"A mother becomes a true grandmother the day she stops noticing the terrible things her children do because she is so enchanted with the wonderful things her grandchildren do." -- Lois Wyse Here it is! A "grandmarvelous" feast of anecdotes, observations, poetry and prose that celebrates the glories of Grandmothering! An eight-time expert in the field, Lois Wyse explores with wit, warmth, and candor such weighty modern-day dilemmas as What to Name the Grandmother...How to Win the Granny Wars...and reveals the truth about that credit card-toting phenomenon Shopalong Cassidy-The Plastic Grandma. The perfect book for the Nana of today, it will make you laugh, it will make you cry...it will make you want to run out and buy something nice for your grandchild!

At the age of 27, alone in Jerusalem in the wake of a painful divorce, Ilana Kurshan joined the world s largest book club, learning daf yomi, Hebrew for daily page" of the Talmud, a book of rabbinic teachings spanning about 600 years and the basis for all codes of Jewish law. A runner, a reader and a romantic, Kurshan adapted to its pace, attuned her ear to its poetry, and discovered her passions in its pages. She brought the Talmud with her wherever she went, studying in airplanes, supermarket lines, and over a plate of pasta at home, careful not to drip tomato sauce upon discussions about the sprinkling of blood on the Temple altar. By the time she completed the Talmud after seven and a half years, Kurshan was remarried with three young children. With each pregnancy, her Talmud sat perched atop her growing belly. This memoir is a tale of heartache and humor, of love and loss, of marriage and motherhood, and of learning to put one foot in front of the other by turning page after page. Kurshan takes us on a deeply accessible and personal guided tour of the Talmud, shedding new light on its stories and offering insights into its arguments both for those already familiar with the text and for those who have never encountered it. For people of the book both Jewish and non-Jewish If All the Seas Were Ink is a celebration of learning through literature how to fall in love once again.

Judith Viorst is known and loved by readers of all ages, for children’s books such as Alexander and the Terrible, Horrible, No Good, Very Bad Day; nonfiction titles, including the bestseller Necessary Losses; and her collections of humorous poetry, which make perfect gifts for birthdays, Mother’s Day, graduation, Christmas, Chanukah, or at any time of year. Whatever became of Alexander after that famously bad day? And did you know that Judith Viorst is his mother? And what happens to her passion for household neatness and orderliness, her deep devotion to schedules, her compulsive yearning to offer helpful advice when Alexander— now grown up, married, and the father of three—moves his family into his parents’ house? What happens is controlled, and sometimes not so controlled, chaos, as lives and routines are turned upside down and the house is overrun with scattered toys, pacifiers, baby bottles, sippy cups, pink-sequined flip-flops, jigsaw puzzles, and fishy crackers. With her characteristic sparkle and wit, Viorst relates her efforts to (graciously) share space, to become (if only a little bit) more flexible, to (sort of) keep her opinions to herself, and even to eventually figure out how to unlock the safety locks of the baby's (expletives deleted) bouncy seat. She describes how she and her husband, while sometimes longing for the former peace and tranquility of unravished rooms and quiet dinners for two unaccompanied by cries of “Oh, yuck!” survived and relished the extended visit of the Alexander Five. She also opens our eyes to the joys of multigenerational family living and to the unexpected opportunities to grow that life presents—even under the most unlikely circumstances. Several generations of readers surely will relate to this funny and loving book, enhanced throughout by Laura Gibson’s delightful two-color drawings.

Voted Britain's favourite poem in 1996, 'Warning', written in 1961, is known and loved the world over. Its declaration of defiance, so vividly and cleverly expressed, appeals to the rebel in all of us as we secretly yearn to throw off the shackles of propriety and enjoy the gleeful freedom of cocking a snook at the rest of the world. In the poem's respectable middle-aged woman, as she indulges in her fantasy of the gabby old crone with her outrageous clothes and dotty behaviour, Jenny Joseph has created a character whose thoughts have been quoted at conferences and funerals, used to cheer up sick friends, remembered with pleasure by children and adults alike. Found in schoolbooks from Alaska to Singapore, the poem has been stitched, stamped, quilted, set to music, printed on cards, written on cakes and made into films. Now, for the first time, 'Warning' appears as an illustrated book with drawings by Pythia Ashton-Jewell specially designed to suit its unique character.

"Adam Mansbach--a young and mostly unknown jazz musician, rapper, poet, screenwriter, and novelist - had just had his first brush with fame from a most unlikely source: a book of rhyming couplets about putting his young daughter to sleep that had improbably sold millions of copies and shot to the top of bestseller lists. Just as his dreams of writing success were coming true - interviews on late-night and morning shows, standing-room only events, an audiobook read by Samuel L. Jackson and Werner Herzog (not all dreams make sense) - he received a call from his father, with news about his older brother, David. 'my father said david has taken his own life & i answered as if i didn't understand or hadn't heard. my reply was what? & he repeated it. there is plenty to regret & perhaps this is insignificant but i wish i had not made him say it to me twice.' This epic poem tells the story of a young man grappling with the death of his beloved and troubled older brother - but more than that, trying to understand the nature of love, family, and mortality itself. In his Go the Fuck to Sleep, Mansbach deftly captured for millions of readers the comic tension betweeen the love we have for our newborn children and the ways they drive us crazy; here, he uses that same sensitivity and ability to find a fresh language for common human experience to illuminate the search for meaning within grief at the other end of life. Mansbach finds himself facing a sudden void where once he brother stood without any way to make sense of the loss. This poem turns into his ritual of grief, his way of redeeming and understanding loss - and moving on"--

A family of dedicated birders presents an illustrated tribute to birds featuring a combination of scientific facts, folklore, poems, and songs.--

From the team that brought us A Hole Is To Dig, here's another romp through the wild and wonderful imagination of children.

The perfect graduation gift: a wry look at the pleasures and anxieties of leaving home, penned with Judith Viorst's trademark blend of insight and humor. Millions of young people grew up with Viorst's bestselling children's book "Alexander and the Terrible, Horrible, No Good, Very Bad Day." Now they can take her tongue-in-cheek advice for the next stage in their lives. Warm, funny, compassionate, and reassuring, "You're Officially a Grown-Up" describes -- in verse and illustrations -- all those terrifying but eagerly anticipated freedoms that go hand in hand with venturing out on your own and trying to make your way in the world. Ranging from the quandaries of giving up room, board, and the keys to the Ford to the thrills of playing by your own rules, Viorst will touch a nostalgic chord in those "official" grown-ups who have loved her other books about life's milestones. This special keepsake -- written from a loving parent's perspective -- is just the ticket high school and college graduates need for a one-way passage to adulthood.

In this poem an old tin can becomes an urban conch shell when, held against a child's ear, it reveals the sounds of a bustling city.

A book for every patriotic American kid! Never before has the riveting American saga of "The Star-Spangled Banner" been so beautifully and thoroughly presented. This info-packed story of our national anthem includes: ★ Illustrated lyrics ★ The fascinating history of the War of 1812 and the battle that inspired Francis Scott Key to pen the words ★ Musical notation ★ Historical images ★ A reproduction of Key's original manuscript Caldecott Medalist Peter Spier's magnificent tribute takes readers from our anthem's turbulent origins at the Battle of Baltimore through the flag's significance in modern-day America. It's a must-have for every American family's library.

"Though the words [in this collection of free-verse poems] are simple and the humor direct, there's an inner core of meaning for thoughtful readers to ponder, while the deft play with sounds is delightful. Cheerfully unassuming illustrations make a perfect complement." —K. Notable Children's Books of 1993 (ALA) 100 Books for Reading and Sharing 1992 (NY Public Library)

Who better than her mother to offer advice and comfort? In seventeen pairs of sensitive verse, poets Jane Yolen and Heidi E. Y. Stemple--real-life mother and daughter--exchange their thoughts on a variety of adolescent issues great and small.

An illustrated collection of Mother Goose nursery rhymes, including well-known ones such as "Bah, Bah, Black Sheep" and "Little Boy Blue" and less familiar ones such as "Doctor Foster went to Gloucester" and "When clouds appear like rocks and towers."

A mother making a quilt for her child stitches the varied topography of their beautiful island into her patchwork pattern.

Accompanied by enchanting artwork, this brilliant collection of more than 100 poems from the legendary author celebrates childhood, showing just how wonderful it is to be a kid.

A collection of new and previously published stories and poems about unicorns by Jane Yolen.

Offers thirty-two poems about animals by various poets, including Wallace Stevens, Walt Whitman, and Vicki Hearne. The writers include Blake, Dickinson, Tennyson, Yeats, Wordsworth, and Keats. The captivating paintings by Simona Mulazanni make every page a delight. And the subject, animals, big and small, wild and tame has an irresistible appeal to children. William Blake's The Tyger burns bright in the lush image that accompanies the verse. Hillaire Belloc pays tribute to an elephant in a short, witty stanza accompanied by an adorable picture of the creature sitting on a small wood stool. Among the other poems are Marianne Moore's A Jellyfish and Edward Lear's charming, songlike The Owl and the Pussycat. A Selection of Scholastic Book Clubs, John Hollander has written A Crackling of Thorns (chosen by W.H. Auden for the Yale Series of Younger Poets), as well as literary criticism and children's books. He has served as editor for many poetry collections, among them An Anthology of Poems for Young People (with Harold Bloom). He is currently the Sterling Professor of English at Yale. Simona Mulazanni is a successful and much loved children?s book artist in Italy.

Short and inspiring, but rarely surprising, this collection of remarks, aphorisms and exhortations about the nature and purpose of poetry began in the late 1950s, when Ferlinghetti was just coming into his own as a Beat poet and publisher of City Lights Books. After 50 years of revisions and additions, his claims may not strike experienced readers as fresh-and some may even seem cliched: "The state of the world," his first page declares, "calls out for poetry to save it." On the other hand, Ferlinghetti's very large body of fans (he is one of the bestselling 20th-century American poets) should find reason and justice in these eternal verities, couched in up-to-date lingo: "Poems are e-mails from the unknown beyond cyberspace," for example. Beginning teachers of creative writing should also find Ferlinghetti's instructions of use: "Read between the lines of human discourse." Two groups of aphorisms make up most of the volume, to which Ferlinghetti adds a short essay and two 1970s poems. "Modern Poetry Is Prose" encourages young writers to discover the "dark spirit of earth and blood"; "Populist Manifesto #1" hopes "Whitman's wild children," however pressed down by modernity, will soon "Awake and sing in the open.

An inspiring memoir about love, race, identity, and contested narratives told with unflinching mettle. Through her childhood spent in 1940s New York being raised by two mothers, her work with the Student Nonviolent Coordinating Committee during the Civil Rights Movement, and raising her own children in the coalfields of West Virginia, Faith S. Holsaert has been defined by the intertwined forces of race, activism, and family. As a young woman on the front line of the Civil Rights Movement, she learned the power of contested narratives and came to understand her whiteness, her queer identity, and her stakes in overturning racism. Later in life, she confronted sexual abuse and mental illness across three generations of women in her family to find that these painful histories have played a significant role in the development of her identity as a woman, activist, and mother. Through a lifetime laid bare in prose and poetry, Holsaert beautifully quilts memoir, social history, and historic events into a gripping and inspirational narrative. This powerful and structurally innovative work lends new categories of meaning to those who would strive to find their place, hope, and sense of belonging in efforts to fight against systemic racism and lead lives characterized by openness and love.

"What is Holocaust literature? When does it begin and how is it changing? Is there an essential core of diaries, eyewitness accounts of the concentration camps, tales of individual survival in hiding? Is it the same everywhere: in the West as in the East, in Australia as in the Americas, in poetry as in prose? Is this literature sacred and sui generis, or can it be studied in the light of other literatures? What of the perpetrators and bystanders, the hidden children, the children of Holocaust survivors: Do they speak with the same authority? What works of Holocaust literature will be read a hundred years from now--and why? Here, for the first time and told from beginning to end, is an historical survey of Holocaust literature in all genres, countries, and major languages. Beginning in wartime, it proceeds from the literature of mobilization and mourning in the Free World to the vast and varied literature produced in the Nazi-occupied ghettos, the bunkers and places of hiding, the transit and concentrations camps. Within weeks of the liberation, in displaced persons camps, a new memorial and testamentary literature begins to take shape. Moving from Europe to Israel, the U.S., and beyond, the authors situate the writings by real and proxy witnesses within three distinct postwar periods: a period of "communal memory," still internal and internecine; a period of "provisional memory" in the '60s and '70s that witnesses the birth of a self-conscious Holocaust genre; to the period of "authorized memory" in which we live today, following the collapse of the Soviet Union (1989-91), and the opening of the US Holocaust Museum (1993). Twenty book covers - first editions in their original languages - and an eminently readable guide to the "first hundred books" together show the multilingual scope, historical depth, the moral and artistic range of this extraordinary body of writing."--Publisher's website.