, such as "when darkness loses / its waiting mirror / and tuning forks / stand in for solace" and "readers asleep / mouthing their dreams / fears of whispering / become a creed / until life blurs / like any lens / that fails at attention." There's a sense of meaning passing with the solidity and darkness of time. "The protagonist of these fifty brilliantly condensed elliptical poems never feels sorry for herself: she knows only too well that 'no currency / buys your / erasure.' And she can even smile at the thought that 'maybe you'll freeze / trying to forget / how things were / before they weren't....' Indeed, one thing Maxine Chernoff is never without is an unfailing tact--a dazzling inventiveness that distances the pain and transforms it into verbal pleasure. As in Emily Dickinson's lyric, 'After great pain a formal feeling comes.'"--Marjorie Perloff

"It's a passionate rush of language, hope in a hard time, truth in the middle of lies. This poetry sparks and burns with the hidden language and stories of women" -Minnie Bruce Pratt Judith Arcana, a reproductive rights activist formerly involved in Chicago's pre-Roe v. Wade underground abortion service, imbues her poetry, fiction and essays with the same ferocity, humor and passion that informs her activism. As Grace Paley wrote, "What I love about this important book is how the work Judith began in Chicago years ago has deepened in poetry and prose with love for the lives of women." In light of the leaked 2022 decision regarding Roe, it's more important than ever that we examine and promote reproductive rights and justice. Judith has been a tireless fighter on this front for decades. Hello. This is Jane. was published on the 48th anniversary of her 1972 arrest as one of the "Abortion 7," which directly inspired the pieces in the collection. Hard to believe that 50 years later, we're now in danger of losing the progress she and so many others fought so hard for. Previously Judith tackled the topics in poetry, with What if your mother, first released in 2005. Note that this 2nd edition of the book includes an updated preface. "The title poem ... should be made into a poster and pinned up on the wall in every clinic in the United States." -Peter Bours, MD, longtime abortion provider